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For Children Volume 1

For Children Volume 1

Long before his famous Mikrokosmos, Bartók composed a comprehensive collection of little piano pieces, entitled For Children. Written in 1908 1911, its two volumes are based on Hungarian and Slovakian folk tunes respectively. Both are organised in ascending difficulty, from simple two-part pieces to Impressionistic miniatures, and they offer everything that children’s hands can manage. Bartók revised this collection in the 1940s. He did not just make musical improvements, but also gave every movement a title. This revised version forms the main text of our Urtext edition, while an appendix offers movements from the early version that diverge significantly from the revisedones. As always in Henle’s Bartók editions, there are indications regarding performance practice and insights into how the composer himself played these pieces.

DKK 184.00
1

For Children Volume 2

For Children Volume 2

Long before his famous Mikrokosmos, Bartók composed a comprehensive collection of little piano pieces, entitled For Children. Written in 1908 1911, its two volumes are based on Hungarian and Slovakian folk tunes respectively. Both are organised in ascending difficulty, from simple two-part pieces to Impressionistic miniatures, and they offer everything that children’s hands can manage. Bartók revised this collection in the 1940s. He did not just make musical improvements, but also gave every movement a title. This revised version forms the main text of our Urtext edition, while an appendix offers movements from the early version that diverge significantly from the revisedones. As always in Henle’s Bartók editions, there are indications regarding performance practice and insights into how the composer himself played these pieces.

DKK 184.00
1

42 Etudes for Violin

42 Etudes for Violin

Published in early 1806, Kreutzer’s “40 Études ou Caprices” for Violin – there are 42 today – are the product of his years-long employment at the Conservatoire de Paris and are the most comprehensive collection of studies from his quill. Their systematic and complete reappraisal of essential Violin technique make them an indispensable tool of the trade for every serious student of the Violin (conservatory level). In the intervening two centuries, numerous reprints by various publishers followed the Parisian first edition, frequently adapted by famous soloists and teachers. Just a few years after the first edition, Kreutzer published a completerevision of this standard work in which he exchanged or heavily altered etudes. This second version of the collection forms the basis for our Urtext edition, which nevertheless presents the variants from the early edition as well. The virtuoso and sought-after Violin pedagogue Ingolf Turban acted as a consultant for this edition and furnished it with modern markings so that it provides an ideal foundation for contemporary Violin instruction.

DKK 209.00
1

Five Famous Piano Sonatas

Five Famous Piano Sonatas

Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia. Five famous sonatas by Beethoven – all bearing a popular epithet known the world over – are presented to advanced pianists in this attractive volume of selected works from the new three-volume Urtext edition. These five pieces do not all number among the most difficult sonatas from Beethoven’s cosmos but do indeed demand an advanced keyboard technique. They reveal to every Beethoven enthusiast the multifarious spectrum of these impassioned compositions from his quill. This collection also features all the benefits of the editions stemming from the collaboration between Perahia and Gertsch: from extensive information on the genesis, publication, and source situation, to thefirst-rate fingerings by Maestro Perahia.

DKK 256.00
1

Norwegian Dances op. 35 : for Piano Four-hands

Norwegian Dances op. 35 : for Piano Four-hands

The decisive role that Norwegian folk music played for Edvard Grieg can be felt in almost all of his works. The Norwegian Dances op. 35 of 1880, presented here in an Urtext edition, are arrangements for piano four hands of old folk tunes that Grieg took from a collection published by the musician and researcher Ludvig Mathias Lindeman. For this Henle Urtext edition, all the extant autographs in the Grieg Archive in Bergen, Norway were consulted along with the contemporary first editions. The co-editor here is the Norwegian pianist and Grieg specialist Einar Steen-Nøkleberg, who is also responsible for the fingerings.

DKK 162.00
1

Georg Friedrich Händel: Piano Suites (London 1720)

Georg Friedrich Händel: Piano Suites (London 1720)

George Frideric Handel’s powerful musical personality reveals itself not only in the large forms of opera, oratorio, and orchestral suite, but also in his compositions for keyboard. The focus here is on the eight Suites of his first printed collection from 1720, which by no means comprise standardised sequences of dance movements. On the contrary -- free-form movements of great artistic weight predominate, inserting themselves between lighter dance pieces. Handel’s suites always display a distinctive individuality, and deserve a larger presence in our concert halls. We were able to engage Handel specialist Anthony Hicks as the editor of this Urtext edition.

