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Simon Holt: The Sharp End Of Night (Violin)

Simon Holt: The Sharp End Of Night (Violin)

This work was commissioned by Bill Colleran. It was first performed by David Alberman on 19th November 2005, at St Paul?s Hall, Huddersfield, as part of the Huddersfield Contemporary Music Festival.The Sharp End Of Night was written especially for David Alberman by way of an enormous thank you for his breathtaking playing and acting in the composer's music theatre piece Who put Bella in the Wych Elm? (2003). The music is derived entirely from the Violin part of that work.

DKK 158.00
1

Moeran: Rhapsody In F Sharp (Miniature Score)

Moeran: Rhapsody In F Sharp (Miniature Score)

Rhapsody in F Sharp for Piano and Orchestra was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th, 1943. Written with the wartime audience in mind, it is unashamedly popular in style, with its flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key, as it makes almost equal use of both, starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer, who followed the tradition of R. Vaughan Williams and John Ireland by collecting, preserving, and using many folk songs, mainly from Norfolk, Suffolk, and Ireland.

DKK 142.00
1

E.J. Moeran: Rhapsody In F Sharp (Two Pianos)

E.J. Moeran: Rhapsody In F Sharp (Two Pianos)

Rhapsody in F Sharp was commissioned by the BBC Proms and first performed in the Royal Albert Hall on August 19th, 1943. Written for solo Piano with Orchestra accompaniment, it has been arranged here for two Pianos. Written with the wartime audience in mind, it is unashamedly popular in style, with a flashy virtuosity making it immediately accessible and entertaining. There is argument among scholars as to whether it should be referred to in the Major or Minor key, as it makes almost equal use of both, starting in one and finishing in the other. Ernest J Moeran (1894-1950) was an English composer, who followed the tradition of R. Vaughan Williams and John Ireland by collecting, preserving, and using many folk songs, mainly from Norfolk, Suffolk, and Ireland.

DKK 253.00
1

Scriabin: Etude In C Sharp Minor Op. 2/1 (Piano)

Scriabin: Etude In C Sharp Minor Op. 2/1 (Piano)

Alexander Scriabin (1872-1915) was a Russian composer and pianist. He was one of the most famous musicians within the Russian Empire during his lifetime, but remained virtually unheard-of in the West and was quickly forgotten after his death. His best known works are his 5 symphonies, but he also wrote hundreds of Preludes and Etudes. Etude in C Sharp Minor was one of Scriabin’s earliest published works, being the first of the Trois Morceaux (Three Morsels) that formed his second opus. It is a delicate work which modulates through several connected keys, and at a similar level to the Etudes of Chopin. A perfect recital item for any pianist who wants to master a piece by an under-performed composer.

DKK 82.00
1

Peter Maxwell Davies: Naxos Quartet No.2 (Score)

Peter Maxwell Davies: Naxos Quartet No.2 (Score)

The second of the Quartets commissioned by the Naxos label was completed in January 2003. This work swings between nervous virtuosic energy to the serene calm of an extended Lento, with exotic harmonies reminiscent of Bartok, and is characterised by it's sharp and unpredictable contrasts. First performed by the Maggini Quartet on 11 July 2003 at the Pittville Pump Room, Cheltenham, as part of the Cheltenham International Festival. This is the score in a pocket-size format. The set of parts is available, catalogue number CH66594-01.

DKK 253.00
1

Peter Maxwell Davies: Naxos Quartet No.2 (Parts)

Peter Maxwell Davies: Naxos Quartet No.2 (Parts)

The second of the Quartets commissioned by the Naxos label was completed in January 2003. This work swings between nervous virtuosic energy to the serene calm of an extended Lento, with exotic harmonies reminiscent of Bartok, and is characterised by it's sharp and unpredictable contrasts. First performed by the Maggini Quartet on 11 July 2003 at the Pittville Pump Room, Cheltenham, as part of the Cheltenham International Festival. This is the set of parts. A miniature score of the piece is available, catalogue number CH66594.

DKK 388.00
1

Thea Musgrave: Colloquy for Violin and Piano

Thea Musgrave: Colloquy for Violin and Piano

Colloquy was written for Manoug Parikian and Lamar Crowson for their recital at the Cheltenham Festival in 1960.There are four concise movements. The first, a fast movement with vigorous rhythmic motifs and sharp contrasts between sections. The second, a scherzo in rondo form with lyrical episodes. In the third movement, the material is at first very fragmented, but then builds with cumulative effect to the climax at the end, which is the main climax of the work. The last movement is slow and short.

