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Little Man, Little Man - James Baldwin - Bog - Duke University Press - Plusbog.dk

Little Man, Little Man - James Baldwin - Bog - Duke University Press - Plusbog.dk

Four-year-old TJ spends his days on his lively Harlem block playing with his best friends WT and Blinky and running errands for neighbors. As he comes of age as a “Little Man” with big dreams, TJ faces a world of grown-up adventures and realities. Baldwin’s only children’s book, Little Man, Little Man celebrates and explores the challenges and joys of black childhood. Now available for the first time in forty years, this new edition of Little Man, Little Man-which retains the charming original illustrations by French artist Yoran Cazac-includes a foreword by Baldwin’s nephew Tejan "TJ" Karefa-Smart and an afterword by his niece Aisha Karefa-Smart, with an introduction by two Baldwin scholars. In it we not only see life in 1970s Harlem from a black child’s perspective, but we also gain a fuller appreciation of the genius of one of America’s greatest writers.

DKK 225.00
1

Ne Me Quitte Pas - Maya Angela Smith - Bog - Duke University Press - Plusbog.dk

Ne Me Quitte Pas - Maya Angela Smith - Bog - Duke University Press - Plusbog.dk

In 1959, Belgian singer-songwriter Jacques Brel wrote and performed “Ne me quitte pas” (Don’t leave me), a visceral and haunting plea for his lover to come back. As a teenager, Maya Angela Smith was so captivated by Nina Simone’s powerful 1965 cover of the song that it inspired her to be a French professor. In Ne me quitte pas, Smith follows the classic song’s long and varied journey, from Brel’s iconic 1966 performance on French television to Simone’s cover to Shirley Bassey’s English-language version (“If You Go Away”) to its contemporary manifestations in popular culture. Throughout, Smith shows that as the song travels across languages, geographies, genres, and generations, it accumulates shifting artistic and cultural significance as each listener creates their own meaning.

DKK 732.00
1

Ne Me Quitte Pas - Maya Angela Smith - Bog - Duke University Press - Plusbog.dk

Ne Me Quitte Pas - Maya Angela Smith - Bog - Duke University Press - Plusbog.dk

In 1959, Belgian singer-songwriter Jacques Brel wrote and performed “Ne me quitte pas” (Don’t leave me), a visceral and haunting plea for his lover to come back. As a teenager, Maya Angela Smith was so captivated by Nina Simone’s powerful 1965 cover of the song that it inspired her to be a French professor. In Ne me quitte pas, Smith follows the classic song’s long and varied journey, from Brel’s iconic 1966 performance on French television to Simone’s cover to Shirley Bassey’s English-language version (“If You Go Away”) to its contemporary manifestations in popular culture. Throughout, Smith shows that as the song travels across languages, geographies, genres, and generations, it accumulates shifting artistic and cultural significance as each listener creates their own meaning.

DKK 181.00
1

Fighting for Recognition - R. Tyson Smith - Bog - Duke University Press - Plusbog.dk

Fighting for Recognition - R. Tyson Smith - Bog - Duke University Press - Plusbog.dk

In Fighting for Recognition, R. Tyson Smith enters the world of independent professional wrestling, a community-based entertainment staged in community centers, high school gyms, and other modest venues. Like the big-name, televised pro wrestlers who originally inspired them, indie wrestlers engage in choreographed fights in character. Smith details the experiences, meanings, and motivations of the young men who wrestle as "Lethal" or "Southern Bad Boy," despite receiving little to no pay and risking the possibility of serious and sometimes permanent injury. Exploring intertwined issues of gender, class, violence, and the body, he sheds new light on the changing sources of identity in a postindustrial society that increasingly features low wages, insecure employment, and fragmented social support. Smith uncovers the tensions between strength and vulnerability, pain and solidarity, and homophobia and homoeroticism that play out both backstage and in the ring as the wrestlers seek recognition from fellow performers and devoted fans.

