Vores kunder ligger øverst på Google

X-Rite Custom Sample Holder

X-Rite i1Publish Pro 3

Quickly and easily create custom profiles for cameras, monitors, digital projectors, scanners, and printers and ensure color accuracy from capture to output with the i1Publish Pro 3.Equipped with industry-leading technology, the i1Pro 3 delivers more accurate and reliable results than any other device in its category and is two times faster than its predecessor. For designers, photographers, or prepress professionals who rely on accurate color throughout a digital workflow, the i1Publish Pro 3 is the must-have solution to profile and calibrate cameras, monitors, projectors, scanners, and both RGB and CMYK+ printers. Get the most color accurate displays, prints and proofs, with repeatable results every time. Accommodating a broad range of proficiencies and expertise, i1Publish Pro 3 Plus provides complete power and control to create the highest quality ICC profiles. Choose between a basic, wizard-driven interface, or an advanced user-driven interface to create high quality, precise, custom color profiles. Benefits: - Offers a custom, full-spectrum LED light source, which allows for single-pass scanning and improves device reliability and accuracy. - Measures M0, M1, and M2 simultaneously in a single-pass, cutting scanning time in half. - Reads smaller patches than the i1Pro 2 with improved accuracy. - Features an ergonomic design for easy cleaning and accurate measurements. - Benefit from perfect printed colors every time with RGB, CMYK and CMYK + any 4 with intelligent iterative profiling technology for best quality results and advanced controls for black generation and separations. - Provides real-time user feedback to ensure accurate measurement position and a self-check tool to adjust and correct minor shifts. - Achieve true colors on all modern laptop and desktop display technologies, such as LED, Plasma, RG Phosphor, OLED and Wide Gamut up to 5000 NITs. - Quickly check color output quality with the ColorChecker Proof visual assessment target, included with i1Publish. - Capture spot colors off virtually any surface - ideal for creative design or corporate brand requirements* - and keep your PANTONE libraries up-to-date, accurate and ready to use in Adobe® and Quark® creative applications with PANTONE Color Manager for color palette creation and swatch bridging software. - Optimizes automated file creation in less time and material waste during production when combined with the i1iO Generation 3 automated scanning table.

Calibrite ColorChecker Classic Mega

The ColorChecker Classic Mega is for those applications that require the target to be an extreme distance from the camera and still be able to be imaged with enough resolution to be useable for making corrections. Measuring an enormous 1020 x 1520mm, the Mega is the largest target within the ColorChecker Classic range and is an ideal tool for the following photographic scenarios and more; Wide shots; landscape, cityscape, extreme distance photography Event photography; concerts, churches, sports, stage Aerial photography; drone photography ColorChecker targets are ideal for creating custom camera profiles (DNG and ICC), correcting neutral balance and exposure, and provides a standard for colour corrections. The targets provide a non-subjective standard of comparison to help determine the true colour balance of any colour rendition system. It provides the needed standard for comparing, measuring and analysing differences in colour reproduction in various processes—avoiding costly mistakes. The ColorChecker target is an array of 24 scientifically formulated colours that has been the leading industry colour reference target for more than 40 years. It is designed to deliver true-to-life colour reproduction so that photographers and filmmakers can predict and control how colour will look under any illumination. Each of the 24 colours found on a ColorChecker target represents the actual colour of natural objects, such as human skin tone, foliage and blue sky, and reflects light just like its real-world counterpart. Since these colours exemplify the colour of their counterparts in the natural world and reflect light the same way in all parts of the visible spectrum, the squares will match the colours of representative samples of natural objects under any illumination, and with any colour reproduction process. Each solid patch is formulated individually to produce a pure, flat, rich colour. ColorChecker targets have been used by Colour perfectionists for the past decade to create custom DNG profiles for Adobe Lightroom® and Photoshop® workflows. You can also build custom ICC camera profiles for use in Capture One® (or other ICC compatible software) when you combine ColorChecker targets with Calibrite ColorChecker Camera Calibration software. You’ll get accurate colour at capture based on specific lighting, camera and lens combination during any given shoot, saving valuable time in edit. Taking advantage of a ColorChecker target is easy. Simply include the ColorChecker in your photo or video capture and then later, while editing use it to compare, measure and analyse differences in colour reproduction in any colour rendition system. The ColorChecker can help you make global corrections based on accurate information. If you shoot a large number of images that all require the same colour correction, you know that editing a few key photos and applying your changes can sometimes change colours you didn’t intend to be changed. A shot of the ColorChecker captured under the same lighting as your images will provide a point of reference, so you can see exactly how changes will affect the rest of your colours before you apply them. This objective standard will help you avoid costly mistakes and trial-and-error colour adjustments while editing your images or colour grading. 3rd Party Software Support: Adobe Photoshop and Adobe Lightroom via a free plugin Color Finale Black Magic DaVinci Resolve for colour grading in a video editing workflow Hasselblad Phocus for ICC camera profiling 3DLUT Creator

