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The K-Effect - Christopher Gogwilt - Bog - Fordham University Press - Plusbog.dk

The K-Effect - Christopher Gogwilt - Bog - Fordham University Press - Plusbog.dk

The K-Effect shows how the roman alphabet has functioned as a standardizing global model for modern print culture. Investigating the history and ongoing effects of romanization, Christopher GoGwilt reads modernism in a global and comparative perspective, through the works of Joseph Conrad and others. The book explores the ambiguous effect of romanized transliteration both in the service of colonization and as an instrument of decolonization. This simultaneously standardizing and destabilizing effect is abbreviated in the way the letter K indexes changing hierarchies in the relation between languages and scripts. The book traces this K-effect through the linguistic work of transliteration and its aesthetic organization in transnational modernism.The book examines a variety of different cases of romanization: the historical shift from Arabic script to romanized print form in writing Malay; the politicization of language and script reforms across Russia and Central Europe; the role of Chinese debates about romanization in shaping global transformations in print media; and the place of romanization between ancient Sanskrit models of language and script and contemporary digital forms of coding. Each case study develops an analysis of Conrad’s fiction read in comparison with such other writers as James Joyce, Lu Xun, Franz Kafka, and Pramoedya Ananta Toer. The first sustained cultural study of romanization, The K-Effect proposes an important new way to assess the multi-lingual and multi-script coordinates of modern print culture.

DKK 783.00
1

Techno-Magism - Orrin N. C. Wang - Bog - Fordham University Press - Plusbog.dk

Techno-Magism - Orrin N. C. Wang - Bog - Fordham University Press - Plusbog.dk

Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.

DKK 816.00
1

Techno-Magism - Orrin N. C. Wang - Bog - Fordham University Press - Plusbog.dk

Techno-Magism - Orrin N. C. Wang - Bog - Fordham University Press - Plusbog.dk

Shortlisted, Marilyn Gaull Book Award Techno-Magism explores how British Romantic literature abuts and is organized around both print and non-print media. The book explores not only the print, pictorial art, and theater of early nineteenth-century England and Europe but also communicative technologies invented after the British Romantic period, such as photography, film, video, and digital screens. This proleptic abutting points to one way we can understand the implicit exceptionality wagered by reading Romanticism through media studies and media theory. Techno-Magism argues that both media studies and the concept of mediation in general can benefit from a more robust confrontation with, or recovery of, the arguments of deconstruction, an unavoidable consequence of thinking about the relationship between Romanticism and media. The book thinks that relationship through the catachrestic practice of a techno-magism, a technics of inscription always outside the causalities of a dialectical economy. The book further pursues two interrelated ideas: the structural incommensurability of the cut and the unapologetic presentism of the constellation. Marked by its late capitalist moment of composition, the book explores the continuity between the social character of Romantic and post-Romantic media, in terms of commodity culture, revolution, and the ecological devastation of the anthropocene.

DKK 248.00
1

The Corpse in the Kitchen - Adam John Waterman - Bog - Fordham University Press - Plusbog.dk

The Corpse in the Kitchen - Adam John Waterman - Bog - Fordham University Press - Plusbog.dk

Reassessing the archive of the Black Hawk War, The Corpse in the Kitchen explores relationships between the enclosure of Indigenous land, histories of resource extraction, and the literary culture of settler colonialism. While conventional histories of the Black Hawk War have long treated the conflict as gratuitous, Adam John Waterman argues that the war part of a struggle over the dispensation of mineral resources specifically, mineral lead—and the emergence of new cultures of killing and composition. The elemental basis for the fabrication of bullets, lead drawn from the mines of the upper Mississippi, contributed to the dispossession of Indigenous peoples through the consolidation of U.S. control over a vital military resource. Rendered as metallic type, Mississippian lead contributed to the expansion of print culture, providing the occasion for literary justifications of settler violence, and promulgating the fiction of Indigenous disappearance.Treating the theft and excarnation of Black Hawk’s corpse as coextensive with processes of mineral extraction, Waterman explores ecologies of racial capitalism as forms of inscription, documentary traces written into the land. Reading the terrestrial in relation to more conventional literary forms, he explores the settler fetishization of Black Hawk’s body, drawing out homoerotic longings that suffuse representations of the man and his comrades. Moving from print to agriculture as modes of inscription, Waterman looks to the role of commodity agriculture in composing a history of settler rapine, including literal and metaphoric legacies of anthropophagy. Traversing mouth and stomach, he concludes by contrasting forms of settler medicine with Black Hawk’s account of medicine as an embodied practice, understood in relation to accounts of dreaming and mourning, processes that are unforgivably slow and that allow time for the imagination of other futures, other ways of being.

