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Passaggio

Passaggio

Louis Anthony deLise's Passaggio for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including “Early January,” “In the Edge of the Water,” and “Spring Rain.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being entirely diatonic, is suitable on both pedal and lever harp.Louis Anthony deLise's Passaggio for Flute and Harp was written for flutist Joan Sparks and harpist Anne Sullivan. The compositions included in this suite are arrangements of solo piano pieces by deLise which began as improvisations, including “Early January,” “In the Edge of the Water,” and “Spring Rain.” Though originally composed for flute and pedal harp, included in this edition are lever harp arrangements of the first two movements. The third movement, being entirely diatonic, is suitable on both pedal and lever harp.

DKK 199.00
1

Fanfare 42

Fanfare 42

Fanfare 42 is a composition with intricate splashes of colour set amidst brilliant melodic harmonic writing. The number 42 in the title is in commemoration of the forty-second annual convention of the National Flute Association that this music joyously celebrates. Fanfare 42 is a composition with intricate splashes of colour set amidst brilliant melodic harmonic writing. The number 42 in the title is in commemoration of the forty-second annual convention of the National Flute Association that this music joyously celebrates.

DKK 231.00
1

French Nativity Suite

French Nativity Suite

Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan. Three lovely traditional Christmas carols are beautifully set and can be played separately or as a suite. These pieces each capture the magic of melody as well as the dance-like essence of this music. Songs include: Il Est Ne, Un Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella), and Pat-a-Pan.

DKK 239.00
1

The Swan and The Elephant : from The Carnival of the Animals

The Swan and The Elephant : from The Carnival of the Animals

One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set. One of Camille Saint-Saens most popular works is The Carnival of the Animals, composed in 1886 for two pianos and small chamber orchestra. Two of the movements, The Swan and The Elephant have been arranged here for solo bass clarinet with clarinet choir accompaniment. Additionally, The Elephant can be performed as a contra clarinet (and/or string bass) feature, with the parts provided in the set.

DKK 239.00
1

200X: Stage Selections for Bassoon Vol. 1 : Volume 1

200X: Stage Selections for Bassoon Vol. 1 : Volume 1

200X: Stage Selections for Bassoon is a set of etudes inspired by the characters, story, and music for Capcom’s Megaman series of video games for the Nintendo Entertainment System in the 1980s and 1990s. Volume 1 includes: Guts - Long Way Down, Dive - Low Wire, Spark - In Complete Circuit, Cut - Broken Path, Dr. Cossack - King’s Rook, Flash - Slide Through Time, Air - Clouds Cycle, and Quick - Beam Balance. 200X: Stage Selections for Bassoon is a set of etudes inspired by the characters, story, and music for Capcom’s Megaman series of video games for the Nintendo Entertainment System in the 1980s and 1990s. Volume 1 includes: Guts - Long Way Down, Dive - Low Wire, Spark - In Complete Circuit, Cut - Broken Path, Dr. Cossack - King’s Rook, Flash - Slide Through Time, Air - Clouds Cycle, and Quick - Beam Balance.

DKK 159.00
1

Variations on Theme by Pleyel

Variations on Theme by Pleyel

Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel’s String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes. Czech violinist Franz Krommer (1759-1831), who composed over 300 works of his own, freely borrowed from Ignace Joseph Pleyel’s String Quartet in F Major to create this set of variations for two oboes and English horn. Shelley Collins has made it possible to perform this delightful arrangement in a variety of combinations of flutes: Two C Flutes and Alto Flute, Two Alto Flutes (in G) and Bass Flute, or Three Similar Flutes.

DKK 223.00
1

Concerto

Concerto

One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two E-flat clarinets and piano. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger. One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two E-flat clarinets and piano. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger.

DKK 199.00
1

Concerto

Concerto

One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two solo E-flat clarinets with clarinet choir accompaniment. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger.One of Antonio Vivaldi's most oft-performed works, the Concerto, RV 537, originally for two trumpets and strings has been adapted here for two solo E-flat clarinets with clarinet choir accompaniment. To better suit the range of the clarinets, the whole work has been transposed to the key of E-flat Major. Included in the set of parts are two different versions of the solo parts: Solo parts without alterations, and solo parts including ornaments and embellishments from the arranger.