Wacom DTK2451 23.8 display dark grey

Featuring 24-inch, full HD displays, the DTK-2451 and DTH-2452 are Wacom's largest pen displays for business customers. The generous active area provides a comfortable work surface for writing and signing eDocuments or annotating directly on presentations. The DTH-2452's multi-touch screen support touch gestures and navigation. Key features and benefits 24-inch LCD panel offers a large, comfortable surface and a wide viewing angle for excellent performance Multi-touch functionality for intuitive navigation and support for common gestures (DTH-2452 only) 2048 levels of pen pressure for precise drawing, writing, and annotating, plus enhanced biometric signature capturing DVI video in/out for support of both analog and digital connections Adjustable stand supports multiple angles to fit any working environment Standard VESA mounting for use with 3rd party stands and arms

Wacom DTH2452 23.8 display P&T dark grey

Featuring 24-inch, full HD displays, the DTK-2451 and DTH-2452 are Wacom's largest pen displays for business customers. The generous active area provides a comfortable work surface for writing and signing eDocuments or annotating directly on presentations. The DTH-2452's multi-touch screen support touch gestures and navigation. Key features and benefits 24-inch LCD panel offers a large, comfortable surface and a wide viewing angle for excellent performance Multi-touch functionality for intuitive navigation and support for common gestures (DTH-2452 only) 2048 levels of pen pressure for precise drawing, writing, and annotating, plus enhanced biometric signature capturing DVI video in/out for support of both analog and digital connections Adjustable stand supports multiple angles to fit any working environment Standard VESA mounting for use with 3rd party stands and arms

Calibrite ColorChecker Video Mega

The ColorChecker Video Mega is designed for those longer and wider shots when you need a larger reference target. Both will speed up your colour correction process and save you hours in post. Use it to nail exposure, match multiple cameras and maintain consistency during changing light, so that you can tell your story as perfectly as possible. Measuring an impressive 1020 x 1520mm, the Mega is the largest target within the ColorChecker Video range and is an ideal tool for the following photographic scenarios and more: Cine – wide shots: landscape, cityscape, custom sets Event filmmaking: concerts, churches, sports, stage Aerial filmmaking: drone photography The ColorChecker Video Mega provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. The Video Mega is designed for shoots when the space between your camera and subject is too great to capture a smaller target. This target eliminates the need to move your camera closer or adjust the focal length of your lens, allow you to shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. The ColorChecker Video Target includes: Chromatic Colours: Six saturated and six de-saturated colour chips aligned with video production Skin Tones: Six colour chips from light to dark with different undertones Gray Levels: Four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black reference patches Linear Grayscale: Six steps for even gray balance, including highlight and shadow regions Illumination Check Chips: Black and white colour chips at two corners to better assist in determining even illumination ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

X-Rite i1Basic Pro 3

1Basic Pro 3 is an affordable, professional-level spectral color measurement solution including display and projector profiling and print quality assurance. i1Pro 3: i1® technology (holographic diffraction grating with 128 pixel diode array) with built-in wavelengths check. The i1Basic Pro 3 calibrates and matches up to four displays connected to a single computer and unlimited displays connected to different computers for consistent viewing. With the i1Basic Pro 3, you can quickly and easily create custom monitor and projector profiles that ensure the colors you view are true, verify soft proofs and print quality with built-in Quality Assurance (QA) tools, and easily capture and manage spot colors. Benefits: - Offers a custom, full-spectrum LED light source, which allows for single-pass scanning and improves device reliability and accuracy. - Measures M0, M1, and M2 simultaneously in a single-pass, cutting scanning time in half. - Features an ergonomic design for easy cleaning and accurate measurements. - Reads smaller patches than the i1Pro 2 with improved accuracy. - Provides real-time user feedback to ensure accurate measurement position and a self-check tool to adjust and correct minor shifts. - PANTONE Color Manager software enables accurate capture and management of spot colors and helps users build palettes of best match PANTONE colors that are auto-extracted from their own images. Includes download link for i1Profiler software featuring basic and advanced modes for professionally calibrated and profiled monitors (including presets for video production workflows), projectors and scanners. - Support for measuring high brightness displays (up to 5000nits), improve emissive measurement, resulting in the best possible calibration and profiling of monitors and projectors. - Easy upgrade to i1Publish software to add complete printer (RGB, CMYK, CMYK + any four) profiling and quality control functionality, and camera profiling capabilities. - Easy transfer of licenses from i1Photo Pro 2 and i1Publish Pro 2. - Optimizes automated file creation in less time and material waste during production when combined with the i1iO Generation 3 automated scanning table. Specifications - Spectral Range 380 - 730 nm - Physical Sampling Interval 3.5 nm - Optical Resolution 10 nm - Spectral reporting 380 nm to 730 nm in 10 nm stepDesigned for imaging professionals who rely on accurate color for their displays and projectors who want to track and verify monitor and print quality and who need to capture spot color measurement, the i1Basic Pro 3 is the answer. - Sampling Rate (Hz) 400 measurements per second - Measurement Geometry 45º/0º ring illumination optics, ISO 13655:2017 - Measurement Aperture 4.5 mm (0.18") diameter (effective measurement aperture during scanning is depending on the patch size and measurement speed) - Light Source Full-Spectrum LED Light Source