DKK 783.00
1

The Corpse in the Kitchen - Adam John Waterman - Bog - Fordham University Press - Plusbog.dk

The Corpse in the Kitchen - Adam John Waterman - Bog - Fordham University Press - Plusbog.dk

Reassessing the archive of the Black Hawk War, The Corpse in the Kitchen explores relationships between the enclosure of Indigenous land, histories of resource extraction, and the literary culture of settler colonialism. While conventional histories of the Black Hawk War have long treated the conflict as gratuitous, Adam John Waterman argues that the war part of a struggle over the dispensation of mineral resources specifically, mineral lead—and the emergence of new cultures of killing and composition. The elemental basis for the fabrication of bullets, lead drawn from the mines of the upper Mississippi, contributed to the dispossession of Indigenous peoples through the consolidation of U.S. control over a vital military resource. Rendered as metallic type, Mississippian lead contributed to the expansion of print culture, providing the occasion for literary justifications of settler violence, and promulgating the fiction of Indigenous disappearance. Treating the theft and excarnation of Black Hawk's corpse as coextensive with processes of mineral extraction, Waterman explores ecologies of racial capitalism as forms of inscription, documentary traces written into the land. Reading the terrestrial in relation to more conventional literary forms, he explores the settler fetishization of Black Hawk's body, drawing out homoerotic longings that suffuse representations of the man and his comrades. Moving from print to agriculture as modes of inscription, Waterman looks to the role of commodity agriculture in composing a history of settler rapine, including literal and metaphoric legacies of anthropophagy. Traversing mouth and stomach, he concludes by contrasting forms of settler medicine with Black Hawk's account of medicine as an embodied practice, understood in relation to accounts of dreaming and mourning, processes that are unforgivably slow and that allow time for the imagination of other futures, other ways of being.

DKK 262.00
1

Radio Active - William O'shaughnessy - Bog - Fordham University Press - Plusbog.dk

Radio Active - William O'shaughnessy - Bog - Fordham University Press - Plusbog.dk

Radio Active is William O’Shaughnessy’s fifth collection of essays, on-air interviews, tributes and eulogies, endorsements, recollections of an evening, and more from “perhaps the finest broadcaster in America” whose commentaries are akin to “potato chips” per former Secretary of State Henry Kissinger because “You can’t stop with only one.”The book opens with a ringing signature defense of the First Amendment and collected O’Shaughnessy correspondence with heroes and “villains,” and insightful sections honoring former New York Governor Mario Cuomo, who said, “When O’Shaughnessy is on his game . . . he’s better than anyone on the air or in print.” There is also a section on the estimable Bush family. In eliciting “provocative and candid revelations” from his wide circle, this new compendium pulses with brilliant, insightful prose and a life-affirming reverence for luminous people, places, and events, past and present.

DKK 312.00
1

Only in New York - Sam Roberts - Bog - Fordham University Press - Plusbog.dk

Only in New York - Sam Roberts - Bog - Fordham University Press - Plusbog.dk

No one denies that New York City is unique—but what makes it sui generis? Sam Roberts, a longtime city reporter, has puzzled over this in print and in his popular New York Times podcasts for years. In Only in New York, updated with new tales and fascinating glimpses into uniquely NYC life, he writes about what makes this city tick and why things are the way they are in the greatest of all metropolises on earth. The more than 75 essays in this book cover a variety of topics, including:-How do New Yorkers react during disasters?-Maritime history (the Hudson River)-Crowds, space, and population growth-1908: a year in History history-Jewish Daily Forward-What happens when a neighborhood loses its tony ZIP code?A winning and informative gift book for every fan of “the city,” Only in New York is elegantly written and solidly reported.

