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Olivier Messiaen: The Technique of my musical Language (French Text) (Book)

New Edition, combining Text and Musical Examples in one Book

François Dupin: One excitan' Dance (Percussion solo)

D. E. Inghelbrecht: Trois Cents Soldats Revenant De La Guerre

D. E. Inghelbrecht Trois Cents Soldats Revenant De La Guerre for one or two voices.

Monodie

Olivier Messiaen's Monodie For Organ . Olivier Eugène Charles Prosper Messiaen was a French composer, Organist, and ornithologist, one of the major composers of the 20th century.

Eugène Gigout: Ten Pieces For Organ

Composed in 1980,  Ten Pieces For Organ  by Eugène Gigout is a piece that is widely enjoyed. Featuring the renowned Toccata in B minor which is often played in recitals, a Scherzo in E major can also be found among these pieces. Well-known as an organist, Eugène Gigout was also a composer and one of the main organists in one of Paris' main churches: Saint Augustin. Really good for interpretations, he was also skilled in an improvisational context.

Federico Mompou: Préludes No.1 - No.4 (Piano solo)

Composed by Federico Mompou ,  Préludes Pour Piano  is a set of four pieces with two hands for upper intermediate players. It covers the Preludes n°1 to 4 written in 1928. Each of these preludes is written on one to four pages and can be played separately. The first one is short, to be played like a romance, with chords only. The second one lasts longer and features distinctive parts, starting with an energetic section followed by a sudden musical burst, the rest of it being slower until the animated close. The third prelude is quite slow and very expressive while the last piece of this book is quite short and simple. Federico Mompou was a Spanish pianist and composer. He composed numerous pieces for Piano and some songs.

Robert Nicholas Charles Bochsa: Quarante Etudes Faciles Op.318 Volume One

Australian born Nicolas-Charles Bochsa (1789-1856) studied at the Paris Conservatoire before embarking upon a career as a harpist and composer. His Celebrated Studies for Harp is well-informed and essential to progression on the instrument. The first volume comprises exercises which focus on fingering, countermelodies, rhythms, intervals, chords, articulation, phrasing, chromaticism, dynamics and performance directions, among other musical aspects. Celebrated Studies for Harp by Nicolas-Charles Bochsa is essential to accompany all Harp studies.

Michel Mériot: 25 études faciles, progressives et variées (Saxophone)

25 easy and progressive studies by Michel Mériot is a set of 25 one-page studies for all Saxophone beginners. With an increasing difficulty, each piece focuses on developing one aspect of the technique such as “Maintaining air pressure” (Study 1), “Slurs” (Study 3) and “Ease and Precision” (Study 13) among others. These studies will definitely help Saxophone beginners to gain in technique and in clear sonority. The author, Michel Mériot is a French Saxophonist who learnt under the influence of Marcel Mule.

Claude Pichaureau: 21 Etudes (Trombone solo)

Written by Gérard Pichaureau , Twenty-one studies is a set of difficult studies for Trombone. Of one page each, these studies are written in the keys of C and F, and should help improve general techniques already acquired. It would work very well being followed by the Twenty studies . Gérard Pichaureau is a French Trombonist and composer. As a professor at the Paris Conservatoire, he wrote a number of sets of studies such as 'Twenty studies', 'Thirty studies in all keys' and 'Special Legato'.

Olivier Messiaen: The Technique Of My Musical Language (English Version)

New English Edition of The Technique Of My Musical Language by Olivier Messiaen, combining Text and Musical Examples in one Book. Part of the the Alphonse Leduc catalogue, this work has been produced to the highest editorial and printing standards.

Segoviana op. 366 : a cura di Frédéric Zigante

The vast musical production by Darius Milhaud (Marseille, 4 September 1892–Geneva, 22 June 1974) is made up of more than 450 titles, including theatrical works, ballets, stage and choral music, vocal and instrumental compositions, as well as chamber and piano music. The guitar, on the other hand, occupies only a marginal place, with one short composition, written in 1957, entitled Segoviana. The Andalusian guitarist Andrés Segovia (1893–1987) was not only its dedicatee but its protagonist, seeing that the piece was conceived in his image. The present edition, edited by Frédéric Zigante, differs from the first one of 1959 for a layout that makes reading easier and the addition of fingering indications.