Calibrite ColorChecker Video XL w/CS

ColorChecker Video XL: The Calibrite ColorChecker Video XL provides an extra-large format for effortlessly capturing the target at greater distances and wider angles. It provides the same chromatic colours, skin tones and gray reference chips of the standard size ColorChecker Video, but twice as large. You’ll be able to eliminate the need to move your camera closer or adjust the focal length of your lens, shoot in the same lighting condition that is falling on your subject and minimise colour casting from any surrounding light. You’ll also be able to increase the capture resolution for more accurate post-production work. The Calibrite ColorChecker Video XL is designed for those longer and wider shots when the space between your camera and subject is too great to capture a smaller target. Ideal for large production environments such as: Cine Wide Shots: Landscape, Cityscape, Custom Sets Event Filmmaking: Concerts, Churches, Sports, Stage Aerial Filmmaking: Drones Using a ColorChecker Video XL target at capture gets you to a worry-free, colour balanced, consistently neutral and ideally exposed place faster than ever before. It’s an essential colour tool you won’t want to be without, saving you valuable time from pre-production through post. ColorChecker Video XL is an extra-large all-in-one durable and rigid video target. The target is available by itself or with two forms of added protection; your choice of a simple carry sleeve or a fully configurable carrying case. ColorChecker XL Case: This rugged black portable case for the ColorChecker XL provides the ultimate durability and protection for your chart when stored or out on a shoot. The case features a black polyester exterior and soft tricot interior for complete protection of your chart. Features include: • Black polyester exterior and soft tricot interior • Elastic straps in corners keep target secure • Lie flat or self-standing • Carry handle can easily be used to attach to c-stand or clamp • Carry strap is shoulder length and ideal for transporting • Zippered back pocket for storage • The size of the case is 578 x 483mm ColorChecker Video charts make your workflow faster, more consistent and more colour balanced. They allow everyone on your team – from producer to cinematographer to editor to colourist – to work with consistent colour information. They save you time, from pre-production through production, and help you get to your creative look faster. Achieving the proper colour balance and exposure for video can be challenging. F-stops in cameras don’t always match. Ambient lighting conditions change. Multiple cameras and lenses have different looks, even if they are the same brand and model. All of this adds up to quality control challenges and increased workload in post-production for your colourist or editor. Here’s what ColorChecker Video offers: Video Colour Target Speed up your colour grading workflow by achieving ideal exposure and colour balance, whether shooting with one camera or multiples. The colour chart includes a series of chromatic colour chips, skin tone chips, gray chips and illumination check chips. The layout is designed for ideal performance when used with vectorscopes and waveforms, whether on camera or in software. Chromatic Colours: two rows of six chromatic colour chips, both saturated and desaturated, specifically designed to align with the colour axis on a vectorscope. These colours provide two levels of colour information to more quickly achieve an ideal colour balance. Skin Tones: ranging from light to dark with subtle undertones to better reproduce accurate flesh tones. This row of chips is positioned on the outer edge of the target for easy alignment. Large Gray Levels: four larger steps for even gray balance, including white, 40IRE gray, deep gray and high gloss black. These levels are ideal for determining proper exposure whether you use a waveform, zebras, or false colours. Use these levels to align the exposure and contrast of cameras you are matching and ensure that mid-tones are rendered accurately. These chips are positioned in the centre of the test target for maximum exposure, even on a wide set. Linear Grayscale: six colour chips for achieving even gray balance. This row addresses highlight and shadow regions. Illumination Check Chips: black and white chips at two corners to better assist in determining even illumination across the target 3rd Party Software Support ColorChecker Video is supported by 3rd party software solutions for improved colour grading and efficiencies. DaVinci Resolve 3DLUT Creator

