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Frédéric Chopin: Scherzo In B Minor Op. 20

The Scherzo In B Minor , one of Chopin ’s most radical compositions, leaves very few listeners untouched. The main part, which is wild and full of brutal dissonances, frames an intimate Trio in which Chopin transcribes a Polish song for the Piano with a magic touch. According to legend, the work was composed at the end of 1830 in Vienna, when Chopin had just left his homeland for good. The November uprising had broken out in Warsaw, and the composer alternated between wanting to revolt against fate and feeling inconsolably homesick. The revised edition of the Scherzo In B Minor is available as a single edition in Henle Urtext for the first time – the Scherzi 2–4 are to follow, finally rounded off by the revised complete volume.

Piano Sonata in b minor op. 5 : Piano Sonata in b minor op. 5

During his youth, Richard Strauss composed a large number of works for piano solo, among them numerous sonatas. Yet it was only the Sonata in b-minor that he obviously considered important enough to want to see in print. It was composed in two versions, presumably between winter of 1880 and spring of 1881, and published one year later. Here, Strauss still plainly follows his compositional forebears from German Romanticism. The two middle movements of this demanding sonata in particular directly recall Mendelssohn’s Songs Without Words” and scherzi. This is the first Urtext edition of this piano sonata.

Franz Liszt: Piano Sonata In B Minor

Following their revision of the facsimile of the Piano Sonata In B Minor (HN 3227) in 2015, Henle is now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction Henle has been able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt ’s, in which the composer had made entries in his own hand.  Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought, everything confused.” Today we view this differently. This edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .

Franz Liszt: Piano Sonata In B Minor

Following the revision of Henle's facsimile of the Piano Sonata In B Minor (HN 3227) in 2015, they are now proud to present the corresponding new Henle Urtext edition. With the help of the splendid facsimile reproduction, Henle were able to analyse several passages in the autograph more reliably; in addition the editor Ernst Herttrich not only consulted the first edition but also a copy of a student of Liszt’s, in which the composer had made entries in his own hand. Clara Schumann reacted with a lack of understanding when Liszt sent the sonata: “It is only blind noise – not a single healthy thought, everything confused.” Today we view this differently. Henle's new edition of this key Piano work is further enhanced by the sophisticated fingerings supplied by the Piano titan Marc-André Hamelin .

Concerto in B Minor Op. 35 for Violin and Piano

The name Oskar Rieding may seldom appear in concert programmes, but for students of the violin it is all the more familiar. To this day, his short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals. Restricted to the first position, the b-minor Concerto, op. 35, is ideal for beginners. For this Urtext edition, based on the first printing, editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.The name Oskar Rieding may seldom appear in concert programmes, but for students of the violin it is all the more familiar. To this day, his short concert pieces for violin and piano, written at the start of the twentieth century especially for beginners on the instrument, have maintained their place in lessons and class recitals. Restricted to the first position, the b-minor Concerto, op. 35, is ideal for beginners. For this Urtext edition, based on the first printing, editor Annette Oppermann received talented support the Slovenian Rieding specialist Maruša Zupan i contributes an interesting preface on the little-known composer.

Henry Vieuxtemps: Viola Sonata In B Flat Op.36

Henry Vieuxtemps ' Viola Sonata In B Flat Op.36 . Urtext edition. Following a concert by the 14-year old 'wunderkind' Henry Vieuxtemps in 1834, none other than Robert Schumann said 'With Henri one can safely close one’s eyes. His playing is like a flower, at the same time both fragrant and bright'. Vieuxtemps is nowadays considered to be the foremost exponent of the Franco-Belgian Violin school. The composer was, however, an excellent Viola player and wrote several compositions for the instrument. Sonata Op.36 , published in 1862, is one of the gems of Viola literature with its oscillation between expressive maestoso, elegiac barcarola and scherzando passages. This edition by Henle is the first Urtext version of the work to be published.

W.A. Mozart: Adagio In B Minor KV 540 (Henle Urtext Edition)

W.A. Mozart: Adagio i H-mol KV 540 – Henle Urtext Edition Oplev et af Mozarts mest følsomme og introspektive værker med Adagio i H-mol KV 540, udgivet i den anerkendte Henle Urtext Edition. Dette unikke stykke giver pianister mulighed for at fordybe sig i Mozarts dybe musikalske udtryk og tekniske raffinement. Perfekt til både studie og koncertbrug, er dette værk en uundgåelig tilføjelse til enhver pianists repertoire. Specifikationer: Komponist: Wolfgang Amadeus Mozart Tonart: H-mol (B minor) Sværhedsgrad: Avanceret Format: Urtext-udgave med kritisk redigerede noder Indhold: Omfattende noter om tekstkritik og fortolkning Forlag: Henle Verlag Denne urtekstudgave sikrer, at du spiller musikken præcis som Mozart skrev den, med nøjagtige og autentiske notationer. Det langsomme tempo og den melankolske stemning gør stykket ideelt til pianister, der ønsker at udforske Mozarts dybere musikalske univers og forbedre deres udtryksfulde spil.

