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Living Colour's Time's Up - Professor Or Dr. Kimberly (assistant Professor Mack - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Living Colour's Time's Up - Professor Or Dr. Kimberly (assistant Professor Mack - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The iconic Black rock band Living Colour''s Time''s Up , released in 1990, was recorded in the aftermath of the spectacular critical and commercial success of their debut record Vivid . Time''s Up is a musical and lyrical triumph, incorporating distinct forms and styles of music and featuring inspired collaborations with artists as varied as Little Richard, Queen Latifah, Maceo Parker, and Mick Jagger. The clash of sounds and styles don''t immediately fit. The confrontational hardcore-thrash metal - complete with Glover''s apocalyptic wail - in the title track is not a natural companion with Doug E. Fresh''s human beat box on “Tag Team Partners,” but it''s precisely this bold and brilliant collision that creates the barely-controlled chaos. And isn''t rock & roll about chaos?Living Colour''s sophomore effort holds great relevance in light of its forward-thinking politics and lyrical engagement with racism, classism, police brutality, and other social and political issues of great importance. Through interviews with members of Living Colour, and others involved in the making of Time''s Up , Kimberly Mack explores the creation and reception of this artistically challenging album, while examining the legacy of this culturally important and groundbreaking American rock band.

DKK 140.00
1

Text and Drugs and Rock 'n' Roll - Professor Simon Warner - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Text and Drugs and Rock 'n' Roll - Professor Simon Warner - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Text and Drugs and Rock''n''Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture.Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few.This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.

DKK 237.00
1

Text and Drugs and Rock 'n' Roll - Professor Simon Warner - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Text and Drugs and Rock 'n' Roll - Professor Simon Warner - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Text and Drugs and Rock''n''Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture.Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few.This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.

DKK 514.00
1

Elvis Presley's From Elvis in Memphis - Eric Wolfson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Elvis Presley's From Elvis in Memphis - Eric Wolfson - Bog - Bloomsbury Publishing Plc - Plusbog.dk

A Classic Rock book of 2020"I had to leave town for a little while--" with these words, Elvis Presley truly came home to rock and roll. A little over a month earlier he had staged rock’s first and greatest comeback in a television program, forever known as "The ’68 Comeback Special." With this show, he resurrected himself--at the age of 33, no less--from the ashes of a career mired in bad movies and soundtracks. So where to go from here?Like a killer returning to the scene of the crime, Elvis came back home to Memphis, where it had all begun. Eschewing the fancier studios of Nashville and Hollywood, he set up shop at the ramshackle American Sound Studio, run by a maverick named Chips Moman with an in-house backing band now known as "The Memphis Boys," and made the music of his life. The resulting work, From Elvis in Memphis , would be the finest studio album of his career, an explosion of mature confidence and fiery inspiration. It was the sound of Elvis establishing himself as a true rock and roll artist--and proving his status as a legend.

DKK 140.00
1

Golf Ball - Harry Brown - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Golf Ball - Harry Brown - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Harry Brown explores the composition, history, kinetic life, and the long deterioration of golf balls, which as it turns out may outlive their hitters by a thousand years, in places far beyond our reach. Golf balls embody our efforts to impose our will on the land, whether the local golf course or the Moon, but their unpredictable spin, bounce, and roll often defy our control. Despite their considerable technical refinements, golf balls reveal the futility of control. They inevitably disappear in plain sight and find their way into hazards. Golf balls play with people.Harry Brown''s short treatise on the golf ball serves up surprising lessons about the human desire to tame and control the landscape through technology. Object Lessons is published in partnership with an essay series in The Atlantic.

