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You Raise Me Up

‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont. ‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont. ‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont. ‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

You Raise me Up has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

‘You Raise me Up’ has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

You Raise me Up has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

You Raise me Up has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

You Raise Me Up

You Raise me Up has topped the charts all around the world. Its memorable Irish-style melody sticks with you like a real earworm! Here it is beautifully arranged by Bert Appermont.

On a Roll

On a Roll

On a Roll

On a Roll

George Ezra: Shotgun (Arr. Ceunen) (Score/Parts)

George Ezra was inspired to write this song after a road trip with his friends. A hit all over the world, the song has a very funny and original video. Brighten up your concert with this lovely tune!

El Cid : Spanish Fantasy for Alto Saxophone & Piano

El Cid was the name of the legendary knight and folk hero Rodrigo D az de Vivar Cameador, the man who never lost a duel. After a typically Spanish opening, a slower section follows in which the composer makes reference to Albinoni’s Adagio and to the slow movement from Joaqu n Rodrigo’s Concierto d’Aranjuez. The music is whipped up with Spanish passion at the close, and castanets are a must!

El Cid : Spanish Fantasy for Trumpet (Cornet or Flugel Horn) & Piano

El Cid was the name of the legendary knight and folk hero Rodrigo D az de Vivar Cameador, the man who never lost a duel. After a typically Spanish opening, a slower section follows in which the composer makes reference to Albinoni’s Adagio and to the slow movement from Joaqu n Rodrigo’s Concierto d’Aranjuez. The music is whipped up with Spanish passion at the close, and castanets are a must!

D'Artagnan

D’Artagnan, a short new work for flexible youth band is the follow-up to a previous piece from the same series – The Three Musketeers. It was commissioned by the 1-1-1 orchestra workshop in Wehr, Germany, where it premiered on 5th May 2019 at a play-in for young musicians. D’Artagnan describes the lively and whimsical personality of this young – fourth – musketeer. It is a joy to play and listen to!

D'Artagnan

D’Artagnan, a short new work for flexible youth band is the follow-up to a previous piece from the same series – The Three Musketeers. It was commissioned by the 1-1-1 orchestra workshop in Wehr, Germany, where it premiered on 5th May 2019 at a play-in for young musicians. D’Artagnan describes the lively and whimsical personality of this young – fourth – musketeer. It is a joy to play and listen to!

The Miracle : The Passion of Saint Margaret

This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff’s work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff’s work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.

The Miracle : The Passion of Saint Margaret

This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff’s work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.This work was inspired by the 3rd/4th century legend of Margaret of Antioch. Margaret was very devout, and lived as a shepherdess in the countryside. When the city prefect Olybrius proposed to her, on the condition that she would give up her faith, she refused and was eventually put to death. To evoke the archaic early-medieval atmosphere, Bert Appermont has used two Gregorian Kyries. In addition, influences from old music (such as old modes and parallel fifths) and Carl Orff’s work are present. This four movement piece is an epic symphonic poem-like work with an incredible expressiveness and is ideal for a thematic concert or a contest.

Balkan Dance

Folk music from the Balkans region has always been celebrated for its richness and resonance. Its virtuosity and intermittent rhythmic irregularity make this music unique and very lively. These features make up part of Balkan Dance, thus combining traditional music with rock. In the first part, the theme is presented and the orchestration develops. Modulations also occur and each orchestral section is brought to the forefront. The next part begins with irregular rhythms, before giving way to the many soloists in the bands. The introductory theme returns, at first sung, and then concludes the dance in a fortissimo tutti. This piece will delight your audience and challenge your band!

Balkan Dance

Folk music from the Balkans region has always been celebrated for its richness and resonance. Its virtuosity and intermittent rhythmic irregularity make this music unique and very lively. These features make up part of Balkan Dance, thus combining traditional music with rock. In the first part, the theme is presented and the orchestration develops. Modulations also occur and each orchestral section is brought to the forefront. The next part begins with irregular rhythms, before giving way to the many soloists in the bands. The introductory theme returns, at first sung, and then concludes the dance in a fortissimo tutti. This piece will delight your audience and challenge your band!