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KBM 14/14 Musikerbriefe 2 : Catalogues of Music Collections in Bavaria

Sechs Sonaten Opus 14

Rondo Capriccioso Op.14

Ullrich Scheideler has edited one of Mendelssohn’s most important and beautiful piano works, comparing it again with the sources. Henle Publishers is now issuing it in a revised edition with his comprehensive commentary. The sparkling bravura piecewas called an “Etude” in the first version of 1828. Two years later Mendelssohn wanted to present the work to the young piano virtuoso Delphine von Schauroth, whom he was courting at the time. He reworked it under the new title “Rondo capriccioso”,making it even more brilliant and adding a “moving introductory adagio” (thus described in a letter to Fanny). In this form, the work still presents all good pianists with a rewarding challenge.

Libretti der Opern : Series XXV Volume 14, with critical report

KBM 14/12 Signaturen - : Catalogues of Music Collections in Bavaria

Handschriften mit mehrstimmiger Musik : des 14., 15. und 16. Jahrhunderts

Handschriften mit mehrstimmiger Musik : des 14., 15. und 16. Jahrhunderts

Grieg: 14 bekannte Originalstücke : von leicht bis mittelschwer, mit praktischen Erläuterungen

KBM 14/13 Musikerbriefe 1 : Catalogues of Music Collections in Bavaria

KBM 14/4 Bischöfliche Zentralbibliothek Regensburg : Catalogues of Music Collections in Bavaria

KBM 14/17 - Komponisten N bis Z : Die Komponistennachlässe der Proskeschen Musikabteilung

KBM 14/16 - Komponisten A bis M : Die Komponistennachlässe der Proskeschen Musikabteilung

Five Easy Piano Sonates

This selection of five “easy” sonatas offers advanced students of piano and aficionados the perfect entry point into the singular world of this great composer’s piano sonatas. Arranged in increasing level of difficulty (op. 49, op. 14, and finally op. 2, no. 1), this volume features all the benefits of the new Urtext edition, prepared by maestro Murray Perahia and the Beethoven expert Nobert Gertsch: an extensive preface on the genesis and publication of the works, comprehensive source information and the discussion of problematic readings among the sources, an in-depth essay by Perahia on the sketches and structure of the Sonata op. 14, no. 1, as well as - last but not least! -invaluable fingerings from his pen. This selection of five “easy” sonatas offers advanced students of piano and aficionados the perfect entry point into the singular world of this great composer’s piano sonatas. Arranged in increasing level of difficulty (op. 49, op. 14, and finally op. 2, no. 1), this volume features all the benefits of the new Urtext edition, prepared by maestro Murray Perahia and the Beethoven expert Nobert Gertsch: an extensive preface on the genesis and publication of the works, comprehensive source information and the discussion of problematic readings among the sources, an in-depth essay by Perahia on the sketches and structure of the Sonata op. 14, no. 1, as well as - last but not least! -invaluable fingerings from his pen.

KBM 14/6 Bibliothek Franz Xaver Haberl : Catalogues of Music Collections in Bavaria

KBM 14/7 Bibliothek Franz Xaver Haberl 2 : Catalogues of Music Collections in Bavaria

KBM 14/11 Signaturen - Mus. ms. Autoren AP : Catalogues of Music Collections in Bavaria

KBM 14/8 Bibliothek Franz Xaver Haberl 3 : Catalogues of Music Collections in Bavaria

KBM 14/1-Sammlung Proske, Manuskripte 16 u. 17Jh : Catalogues of Music Collections in Bavaria

KBM 14/9 Sammlung Mettenleiter, Autoren A bis P : Catalogues of Music Collections in Bavaria

KBM 14/10 Sammlung Mettenleiter, Autoren Q bis Z : Catalogues of Music Collections in Bavaria

KBM 14/2-Sammlung Proske, Manuskripte 18 u. 19Jh : Catalogues of Music Collections in Bavaria

Henry Vieuxtemps: Viola Sonata In B Flat Op.36

Henry Vieuxtemps ' Viola Sonata In B Flat Op.36 . Urtext edition. Following a concert by the 14-year old 'wunderkind' Henry Vieuxtemps in 1834, none other than Robert Schumann said 'With Henri one can safely close one’s eyes. His playing is like a flower, at the same time both fragrant and bright'. Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian Violin school. The composer was, however, an excellent Viola player and wrote several compositions for the instrument. Sonata Op.36 , published in 1862, is one of the gems of Viola literature with its oscillation between expressive maestoso, elegiac barcarola and scherzando passages. This edition by Henle is the first Urtext version of the work to be published.

Piano Sonata In F Minor Op 5 Piano : revised single edition from HN 38

Johannes Brahms’s piano sonatas opp. 1, 2 and 5 were among the first works that the then 20-year-old composer published. Much of the music of the f-minor Sonata is closely connected to Brahms’s visit to Robert and Clara Schumann in Düsseldorf in the autumn of 1853. There are indications that the young Brahms was inspired by Robert Schumann’s Sonata op. 14 which was also in f minor. The music critic Eduard Hanslick also believed that he could discern the influence of Brahms’s older colleague when he wrote about the Sonata op. 5: “The whole of Brahms is here, though still under the spell of Schumann”. This revised Urtext edition is based on the musical text of the New BrahmsComplete Edition. The fingerings are by Andreas Boyde and offer the performer highly ingenious solutions to mastering this piano work that is so symphonic in scope.

Le Carnaval des animaux

Written in March 1886 as a humorous occasional work for the traditional carnival concert organized by his cellist friend Charles-Joseph Lebouc, the Carnival of the Animals was so successful that Saint-Saëns banned performances and publication soon afterwards. He was worried that this “grand zoological fantasy” - consisting of 14 short individual pieces for eleven instruments - might overshadow his serious works. Yet only five months after the composer’s death, it appeared in print after all, beginning its worldwide victory march - in its original setting as well as in numerous arrangements. Thus, the Carnival did in fact arguably become the most popular work by this French composer and, owing to its musical originality, it is also a favourite in music lessons or for school orchestra performances. With this combination of a study edition and an edition in parts (for which additional parts for larger numbers of strings may be ordered), G. Henle Publishers now presents the perfect resource for such occasions.