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Iannis Xenakis’s Persepolis - Dr. Aram Yardumian - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Iannis Xenakis’s Persepolis - Dr. Aram Yardumian - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Iannis Xenakis’ Persepolis stood as witness to one of the most important events in modern human history, the Iranian Revolution in 1979. Its existence is owed to an invitation to participate in the 1971 Shiraz Arts Festival, which was overseen by Empress Farah Pahlavi. Like the Festival, and the extravagant celebratory party held the same year, Xenakis’ symbolic paean to Persian history was polarizing. Many loved it, others detested it. Overwhelming but also subtle and precise in its non-harmonic shifts in texture and density, listeners and critics simply did not know what to make of it. This book tells the story of Xenakis’ early history and involvement in the Resistance against the Axis occupation of Greece during the Second World War, escape and re-settlement in Paris, work as an architect with Le Corbusier, and distinct views on world history and politics that all led to his 1972 electro-acoustic album Persepolis .

DKK 661.00
1

Iannis Xenakis’s Persepolis - Dr. Aram (assistant Professor Of Anthropology Yardumian - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Iannis Xenakis’s Persepolis - Dr. Aram (assistant Professor Of Anthropology Yardumian - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Iannis Xenakis’ Persepolis stood as witness to one of the most important events in modern human history, the Iranian Revolution in 1979. Its existence is owed to an invitation to participate in the 1971 Shiraz Arts Festival, which was overseen by Empress Farah Pahlavi. Like the Festival, and the extravagant celebratory party held the same year, Xenakis’ symbolic paean to Persian history was polarizing. Many loved it, others detested it. Overwhelming but also subtle and precise in its non-harmonic shifts in texture and density, listeners and critics simply did not know what to make of it. This book tells the story of Xenakis’ early history and involvement in the Resistance against the Axis occupation of Greece during the Second World War, escape and re-settlement in Paris, work as an architect with Le Corbusier, and distinct views on world history and politics that all led to his 1972 electro-acoustic album Persepolis .

DKK 229.00
1

Picture Book Parties! - Kimberly M. Hutmacher - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Picture Book Parties! - Kimberly M. Hutmacher - Bog - Bloomsbury Publishing Plc - Plusbog.dk

From the invitations to the suggested books, games, activities, and themed party snacks, this book makes it easy to plan a fun literacy event from start to finish. Picture books, storytime readings, and parties are always popular with children because they find them highly entertaining. These activities can also be very educational. When children are engaged and enjoying themselves, the learning process is naturally enhanced. Picture Book Parties! contains 25 fun, storytime party ideas that will help teachers, librarians, parents, and students celebrate popular picture books, supplying all of the ideas and guidance to have great picture book parties in a classroom, school, library, or home setting. Each of the book''s chapters is dedicated to a storytime subject and party theme, containing a themed party invitation template, suggested picture books, party games, party center activities, and themed party refreshment ideas and recipes. Picture Book Parties! also includes a bonus chapter that offers a multitude of ways for teachers, librarians, and literacy coaches to connect students to their favorite authors.

DKK 385.00
1

Emily Dickinson's Poetic Art - Professor Margaret H. Freeman - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Emily Dickinson's Poetic Art - Professor Margaret H. Freeman - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Winner of the Literary Encyclopedia 2024 Book Prize, in the category of literatures originally written in English. Emily Dickinson's Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson’s poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson's poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson’s conceptualizations. By experiencing Dickinson’s poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson's Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.

