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By Kells Waters

By Kells Waters

In this florid setting by Kelly Via of a quiet and haunting Celtic folk tune, By Kells Waters, in the Dorian mode, this melody is first featured in the bass flute, followed with many lyrical lines shared throughout the ensemble. An excellent piece for a meditative moment on your program as well as for developing ensemble blend, tone and balance. In this florid setting by Kelly Via of a quiet and haunting Celtic folk tune, By Kells Waters, in the Dorian mode, this melody is first featured in the bass flute, followed with many lyrical lines shared throughout the ensemble. An excellent piece for a meditative moment on your program as well as for developing ensemble blend, tone and balance.

DKK 199.00
1

200X: Stage Selections for Bassoon Vol. 1 : Volume 1

200X: Stage Selections for Bassoon Vol. 1 : Volume 1

200X: Stage Selections for Bassoon is a set of etudes inspired by the characters, story, and music for Capcom’s Megaman series of video games for the Nintendo Entertainment System in the 1980s and 1990s. Volume 1 includes: Guts - Long Way Down, Dive - Low Wire, Spark - In Complete Circuit, Cut - Broken Path, Dr. Cossack - King’s Rook, Flash - Slide Through Time, Air - Clouds Cycle, and Quick - Beam Balance. 200X: Stage Selections for Bassoon is a set of etudes inspired by the characters, story, and music for Capcom’s Megaman series of video games for the Nintendo Entertainment System in the 1980s and 1990s. Volume 1 includes: Guts - Long Way Down, Dive - Low Wire, Spark - In Complete Circuit, Cut - Broken Path, Dr. Cossack - King’s Rook, Flash - Slide Through Time, Air - Clouds Cycle, and Quick - Beam Balance.

DKK 159.00
1

Perpetual Motion

Perpetual Motion

A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion. A rollicking tune from Johann Strauss, Jr., sure to get stuck in your head. This piece is performed by the Vienna Philharmonic every New Year's Eve. The arrangement includes many piccolo and flute excerpts from the original work! It can be performed with just a flute quartet, or an entire flute choir, accompanied by string orchestra and percussion.

DKK 440.00
1

Water Music

Water Music

Water Music was composed by George Frederick Handel (1658-1759) and while no copies of this work in the composer's hand are extant, various catalogs and copies from that time show 9 to 20 movements in several suites. Previously available as two separate volumes, this new edition, re-engraved in 2019 combines the two movements together into a single book. Water Music was composed by George Frederick Handel (1658-1759) and while no copies of this work in the composer's hand are extant, various catalogs and copies from that time show 9 to 20 movements in several suites. Previously available as two separate volumes, this new edition, re-engraved in 2019 combines the two movements together into a single book.

DKK 271.00
1

The Girl from Ipanema

The Girl from Ipanema

How hard is it to believe that The Girl from Ipanema turned 50 in 2012! The song still sounds as fresh and new today as it did in 1962. Arranged here for flute choir by Kelly Via, please note that the Piccolo and Bass Flute and especially important voices in this arrangement and that the Contrabass Flute, Contralto Flute and/or String Bass parts are absolutely necessary. How hard is it to believe that The Girl from Ipanema turned 50 in 2012! The song still sounds as fresh and new today as it did in 1962. Arranged here for flute choir by Kelly Via, please note that the Piccolo and Bass Flute and especially important voices in this arrangement and that the Contrabass Flute, Contralto Flute and/or String Bass parts are absolutely necessary.

DKK 239.00
1

Eos

Eos

Eos was written for the Ohio State University Flute Troupe, directed by Katherine Borst Jones, and was premiered at the 2019 Central Ohio Flute Association Conference. The title is taken from the name for the Greek Goddess of Dawn, and the music aims to paint a musical picture of a sunrise. Starting low with the bass flute and getting passed upwards through the ensemble, the piece represents a spring sunrise. As the sky opens up, broad and blue, nature slowly awakens and the world experiences a sense of rebirth and rejuvenation. Flowers bloom, wildlife emerges from hibernation, and new life flourishes.Eos was written for the Ohio State University Flute Troupe, directed by Katherine Borst Jones, and was premiered at the 2019 Central Ohio Flute Association Conference. The title is taken from the name for the Greek Goddess of Dawn, and the music aims to paint a musical picture of a sunrise. Starting low with the bass flute and getting passed upwards through the ensemble, the piece represents a spring sunrise. As the sky opens up, broad and blue, nature slowly awakens and the world experiences a sense of rebirth and rejuvenation. Flowers bloom, wildlife emerges from hibernation, and new life flourishes.

DKK 234.00
1

Studies on East Asian Pipes

Studies on East Asian Pipes

There are various traditions of performing on high pipes throughout the world. By thinking of the piccolo as the modern instrument repository for these traditions and this music, in the same sense that the piano is the modern instrument repository for all keyboard music, the piccolo’s potential repertoire is vastly enlarged. It was with this definition of the piccolo in mind that David Loeb wrote these works, though the piccoloist need not copy all of the performance techniques of the original instruments. This new collection for piccolo alone explicitly emphasizes explorations of different Asian instruments. It combines both previous Studies on East Asian Pipes (P-02, P-05),the Lyric Pieces (P-22) - works originally for the shinobue, ryuteki, and shakuhachi, and Of Dreams and Promises (P-18), a deeper look at the shinobue's abilities and sound. There are various traditions of performing on high pipes throughout the world. By thinking of the piccolo as the modern instrument repository for these traditions and this music, in the same sense that the piano is the modern instrument repository for all keyboard music, the piccolo’s potential repertoire is vastly enlarged. It was with this definition of the piccolo in mind that David Loeb wrote these works, though the piccoloist need not copy all of the performance techniques of the original instruments. This new collection for piccolo alone explicitly emphasizes explorations of different Asian instruments. It combines both previous Studies on East Asian Pipes (P-02, P-05),the Lyric Pieces (P-22) - works originally for the shinobue, ryuteki, and shakuhachi, and Of Dreams and Promises (P-18), a deeper look at the shinobue's abilities and sound.

DKK 199.00
1

Fantasias on Eurasian Melodes

Fantasias on Eurasian Melodes

David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17.

DKK 199.00
1