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White Light : for Oboe and Piano

White Light : for Oboe and Piano

White Light was commissioned by Fumiko Teramoto, oboist with the Musashino Grand Concert Band from Tokyo, Japan. The request was for a moderately slow piece, of intermediate difficulty, which included White in the title, as this is her lucky colour. Composer Philip Sparke decided to use this suggestion to write a piece that was bright and light in terms of harmony and colour, with much use of simple major and minor chords and an emphasis on pure and transparent timbres. He was also keen to capture the essence and history of the oboe as a solo instrument - the piece is pastoral in character and often almost baroque in style. Also available for oboe and concert band (AMP317-010/140).

DKK 261.00
1

David of the White Rock : Welsh traditional melody

David of the White Rock : Welsh traditional melody

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Garreg Wen (The White Rock) in Eifionydd, Carnarnvonshire,North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn.Lyrics were later added by Ceiriog Hughes, which describe the melody’s inspiration.

DKK 468.00
1

David of the White Rock : Welsh traditional melody

David of the White Rock : Welsh traditional melody

This is an ancient Welsh air that was first published in Relics of the Welsh Bards in 1794. Dafydd (David) Owain was a famous Welsh bard who lived on a farm called Garreg Wen (The White Rock) in Eifionydd, Carnarnvonshire,North Wales. Tradition has it that on his deathbed he called for his harp and composed this lovely melody, requesting that it be played at his funeral. Accordingly, it was later played at the parish church of Ynys-Cynhaiarn.Lyrics were later added by Ceiriog Hughes, which describe the melody’s inspiration.

DKK 468.00
1

Super Solos : 10 Selected Solos with Piano Accompaniment

Super Solos : 10 Selected Solos with Piano Accompaniment

Philip Sparke’s Super Solos is the third volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first two books in the series (Starter Solos and Skilful Solos) this collection generally contains longer pieces suitable for the developing young musicians. Specifically tailored for each instrument, Super Solos extends technical and musical demands, takes the player into new keys with larger instrumental ranges and adds new notes in a gradual and logical manner.The books provide invaluable additional material to complement any teaching method. Including play-along CD.

DKK 229.00
1

Super Solos : 10 Selected Solos with Piano Accompaniment

Super Solos : 10 Selected Solos with Piano Accompaniment

Philip Sparke’s Super Solos is the third volume of a progressive series of solo books that takes the young wind player from beginner to accomplished musician. Following on from the first two books in the series (Starter Solos and Skilful Solos) this collection generally contains longer pieces suitable for the developing young musicians. Specifically tailored for each instrument, Super Solos extends technical and musical demands, takes the player into new keys with larger instrumental ranges and adds new notes in a gradual and logical manner. The books provide invaluable additional material to complement any teaching method. Including play-along audio tracks available online in MP3 format.

DKK 221.00
1

Diamond Concerto : Euphonium Concerto No. 3

Diamond Concerto : Euphonium Concerto No. 3

Each of the three movements of this challenging concerto written by Philip Sparke for the euphonium virtuoso Steven Mead, is named after a famous diamond:Earth Star is rather stern in mood, opening with a free fantasyfor the soloist over a static chord from the piano. Ocean Dream uses a varied quote from the composer’s Music for Battle Creek,including a melting slow melody that was originally written withSteven Mead in mind. Blue Heart was written, at Steven Mead’s suggestion, in bebop style and takes the form of a jazz waltz.

DKK 317.00
1

March of the Robot Army

March of the Robot Army

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

DKK 1064.00
1

March of the Robot Army

March of the Robot Army

March of the Robot Army was commissioned by Linda Anzolin & Giordano-Bruno Tedeschi for Campobanda 2019, with funds made available by JUST ITALIA. Campobanda is an Italian summer music camp for 8- to 18-year-olds (held inCamposilvano in 2019) which has a different theme every year. The theme for 2019 was ‘science fiction’, so composer Philip Sparke chose to write a robot march. After a quirky introduction featuring trumpet calls and chromaticfigures, the main theme appears in a minor mode on clarinet and tenor sax and is then taken up by the full band. A change of key heralds a new theme, led by the trumpet and again repeated by the full ensemble. A further change ofkey introduces a legato ‘trio’ melody over a rather robotic accompaniment: instruments are added bit by bit until a climax is reached. Small motifs from the introduction then lead back to a full recapitulation, revisiting thefirst two themes in new guises before finishing the march with a flourish.

DKK 253.00
1

Starter Solos : 20 Progressive Pieces with Piano Accompaniment for Baritone or Euphonium (TC & BC)

Starter Solos : 20 Progressive Pieces with Piano Accompaniment for Baritone or Euphonium (TC & BC)

Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument, this collection of 20solos starts with pieces based on only a handful of notes and carefully introduces new musical elements, such as articulation, dynamics and key signatures, in a structured progression to speed the learning process. The booksprovide invaluable additional material to complement any teaching method. Starter Solos comes with an online audio access. The advantages of playing either with piano or audio accompaniment are that the beginning playercan now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always a factor when playingalone.

