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Cérémonie de ch?urs de Noël op. 28 : A Ceremony of Carols

Cérémonie de ch?urs de Noël op. 28 : A Ceremony of Carols

Oplev Britten's elskede julesangklassiker nu tilgængelig på fransk for allerførste gang! Denne udgave præsenterer en grundig oversættelse af de fleste værker af Maurice Budry, godkendt af Britten selv, og der blev sendt en opførelse på Radio Romande juledag i 1964. De tre manglende bevægelser er nu oversat af Agnès Ausseur og Jalal Zaïm specielt til denne udgave. Inkluderer et fonetisk ordforråd (med moderne engelske ækvivalenter) til hjælp for fransktalende, der ønsker at optræde på originalsproget. Med forord af Philip Reed (på fransk og engelsk), tidligere fra Britten–Pears Biblioteket, Aldeburgh.

DKK 154.00
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Oculi Omnium

Oculi Omnium

Part of the new Boosey & Hawkes Contemporary Choral Series, this is a peaceful setting of the plainchant gradual taken from the Book of Psalms, Psalm 145 vv 14–15. This text is one of the College Graces of Brasenose College, University of Oxford. The work’s expressive melodic line creates a resoundingly comforting atmosphere. It won the Brasenose College Oxford Platnauer Grace competition in 2010, receiving a premiere by internationally-acclaimed vocal group Voces8 in Brasenose College Chapel.

DKK 65.00
1

Two Diversions

Two Diversions

These 'Two Diversions' for piano deal with a growing contrast between simultaneous musical ideas. The first 'Diversion' presents a line of paired notes, musical intervals, that maintain a single speed throughout, while the other very changeable material uses many different speeds and characters. The second 'Diversion' contrasts two musical lines one of which, on the whole, grows slower and slower while the other grows faster and faster. With these musical ideas about diverging materials, I hope I have written diverting music.Elliot Carter

DKK 145.00
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Songs are sung Op. 67 : String Quartet No. 3

Songs are sung Op. 67 : String Quartet No. 3

In spring 2005, after thirteen years of persistence, patience, and cancelled performances, the Kronos Quartet finally received the score to Henryk Górecki's Piesni Spiewaja (…songs are sung), String Quartet no 3, op 67 - a 50-minute magnum opus (originally commissioned in 1992). It came with the dedication, To the Kronos Quartet, which for so many years has waited patiently for this quartet. The quartet's title is inspired by the last line of a poem by the Russian poet Velimir Khlebnikov, When peopledie, they sing songs.

DKK 311.00
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Songs are sung Op. 67 : Hawkes Pocket Scores HPS 1408

Songs are sung Op. 67 : Hawkes Pocket Scores HPS 1408

In spring 2005, after 13 years of persistence, patience, and cancelled performances, the Kronos Quartet finally received the score to Henryk Górecki's Piesni Spiewaja (…songs are sung), String Quartet No. 3, op. 67 - a 50-minute opus magnum (originally commissioned in 1992). It came with the dedication, To the Kronos Quartet, which for so many years has waited patiently for this quartet. The quartet's title is inspired by the last line of a poem by the Russian poet Velimir Khlebnikov, When peopledie, they sing songs.

DKK 247.00
1

Nightfall

Nightfall

The composer states:“Nightfall is an incantatory piece inspired by how light changes at the end of a day: the adding and subtracting of colours and shadow; the slowly building and diminishing dynamics; the shifting texture as the sun intensifies and then disappears over the horizon.Nightfall should be sung without vibrato so that the vocal colours and their translucent quality remain pure and clear. Recalling Baroque passacaglia procedure, the bass line underpins the entire work.Nightfall requires a chorus of no less than 26 voices with at least two basses. It’s important to keep the parts balanced as the texture thickens so that all the lines are always clearly heard.”

DKK 94.00
1

Sweet was the song : a Christmas carol

Sweet was the song : a Christmas carol

Sweet was the Song is a traditional English carol dating from the 16th century depicting the Virgin Mary singing a lullaby to the new-born Jesus. This setting for mixed voices (no divisi) and organ reflects the text with gentlerocking phrases, static harmonies and a simple melodic line. The music is coloured by soft dissonances, conveying a sense of mystery and uncertainty.This piece is taken from a larger work An Old Belief which deals with thesubject of religious faith in times of crisis. It was commissioned by Alan Brookes for Twickenham Choral Society, who gave the first performance in March 2013, conducted by Christopher Herrick.

DKK 73.00
1

The Peacemakers

The Peacemakers

The Peacemakers sets words of peace from iconic, world-changing figures such as Gandhi, Nelson Mandela and Martin Luther King, along with other inspirational quotations of Mother Teresa, Albert Schweitzer, Anne Frank and the Dalai Lama. Also included are religious texts from the Bible, the Qur’an, St Francis of Assisi and Bahá’u’lláh, and the poetry of Shelley, Malory, Terry Waite and Carol Barratt. One line from the Persian mystic poet Rumi sums up the ethos of the work: ‘All religions, all singing one song: Peace be with you’. Scored for soprano solo, SATB chorus, optional SSA chorus, flute, guitar (acoustic, classical or fretless bass), strings & percussion, with optionalsoprano saxophone, brass, timpani, solo violin and organ/electronic keyboard. English & Latin text, with ‘peace’ in many languages. Performance materials available on hire. Recorded on EMI CD 50999 0 84378 2 2. Duration: 70'

DKK 218.00
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Luimen : Trompete, Posaune, Harfe, Mandoline, Gitarre und Vibraphon

Luimen : Trompete, Posaune, Harfe, Mandoline, Gitarre und Vibraphon

Note from the composer:For a number of years I had been thinking of writing a piece based on the sound of plucked Instruments like the mandolin, guitar and harp, so when the Dutch Nieuw Ensemble asked me for a piece I realised that this group had excellent players of these three Instruments to which I added trumpet, trombone and vibraphone and composed a one-movement Fantasy whose Dutch titles was chosen by the ensemble (meaning “moods”). The score opens with a fast movement that presents each Instrument in brief solos between moments for the entire group. This is followed by a slow movement during which the mandolin picks out a line of short notes. A guitar solo accompanied by the group follows and the work concludes with a coda for the sextet. The music was composed during the early summer of 1997 in Southbury, Connecticut.- Elliott Carter -

DKK 286.00
1

Violinkonzert

Violinkonzert

The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment. The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood. The third movement combines the two concepts of the earlier movements – song and dance – and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and agrowing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta. The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935–2008).