DKK 136.00
1

The Modern Lovers' The Modern Lovers - Sean L. (independent Scholar Maloney - Bog - Bloomsbury Publishing Plc - Plusbog.dk

The Modern Lovers' The Modern Lovers - Sean L. (independent Scholar Maloney - Bog - Bloomsbury Publishing Plc - Plusbog.dk

From the "War on Hippies" to the Great Rock ''n'' Roll Swindl e , the story of Modern Lovers is a high octane tale of Brutalist architecture, rock ''n'' roll ambition and the struggle for identity in a changing world. One of punk rock’s foundational documents, the archetype for indie obsession and all but disowned by its author, The Modern Lovers was an album doomed by its own coolness from day one. Powered by the two-chord wonder “Roadrunner” and its proclamation that “I’m in love with rock ''n'' roll,” The Modern Lovers is the essential document of American alienation, an escape route from the cultural wasteland of postwar suburbia. The Modern Lovers is the bridge connecting the Velvet Underground and the Sex Pistols; they were peers of the New York Dolls and friends with Gram Parsons and they would splinter into Talking Heads, The Cars, and The Real Kids.But The Modern Lovers was never meant to be an album. A collection of demos, recorded in fits and starts as Jonathan Richman and his band negotiate modernity and the music industry. It is a collection of songs about a city and a society in flux, grappling with ancient corruptions and bright-eyed idealism. Richman observes a city all but abandoned by adults, ravaged by white flight and urban renewal, veering towards anarchy as old world social moors collide with new attitudes. It is a city stands in stark contrast to the the ranchstyle bedroom community where he was raised. All of these conflicts are churned through Richman’s intellectual acuity and emotional unrest to create one of the 20th century’s most enduring documents of post-adolescent malaise.

DKK 139.00
1

Young Marble Giants' Colossal Youth - Michael Blair - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Young Marble Giants' Colossal Youth - Michael Blair - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Welsh post-punk band Young Marble Giants released one LP in 1980 and then, like their vanishing portraits on the album’s cover, disappeared. Even though Colossal Youth received positive reviews and sold surprisingly well, Young Marble Giants quickly slid into the margins of rock ''n'' roll history—relegated to cult status among post-punk and indie rock fans. Their lasting appeal owes itself to the band’s singular approach and response to punk rock. Instead of employing overt political ideology and abrasive sounds to rebel against the status quo, Young Marble Giants filled their songs with restraint, ambiguity, and silence. The trio opened up their music to new sounds and ideas that redefined punk’s rules of rebellion.Where did their rebellious ideas and impulses come from? By tracing Colossal Youth ’s artistic origins from Ancient Greece to the 20th-century avant-garde, Michael Blair and Joe Bucciero uncover the intricacies of Young Marble Giants’ idiosyncratic take on music in the post-punk age. Emerging from the gaps in between the notes are new ways of hearing the history of punk, the political and economic turbulence of the late 1970s, and the world that surrounds us right now.

DKK 139.00
1

Power Up Your Read-Alouds - Andrea Paganelli - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Power Up Your Read-Alouds - Andrea Paganelli - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Capture the hearts, minds, and attention of your digital-age listeners using read-aloud experiences that engage technology. "I wish my learners would be as excited about reading as they are about technology" is a lament frequently sung by those who seek to support reading development. There is no debate that reading is fundamental and that reading aloud strongly supports lifelong reading engagement. Technology, however, is ubiquitous in our society, and engagement with it is essential for our success. Reading and technology are therefore in competition for learners'' attention, but by combining reading and technology through use of read-aloud, facilitators can create engaging digital read-aloud programs to enhance the learning experience. Digital read-aloud can be used with multiple age groups, in a variety of settings, and with differing degrees of expense and technology complexity. Understanding that these myriad options can be overwhelming, however, Andrea Paganelli offers detailed information on the background, implementation, evaluation, and sustainability of technology-infused read-aloud for reading support persons, school librarians, public librarians, instructional librarians, teachers, and professors. Her ideas span multiple ages and subjects and include practical examples designed to engage both educators and readers.