DKK 294.00
1

Romance sans paroles op. 109 : for Violoncello and Piano, with marked and unmarked string part

Romance sans paroles op. 109 : for Violoncello and Piano, with marked and unmarked string part

The Romance sans paroles dédiée Mlle. Lise Christiani - thus described in the surviving autograph - was only published as op. 109 from the composer's estate in 1868. The French cellist Lise Christiani gave several concerts inLeipzig in October 1845, where she met with Mendelssohn and presumably commissioned him to write this charming work. It is the only Song without words that Mendelssohn wrote for two instruments, not piano solo. It was previouslyonly available as part of a collection of works for this instrumentation (51480669). However, the Romance sans paroles, a favorite with cellists, is now also available as a single Henle Urtext edition.

DKK 111.00
1

Alborada del gracioso

Alborada del gracioso

In his Autobiographical Sketch Ravel looks back and stresses the importance of his Miroirs (51480842), published in 1906, for his harmonic evolution. He said that they had disconcerted even those musicians who had been mostfamiliar with my compositional style up to then. This is particularly true of the fourth piece in the collection, Alborada del gracioso (Morning song of the court jester), with its frequent employment of harsh dissonances. Thisboth technically and musically charming genre scene, full of rousing ideas and rhythms, is one of the French composer's best-known piano pieces today. Henle now issues it in a single Urtext edition.

DKK 107.00
1

Chamber Music with String Instruments

Chamber Music with String Instruments

Chamber music lovers will be thrilled about this special offer: Beethoven’s complete music for string instruments and mixed wind/string ensembles is now available in a slipcase with 13 study editions. The collection spans from small occasional pieces for string duos, to that central genre for Beethoven, the string quartet, with the immeasurable, boundless Grosse Fuge op. 133, to the famous early Septet op. 20, one of the most popular works for larger chamber ensemble. All study editions follow the musical text from the Beethoven Complete Edition and contain an informative preface and a short Critical Report with information on the sources and the most important readings foreach work.

DKK 1332.00
1

Norwegian Dances op. 35 : Version for Piano

Norwegian Dances op. 35 : Version for Piano

The decisive role that Norwegian folk music played for Edvard Grieg can be felt in almost all of his works. For his Norwegian Dances op. 35, presented here in an Urtext edition, Grieg took old folk tunes from a collection published by the musician and researcher Ludvig Mathias Lindeman and arranged them for piano four hands in 1880. A few years later, Grieg also made the two-hand version presented here. For this Henle Urtext edition, all the extant autographs in the Grieg Archive in Bergen, Norway were consulted along with the contemporary first editions. The co-editor here is the Norwegian pianist and Grieg specialist Einar Steen-Nøkleberg, who is also responsible for thefingerings.

DKK 141.00
1

Années de pèlerinage : Première Année - Suisse

Années de pèlerinage : Première Année - Suisse

The three volumes of the “Années de pèlerinage” belong to the core of Liszt’s piano oeuvre. In the first volume, “Suisse”, the composer realised impressions of an extended sojourn in Switzerland in 1835/36. The pieces, for themost part published already in 1840/41, were later substantively reworked by Liszt, and the collection enlarged by two numbers, until it received its final form in 1855. For the revision of the Henle Urtext edition, it waspossible for the first time to also take into account the engraver’s copy of the first edition that was once again accessible. The resulting modification in the weighting of the sources and further important new findings in Lisztresearch are presented in detail in the preface and the comments. We were able to enlist the Swiss pianist Francesco Piemontesi for the fingerings.