DKK 279.00
1

Japanese Tone Poems

Japanese Tone Poems

David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas.David Loeb's Japanese Tone Poems for piccolo alone collects particularly evocative Japanese works from his ouevre - Nightcolors (P-15), Piccolo Perspectives (P-21), and Snowsounds (P-24), unique in their vivid portrayal of ancient mountainous forests, winter scenes, and ekphrastic musical descriptions of images inscribed on woodblocks and ceramics, a double-set of tone poems, perhaps. Despite the name, this collection also includes two works that use Dutch and Korean imagery, due to their tight integration and relation to Japanese sources and Japanese musical ideas.

DKK 199.00
1

Three Korean Folk Songs

Three Korean Folk Songs

In a simple, yet charming style, Kelly Via has set the well-known tune, Arirang along with Gold Grass and Blue Bird to form a suite of three contrasting movements. Arirang, the most familiar Korean folk tune is about a woman waiting for her lost love. Gold Grass depicts the beautiful gold colored grass that grows in the deep valleys in the spring. Blue Bird is a song about people telling the blue bird not to sit on the plants in the mung bean field. In a simple, yet charming style, Kelly Via has set the well-known tune, Arirang along with Gold Grass and Blue Bird to form a suite of three contrasting movements. Arirang, the most familiar Korean folk tune is about a woman waiting for her lost love. Gold Grass depicts the beautiful gold colored grass that grows in the deep valleys in the spring. Blue Bird is a song about people telling the blue bird not to sit on the plants in the mung bean field.

DKK 223.00
1

Romanian Folk Dances

Romanian Folk Dances

The Romanian Folk Dances were originally completed in 1915 as a set of six movements for the pianoforte: Joc Cu Bata, Braul, Pe Loc, Buciumeana, Poarga Romaneasca, Maruntel. Probably the most famous version of the work is the setting for violin and piano created by Zoltan Szekely (the violinist for whom Bartok composed his Second Violin Rhapsody) which deviated in a few instances from the original piano version. It is highly likely that Bartok approved of these changes, for he adopted these when, in 1917, he created his own orchestral version. It is upon Bartok's orchestral version that this transcription for flute choir is based.The Romanian Folk Dances were originally completed in 1915 as a set of six movements for the pianoforte: Joc Cu Bata, Braul, Pe Loc, Buciumeana, Poarga Romaneasca, Maruntel. Probably the most famous version of the work is the setting for violin and piano created by Zoltan Szekely (the violinist for whom Bartok composed his Second Violin Rhapsody) which deviated in a few instances from the original piano version. It is highly likely that Bartok approved of these changes, for he adopted these when, in 1917, he created his own orchestral version. It is upon Bartok's orchestral version that this transcription for flute choir is based.

DKK 215.00
1

Aus Liebe will mein Heiland sterben

Aus Liebe will mein Heiland sterben

Johann Sebastian Bach (1685 – 1750) composed St. Matthew’s Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, “Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Johann Sebastian Bach (1685 – 1750) composed St. Matthew’s Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute and Piano is the heart-wrenching aria, “Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question.

DKK 175.00
1

Aus Liebe will mein Heiland sterben

Aus Liebe will mein Heiland sterben

Johann Sebastian Bach (1685 – 1750) composed St. Matthew’s Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, “Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided. Johann Sebastian Bach (1685 – 1750) composed St. Matthew’s Passion, BWV 244, in the 1720s and it is believed that the first performance took place on April 11, 1727 at the St. Thomas Church in Leipzig. The music arranged here for Flute Quartet is the heart-wrenching aria, “Aus Liebe will mein Heiland sterben,” extracted from the middle of the second part of the work. To set the scene, the aria comes after Jesus has been presented to the multitudes in a fast a furious, rowdy double orchestra and choir exclamation, and is condemned to death by crucifixion. Out of this outcry, the solitary flautist and soprano singer reflect on the question of sin, judgement and punishment. In thismost hauntingly vulnerable aria, Bach manages to find both beauty and fragility to reflect upon this question. Using the parts provided, this arrangement can be performed as either a quartet with 3 C Flutes and Alto Flute, or as a quartet with 3 Alto Flutes and Bass Flute. For the latter, the Alto Flutes are to play the original C Flute parts, and the Bass Flute plays the supplemental part provided.

DKK 199.00
1