DKK 808.00
1

Emily Dickinson's Poetic Art - Professor Margaret H. (co Director Of The Myrifield Institute For Cognition And The Arts) Freeman - Bog - Bloomsbury

Emily Dickinson's Poetic Art - Professor Margaret H. (co Director Of The Myrifield Institute For Cognition And The Arts) Freeman - Bog - Bloomsbury

Winner of the Literary Encyclopedia 2024 Book Prize, in the category of literatures originally written in English. Emily Dickinson''s Poetic Art is both an exciting work of literary criticism on a central figure in American literature as well as an invitation for students and researchers to engage with cognitive literary studies. Emily Dickinson’s poetry can be challenging and difficult. It paradoxically gives readers a feeling of closeness and intimacy while being puzzling and obscure. Critical interpretations of Dickinson''s poems tend to focus on what they mean rather than on what kind of experience they create. A cognitive approach to literary criticism, based on recent cognitive research, helps readers experience and understand the hows and whys of what a poem is saying and doing. These include cognitive linguistic analysis, versification, prosody, cognitive metaphor, schema, blending, and iconicity, all of which explain the sensory, motor, and emotive processes that motivate Dickinson’s conceptualizations.By experiencing Dickinson’s poetry from a cognitive perspective, readers are able to better understand why we feel so close to the poet and why her poetry endures. Emily Dickinson''s Poetic Art: A Cognitive Reading is an important contribution to the study of a major American poet as well as to the vibrant field of cognitive literary studies.

DKK 254.00
1

concepts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

concepts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

This book foregrounds that English monolingualism reduces both our linguistic and conceptual resources, presenting concepts from the cultures of 4 continents and 26 languages. Concepts seem to work best when created in the interspace between theory and praxis, and between philosophy, art, and science. Deleuze himself had generated many concepts in this encounter between philosophy and non-philosophy, including his ideas of affects and percepts, of becoming, the stutter, the rhizome, movement-image and time-image, the rhizome. What happens, if instead of "other disciplines," we take other cultures, other languages, other philosophies? Does not the focus on English as a hegemonic language of academic discourse deny us a plethora of possibilities, of possible Denkfiguren, of possible concepts? Each contributor explores ideas that are key to thinking in their language – about sound and silence, voice and image, living and thinking, the self and the world - while simultaneously addressing the issue of translation. Each chapter demonstrates that translation itself is a way of invention, rather than just a rendering of concepts from one system in terms of another. This collection acts as a travelogue. The journey does not follow a particular trajectory—some countries are not on the map; some are visited twice. So, there is no claim to completeness involved here—it is rather an invitation to answer to the call.

DKK 1010.00
1

concepts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

concepts - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

This book foregrounds that English monolingualism reduces both our linguistic and conceptual resources, presenting concepts from the cultures of 4 continents and 26 languages. Concepts seem to work best when created in the interspace between theory and praxis, and between philosophy, art, and science. Deleuze himself had generated many concepts in this encounter between philosophy and non-philosophy, including his ideas of affects and percepts, of becoming, the stutter, the rhizome, movement-image and time-image, the rhizome. What happens, if instead of "other disciplines," we take other cultures, other languages, other philosophies? Does not the focus on English as a hegemonic language of academic discourse deny us a plethora of possibilities, of possible Denkfiguren , of possible concepts? Each contributor explores ideas that are key to thinking in their language – about sound and silence, voice and image, living and thinking, the self and the world - while simultaneously addressing the issue of translation. Each chapter demonstrates that translation itself is a way of invention, rather than just a rendering of concepts from one system in terms of another. This collection acts as a travelogue. The journey does not follow a particular trajectory—some countries are not on the map; some are visited twice. So, there is no claim to completeness involved here—it is rather an invitation to answer to the call.

DKK 344.00
1

Macedonio Fernandez: Between Literature, Philosophy, and the Avant-Garde - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Macedonio Fernandez: Between Literature, Philosophy, and the Avant-Garde - - Bog - Bloomsbury Publishing Plc - Plusbog.dk