DKK 162.00
1

Lincoln on Democracy - - Bog - Fordham University Press - Plusbog.dk

Lincoln on Democracy - - Bog - Fordham University Press - Plusbog.dk

Back in print after ten years, this unique book brings together 141 speeches, speech excerpts, letters, fragments, and other writings by Lincoln on the theme of democracy. Selected by leading historians, the writings include such standards as the Emancipation Proclamation and the Gettysburg Address, but also such little-seen writings as a letter assuring a general that the President felt safe—drafted just three days before Lincoln’s assassination. In this richly annotated anthology, the writings are grouped thematically into seven sections that cover politics, slavery, the union, democracy, liberty, the nation divided, and the American Dream. The introductions are by well-known historians: Gabor Borritt, William E. Gienapp, Charles B. Strozier, Richard Nelson Current, James M. McPherson, Mark E. Neely, Jr., and Hans L. Trefousse. In addition, each section’s title page displays a photograph of Lincoln from the time period covered in that section, with a paragraph describing the source and the occasion for which the photograph was made.

DKK 295.00
1

Reading Publics - Tom Glynn - Bog - Fordham University Press - Plusbog.dk

Reading Publics - Tom Glynn - Bog - Fordham University Press - Plusbog.dk

On May 11, 1911, the New York Public Library opened its “marble palace for book lovers” on Fifth Avenue and 42nd Street. This was the city’s first public library in the modern sense, a tax-supported, circulating collection free to every citizen. Since before the Revolution, however, New York’s reading publics had access to a range of “public libraries” as the term was understood by contemporaries. In its most basic sense a public library in the eighteenth and most of the nineteenth centuries simply meant a shared collection of books that was available to the general public and promoted the public good. From the founding in 1754 of the New York Society Library up to 1911, public libraries took a variety of forms. Some of them were free, charitable institutions, while others required a membership or an annual subscription. Some, such as the Biblical Library of the American Bible Society, were highly specialized; others, like the Astor Library, developed extensive, inclusive collections. What all the public libraries of this period had in common, at least ostensibly, was the conviction that good books helped ensure a productive, virtuous, orderly republic—that good reading promoted the public good.Tom Glynn’s vivid, deeply researched history of New York City’s public libraries over the course of more than a century and a half illuminates how the public and private functions of reading changed over time and how shared collections of books could serve both public and private ends. Reading Publics examines how books and reading helped construct social identities and how print functioned within and across groups, including but not limited to socioeconomic classes. The author offers an accessible while scholarly exploration of how republican and liberal values, shifting understandings of “public” and “private,” and the debate over fiction influenced the development and character of New York City’s public libraries in the eighteenth and nineteenth centuries.Reading Publics is an important contribution to the social and cultural history of New York City that firmly places the city’s early public libraries within the history of reading and print culture in the United States.

DKK 707.00
1

Secular Lyric - John Michael - Bog - Fordham University Press - Plusbog.dk

Secular Lyric - John Michael - Bog - Fordham University Press - Plusbog.dk

Secular Lyric interrogates the distinctively individual ways that Poe, Whitman, and Dickinson transformed classical, romantic, and early modern forms of lyric expression to address the developing conditions of Western modernity, especially the heterogeneity of believers and beliefs in an increasingly secular society. Analyzing historically and formally how these poets inscribed the pressures of the modern crowd in the text of their poems, John Michael shows how the masses appear in these poets’ work as potential readers to be courted and resisted, often at the same time. Unlike their more conventional contemporaries, Poe, Whitman, and Dickinson resist advising, sermonizing or consoling their audiences. They resist most familiar senses of meaning as well. For them, the processes of signification in print rather than the communication of truths become central to poetry, which in turn becomes a characteristic of modern verse in the Western world. Poe, Whitman, and Dickinson, in idiosyncratic but related ways, each disrupt conventional expectations while foregrounding language’s material density, thereby revealing both the potential and the limitations of art in the modern age.