DKK 261.00
1

Starter Solos : 20 Progressive Pieces with Piano Accompaniment for Horn

Starter Solos : 20 Progressive Pieces with Piano Accompaniment for Horn

Philip Sparke’s Starter Solos is the first volume of a progressive series of books that takes the young wind player from beginner to accomplished musician. Specifically tailored for each instrument, this collection of 20solos starts with pieces based on only a handful of notes and carefully introduces new musical elements, such as articulation, dynamics and key signatures, in a structured progression to speed the learning process. The booksprovide invaluable additional material to complement any teaching method. Starter Solos comes with an online audio access. The advantages of playing either with piano or audio accompaniment are that the beginning playercan now experience the important aspects of ensemble playing from their earliest lessons, thus developing the essential skills of listening while they play and maintaining strict tempo, which is not always a factor when playingalone.

DKK 261.00
1

Not Before Time

Not Before Time

Not Before Time is one of a pair of pieces which were commissioned by Koninklijke Fanfare Kempenbloei Achel - Ivan Meylemans, conductor - as part of their programme for the 2022 World Music Contest, held in Kerkrade, The Netherlands. The orchestra emerged victorious winners of the „Fanfare Concert Division“. The piece is a cousin of the composer’s Music of the Spheres (which opens ‘before time’ when t=0) and begins with chaotic scales and dense chord clusters reminiscent of the earlier work. After a rhythmic, multi-metric passage, a ‘diabolic’ 7/8 tune appears in the saxes, which is taken up by the full orchestra. The texture suddenly dissipates to introduce a series of building flugel horn clusters under a rapid sax ostinato. Interruptions by the lower brass build into new material which leads to a minor-key chorale with florid sax decorations. Opening passages are then reintroduced until the chorale reappears with the full orchestra, leading to a triumphal coda. This piece can be programmed to be played immediately before its partner piece, Elegy: Echoes of Lives Past (AMP 506-020), which shares the same chorale material.

DKK 1064.00
1

Not Before Time

Not Before Time

Not Before Time is one of a pair of pieces which were commissioned by Koninklijke Fanfare Kempenbloei Achel - Ivan Meylemans, conductor - as part of their programme for the 2022 World Music Contest, held in Kerkrade, The Netherlands. The orchestra emerged victorious winners of the „Fanfare Concert Division“. The piece is a cousin of the composer’s Music of the Spheres (which opens ‘before time’ when t=0) and begins with chaotic scales and dense chord clusters reminiscent of the earlier work. After a rhythmic, multi-metric passage, a ‘diabolic’ 7/8 tune appears in the saxes, which is taken up by the full orchestra. The texture suddenly dissipates to introduce a series of building flugel horn clusters under a rapid sax ostinato. Interruptions by the lower brass build into new material which leads to a minor-key chorale with florid sax decorations. Opening passages are then reintroduced until the chorale reappears with the full orchestra, leading to a triumphal coda. This piece can be programmed to be played immediately before its partner piece, Elegy: Echoes of Lives Past (AMP 506-020), which shares the same chorale material.

DKK 245.00
1

Pulcinella : for Euphonium and Concert Band

Pulcinella : for Euphonium and Concert Band

Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke’s series of euphonium solos named after characters of the Italian commedia dell’arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.

DKK 1501.00
1

Pulcinella : for Euphonium and Concert Band

Pulcinella : for Euphonium and Concert Band

Pulcinella was commissioned by the Taiwanese euphonium player Tzu-Hsiang Lin. Lin is a renowned soloist and teacher and a Besson Euphonium Artist. He teaches euphonium at Taipei National University of the Arts, National Taiwan University of Arts, Shih Chien University and National Kaohsiung Normal University. Lin gave the premiere of Pulcinella in both its concert band and brass band versions in January 2021. Pulcinella continues Sparke’s series of euphonium solos named after characters of the Italian commedia dell’arte and opens with a long and expressive minor melody for the soloist over a brooding accompaniment. This is taken up briefly by the full band and is extended by the soloist after a change of key. A cadenza, accompanied by fragments of the main melody leads to a complete change of mood, tempo and tonality, introducing a Vivo section starting with a perky syncopated tune for the soloist. The band then uses elements of this new tune to introduce a change of key, where the soloist introduces a more lyrical second subject over a pulsing accompaniment. The band then takes this up and changes key to reintroduce the original Vivo melody, which leads to a short and acrobatic coda to bring the work to a spectacular close.

DKK 332.00
1