At Macedonio Fernández’s funeral in 1952, Jorge Luis Borges delivered the following elegy: “In those years I imitated him to the point of transcription, to the point of devout and passionate plagiarism. I felt: Macedonio is metaphysics, Macedonio is literature.” This is the first book available in English that collects essays by the world’s leading scholars on Macedonio Fernández, one of Borges’s most important mentors and a still enigmatic thinker of the early 20th century. Macedonio''s philosophy, metaphysics, ethics, and experimental writing laid the foundations for Borges’s own theoretical and literary matrix. Nonetheless, Borges helped shape a myth of Macedonio as a thinker who could not translate his oratorial geniality into written intelligibility. So, despite the centrality of Macedonio to Borges’s thought, his work has remained almost unknown to English-speaking readers. Contributors to this volume demonstrate, however, that this myth reduces the complexities of Macedonio’s life and creative process, as each chapter shines new light on his texts. Conceived as both a companion for new readers of Macedonio’s writings and an invitation for specialists to revisit his work through new perspectives, essays in this volume provide extensive background and bibliographical references, as well as English translations of Macedonio’s original texts. This collection seeks to serve as a catalyst for the continued discovery and rediscovery of Macedonio Fernández’s texts and the ways they might help us to rediscover the singularities of our own present moment.

DKK 344.00
1

Derrida's Marrano Passover - Agata Bielik Robson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Derrida's Marrano Passover - Agata Bielik Robson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In this first ever monograph on Jacques Derrida’s ‘Toledo confession’ – where he portrayed himself as ‘sort of a Marrano of the French Catholic culture’ – Agata Bielik-Robson shows Derrida’s marranismo to be a literary experiment of auto-fiction. She looks at all possible aspects of Derrida’s Marrano identification in order to demonstrate that it ultimately constitutes a trope of non-identitarian evasion that permeates all his works: just as Marranos cannot be characterized as either Jewish or Christian, so is Derrida’s ‘universal Marranism’ an invitation to think philosophically, politically and – last but not least – metaphysically without rigid categories of identity and belonging.By concentrating on Derrida’s deliberate choice of marranismo , Bielik-Robson shows that it penetrates deep into the very core of his late thinking, constantly drawing on the literary works of Kafka, Celan, Joyce, Cixous and Valéry, and throws a new light on his early works, most of all: Of Grammatology , Dissemination and ''Différance''. She also offers a completely new interpretation of many of Derrida’s works only seemingly non-related to the Marrano issue, like Glas , G iven Time: Counterfeit Money , Death Penalty Seminar , and Specters of Marx . In these new readings, this book demonstrates that the Marrano Derrida is not a marginal auto-biographical figure overshadowed by Derrida the Philosopher: it is one and the same thinker who discovered marranismo as a literary trope of openness, offering up a new genre of philosophical story-telling which centers around Derrida’s Marrano ‘auto-fable’.

DKK 344.00
1

Derrida's Marrano Passover - Agata Bielik Robson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Derrida's Marrano Passover - Agata Bielik Robson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In this first ever monograph on Jacques Derrida’s ‘Toledo confession’ – where he portrayed himself as ‘sort of a Marrano of the French Catholic culture’ – Agata Bielik-Robson shows Derrida’s marranismo to be a literary experiment of auto-fiction. She looks at all possible aspects of Derrida’s Marrano identification in order to demonstrate that it ultimately constitutes a trope of non-identitarian evasion that permeates all his works: just as Marranos cannot be characterized as either Jewish or Christian, so is Derrida’s ‘universal Marranism’ an invitation to think philosophically, politically and – last but not least – metaphysically without rigid categories of identity and belonging.By concentrating on Derrida’s deliberate choice of marranismo , Bielik-Robson shows that it penetrates deep into the very core of his late thinking, constantly drawing on the literary works of Kafka, Celan, Joyce, Cixous and Valéry, and throws a new light on his early works, most of all: Of Grammatology , Dissemination and ''Différance''. She also offers a completely new interpretation of many of Derrida’s works only seemingly non-related to the Marrano issue, like Glas , G iven Time: Counterfeit Money , Death Penalty Seminar , and Specters of Marx . In these new readings, this book demonstrates that the Marrano Derrida is not a marginal auto-biographical figure overshadowed by Derrida the Philosopher: it is one and the same thinker who discovered marranismo as a literary trope of openness, offering up a new genre of philosophical story-telling which centers around Derrida’s Marrano ‘auto-fable’.

DKK 1007.00
1