EIZO COLOREDGE CS2740

The ColorEdge CS2740 is the first in the CS series to implement 4K UHD resolution, which is four times the size of Full HD (1920 x 1080). The remarkable detail ensures that high resolution content is displayed crisply. The monitor also boasts a pixel density of 164 ppi for 4K image display that has never looked smoother. Alphanumeric characters and contours are distinguished with excellent sharpness, so users can check even the finest details without needing to zoom in. The 27-inch screen provides ample space for easily displaying Full HD content in full, with enough space to show toolbars, palettes, and other windows or applications simultaneously. This makes the monitor versatile for photos, video editing, design, and other types of creative work in resolutions up to 4K. USB Type-C connectivity allows the monitor to display video, transmit USB signals, and supply power (60 W delivery) to a connected device, such as a smartphone or notebook PC, using a single cable. Users can simply plug in and start getting creative without worrying about additional cable clutter. The monitor's wide color gamut reproduces 99% of the Adobe® RGB color space, ensuring images are reproduced faithfully. To counter fluctuations in brightness and chromaticity characteristic of LCD monitors, EIZO's unique digital uniformity equalizer (DUE) corrects deviations in every tone across the screen for stable display. The ColorEdge CS2740 supports EIZO's ColorNavigator 7 color management software, so users can regularly calibrate and quality control their monitor quickly and reliably for predictable color results. It also supports EIZO's Quick Color Match software, which simplifies the screen-to-print color matching process in just a few steps. Additional Features Smooth gradations with 10-bit display from a 16-bit LUT (look-up-table)1 USB Type-C, HDMI, and DisplayPort inputs Optional light-shielding hood 5-year manufacturer's warranty Panel Type IPS Backlight Wide-Gamut LED Size 26.9" / 68.4 cm Native Resolution 3840 x 2160 (16:9 aspect ratio) Viewable Image Size (H x V) 596.2 x 335.3 mm Pixel Pitch 0.155 x 0.155 mm Pixel Density 164ppi Grayscale Tones 1,024 tones (a palette of 65 thousand tones) Display Colors 1.07 billion from a palette of 278 trillion Viewing Angles (H / V, typical) 178°, 178° Brightness (typical) 350 cd/m2 Contrast Ratio (typical) 1000:1 Response Time (typical) 10 ms (gray-to-gray) Color Gamut (typical) Adobe RGB: 99% Video Signals Input Terminals USB Type-C (DisplayPort Alt Mode, HDCP 1.3), DisplayPort (HDCP 1.3), HDMI (Deep Color, HDCP 2.2 / 1.4) Digital Scanning Frequency (H / V) USB Type-C, DisplayPort: 25 - 137 kHz, 23 - 61 Hz HDMI: 15 - 135 kHz, 23 - 61 Hz USB Upstream USB 3.1 Gen 1: Type-C (DisplayPort Alt Mode, Power Delivery Source 60 W max.), USB 3.1 Gen 1: Type-B Downstream USB 3.1 Gen 1: Type-A x 2 USB 2.0: Type-A x 2 Power Power Requirements AC 100 - 240 V, 50 / 60 Hz Typical Power Consumption 36 W Maximum Power Consumption 168 W Power Save Mode 1.0 W or less Standby Mode 1.0 W or less Features & Functions Digital Uniformity Equalizer Yes Preset Modes Color Mode (User, Adobe RGB, sRGB, Calibration) OSD Languages English, German, French, Italian, Japanese, Simplified Chinese, Spanish, Swedish, Traditional Chinese Others Color Adjustment, Input Color Format, YUV Color Matrix, Input Range, Noise Reduction, I/P Conversion, Picture Expansion, Menu Rotation, Power Save, Input Skip, Mode Skip, Custom Key, Information Display, Key Lock, DUE Priority Physical Specifications Dimensions (Landscape, W x H x D) 638 x 404.1 - 559.1 x 265 mm Dimensions (Portrait, W x H x D) 378.2 x 649 - 689 x 265 mm Dimensions (Without Stand, W x H x D) 638 x 378.2 x 75 mm Net Weight 10.3 kg Net Weight (Without Stand) 6.7 kg Height Adjustment Range 155 mm Tilt 35° Up, 5° Down Swivel 344° Pivot 90° Hole Spacing (VESA Standard) 100 x 100 mm To ensure that you get the most out of your color reproduction, it is important to make use of a screen calibrator in your work process. This is especially important for you who work with photos and want your screen to be optimized as much as possible. Below you will find two of the market's best and most sought after manufacturers of equipment for calibrating your monitor. Calibrite Datacolor