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Rodolphe Kreutzer: Solo No.1 from Concerto No.1 in G major (Violin & Piano)

Rodolphe Kreutzer: Solo No.1 from Concerto No.1 in G major (Violin & Piano)

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Kreutzer 's Concerto No. 1 is clearly printed with a helpful key of unusual techniques. Kreutzer (1766-1831) was a French violinist, teacher, conductor and composer. He composed a significant forty operas and nineteen Violin concertos. The Violin solo line of Concerto No. 1 makes use of extended techniques, including harmonics, bow techniques, aritculations and double stops. Catherine 's series,  Premiers Solos Extraits De Concertos Classiques  provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 166.00
1

Bousch, Louvier, Risset, Savouret, Schwarz: Mixtures, for Flute or Oboe and Tape (Volume 2)

Bousch, Louvier, Risset, Savouret, Schwarz: Mixtures, for Flute or Oboe and Tape (Volume 2)

Mixtures was compiled by pedagogues at the Boulogne-Billancourt Conservatoire as a response to the increase of electro-acoustic music. The compilation provides flautists and oboists with an excellent introduction to playing with electronic accompaniment. As collection of modern works, Mixtures addresses extended techniques in the solo Flute/Oboe line. These include embouchure technique, whistle tones, special fingerings, harmonics, trills, articulation and making vocal sounds at the same time as sound on the instrument, amongst other elements. For all advanced flautists and oboists seeking to expand and vary the repertoire, in keeping with the advances of music, Mixtures is essential.

DKK 388.00
1

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti''s Concert No. 23), for Violin and Piano

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti''s Concert No. 23), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti ''s Concerto No. 23 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist''s repertoire. The Violin solo line of Concerto No. 23 makes use of extended techniques including harmonics, bow techniques, aritculations and hand positions. Catherine ''s series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 102.00
1

Johann Sebastian Bach: Menuet et Gigue (Classiques No.179) (Violin & Piano)

Johann Sebastian Bach: Menuet et Gigue (Classiques No.179) (Violin & Piano)

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. J. S. Bach 's Menuet And Gigue is clearly printed with all edited and necessary performance directions. J. S. Bach (1685-1750) is one of the greatest composers of all time. His compositions for the Violin were significant, most of which remain popular today in the advanced violinist's repertoire. The Violin solo line of Menuet And Gigue makes use of harmonics, bow techniques, aritculations, fast semiquavers, and ornamentation. Catherine 's series, Violin Classics provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major works of the repertoire.

DKK 118.00
1

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti's Concert No. 24), for Violin and Piano

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti's Concert No. 24), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti 's Concerto No. 24 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 24 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine 's series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 102.00
1

Georges Catherine: First Solos extracted from the Classic Concertos (Vieuxtemp's Concert No. 5), for Violin and Piano

Georges Catherine: First Solos extracted from the Classic Concertos (Vieuxtemp's Concert No. 5), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Vieuxtemp 's Concerto No. 5 is clearly printed with a helpful key of unusual techniques. Vieuxtemp (1820-1881) was an Belgian composer and violinist. He composed a significant amount of string music, particularly for the Violin, which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 5 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine 's series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 150.00
1

Giovanni Battista Viotti: Solo No.1 from Concerto No.29 (Violin & Piano)

Giovanni Battista Viotti: Solo No.1 from Concerto No.29 (Violin & Piano)

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 29 makes use of extended techniques, including harmonics, bow techniques, aritculations, fast semiquavers, and double stops. Catherine 's series, First Solos Extracted From The Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 102.00
1

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti''s Concert No. 22), for Violin and Piano

Georges Catherine: First Solos extracted from the Classic Concertos (Viotti''s Concert No. 22), for Violin and Piano

Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti ''s Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist''s repertoire. The Violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine ''s series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 126.00
1

Alfred Désenclos: Plain-chant et Allegretto (Trombone & Piano)

Alfred Désenclos: Plain-chant et Allegretto (Trombone & Piano)

French composer, Alfred Désenclos (1912-1971) described his music as romantic. His music is expressive and atmospheric, as heard in his  Plain-Chant Et Allegretto  for Trombone and Piano. Désenclos studied at the Roubaix Conservatory and he won the 1942 Prix de Rome. His  Plain-Chant Et Allegretto  was published in 1965, towards the end of the composer's life. A typical performance lasts around eight minutes, in which the Trombone solo line is enhanced by rhythm, and technique. As expected, the two movements are contrasting, suitable for the advanced trombonist. For all Trombone players seeking alternative and challenging repertoire, Désenclos'   Plain-Chant Et Allegretto  makes for a riveting performance.