DKK 766.00
1

Fighting for Recognition - R. Tyson Smith - Bog - Duke University Press - Plusbog.dk

Fighting for Recognition - R. Tyson Smith - Bog - Duke University Press - Plusbog.dk

In Fighting for Recognition, R. Tyson Smith enters the world of independent professional wrestling, a community-based entertainment staged in community centers, high school gyms, and other modest venues. Like the big-name, televised pro wrestlers who originally inspired them, indie wrestlers engage in choreographed fights in character. Smith details the experiences, meanings, and motivations of the young men who wrestle as "Lethal" or "Southern Bad Boy," despite receiving little to no pay and risking the possibility of serious and sometimes permanent injury. Exploring intertwined issues of gender, class, violence, and the body, he sheds new light on the changing sources of identity in a postindustrial society that increasingly features low wages, insecure employment, and fragmented social support. Smith uncovers the tensions between strength and vulnerability, pain and solidarity, and homophobia and homoeroticism that play out both backstage and in the ring as the wrestlers seek recognition from fellow performers and devoted fans.

DKK 217.00
1

Ice Geographies - Jen Rose Smith - Bog - Duke University Press - Plusbog.dk

Ice Geographies - Jen Rose Smith - Bog - Duke University Press - Plusbog.dk

Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in Ice Geographies, Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks? Duke University Press Scholars of Color First Book Award

DKK 1179.00
1

Ice Geographies - Jen Rose Smith - Bog - Duke University Press - Plusbog.dk

Ice Geographies - Jen Rose Smith - Bog - Duke University Press - Plusbog.dk

Ice animates the look and feel of climate change. It is melting faster than ever before, causing social upheaval among northern coastal communities and disrupting a more southern, temperate world as sea levels rise. Economic, academic, and activist stakeholders are increasingly focused on the unsettling potential of ice as they plan for a future shaped by rapid transformation. Yet, in Ice Geographies, Jen Rose Smith demonstrates that ice has always been at the center of making sense of the world. Ice as homeland is often at the heart of Arctic and sub-Arctic ontologies, cosmologies, and Native politics. Reflections on ice have also long been a constitutive element of Western political thought, but it often privileges a pristine or empty “nature” stripped of power relations. Smith centers ice to study race and indigeneity by investigating ice relations as sites and sources of analysis that are bound up with colonial and racial formations as well as ice geographies beyond those formations. Smith asks, How is ice a racialized geography and imaginary, and how does it also exceed those frameworks? Duke University Press Scholars of Color First Book Award

DKK 230.00
1

Photography on the Color Line - Shawn Michelle Smith - Bog - Duke University Press - Plusbog.dk

Photography on the Color Line - Shawn Michelle Smith - Bog - Duke University Press - Plusbog.dk

Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed—including double consciousness, the color line, the Veil, and second sight—available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.

DKK 766.00
1

Photography on the Color Line - Shawn Michelle Smith - Bog - Duke University Press - Plusbog.dk

Photography on the Color Line - Shawn Michelle Smith - Bog - Duke University Press - Plusbog.dk

Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called “the problem of the twentieth century.” Du Bois’s prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. She contends that Du Bois was an early visual theorist of race and racism and demonstrates how such an understanding makes the important concepts he developed—including double consciousness, the color line, the Veil, and second sight—available to visual culture and African American studies scholars in powerful new ways. Smith reads Du Bois’s photographs in relation to other turn-of-the-century images such as scientific typologies, criminal mugshots, racist caricatures, and lynching photographs. By juxtaposing these images with reproductions from Du Bois’s exhibition archive, Smith shows how Du Bois deliberately challenged racist representations of African Americans. Emphasizing the importance of comparing multiple visual archives, Photography on the Color Line reinvigorates understandings of the stakes of representation and the fundamental connections between race and visual culture in the United States.