DKK 917.00
1

Secular Lyric - John Michael - Bog - Fordham University Press - Plusbog.dk

Secular Lyric - John Michael - Bog - Fordham University Press - Plusbog.dk

Secular Lyric interrogates the distinctively individual ways that Poe, Whitman, and Dickinson transformed classical, romantic, and early modern forms of lyric expression to address the developing conditions of Western modernity, especially the heterogeneity of believers and beliefs in an increasingly secular society. Analyzing historically and formally how these poets inscribed the pressures of the modern crowd in the text of their poems, John Michael shows how the masses appear in these poets' work as potential readers to be courted and resisted, often at the same time. Unlike their more conventional contemporaries, Poe, Whitman, and Dickinson resist advising, sermonizing or consoling their audiences. They resist most familiar senses of meaning as well. For them, the processes of signification in print rather than the communication of truths become central to poetry, which in turn becomes a characteristic of modern verse in the Western world. Poe, Whitman, and Dickinson, in idiosyncratic but related ways, each disrupt conventional expectations while foregrounding language's material density, thereby revealing both the potential and the limitations of art in the modern age.

DKK 278.00
1

Christopher Morley's Philadelphia - - Bog - Fordham University Press - Plusbog.dk

Christopher Morley's Philadelphia - - Bog - Fordham University Press - Plusbog.dk

Christopher Morley was one of the most celebrated American authors of the 1920s and 1930s. Best known as the author of Parnassus on Wheels and Kitty Foyle, Morley wrote for a popular audience that keenly appreciated his style, his wit, and his exuberant championing of the written word. Morley wrote most of the pieces collected in this volume from 1918 to 1920, while a columnist for the Philadelphia Evening Ledger. His assignment: to "saunter" around town and the Philadelphia suburbs, and then – usually after a leisurely lunch – report back. The result was a series of lively essays that, read now, not only reveals a city’s colorful past, but sheds light on its present: much of the Philadelphia Morley explored remains intact for the native or visitor with the eye and patience to discover it. Morley’s best Philadelphia work, scattered among 12 volumes published during his lifetime, have been collected in this handsome new book, which includes period illustrations by Walter Jack Duncan and Frank Taylor, and a critical introduction by Ken Kalfus. Published on May 5, 1990, on the 100th anniversary of Morley’s birth, Christopher Morley’s Philadelphia brings together numerous essays that have been out of print for 50 years or longer. The book joins Fordham University Press’s 1988 collection, Christopher Morley’s New York, as a lasting contribution to the Morley oeuvre.

DKK 674.00
1

The Secret of World History - Leopold Von Ranke - Bog - Fordham University Press - Plusbog.dk

The Secret of World History - Leopold Von Ranke - Bog - Fordham University Press - Plusbog.dk

For the English speaking reader of today, Ranke is surprisingly inaccessible; indeed, he has become something of a patron saint, more praised than read. Now all his major works have been translated, while almost none of his letters, notes, or essays, so important in getting an informal appraisal of his craft of history, is in English. Many of his of books, whether in German or in English, are no longer in print, and the modern reader is less likely to bear up with the four or six volume works which are. Thus the purpose of this anthology is to bring attention to some of the riches which a reader might find in a more extended study of Ranke''s histories. Its emphasis is on Ranke as an historian, with translations of essays and addresses which lay down his program for research, politics, and the relationship between and historian''s values and his work. It also attempts to give some sense of Ranke''s literary skill, by including examples of his historical portraiture from his History of the Popes, History of France, and History of the Reformation. Finally, a selection of letters and brief reflections culled from his works and notes tries to recapture the man, whose own inner development joined with the tendencies of his age to make him a world-historical figure in Ranke''s own sense of the word.