DKK 229.00
1

Georges Catherine: First Solos extracted from the Classic Concertos (Bériot''s Concert No. 9), for Violin and Piano

Georges Catherine: First Solos extracted from the Classic Concertos (Bériot''s Concert No. 9), for Violin and Piano

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot ''s Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist''s repertoire, as well as many study books for the instrument. The Violin solo line of Concerto No. 9 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine ''s series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 150.00
1

Georges Catherine: First Solos extracted from the Classic Concertos (Bériot's Concert No. 9), for Violin and Piano

Georges Catherine: First Solos extracted from the Classic Concertos (Bériot's Concert No. 9), for Violin and Piano

Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot 's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist's repertoire, as well as many study books for the instrument. The Violin solo line of Concerto No. 7 makes use of extended techniques, including harmonics, bow techniques, aritculations and hand positions. Catherine 's series, First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin, preparing advanced violinists for the major concertos.

DKK 102.00
1

Doina Rotaru: Legend, for Flute and Resonator

Doina Rotaru: Legend, for Flute and Resonator

Romanian composer, Doina Rotaru (b. 1951) is best known for her orchestral and chamber works. Rotaru studied at the Bucharest Conservatoire and has won many prizes for her compositions. Legend is no exception to her success. Currently, Rotaru is professor at the Music Academy in Bucharest and a prominent composer, with her works being performed all over the world. Legend for Flute and Resonator is a highly modern work, as indicated by its instrumentation. The Flute solo line includes extended techniques, such as variations in use of vibrato, voice and notes played simultaneously, harmonics, pulsations and ornamentations, amongst other aspects. For all advanced flautists seeking modern, alternative repertoire, Rotaru 's Legend provides an exciting work for both performers and audiences alike.

DKK 118.00
1

Charles Sourisse: Improvisation for beginners and advanced players: 10 compositions on standard patterns (Flute)

Charles Sourisse: Improvisation for beginners and advanced players: 10 compositions on standard patterns (Flute)

Written by Charles Sourisse , Initiation et perfectionnement à l'improvisation - 10 Compositions sur des grilles standards is a volume in four languages (French, English, German and Spanish) which aims to initiate flautists to improvisation, with 10 compositions. It includes a CD with accompaniment for each piece. This volume first gives some explanatory notes, with chord symbols, basics of tonality and modality in order for the initiation to be complete. It then introduces the ten pieces: Trois Couleurs, Silent Man, Gentle Colossus, La légende d’Éole, Mister Kelly, Bahia la Nuit, The Juggler, Batuque, Your Romance and Final Line. This great book also features a glossary and is a must-have for all flautists willing to learn how to improvise. Charles Sourisse is a contemporary classic in the Jazz world in France. A renowned professor, he taught improvisation class in Lyon Conservatoire.

DKK 281.00
1

Jules Semler-Collery: Rêverie et Scherzo (Clarinet & Piano)

Jules Semler-Collery: Rêverie et Scherzo (Clarinet & Piano)

French composer, conductor and teacher, Jules Semler-Collery (1902-1988) was born to a musical father. He studied at the Paris Conservatoire where he won many prizes. Semler-Collery 's works have been successful, with many of his concertos being included in the Conservatoire's list of compulsory works. Rêverie Et Scherzo for Clarinet and Piano is no exception to the composer's success. Published in 1950, Semler-Collery 's Rêverie is marked Andantino Cantabile and is in 6/8 meter. Both the Clarinet solo line and Piano accompaniment are virtousic, exploiting rhythm, tonality and harmony. A cadenza-like passage is heard towards the end. The Scherzo is marked Molta Leggiero and is staccato in 3/4 meter. Quaver and semiquaver passages are heard with the speed accelerating to a dramatic finale. For all advanced clarinetists, Semler-Collery 's Rêverie Et Scherzo provides an exciting performance work for performers and audiences alike.

DKK 213.00
1