DKK 230.00
1

Unreconciled - Andrea Smith - Bog - Duke University Press - Plusbog.dk

Unreconciled - Andrea Smith - Bog - Duke University Press - Plusbog.dk

In the 1990s, many evangelical Christian organizations and church leaders began to acknowledge their long history of racism and launched efforts at becoming more inclusive of people of color. While much of this racial reconciliation movement has not directly confronted systemic racism's structural causes, there exists a smaller countermovement within evangelicalism, primarily led by women of color who are actively engaged in antiracism and social justice struggles. In Unreconciled Andrea Smith examines these movements through a critical ethnic studies lens, evaluating the varying degrees to which evangelical communities that were founded on white supremacy have addressed racism. Drawing on evangelical publications, sermons, and organization statements, as well as ethnographic fieldwork and participation in evangelical events, Smith shows how evangelicalism is largely unable to effectively challenge white supremacy due to its reliance upon discourses of whiteness. At the same time, the work of progressive evangelical women of color not only demonstrates that evangelical Christianity can be an unexpected place in which to find theoretical critique and social justice organizing but also shows how critical ethnic studies' interventions can be applied broadly across political and religious divides outside the academy.

DKK 246.00
1

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

Reconceptualizing the relationship between race and Islam in the United States, No God but Man theorizes race as an epistemology using the FBI’s post-9/11 Most Wanted Terrorist list and its posters as its starting point. Atiya Husain traces the origins of the FBI wanted poster form to the work of nineteenth-century social scientist Adolphe Quetelet, specifically his overvalued type of human called “average man.” Husain argues that this notion of the human continues to structure wanted posters, as well as much contemporary social scientific thinking about race. Focusing on the curious representations on the Most Wanted Terrorist list that range from Muslims who lack a race category on their posters to the 2013 addition of Black revolutionary Assata Shakur, Husain demonstrates the ongoing influence of the average man and its relevance even today, proposing a counterweight to the category by engaging Shakur’s turn to Islam in the 1970s in the legal context. In doing so, Husain shows the limitations of race as an analytical category altogether.

DKK 905.00
1

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

No God but Man - Atiya Husain - Bog - Duke University Press - Plusbog.dk

Reconceptualizing the relationship between race and Islam in the United States, No God but Man theorizes race as an epistemology using the FBI’s post-9/11 Most Wanted Terrorist list and its posters as its starting point. Atiya Husain traces the origins of the FBI wanted poster form to the work of nineteenth-century social scientist Adolphe Quetelet, specifically his overvalued type of human called “average man.” Husain argues that this notion of the human continues to structure wanted posters, as well as much contemporary social scientific thinking about race. Focusing on the curious representations on the Most Wanted Terrorist list that range from Muslims who lack a race category on their posters to the 2013 addition of Black revolutionary Assata Shakur, Husain demonstrates the ongoing influence of the average man and its relevance even today, proposing a counterweight to the category by engaging Shakur’s turn to Islam in the 1970s in the legal context. In doing so, Husain shows the limitations of race as an analytical category altogether.

DKK 222.00
1

Runagate - Crystal Simone Smith - Bog - Duke University Press - Plusbog.dk

Runagate - Crystal Simone Smith - Bog - Duke University Press - Plusbog.dk

Crystal Simone Smith’s new poetry collection, Runagate, reimagines the experiences of enslaved and formerly enslaved persons in a stark and chilling response to the archives of chattel slavery: bills of sale, interviews, narratives, and fugitive runaway ads. Embodying the aesthetics and Japanese poetic forms haiku and tanka, her poems bear witness to the brutal and horrifying treatment of enslaved people and contrast their humanity with the inhumanity of their enslavers. In these poems, fugitive persons evade slave patrol hounds by climbing magnolia trees, use the cover of night and the detritus of a shipwreck to swim to freedom, and find temporary refuge in a cabin where a woman offers bread and water. Throughout, Smith poignantly envisions their flights to freedom-passages that were fueled by love, hope, and impossible dreams. She unceasingly gives voice to those who found courage in both bondage and freedom. In Runagate, the enslaved regain their stories and return to the sensory world.