DKK 443.00
1

Siouxsie and the Banshees' Peepshow - Samantha (australian National University Bennett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Siouxsie and the Banshees' Peepshow - Samantha (australian National University Bennett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

In 1978, Siouxsie and the Banshees declared ‘We don’t see ourselves in the same context as other rock''n''roll bands.’ A decade later, and in the stark aftermath of a devastating storm, the band retreated to a 17th-century mansion house in the deracinated Sussex countryside to write their ninth studio album, Peepshow . Here, the band absorbed the bygone, rural atmosphere and its inspirational mise en sc è ne , thus framing the record cinematically, as Siouxsie Sioux recalled, ‘It was as if we were doing the whole thing on the set of The Wicker Man ’.Samantha Bennett looks at how Siouxsie and the Banshees’ Peepshow is better understood in the context of film and film music (as opposed to popular music studies or, indeed, the works of other rock''n''roll bands). Drawing upon more than one hundred films and film scores, this book focuses on Peepshow ’s deeply embedded historical and aesthetic (para)cinematic influences: How is each track a reflection of genre film? Who are the various featured protagonists? And how does Peepshow ’s diverse orchestration, complex musical forms, atypical narratives and evocative soundscapes reveal an inherently cinematic record? Ultimately, Peepshow can be read as a soundtrack to all the films Siouxsie and the Banshees ever saw. Or perhaps it was the soundtrack to the greatest film they never made.

DKK 119.00
1

George Michael's Faith - Matthew (music Journalist Horton - Bog - Bloomsbury Publishing Plc - Plusbog.dk

George Michael's Faith - Matthew (music Journalist Horton - Bog - Bloomsbury Publishing Plc - Plusbog.dk

On Saturday, June 28, 1986, George Michael picked up his tasselled leather jacket, walked out of London’s Wembley Stadium and cheerfully tore up five years of glittering pop history. He’d just disposed of Wham!, the band he’d formed with school friend Andrew Ridgeley when they were teenagers, and now, at 23, he knew he was all grown up. He just needed to convince everyone else. Faith is what happens when you’ve outstripped your dreams, your peers, your friends and your fans, and no one’s caught up yet. It’s about pouring all of that confusion, insecurity and sizzling ambition into music that comes out confused, insecure and ambitious – and then selling 25 million copies of it. George Michael was always preparing for this and, in the process, he set a template for all disaffected singers making that move. This book examines that model and the themes that went into Faith – from engaging in politics to crossing over to a Black audience and writing classic pop songs to endure – and speaks to the surviving key players to tell the story of how it was made.

DKK 140.00
1

Sex and Gender in Pop/Rock Music - Prof Walter Everett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Sex and Gender in Pop/Rock Music - Prof Walter Everett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Following the 1960''s sexual revolution, rock and pop have continued to map the societal understanding of sexuality, feminism, and gender studies. Although scholarship has well established how early rock and roll encouraged and affected issues of sex in the baby boomer generation, this book asks how subsequent pop music has maintained that tradition. The text discusses the gendered performances and biographical experiences of individual musicians, including Patti Smith, Rufus Wainwright, Etta James, and Frank Ocean, and how their invented personae contribute to musical representations of sexuality. It evaluates lyric structure and symbolic language of these artists, and overall emphasizes how pop music, while a commodity art form, reflects the diversity of human sex and gender.

DKK 806.00
1

Sex and Gender in Pop/Rock Music - Prof Walter (professor Emeritus Everett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Sex and Gender in Pop/Rock Music - Prof Walter (professor Emeritus Everett - Bog - Bloomsbury Publishing Plc - Plusbog.dk

Following the 1960''s sexual revolution, rock and pop have continued to map the societal understanding of sexuality, feminism, and gender studies. Although scholarship has well established how early rock and roll encouraged and affected issues of sex in the baby boomer generation, this book asks how subsequent pop music has maintained that tradition. The text discusses the gendered performances and biographical experiences of individual musicians, including Patti Smith, Rufus Wainwright, Etta James, and Frank Ocean, and how their invented personae contribute to musical representations of sexuality. It evaluates lyric structure and symbolic language of these artists, and overall emphasizes how pop music, while a commodity art form, reflects the diversity of human sex and gender.

DKK 250.00
1