Piano Sonata no. 2 in b flat minor op. 36 : Versions 1913 and 1931

Finally, G. Henle Publishers is able to offer one of Rachmaninov’s most important, most substantial piano works in a meticulous Urtext edition that does justice to the work and to the editorial difficulties it raises. Rachmaninov was unhappy with the dense textures and the length of his Piano Sonata in b-flat minor, so almost 20 years after its composition and publication he made numerous cuts and “streamlined” it though this has been criticised by pianists down to the present day. For this reason, it is mostly the first version that is played today or even a mixture of the two versions such as Vladimir Horowitz used to perform (albeit with the permission of the composer).This Henle Urtext edition also takes into account the autograph in the Moscow Glinka Museum. As in all the Rachmaninov editions in the catalogue of G. Henle Publishers, the fingerings here are by Marc-André Hamelin, one of the outstanding pianists of our time.

Quintet in b minor op. 115 : Quintet in b minor op. 115

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popular with musicians and audiences alike since its premiere in 1891. Even prior to printing – and presumably with a view toward further dissemination of the work – an alternate version was written with viola instead of clarinet, premiered by no less than Joseph Joachim and authorised by Brahms. The Henle Urtext edition, revised according the text of the New Brahms Complete Edition, thus also includes the alternate viola part. In abrief preface, editor Kathrin Kirsch provides insight into the genesis of the work and discusses interesting variants of transmission in the Comments.

Quintet in b minor op. 115 SE : Quintet in b minor op. 115

Brahms had in fact wanted to stop composing in 1890, but his encounter with the clarinettist Richard Mühlfeld inspired him so much that he produced several works in a row for him over a brief period of time. The melodious Quintet op. 115 has been popular with musicians and audiences alike since its premiere in 1891. Even prior to printing – and presumably with a view toward further dissemination of the work – an alternate version was written with viola instead of clarinet, premiered by no less than Joseph Joachim and authorised by Brahms. The Henle study edition, revised according to the text of the New Brahms Complete Edition, thus also documents for the first time the violavariants of the solo part in the ossias. In a brief preface, editor Kathrin Kirsch provides insight into the genesis of the work and discusses interesting variants of transmission in the Comments.

Clarinet Concerto B Flat Major

The composer and violin virtuoso Johann Stamitz not only established the world-famous Mannheim school in the 18th century but is known among clarinettists above all for presumably being the first to present them with a true solo concerto. Even though Stamitz left it at just this one concerto, it has enjoyed great popularity since its rediscovery in the 20th century and has become a standard work in the concert repertoire. Due to its moderate technical demands, it is ideally suited for music students as a “first” solo concerto, and as preparation for the more demanding solo parts of Mozart, Weber and Spohr. The newly prepared piano reduction was undertaken with a view to make it easy to play so that also less experienced piano players can undertake the accompaniment of the soloist; a renowned clarinettist, editor Nicolai Pfeffer also contributes suggestions for the cadenzas the result is an ideal Urtext edition for student recitals and music schools.

Partita 1 B-dur - BWV 825

Johannes Brahms - Complete Works : Series 2: Chamber Music Vol. 2

Contents: String Quintet no. 1 F major op. 88 String Quintet no. 2 G major op. 111 Clarinet Quintet for Clarinet, 2 Violins, Viola and Violoncello b minor op. 115

Violoncello Concerto in b minor op. 104

Partita 1 B-dur - BWV 825 : Ausgabe ohne Fingersatz

Klavierkonzert Nr. 2 B-dur op. 83 : with critical report

Symphony in Bb major Hob. I:102 SE : Symphony in Bb major Hob. I:102

The twelve London Symphonies” comprise the sublime final statement of Haydn’s symphonic œuvre. They were written for the London impresario Johann Peter Salomon, and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The energetic, surging B-flat-major Symphony no. 102 belongs to the group of the last three symphonies premiered in early 1795. Exceptionally, Haydn here dispenses with the clarinets that are otherwise generally featured in his late symphonies. The instrumentation of the Adagio is also unusual, in that Haydn includes trumpets and timpani, both muted. This study edition adopts the musical text of theHaydn Complete Edition, thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.