DKK 894.00
1

Runagate - Crystal Simone Smith - Bog - Duke University Press - Plusbog.dk

Runagate - Crystal Simone Smith - Bog - Duke University Press - Plusbog.dk

Crystal Simone Smith’s new poetry collection, Runagate, reimagines the experiences of enslaved and formerly enslaved persons in a stark and chilling response to the archives of chattel slavery: bills of sale, interviews, narratives, and fugitive runaway ads. Embodying the aesthetics and Japanese poetic forms haiku and tanka, her poems bear witness to the brutal and horrifying treatment of enslaved people and contrast their humanity with the inhumanity of their enslavers. In these poems, fugitive persons evade slave patrol hounds by climbing magnolia trees, use the cover of night and the detritus of a shipwreck to swim to freedom, and find temporary refuge in a cabin where a woman offers bread and water. Throughout, Smith poignantly envisions their flights to freedom-passages that were fueled by love, hope, and impossible dreams. She unceasingly gives voice to those who found courage in both bondage and freedom. In Runagate, the enslaved regain their stories and return to the sensory world.

DKK 214.00
1

Criminal Man - Cesare Lombroso - Bog - Duke University Press - Plusbog.dk

Criminal Man - Cesare Lombroso - Bog - Duke University Press - Plusbog.dk

Cesare Lombroso is widely considered the founder of criminology. His theory of the “born” criminal dominated European and American thinking about the causes of criminal behavior during the late nineteenth century and the early twentieth. This volume offers English-language readers the first critical, scholarly translation of Lombroso’s Criminal Man , one of the most famous criminological treatises ever written. The text laid the groundwork for subsequent biological theories of crime, including contemporary genetic explanations. Originally published in 1876, Criminal Man went through five editions during Lombroso’s lifetime. In each edition Lombroso expanded on his ideas about innate criminality and refined his method for categorizing criminal behavior. In this new translation, Mary Gibson and Nicole Hahn Rafter bring together for the first time excerpts from all five editions in order to represent the development of Lombroso’s thought and his positivistic approach to understanding criminal behavior. In Criminal Man , Lombroso used modern Darwinian evolutionary theories to “prove” the inferiority of criminals to “honest” people, of women to men, and of blacks to whites, thereby reinforcing the prevailing politics of sexual and racial hierarchy. He was particularly interested in the physical attributes of criminals—the size of their skulls, the shape of their noses—but he also studied the criminals’ various forms of self-expression, such as letters, graffiti, drawings, and tattoos. This volume includes more than forty of Lombroso’s illustrations of the criminal body along with several photographs of his personal collection. Designed to be useful for scholars and to introduce students to Lombroso’s thought, the volume also includes an extensive introduction, notes, appendices, a glossary, and an index.

DKK 278.00
1

Social Science in the Crucible - Mark C. Smith - Bog - Duke University Press - Plusbog.dk

Social Science in the Crucible - Mark C. Smith - Bog - Duke University Press - Plusbog.dk

The 1920s and 30s were key decades for the history of American social science. The success of such quantitative disciplines as economics and psychology during World War I forced social scientists to reexamine their methods and practices and to consider recasting their field as a more objective science separated from its historical foundation in social reform. The debate that ensued, fiercely conducted in books, articles, correspondence, and even presidential addresses, made its way into every aspect of social science thought of the period and is the subject of this book. Mark C. Smith first provides a historical overview of the controversy over the nature and future of the social sciences in early twentieth-century America and, then through a series of intellectual biographies, offers an intensive study of the work and lives of major figures who participated in this debate. Using an extensive range of materials, from published sources to manuscript collections, Smith examines "objectivists"—economist Wesley Mitchell and political scientist Charles Merriam—and the more "purposive thinkers"—historian Charles Beard, sociologist Robert Lynd, and political scientist and neo-Freudian Harold Lasswell. He shows how the debate over objectivity and social purpose was central to their professional and personal lives as well as to an understanding of American social science between the two world wars. These biographies bring to vivid life a contentious moment in American intellectual history and reveal its significance in the shaping of social science in this country.

DKK 800.00
1