DKK 281.00
1

Michael Nyman: Time Will Pronounce For Violin, Cello And Piano

Michael Nyman: Time Will Pronounce For Violin, Cello And Piano

For violin, cello and piano'The title 'Time Will Pronounce'is taken from the last lines of Joseph Brodsky?s poem 'Bosnia Tune' which deals with the horror of the unnecessary, unacceptable daily deaths in Bosnia during 1992 (and still in 1993): ?Time, whose sharp blood-thirsty quill parts the killed from those who kill, will pronounce the latter tribe as your type?. The violin and cello are (generally) treated as a unit independent of the piano. The form (generally) alternates slow and fast tempi, without motivation. The musical ideas are (generally) carried over from section to section. (Generally) the harmonic, melodic and textual materials features third and semitones derived (generally) from the movement of the bass part in the opening bars.

DKK 309.00
1

Giles Swayne: The Tiglet

Giles Swayne: The Tiglet

Written by Giles Swayne in 1995, based around the poem 'The Tiger' by William Blake. The work is for SATB choir, and SSSATB soloists. A separate line for hands and feet is included on the score, with fingerclicking and foot stomping adding to the percussive feel of the work.This is the full score, showing all vocal parts, and the body percussion line....African influences are also felt in Swayne?s Blake setting The Tiglet, which bristles with foot stamping, finger clicking and sharp vocal projectiles...Robert Levett, International Record Review, 01 February 2007The Tiglet (part of Swayne's work The Tiger) features some 'wild syllabic interjections, half sung and half shouted' which have to be heard to be believed!Church Music Quarterly, 01 December 2006Listen to a sample here

DKK 82.00
1

Peter Maxwell Davies: Strathclyde Concerto No. 4 (Miniature Score)

Peter Maxwell Davies: Strathclyde Concerto No. 4 (Miniature Score)

Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big, ranging piece, in two linked movements. The first, fast with a brief slow introduction, has the soloist in propulsive melodic flights slipping over into florid runs, but it is a virtuoso piece for the orchestra, especially for the marimba and pair of horns. The Adagio that follows is in the spare, cold, birdcall-riven style of other recent Davies slow movements, exploiting first the clarinet's low register and then, at its climax, the instrument's high extremes. A cadenza leads to the coda, where Davies introduces a Scots tune, previously hinted at, with which he brings the work to an end in F sharp major.Miniature score.

DKK 269.00
1

Peter Maxwell Davies: Strathclyde Concerto No. 4 (Clarinet Part)

Peter Maxwell Davies: Strathclyde Concerto No. 4 (Clarinet Part)

Davies's feeling for the potency and bravura of the clarinet goes back to works of the 1960s; his concerto for the instrument is predictably a big, ranging piece, in two linked movements. The first, fast with a brief slow introduction, has the soloist in propulsive melodic flights slipping over into florid runs, but it is a virtuoso piece for the orchestra, especially for the marimba and pair of horns. The Adagio that follows is in the spare, cold, birdcall-riven style of other recent Davies slow movements, exploiting first the clarinet's low register and then, at its climax, the instrument's high extremes. A cadenza leads to the coda, where Davies introduces a Scots tune, previously hinted at, with which he brings the work to an end in F sharp major.Clarinet part with piano reduction of the orchestral score.

DKK 253.00
1

Michael Nyman: Flugelhorn And Piano

Michael Nyman: Flugelhorn And Piano

This piece was commissioned in 1991 by Graham Ashton for his album 'The Contemporary Trumpet'.Quoting Graham Ashton: Michael Nyman wrote Flugel and Piano for me during a period when I felt his approach to the writing and recording of his music was changing quite considerably. I had given him very few guidelines as I did not want to restrict his writing. I knew the result would be a difficult piece, as Michael had often said he likes to hear the performer 'fighting' the instrument. Flugel and Piano is a fight for a couple of reasons: firstly, the flugel does not like being played in the key of D sharp minor, especially with a Trombone 'bucket mute' - unfortunately, this was all that I could find to fit over the larger Flugel bell; secondly, the Flugel enjoys being flat at the top register, making top Cs and Ds a nightmare! Michael's reaction on hearing the recording was that he found the piece surprisingly emotional.

