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J.L. Bach: Mache dich auf, werde licht. Kantaten

J.L. Bach: Mache dich auf, werde licht. Kantaten

Johann Ludwig Bach was next to Johann Bernhard the most musically accomplished cousin of Johann Sebastian Bach. In 1711 he became Court Music Director at the Court of Meiningen, and he remained in this position for twenty years, until his death in 1731. 22 sacred cantatas by Johann Ludwig Bach have been handed down in copies made by J. S. Bach, who prepared them in 1726 for use in worship services in Leipzig. On this CD, „Mache dich auf, werde licht“ Hermann Max presents four of these cantatas.

DKK 200.00
1

Missa sancta No. 1 E-flat major : WeV A.2

Missa sancta No. 1 E-flat major : WeV A.2

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname “Freischütz Mass” because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into accountliturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too “operatic” by critics, it was very well received by audiences and also pleased the King. • Practically oriented edition based on the sources, performance material available on sale for the first time • Easy to medium difficulty level • Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time

DKK 277.00
1

Missa sancta No. 1 E-flat major : WeV A.2

Missa sancta No. 1 E-flat major : WeV A.2

Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname “Freischütz Mass” because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into accountliturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too “operatic” by critics, it was very well received by audiences and also pleased the King. • Practically oriented edition based on the sources, performance material available on sale for the first time • Easy to medium difficulty level • Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time

DKK 813.00
1

Festkonzert im Weihezeitraum : Frauenkirche Dresden

Festkonzert im Weihezeitraum : Frauenkirche Dresden

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor [1783], with the inserted movement "Ad te levavi," is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves.

DKK 200.00
1

Missa in g. Hasse-Werkausgabe IV/3

Missa in g. Hasse-Werkausgabe IV/3

After Johann Adolf Hasse had ended his career as a composer for the opera stage and finally settled down in Venice, he wrote a number of sacred works. Since he had long been obligated to the Saxon Court, where he served as a composer for three decades until 1763, these works were originally intended for the Catholic Court Church in Dresden. The solemn-pathetic Missa in G minor [1783], with the inserted movement "Ad te levavi," is Hasse's final work: a crowning conclusion to an oeuvre whose significance in music history has only recently begun to be recognized and has now received the fitting acknowledgement it deserves.

DKK 1774.00
1

Sinfonias + Concerto

Sinfonias + Concerto

This recording of works by Johann Christoph Friedrich Bach, the least well-known of the four composer sons of Bach, marks the completion of the FBO’s highly acclaimed series “Bach’s Sons” on the Carus label. Unlike his prominent brothers Carl Philipp and Johann Christian, the “Bueckeburg Bach” never ventured beyond the provinces, serving as a court musician for forty years at the court of the Count of Schaumburg-Lippe. But his music is anything but provincial. It moves impressively between the styles of both brothers, combining the artistic demands of Carl Philipp with the light Italian tone of the younger brother Johann Christian, and so defies easy musical categorization.

DKK 200.00
1

Missa In G Minor : From Johann Sebastian Bach's Music Library

Missa In G Minor : From Johann Sebastian Bach's Music Library

This Missa in G minor is the only surviving work in this genre by Johann Hugo von Wilderer: his output as Kapellmeister at the Electoral Palatinate court, which resided in Mannheim from 1720 onwards, was mainly devoted to opera. The three-part Kyrie, the through-composed Gloria, and the partly obbligato instrumental writing show the influence of the early Neapolitan mass style. The music-historic significance of the Missa is firstly that it is an important example of the church music performed around 1700 at the Electoral Palatinate court, but above all that Bach evidently used it as a source of inspiration for the Kyrie of the Mass in B minor, as shown, for example in theform of the Adagio introduction of the Kyrie I in both works.

DKK 252.00
1

Cleofide -Dramma per musica von Johann Adolf Hasse : Untersuchung der Entstehungsgeschichte

Cleofide -Dramma per musica von Johann Adolf Hasse : Untersuchung der Entstehungsgeschichte

Johann Adolf Hasse [1699 1783] is considered the most successful composer from the middle third of the 18th century. He spent the most important and longest portion of his professional musical career as Music Director at the Dresden Court of Friedrich August II. The fact that Hasse was offered this prestigious position was due to the success of his opera Cleofide, which was performed in Dresden in September 1731 still during the reign of August the Strong with his wife, Faustina [née Bordoni], singing the female lead. In connection with the first edition of Cleofide [Johann Adolf Hasse, Werke, Vol. I/1, Stuttgart, 2008] the editor, Zenon Mojzysz, undertook extensiveresearch of the cultural-historical environment surrounding this opera. With reference to numerous original sources, in the present volume the circumstances which led to the composer’s appointment at the Dresden Court and to the performance there of Cleofide will be brought to light.