DKK 281.00
1

Violin Concerto : Hawkes Pocket Scores HPS 1472

Violin Concerto : Hawkes Pocket Scores HPS 1472

The first movement begins with a short, punchy motive, which kicks off a fast, jerky solo violin theme. This is followed by a high, floating singing line, with murmuring accompaniment.The second movement begins with a simple, expressive melody in the accompaniment. Whilst the violin takes up the melody, a series of simple chords emerges. After a succession of episodes the music takes an unexpected shift, with a hazy remembered amalgam of old Irish tunes evoking the memory of childhood.The third movement combines the two concepts of the earlier movements – song and dance – and adds a new feeling of burlesque, and some spoken material (in German). Increased vigour and agrowing sense of abandon follow, and after a lyrical waltz the music draws to a close with a tragic outburst, an unaccompanied cadenza, and a brief codetta.The work is dedicated to Vadim Repin and in memoriam Ellen MacMillan (1935–2008).

DKK 349.00
1

Requiem da Camera : Organ reduction for use instead of orchestral accompaniment

Requiem da Camera : Organ reduction for use instead of orchestral accompaniment

This organ reduction is intended to use instead of the original orchestral accompaniment; it is compatible with new edition of Requiem da Camera by Christian Alexander (BH 12681). The organ reduction was done by Francis Jackson, doyen of English cathedral organists and titulaire at York Minster for 36 years. Jackson sympathetically recreates the chamber orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedal coupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particularinstrument, size of choir and acoustic setting at each individual performance.The user-friendly landscape score includes at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full.Requiem da Camera was Finzi’s first extended work; only the instrumental prelude was performed during his lifetime. The other three movements are settings of poems by John Masefield, Thomas Hardy and Wilfrid Wilson Gibson. Scored for baritone solo, small chorus (or SATB soli) and chamber orchestra, the wellspring of the Requiem’s composition was the death, during active service in 1918, of Finzi’s composition teacher, Ernest Farrar. The work may also be viewed as a metaphor – the permanence of the land, and a centuries-old pattern of rural life following the rhythm of the turning seasons, contrasted with the violent havoc and destructive dislocation wrought by war. A reflective and poignant work particularly suitable for performances commemorating the tragedy of World War I.

DKK 183.00
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In terra pax op. 39 : Christmas Scene

In terra pax op. 39 : Christmas Scene

Following the publication of Francis Jackson’s organ reduction of Finzi’s Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi’s choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedalcoupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. In terra pax, Christmas Scene for soprano & baritone soli, chorus & orchestra (1954/6). The text conflates Robert Bridges’s poem Noel: Christmas Eve (1913) and Luke 2: 8-14. Finzi suggested that the Nativity ‘becomes a vision seen by a wanderer on a dark and frosty Christmas Eve, in our own familiar landscape’.In terra pax is a masterpiece in miniature, Finzi’s pacifism at its heart, and his belief that men and women of goodwill should live harmoniously. Weaving through the music are three ideas: the pealing of the bells with their joyous message, a phrase from the carol The First Nowell, and the alleluia refrain from the hymn Lasst uns erfreuen.

DKK 235.00
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For St Cecilia op. 30 : Ceremonial Ode

For St Cecilia op. 30 : Ceremonial Ode

Following the publication of Francis Jackson’s organ reduction of Finzi’s Requiem da Camera in 2014, Robert Gower, chairman of the Finzi Trust, recitalist and organist of Nottingham Cathedral, has created reductions of the full orchestra accompaniments to two more of Finzi’s choral works. These reductions broaden the reach of these works to choirs which do not wish to present the works with orchestra, as with other standards from the sacred repertoire such the Requiems of Fauré and Duruflé. The reductions sympathetically recreate the orchestra scoring for a three-manual organ. Ingeniously, the manual couplings (II to III, II and III to I) are unaltered throughout, with pedalcoupled to manuals as appropriate. Detailed registrations are not indicated as these are best left to the performer, taking into account the unique circumstances of the particular instrument, size of choir and acoustic setting at each performance. The scores are user-friendly, in landscape format and with at least one principal vocal line cued throughout, and a cappella choral passages are reproduced in full. The reductions are fully compatible with the published piano vocal scores of the respective works which the singers will use. For St Cecilia, Ceremonial Ode for tenor solo, chorus & orchestra; words by Edmund Blunden. The original work was commissioned by the St Cecilia’s Day Festival Committee for the 1947 celebration of music’s patron saint. The ceremonial mood is established with fanfares, and the sonorous sweep of the choral writing reflects Finzi’s admiration for Parry and Elgar. The ‘catalogue’ of saints, shared between the soloist and chorus, are deftly delineated: St Valentine, St George, St Dunstan, St Swithin and St Cecilia herself. In rapt stillness, the English composers of the past – Merbecke, Byrd, Dowland and Purcell – are summoned. To close, Finzi creates a festal summation with exultant counterpoint and the saint’s name pealing around the chorus.

DKK 252.00
1