Jacques Castérède: Sonatine d'Avril (Flute & Guitar)

After hearing Castèréde 's Sonatine D'Avril for Flute and Guitar, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castèréde 's Sonatine D'Avril is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatine D'Avril is full of musically appealing features. Elements include exquisite use of Flute technique, exploiting tonality, and clever accompaniment features in the Guitar. From allegro semiquaver passages to luscious melodies, Sonatine D'Avril provides an enjoyable listen and fun piece to learn for all advanced flautists and guitarists.

H.R. Benoît: Méthode élémentaire Vol.1 (Viola solo)

Viola Method After Maurice Hauchard is a method by Henri and Renée Benoit for beginners. Written in C key, this pedagogic method starts with the positioning, including how to use the bow and how to go from one string to another. It contains a total 157 exercises and small studies on rhythm, scales, double strings, among many other topics. Written after the 'Complete Violin method' by Maurice Hauchard, this method is really complete with explanations and advice to guide players. Viola Method After Maurice Hauchard is one of the best book to start acquiring the techniques necessary for Viola players Henri and Renée Benoit are both Viola professors, either at the Paris Conservatory or at the Normale School of music of Paris.

Jacques Ibert: Aria (Flute and Piano)

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Flute and Piano. This version and the one for Alto Saxophone and Piano are the ones the most commonly used. The Flute score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) is a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Jacques Ibert: Aria In D Flat - Alto Saxophone And Piano

Aria , written in 1930 by Jacques Ibert (1890-1962), is a small study initially for Voice and Piano but arranged in this edition for Alto Saxophone and Piano. This version and the one for Flute and Piano are the ones most commonly used. The Alto Saxophone score is one-page long and contains technical difficulties that would make it ideal for an upper intermediate player. Its author, Jacques Ibert (1890-1962) was a neoclassical composer who won the Prix de Rome in 1919. He composed many symphonic suites, operas and seven orchestras, including 'Angelique' (1926) and 'Entertainment' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Eugène Goossens: Vieille Chanson à Boire (Bassoon & Piano)

Sir Eugene Goossens was one of the most prominent of the younger British composers who emerged in the years following World War I. At first regarded as part of modern music, his works are now firmly set in the romantic tradition which audiences today find attractive and which accounts for the increasing number of recordings.

Jean-Marie Leclair: Sonate En Fa Pour Deux Saxophones De Meme Tonalite

Sonata In F  is a piece for Saxophone duet by Jean-Marie Leclair . Arranged and adapted by Jean-Marie Londeix , this sonata is perfect for intermediate players and is a great piece to play in a recital. It lasts 11’30 minutes and is divided in four parts: Andante, Allegro, Largo and Allegro ma non troppo. More lyrical than the first one, the second part contains two repeat signs and the third one is surely the shortest. The piece is very cheerful and really nice to listen to. The book features score and parts. Jean-Marie Londeix is a musician who studied the Saxophone and the Piano. He also had some strong knowledge of chamber music, harmonies and of music history and obtained a First Prize and a Prize of Honour at the Paris Conservatoire.

Jacques Castérède: Sonatine (Trumpet & Piano)

After hearing Castérède 's Sonatina for Trumpet and Piano, the realisation that his music remains in the shadows of his French contemporaries is one that is hard to fathom. Should you be a fan of Messiaen, then Castérède 's Sonatina is one for you. Having won prizes in Piano, chamber music, harmony, composition, analysis and aesthetics in music whilst studying at Paris Conservatoire, it is not surprising that the composer's Sonatina for B flat or C Trumpet and Piano is full of musically appealing features. Elements include exquisite use of ornamentation, exploiting Trumpet technique to its full potential, and clever uses of shared melody between the Trumpet and Piano. From the lively, harmonically rich first movement to the luscious melodies of the second, this Sonatina provides an enjoyable listen and fun piece to learn for all trumpeters.

A. Chavanne: 25 Etudes caractéristiques (Trumpet solo)

Twenty-Five Characteristic Studies  is a set of studies for Trumpet/Cornet/G Saxhorn written by André Chavanne . These twenty-five studies can be considered for upper-intermediate / advanced level players. This edition is the one which has been reviewed and annotated by André Chavanne adding advice and suggestions on how to properly perform the study and achieve great results.

