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Vesper Voluntaries : Op. 14

With his Vesper Voluntaries, Edward Elgar composed a wealth of organ pieces for performance in church services and concerts. The wonderful miniatures, composed in song form, two to three minutes in length, can be performed individually or as a complete cycle. They are of moderate difficulty and intended for manuals, but they can optionally also be played with pedal. This Urtext edition is based on the first printed edition edited by Elgar himself, which has been carefully checked through. Useful suggestions on performance in the foreword complete the new edition.

Schindler: Kinderhits mit Witz 14

Symphoniae Sacrae I : Complete recording, Vol. 14

Heinrich Schütz spent his whole life searching for that which is new in music. The Symphoniae Sacrae I, which were presented in 1629, also testify to this. Schütz composed them as a result of the impressions made upon him by his second journey to Venice. In addition to the numerous Italian stylistic traits which can be traced back to Monteverdi, the 20 concertos all in Latin particularly impress with their great variety of timbres: solo pieces, duets and trios for all voice type are combined with diverse string and wind instruments and are governed by the emotional and expressive world of the text. The recording impressively continues the award-winning Schütz completerecording with the Dresdner Kammerchor conducted by Hans-Christoph Rademann with the customary top-quality soloists such as Dorothee Mields, Felix Schwandtke and others.

Halmos: 14 Psalm-Motetten für gem. Chor

Lofsang efter David : B flat major - Op. 14

Paulus. Carus Choir Coach. Tenor : Oratorio MWV A 14

Paulus. Carus Choir Coach. Alt : Oratorio MWV A 14

Paulus. Carus Choir Coach. Sopran : Oratorio MWV A 14

St. Paul. Oratorio : Arrangement for Chamber Orchestra - MWV A 14

Reger-Werkausgabe, Bd. I/6: Orgelstücke II

The Max-Reger-Institut [MRI], located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe [RWA] is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The sixth volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in between April 1902 and spring 1903 in Munich.

Reger-Werkausgabe, Bd. I/1 : Choralphantasien für Orgel

Since January 2008, the first scholarly, critical edition of the works of Max Reger [RWA] is being produced at the Max-Reger-Institute, Karlsruhe. Its design as a “hybrid” edition breaks new ground in the methods of editorial practice. It comprises three areas of Reger's compositional output: Organ works, Lieder and choruses and, for the first time, Max Reger's ar­rangements of works by other composers. To begin the series, the first seven volumes to be published will contain the organ works, which have been eagerly awaited by many.

Reger Edition of Work, vol. I/7: Organ pieces III

The Max-Reger-Institut (MRI), located in Karlsruhe, Germany, has initiated the first ever scholarly-critical edition of works by Max Reger. The Reger-Werkausgabe (RWA) is sponsored by the Mainzer Akademie der Wissenschaften und der Literatur and with its design as a hybrid edition breaks new ground in the editorial techniques. The seventh and final volume in the series of organ works includes, in chronological order, the organ pieces Max Reger composed in 1904 and 1906 in Munich, in 1912 in Berchtesgaden, in 1913 in Kolberg, and in 1915 to 1916 in Jena.

Homilius: Markuspassion : Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions.

Homilius: Markuspassion. Werkausgabe : Geschichte des Leidens und Sterbens unseres Heilandes Jesu Christi

Gottfried August Homilius belongs to the last generation of composers of the 18th century who, in addition to the popular Passion oratorios, continued to write oratorio Passions using biblical texts. From his pen a Passion for each of the four Gospels has survived. With sensitive arias, unusal orchestral sound and expressive turba choruses Homilius translated the traditional Passion to his times. It was surely not a coincidence that in Hamburg Carl Philipp Emanuel Bachr resorted primarily to the Passions of Homilius, especially the St. Mark Passion, which he first performed in an abridged version in 1770 and whose music he employed in 14 of his 21 pasticcio Passions.