DKK 328.00
1

Christoph Graupner: Fagott- und Violinkonzerte

Christoph Graupner: Fagott- und Violinkonzerte

Today Christoph Graupner is known primarily as a prolific composer of cantatas. The present CD shows that during his long tenure at the Court of Darmstadt he availed himself of other musical genres. Together with Sergio Azzolini and Christian Leitherer the Ensemble il capriccio, which plays on replicas of historical instruments, presents the four bassoon concertos, a double concerto for bassoon and chalumeau, as well as Graupner’s only violin concerto in what are partly world premiere recordings.

DKK 200.00
1

Johann Adolf Hasse in seiner Zeit : Bericht über das Symposium vom 23. bis 26. März 1999 in Hamburg.

Johann Adolf Hasse in seiner Zeit : Bericht über das Symposium vom 23. bis 26. März 1999 in Hamburg.

Johann Adolf Hasse was probably the most successful composer of his time. The Music Director at the magnificent Court of Dresden maintained splendid relations with Frederick the Great and Empress Maria Theresa, and his works were performed in theaters and monasteries, in Naples and Venice, as well as in Lisbon, Dresden and Warsaw. The broad thematic spectrum in the present report of the Symposium of the Hasse Society, with contributions by 25 internationally-renowned authors, presents a compendium of the current state of Hasse research.

DKK 388.00
1

La Grandezza della Musica Imperiale : Composizioni per orchestra

La Grandezza della Musica Imperiale : Composizioni per orchestra

Johann Josef Fux, who was highly respected and the longtime Music Director of the Viennese Imperial Court, is gradually being rediscovered. This recording presents little-known works from Fux's instrumental opus. The focus of this recording are the stylized baroque dances: movements of the suite in which all the virtuoso possibilities of solo and tutti playing in the manner of Italian gusto are relished and explored. An especial charm lies in the pictorial-programmatic works, as in the bird call imitations in the Ouverture in d Minor, or the serenade-like concerto entitled "gentleness and bitterness of the night" music full of surprises and contrasts.

DKK 200.00
1

Hasse: Requiem - Miserere [Rademann]

Hasse: Requiem - Miserere [Rademann]

The two Johann Adolf Hasse compositions recorded here are proof of the both high quality of his music and the broad range of styles which he had at his disposal. Once again Hans-Christoph Rademann offers an exemplary interpretation of music from the Court of Dresden, to which he has often dedicated his musical efforts. “Under the direction of Hans-Christoph Rademann the Dresdner Barockorchester and the superb Chamber Choir bring a homogeneous, lean performance which follows integrally the gesture of the text and provides many moving moments. Thus with its penetrating tone language this live recording brings to life two unjustly forgotten masterworks of the 18thcentury.”

DKK 200.00
1

Bach, Johann Ludwig: Das ist meine Freude

Bach, Johann Ludwig: Das ist meine Freude

The motets of Johann Ludwig Bach occupy an outstanding position within this genre. Though rooted firmly in the shorter motets from the Thuringian tradition, nonetheless they reach dimensions which are seldom observed in that tradition. This is also true with respect to polychoral music, which here is raised from the exception to the rule on the other hand, it is valid, when one bears in mind the necessity of representing the prestige of a royal court. Varying ensembles and dialogue-like passages contribute to these richly expressive compositions. Without a doubt these motets by the “Meininger Bach,“ highly regarded by J. S. Bach, are a treasured enrichment of therepertoire.

DKK 200.00
1

Kraus: Der Tod Jesu [Carus Classics]

Kraus: Der Tod Jesu [Carus Classics]

On the occasion of its 40th anniversary Carus has initiated a new series Carus Classics, featuring outstanding CD productions from the past library of recordings. This exclusive collection, designed by Friedrich Forssman and Cornelia Feyll, is presented in high-quality DigiPacs and each CD includes an extensive booklet. Joseph Martin Kraus' oratorio Der Tod Jesu reflects the visions of new horizons represented by the ‘Sturm und Drang’ era in the second half of the 18th century. The remaining three works on this CD are late works which Kraus composed in the service of King Gustav III at the Swedish Court. This successful recording contains valuable repertoire.

