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César Franck: Organ Works Vol.2 (Organ)

6 Pièces pour Orgue - 4.Pastorale in E major; 5.Prière in C sharp minor; 6.Final in B flat major

César Franck: Organ Works Vol.1 (Organ)

6 Pièces pour Orgue - 1.Fantaisie Op.16 in C major; 2.Grande Pièce symphonique Op.17 in F sharp minor; 3.Prélude, Fugue et Variation Op.18 in B minor

Alexandre Pierre François Boëly: Complete Works Book 3, Vol.2 (Organ)

Larghetto un poco sostenuto in C sharp minor; Canone all'Ottava Pièce in G major; Allegro moderato in E flat major; Duo in G minor; Andante con Moto in G minor; Toccata in B minor

Frédéric Chopin: Nocturne No.20 In C Sharp Minor (Piano Solo)

Nadia Boulanger: 3 Pieces - No. 3 In C Sharp Minor (Cello & Piano)

The third of revered composer and teacher Nadia Boulanger's 3 Pieces for Cello and Piano.

Jeanne Demessieux: 6 Etudes (Organ)

Six Études, Op. 5 is a set of studies for Organ by Jeanne Demessieux , with a preface by Marcel Dupré. For upper-intermediate and above players, these studies were conceived to help the progression of the player, to enable them to acquire the necessary skills and to maintain their high level. Each study focuses on a special aspect and uses both hands and feet: 1. E minor: Alternating toes-tend 2. B major: Alternating thirds 3. F sharp major: Alternating sixths 4. F major: Alternating chords 5. E major: Repeated notes 6. C sharp minor: octaves Jeanne Demessieux (1921-1968) was a French organist, pianist, composer and pedagogue. She studied Organ with Marcel Dupré and was the main organist at La Madeleine in Paris.

Eugène Bozza: 12 Etudes (Clarinet solo)

Twelve Studies by Eugène Bozza is a set of studies written for advanced Clarinet players. Quite difficult, these studies are one or two page long and will improve the flexibility and the sonority of the players:  1. Moderato - 4/4 2. Scherzando (Moderato) – 3/4 3. Allegretto – 3/4 4. Moderato dolce – 4/4 5. Vif (tempo 108) – 4/4, one sharp 6. Allegro vivo – 3/4, two sharps 7. Moderato – 4/4, two sharps 8. Andantino (tempo 60) – 6/4, three flats and two sharps 9. N/A – 2/4 10. N/A – 12/8, three sharps 11. Giocoso (Moderato) – 4/4 12. N/A – 4/4, two sharps Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prize for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.

Théodore Lack: Miss Didi''s studies, Op. 85 - Vol. 1

Miss Didi''s studies, Op.85 is the first volume of a series of two by Théodore Lack . Containing 20 studies for beginner or upper-beginner pianists, the rhythms used are easy and the tempo quite slow. Keys are maximum of 1 flat or 1 sharp. These 20 first studies of one page each are named: 1. Prélude, 2. Chanson du voyageur, 3. Berceuse, 4. N/A, 5. Valse, 6. N/A, 7. Alsacienne, 8. Le Rouet, 9. Tyrolienne, 10. Musette, 11. N/A, 12. Lied, 13. N/A, 14. Improvisation, 15. N/A, 16. Tarentelle, 17. Rondino, 18. N/A, 19. Romance and 20. Guigue. This first volume is followed by a second one and can be studied alongside the two volumes of exercises called Miss Didi''s Exercises, Op.85 for a more complete method. Théodore Lack (1846-1921) was a French pianist and composer who also composed a ''Piano Method for Four-hand Piano, Op. 269''.

Reynaldo Hahn: Selected Songs

Exceptional singer Reynaldo Hahn (1875-1947) owes his early successes to the “songs for voice and piano” genre, whose raison d’être he defines in his journal as follows: “To highlight a poem, word for word but without uniformity; to emphasize its meaning without distorting it; to shine light upon one idea, obscure another and present it all in vocal, sung form; to produce a sharp, precise sensation by touching a heartstring or evoking an image - all in a well-structured and tastefully written piece”. Enhanced by an audio version attached as a download card, this anthology of songs should dispel a good many misconceptions. This is no salon miniature: L’Heure exquise radiates an infinite tenderness, exalted by the high vocal cadences of Ô Bien-Aimée! and C’est l’heure exquise , which surely wrought tears from the author of the verses, Verlaine. Tyndaris , the jewel of Heures latines, clears a crystal-clear space given over to the delights of slumber and of love. Like D’une prison and Cygnes , these songs do more than wet the eyes: they grip the heart.

Gabriel Fauré: Selected Songs (Book/Download Card)

Widely acclaimed by music lovers for over a century, Selected Songs  of Gabriel Fauré (1845-1924) are here collected into an anthology, complete with an audio version in the form of a download card. Excerpted from the 1st collection published in 1879, Au bord de l’eau and Ici bas bestow an aura of internal reverie on Sully Prudhomme’s simple poems, made palp­able by the harmonic refinement and vocal fluidity that constitutes the very essence of Faurean charm.  Several vocal pages selected in the 2nd volume (1897) continue to be favourites: Les Roses d’Ispahan restored to their dreamy stillness, Les Berceaux whose oscillation evokes the swaying of boats, and the very nostalgic Clair de lune in which Verlaine’s words, set to music for the first time, inspired Fauré to write what would become one of his masterpieces: La Bonne Chanson .  From this cycle, drunk on lovelorn lyricism, the collection retains Puisque l’aube grandit , an exalted melody if there ever was one, and La lune blanche luit dans les bois , a nocturnal landscape in F sharp major – two pearls that distil the same mystery of solace.

Nadia Boulanger: Trois Pièces Pour Alto Et Piano

Nadia Boulanger's Three Pieces for Viola and Piano Posterity has retained of Nadia Boulanger only her gifts as a virtuoso of the piano and organ, her skill as a conductor (of vocal ensemble and orchestra) and most of all, her incredible charisma as a teacher. For nearly sixty years, "Mademoiselle" made the most of her famous Wednesdays, bringing rigour and passion to the training of several generations of musicians: among so many others, Aaron Copland, Leonard Bernstein, Igor Markevitch, Michel Legrand, Witold Lutoslawski, Astor Piazzolla, Quincy Jones and John-Eliot Gardiner have all kept unforgettable memories of these times. Was Nadia Boulanger wrong to let teaching music take precedence over her composing, as Gabriel Fauré, the great master she venerated, believed? The publication of Three Pieces for Viola and Piano, raises the question. This transcription of Three Pieces for cello and piano was composed between 1911 and 1913 and published by Heugel. The two initial pieces were originally written for organ: the first, in E flat minor, brings a moderate tempo to a melancholy cantilena with Romantic accents, while the second, in A minor, exudes warmth and tenderness. The third piece (C sharp minor), most likely originally titled Danse espagnole, heralds the Roaring Twenties with its restlessness and festive crackle. Together they emit a charm that is difficult to resist.