Eugène Bozza: 12 Etudes (Clarinet solo)

Twelve Studies by Eugène Bozza is a set of studies written for advanced Clarinet players. Quite difficult, these studies are one or two page long and will improve the flexibility and the sonority of the players:  1. Moderato - 4/4 2. Scherzando (Moderato) – 3/4 3. Allegretto – 3/4 4. Moderato dolce – 4/4 5. Vif (tempo 108) – 4/4, one sharp 6. Allegro vivo – 3/4, two sharps 7. Moderato – 4/4, two sharps 8. Andantino (tempo 60) – 6/4, three flats and two sharps 9. N/A – 2/4 10. N/A – 12/8, three sharps 11. Giocoso (Moderato) – 4/4 12. N/A – 4/4, two sharps Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

Marcel Mule: Exercices journaliers d'après Terschack (Saxophone solo)

Daily Exercises after Terschack for all Saxophones by Marcel Mule (1901-2001) is a set of twenty six exercises, each one lasting a page and a half. Initially composed by the flautist Adolph Terschak, these Daily Exercises after Terschack would fit the skills of advanced-intermediate and advanced players, with keys from 5 flats to 7 sharps. Marcel Mule (1901-2001) is one of the greatest French Saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as '18 Exercises or Studies', 'Varied Studies in all keys' or '30 Great Exercises or Studies after Soussmann' (in two books), among others.

H.R. Benoît: Méthode élémentaire Vol.2 (Viola solo)

Méthode Élémentaire D'Alto - Vol.2 is the second book of a method by Henri and Renée Benoit for beginners. This volume, quite progressive, follows on the first one and is aimed to upper beginners. Written in C key, this volume starts with some applications of what was learnt in the first book: some exercises on the use of the bow. It also includes some aspects such as chromaticisms, the technique of the staccato and the arpeggios among others. It also contains famous tunes arranged for the level of the book to start playing music. Written after the Complete Violin Method by Maurice Hauchard , this method is really complete with explanations and advice to guide the players and is one of the best book to start acquiring the techniques necessary for Viola players Henri and Renée Benoit are both Viola professors, either at the Paris Conservatory or at the Normale School of music of Paris.

Marcel Mule: 30 Grands Exercices ou Etudes d'après Soussmann Vol.2 (Saxophone solo)

Trente Grands Exercices Ou Études After Soussmann - Book 2 is the second and final volume of this series, written by Marcel Mule . Inspired by Soussmann’s exercise book and adapted to Saxophone, these studies for intermediate players are divided with 15 studies in the first book and 15 in the second one. Written in G key with up to 7 sharps per exercise, these studies will develop the technical skills and the sonority of the saxophonist. With breathing indications, it will help the players to gain in endurance too. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on embouchure, the emission, the mastery of vibrato and thus, of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Eighteen Exercises or studies'   or 'Daily Exercises after Terschack' among others.

Johann Sebastian Bach: Sonata pour Flûte No.4 (Classiques No.91) (Saxophone-Alto & Piano)

Composed by J. S. Bach for Flute and Piano, this edition of 4th Sonata was arranged for Alto Saxophone in E flat and Piano by Marcel Mule . Its difficulty would fit the skills and abilities of intermediate players. In terms of composition, this piece was created in three different sections: the first one is divided into three parts (Andante with a tempo at 96°, Allegro at 116° and Adagio at 72°) followed by Minuet and Minuet 2. Marcel Mule (1901-2001) is one of the greatest French saxophonists, renowned worldwide for his work on the classical Saxophone repertoire. He was teaching his students how to obtain a good quality of sound and believed it was dependent on the embouchure, the emission, the mastery of vibrato and thus of breathing. He wrote different methods that focus on technique, articulation and tone productions such as 'Scale and Arpeggios' (in three books), 'Daily exercises after Terschack' or '30 Great exercises or studies after Soussmann' (in two books), among others.

Theodore Kerkezos: Études Pour Les Notes Aiguës Et Graves Au Saxophone

Considered by Gramophone magazine as “one of the most astounding players of the day”, saxophonist Theodore Kerkezos divides his time between a brilliant soloist career and educational activities that include teaching at the Athens Conservatoire and providing master classes around the globe. Drawing on his long experience, the Greek musician is publishing his Études for high and low notes on the Saxophone to help students overcome one of the major learning difficulties: mastering the upper registers.  Organised according to a step-by-step plan, the Études provide a variety of learning options in terms of melodics, rhythm and dynamics, some of which offer a valuable bonus: the choice between several fingerings. The problem of different attacks, often related to repertoire type, is given particular attention. Recommended by masters like Jean-Marie Londeix and Christian Lauba, this “extraordinary” collection will delight saxophonists who dream of achieving precise intonation and roundness of tone in both the high and low ranges.