DKK 115.00
1

Bach, J.L.: Sämtliche Motetten

Bach, J.L.: Sämtliche Motetten

The motets of Johann Ludwig Bach occupy an outstanding position within this genre. Though rooted firmly in the shorter motets from the Thuringian tradition, nonetheless they reach dimensions which are seldom observed in that tradition. This is also true with respect to polychoral music, which here is raised from the exception to the rule on the other hand, it is valid, when one bears in mind the necessity of representing the prestige of a royal court. Varying ensembles and dialogue-like passages contribute to these richly expressive compositions. Without a doubt these motets by the “Meininger Bach,“ highly regarded by J. S. Bach, are a treasured enrichment of therepertoire of all choirs.

DKK 617.00
1

Joseph Haydn: Missa cellensis : Missa Cellensis in honorem BVM. Cäcilienmesse

Joseph Haydn: Missa cellensis : Missa Cellensis in honorem BVM. Cäcilienmesse

When Joseph Haydn assumed the position as music director of the Court of Esterházy in 1766, following the death of his predecessor, Gregor Joseph Werner, he began by composing one of his first and most extensive Missa solemnis. The title “Missa Cellensis” [later also known as the “Cecilian Mass”] and the date of an autograph score suggest that this work was probably commissioned by Prince Nicolaus Esterházy for the 600th anniversary of the pilgrimage church Mariazell located in Styria. With regard to the scoring as well as form, this Mass is still in the tradition of the late baroque “number mass.” In contrast to previous “mixed” versions based on various sources, the newedition follows the authentic [original] version using the most reliable sources.

DKK 200.00
1

Wilhelm Friedemann Bach: Concerti & Trios

Wilhelm Friedemann Bach: Concerti & Trios

Wilhelm Friedemann Bach was considered one of the greatest organ and keyboard virtuosos of his time. He laid the foundation for this reputation in his early years, primarily during his tenure as organist at the Dresden Sophienkirche. In addition, in the 1740s several of W. F. Bach’s public performances in Leipzig as a virtuoso harpsichordist are documented, while it is assumed that he participated in musical soirees in the houses of the nobility and perhaps also at the court. The compositional fruits of these performances are his brilliant harpsichord concertos, of which the concerto in G minor is recorded here for the first time. A sonata and a trio round off the stillfragmentary discography of the eldest son of Bach.

DKK 200.00
1

Johann Adolf Hasse: Requiem in C

Johann Adolf Hasse: Requiem in C

As a composer Johann Adolf Hasse [1699 1783] was the uncontested idol of the late baroque era. Although today he is known primarily as an opera composer, he left behind numerous excellent sacred works. At last, the sacred music he composed for the court of Dresden is being made accessible in recorded form. As in the case of the CD containing Hasse’s Requiem in E flat major and Miserere in D minor [Carus 83.175], winner of several prestigious awards, once again the Dresdener Kammerchor and the Dresdner Barockorchester, under the direction of Hans-Christoph Rademann have devoted the present CD to a recording of Hasse’s Requiem in C major and the Miserere in C minor: this might alsobe a candidate for a some awards.

DKK 200.00
1

Rheinberger: Kammermusik mit Orgel

Rheinberger: Kammermusik mit Orgel

Chamber music with organ is a rarity among the musical repertoire. Scarcely a composer has dared to attempt to compose for the charming and challenging combination for solo strings and organ. All the more significant is the contribution of Josef Gabriel Rheinberger, the composer of the Court of Munich, who knew the sounds and colors of the organ like almost no other of his contemporaries, and who knew how to employ them in the "mellifluous art of setting tones." The Suite op. 149 [a "piano trio" with organ, instead of piano], die Drei Stücke op. 150 for violoncello and organ and the Suite op. 166 for violin and organ are romantic character pieces and are - especially inthe suites - sensitive adaptations of baroque form types. They open up an especially attractive world of sound.

DKK 200.00
1

Requiem in C major : First edition - C major

Requiem in C major : First edition - C major

Johann Adolf Hasse, Kapellmeister at the Saxon-Polish court in Dresden, composed the Requiem in C for the ceremonial exequies of the deceased Elector Frederic August II in November 1763 in the Catholic Hofkirche in Dresden. With this work, he composed a monument in music to his long-standing, generous employer, who was also King of Poland under the name August III: passionate choral movements, echoes of historic compositional styles, expressive vocal solos and arias undeniably revealing Hasse the opera composer, plus trumpets and timpani in the orchestra – all these are the ingredients of a “royal” Requiem Mass in the style of a Missa solemnis. - First edition- Passionate choral movements of medium difficulty- Expressive vocal soli- “Royal” Requiem Mass in the style of a Missa solemnisAdditional program suggestion: Miserere in C minor by Hasse (Carus 40.961)

DKK 566.00
1