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Saffron Yellow

Saffron Yellow

Talens Ecoline Brush Pen Saffron Yellow 245 is based on dyes and Gum arabic. The colours of Talens Ecoline are astonishingly bright and brilliant. If you wish, you can easily decrease the colour intensity through thinning with water or with the Brush Pen blender. Store the original works of art in a portfolio for optimal colour retention.The concentrated formula of the Talens Ecoline in the Brush Pens ensures for a seamless transition with the Talens Ecoline from the bottles. Using the special Brush Pen blender, colours can be mixed or subdued, and some wonderful wash effects and colour transitions can be created. Forgotten to put the cap back on? A dried brush tip can be easily saved by moistering it with some water.

EUR 3.95
1

Gold yellow

Gold yellow

Sennelier artist oil pastels have an extraordinarily high pigment content. Their texture is soft and creamy, almost like a lipstick. All 120 colours in the range are 100% lightfast, making Sennelier Oil Pastel a true artist quality. All shades can be mixed together.Oil pastel can be diluted with turpentine and worked with a brush. They are acid-free and can be used on paper, canvas, wood or metal etc. Sennelier oil pastels contain no drying agent. The colours therefore never dry completely. However, they can be fixed with Sennelier fixative for oil pastels 8 to 10 days after the work has been completed.

EUR 2.95
1

500ml

500ml

Color: Naples Yellow Permanence: AAOpacity: OpaquePigment: PY83, PW6, PY42Pigment description: Diarylide Yellow, Titanium Dioxide Rutile, Synthetic Iron OxideASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent lightfastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

125ml

125ml

Color: Cadmium Lemon Yellow (Hue) Permanence: AAOpacity: Semi-transparentPigment: PY3Pigment description: Arylide YellowASTM Rating Ligthfastness: IIPigment classification: Synthetic OrganicColor Index Number: 11710Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent lightfastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, anthraquinones and quinacridones.

EUR 4.95
1

200ml

200ml

Colour: Azo Yellow OrangePermanence: AOpacity: TransparentPigment: PY83Pigment description: Diarylide YellowASTM Rating Ligthfastness: IPigment classification: Synthetic OrganicColor Index Number: 21108Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Colour: Olive GreenPermanence: AAOpacity: OpaquePigment: PG7, PY42, PR101Pigmentdescription: Chlorinated Copper Phthalocyanine, Synthetic Yellow Iron Oxide, Synthetic Red Iron OxideASTMRating Ligthfastness: IPigment classification: MixtureColorIndex Number: -Viscosityrange (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

10

10

synthetic bristles with silver ring natural polished handles with black ends Chinese Chungking brushes, prized for centuries, have not only become increasingly rare, but also increasingly expensive over the last decade. After years of development, we are proud to introduce with this new line in round and flat form a high-quality alternative with synthetic bristles that closely resemble their natural counterpart. This line convinces with its strong, flexible and almost indestructible fiber and retains its shape even after intensive use. Therefore, it is the perfect tool in oils and acrylics for all kinds of thicker colors as well as rough surfaces. Furthermore, the synthetic material is significantly easier to clean than natural brushes. Suitable for oil and acrylic paints

EUR 3.95
1

500ml

500ml

Color: Phthalo Blue Permanence: AAOpacity: OpaquePigment: PB15:3Pigment description: Copper Phthalocyanine ßASTM Rating Ligthfastness: IPigment classification: OrganometallicColor Index Number: 74160bViscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Color: Primary Blue Permanence: AAOpacity: OpaquePigment: PW6, PB15:3Pigment description: Titanium Dioxide Rutile, Copper PhthalocyanineASTM Rating Ligthfastness: IPigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

500ml

500ml

Color: Permanent Violet Permanence: AOpacity: OpaquePigment: PV23Pigment description: Carbazole DioxazineASTM Rating Ligthfastness: IIPigment classification: Synthetic OrganicColor Index Number: 51319Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1

200ml

200ml

Color: Sap Green Permanence: AOpacity: OpaquePigment: PY83, MixturePigment description: Nitrous Iron Complex, Diarylide YellowASTM Rating Ligthfastness: -Pigment classification: MixtureColor Index Number: -Viscosity range (mPa.s): 15.000 - 20.000 Color IndexThe pigments used for artists' colours are inorganic as well as organic. The inorganic pigments have been used since antiquity; most of them are extracted from minerals and soil, such as natural earth colours, siennas and ochres. Titanium, carbon and ultramarine pigments also belong to this category, as well as cobalt and cadmium. Many of these pigments are now also manufactured synthetically. Organic pigments have their origins in the 19th century. Industrial production developed at the beginning of the twentieth century owing to new manufacturing processes in organic chemistry. These synthetic pigments have become an important group in the manufacture of artists' colours, producing bright and luminous shades of great intensity and excellent light fastness and permanence. The range has extended continuously, and now besides the familiar phthalocyanines and naphthols, includes azo compounds, dioxacines and pyrroles, antraquiniones and quinacridones.

EUR 4.95
1