DKK 253.00
1

Michael Nyman: Violin Concerto (Violin/Piano)

Michael Nyman: Violin Concerto (Violin/Piano)

The Violin Concerto was commissioned by Stiftung Schleswig-Holstein Musik Festival. It was first performed by Gidon Kremer (violin) and the Schleswig-Holstein Musik Festival Orchester conducted by Dennis Russell Davies at the Musikhalle, Hamburg, Germany on 29 August 2003. Interpolated within this one-minute-one-movement layout is a recurrent refrain where the soloist articulates one of the basic harmonic foundations of a number of the one minute sections (six dominant 7ths - on E, F sharp, C, A, B, D) in an undisguised Bachian fashion. The slow arpeggios in the later variants of the refrain not unexpectedly find themselves sharing a bed with the opening of Berg's Violin Concerto. Nyman has effectively adopted Berg's orchestral template, with two exceptions - the omission of the alto Saxophone, and replaced Berg's Percussion section with Marimba and Vibraphone, mallet instruments which intertwine with the soloist in the Concerto. Alban Berg's Violin Concerto was dedicated to "the memory of an angel", Manon Gropius. Nyman's Concerto was dedicated to the memory of Daniel Toscan du Plantier, a friend and neighbour - in Nyman's words "certainly no angel but a major figure in the recording and film industries". Arranged for solo Violin and Piano accompaniment, the duration of this work is approximately: 25 minutes.

DKK 340.00
1

Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Vocal Score

Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Vocal Score

Lyric opera in two acts. Libretto by David Pountney.Commissioned jointly by the Royal Academy of Music, London, UK and The Juilliard School, New York, USA.UK premiere: 18th March 2011 - Royal Academy of Music Opera and Sinfonia at the Royal Academy of Music, London, conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre, New York, conducted by Anne Manson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students at the University of Munich, led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows two characters, Wu and Zhou, involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith, who fought a lonely battle against segregation and racial prejudice to become the first black student to enrol at ?Ole Miss?, the University of Mississippi, in the USA.Librettist's Note.There are, inevitably and properly, some differences between the original libretto and what Max ultimately set to music. Most of these are insignificant, but all the Latin texts in the opera were added by Max, and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.

DKK 488.00
1

Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score

Peter Maxwell Davies: Kommilitonen! (Young Blood!) - Full Score

Lyric opera in two acts. Libretto by David Pountney.Commissioned jointly by the Royal Academy of Music, London, UK and The Juilliard School, New York, USA.UK premiere: 18th March 2011 - Royal Academy of Music Opera and Sinfonia at the Royal Academy of Music, London, conducted by Jane Glover.US premiere: 16th November 2011 - Students of The Julliard School at Peter Jay Sharp Theatre, New York, conducted by Anne Manson.Overview.The piece consists of three interlocking stories of students involved in political action in three different situations.?Die Weiße Rose? was the name taken by a group of students at the University of Munich, led by Sophie and Hans Scholl. They produced leaflets protesting against the National Socialist government of Germany in 1942-3 until they were arrested and guillotined.?Soar to Heaven? follows two characters, Wu and Zhou, involved on opposite sides of the Cultural Revolution in China.?The Oxford Revolution? tells the story of James Meredith, who fought a lonely battle against segregation and racial prejudice to become the first black student to enrol at ?Ole Miss?, the University of Mississippi, in the USA.Librettist's Note.There are, inevitably and properly, some differences between the original libretto and what Max ultimately set to music. Most of these are insignificant, but all the Latin texts in the opera were added by Max, and texts for the alternating black / white choruses (Scene 19) and final chorus (Scene 28) were written by him.

DKK 905.00
1

Peter Maxwell Davies: Naxos Quartet No.4 - Children's Games (Score)

Peter Maxwell Davies: Naxos Quartet No.4 - Children's Games (Score)

The Full Score for Peter Maxwell Davies? fourth in a series of ten string quartets commissioned by the Naxos Recording company, first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace, Oslo, Norway, as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004, with the intention of producing something lighter and much less fierce than its predecessor, an unpremeditated and spontaneous reaction to the illegal invasion of Iraq.I returned to the well-known Brueghel picture of children's games (1560, now in Vienna), which had been the inspiration for my sixth Strathclyde Concerto, for flute and orchestra. These illustrations liberated my musical imagination, but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of the work. Suffice it to say that there is vigorous play - leap-frog, bind the devil with a cord, truss, wrestling - alongside quieter pastimes - masks, guess whom I shall choose, courting, odds and evens. The single movement juxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture, taking liberties which would never be present in, for instance, Brunelleschi architectural drawings, so here, with a constant sequence of transformation processes, I have distorted the neat, precise implications of modal progression, expressed in the unison opening phrase (from F to B through A sharp/B flat), so that the ear is led, en route, into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that I was reading into, and behind the games, adult motives and implications, concerning aggression and war, with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B progression underlying the whole construction derives from a passage in the development of the first movement of Mahler's Third Symphony, and the opening of Schoenberg's Second String Quartet. However, unlike in these models, here a real - if temporary - sense of resolution occurs at the close of the quartet: as when the curtain falls on the reconciled Count and Countess in 'Figaro' one wonders how long the F/B truce will hold, and "games" break out again. The quartet is dedicated to Giuseppe Rebecchini, Roman architect, and friend since the nineteen-fifties.

DKK 253.00
1