DKK 326.00
1

Christopher Morley's Philadelphia - - Bog - Fordham University Press - Plusbog.dk

Christopher Morley's Philadelphia - - Bog - Fordham University Press - Plusbog.dk

Christopher Morley was one of the most celebrated American authors of the 1920s and 1930s. Best known as the author of Parnassus on Wheels and Kitty Foyle, Morley wrote for a popular audience that keenly appreciated his style, his wit, and his exuberant championing of the written word. Morley wrote most of the pieces collected in this volume from 1918 to 1920, while a columnist for the Philadelphia Evening Ledger. His assignment: to "saunter" around town and the Philadelphia suburbs, and then – usually after a leisurely lunch – report back. The result was a series of lively essays that, read now, not only reveals a city’s colorful past, but sheds light on its present: much of the Philadelphia Morley explored remains intact for the native or visitor with the eye and patience to discover it. Morley’s best Philadelphia work, scattered among 12 volumes published during his lifetime, have been collected in this handsome new book, which includes period illustrations by Walter Jack Duncan and Frank Taylor, and a critical introduction by Ken Kalfus. Published on May 5, 1990, on the 100th anniversary of Morley’s birth, Christopher Morley’s Philadelphia brings together numerous essays that have been out of print for 50 years or longer. The book joins Fordham University Press’s 1988 collection, Christopher Morley’s New York, as a lasting contribution to the Morley oeuvre.

DKK 303.00
1

Monsoon Marketplace - Elmo Gonzaga - Bog - Fordham University Press - Plusbog.dk

Monsoon Marketplace - Elmo Gonzaga - Bog - Fordham University Press - Plusbog.dk

Provides vivid accounts of commercial and leisure spaces that captivated the public imagination in the past but have since been destroyed, forgotten, or refurbished. Monsoon Marketplace uncovers the entangled vernacular cultures of capitalist modernity, mass consumption, and media spectatorship in two understudied postcolonial Asian cities across three crucial historical moments. Juxtaposing Manila and Singapore, it analyzes print and audiovisual representations of popular commercial and leisure spaces during the colonial occupation in the 1930s, national development in the 1960s, and neoliberal globalization in the 2000s. Engaging with the work of creators including Nick Joaquin, Kevin Kwan, and P. Ramlee, it discusses figures of female shoppers in 1930s Manila, languid expatriates in 1930s Singapore, street hawkers in 1960s Singapore, youthful activists in 1960s Manila, call center agents in 2000s Manila, and super-rich investors in 2000s Singapore. Looking at the historical transformation of Calle Escolta, Avenida Rizal, Raffles Place, and Orchard Road, it focuses on Crystal Arcade, the Manila Carnival, the Great World and New World Amusement Parks, and Change Alley, all of which had once captivated the public imagination but have since vanished from the cityscape. Instead of treating capitalism, media, and modernity as overarching systems or processes, the book examines how their configurations and experiences are contingent, variable, pluralistic, and archipelagic. Diverging from critical theories and cultural studies that see consumerism and spectatorship as sources of alienation, docility, and fantasy, it explores how they create new possibilities for agency, collectivity, and resistance.

DKK 271.00
1

The Hudson River in Literature - Arthur G. Adams - Bog - Fordham University Press - Plusbog.dk

The Hudson River in Literature - Arthur G. Adams - Bog - Fordham University Press - Plusbog.dk

A second, enlarged edition of a popular anthology, The Hudson River in Literature contains an abundance of poems and excerpts from novels and essays describing the Hudson River, work and travel on it, and life alongside it prior to the twentieth century. Included here are works by such well-known writers as Washingon Irving, James Fenimore Cooper, William Cullen Bryant, Edgar Allen Poe, and Walt Whitman, as well as selections by lesser-known writers (like Joseph Rodman Drake and Nathaniel Parker Willis) whose works are either out of print or are available only as part of their selected works. From Whitman's "mast-hemm'd Manhattan" to Nathaniel Parker Willis' "sabbath solitude" on upstate riverbanks, anyone familiar with what is often called the American Rhine, and indeed many who are not, will enjoy the detailed, still-accurate descriptions of the river itself. But perhaps even more enjoyable are the numerous excerpts that describe particular aspects of Hudson life- Indian canoes, Dutch farms, steamboat excursions, and the majestic scenery- which allows one to visualize the river at a time when it dominated life in Eastern New York. This handsome volume has been made more so by the inclusion of 65 illustrations, not found in the original edition, which lavishly depict many of the locales descibed in various texts. The illustrations, by such renowned artists as Currier and Ives, Greenville Perkins, William Bartlett, and Felix Darley, include regional maps, portraits of authors, and reproductions of historic sites and homes.

DKK 295.00
1