DKK 256.00
1

Three Hungarian Folk Tunes

Three Hungarian Folk Tunes

Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918, these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Peasant Songs (Urtext edition HN 1404), the drafts were left untouched for the next twenty years. Not until 1941, when Boosey & Hawkes asked the composer to contribute to an anniversary album for the great pianist Ignaz Paderewski, did Bartók, now settled in the United States, return to these long since notated piano pieces on the folk music of his homeland and thoroughly revise them. Unusually, the first edition issued in 1942 did not include the folk music sources however, they have ofcourse been reproduced in this Urtext edition based on the Bartók Complete Edition. What’s more, Bartók’s own recording of the pieces has been analysed by editor László Somfai, both in his preparation of the text and in Suggestions for Performance. Of the many works Bartók composed on Hungarian and Romanian folk melodies between 1914 and 1918, these three piano pieces occupy a special place. Originally outlined for the collection 15 Hungarian Peasant Songs (Urtext edition HN 1404), the drafts were left untouched for the next twenty years. Not until 1941, when Boosey & Hawkes asked the composer to contribute to an anniversary album for the great pianist Ignaz Paderewski, did Bartók, now settled in the United States, return to these long since notated piano pieces on the folk music of his homeland and thoroughly revise them. Unusually, the first edition issued in 1942 did not include the folk music sources however, they have ofcourse been reproduced in this Urtext edition based on the Bartók Complete Edition. What’s more, Bartók’s own recording of the pieces has been analysed by editor László Somfai, both in his preparation of the text and in Suggestions for Performance.

DKK 94.00
1

Souvenir d'un lieu cher op. 42 : with marked and unmarked string part

Souvenir d'un lieu cher op. 42 : with marked and unmarked string part

“Memory of a dear place” is the title given to this collection of three enchanting pieces for violin and piano. The “place” in question was the country estate of Brailov that belonged to Tchaikovsky’s patron and friend Nadezhda von Meck. He stayed there in idyllic seclusion in May 1878 and completed this work. These pieces were composed very close in time to his Violin Concerto, and they too demonstrate Tchaikovsky’s matchless gifts as a Romantic master of melody. For this edition, the Russian Tchaikovsky specialist Alexander Komarov offers the highest degree of editorial precision, having drawn on all the relevant sources from both Russian and international archives. In thecourse of his work he has also been able to disprove beyond a doubt the view held up to now that the title Souvenir d’un lieu cher was only added after Tchaikovsky’s death.

DKK 175.00
1

Sechs Tänze In Bulgarischem Rhythms

Sechs Tänze In Bulgarischem Rhythms

These six dances form the final culmination of Bartók’s “Mikrokosmos” (HN 1408-1410), that work of the century comprising over 150 pieces. He dedicated this grouping, collected under its own title, to the famous English pianist Harriet Cohen. Inspired, this specialist for contemporary music found in them “a whole world of music” and championed the pieces. Bartók himself added the dances to his concert repertory early on, though initially in a reduced form that omitted the fifth dance, which was not composed until the end of 1939 as one of the last works of the collection. Our practical, standalone Urtext edition of these six dances also featuresan early version of the concluding piece and supplies interesting background details about Bartók’s own recital practice. This edition’s musical text is based on that of the Bartók Complete Edition.

DKK 107.00
1

Sechs Partiten BWV 825-830 : Six Partitas BWV 825-830

Sechs Partiten BWV 825-830 : Six Partitas BWV 825-830

Bach’s Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number “1” in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpoint, but at the same time performers will not miss out on the enjoyment of virtuosic playing in any way. G. Henle Publishers presents this magnum opus in a revised Urtext edition that consults the original editions as well as autograph sources while also extensively documenting the numerous entries in correction copies from Bach’s circle. In addition, the ornamented versions have been included in the appendix. A true milestone!

DKK 247.00
1

Études et Caprices for Violin solo op. 35

Études et Caprices for Violin solo op. 35

The Viennese Jakob Dont is considered one of the most important Violin pedagogues of the nineteenth century and wrote numerous study pieces that are indispensable classics of the pedagogical literature for the Violin to this day. Among them are, foremost, his 24 “Études et Caprices” op. 35, which were written between 1840 and 1849 but issued in their definitive form by Dont in an overhauled anthology from 1880. This very advanced collection of etudes (conservatory level) was rapidly so successful that innumerable new, mostly heavily reworked editions appeared in the twentieth century from violinists such as Carl Flesch, Max Rostal, or IvanGalamian. Now for the first time, G. Henle Publishers’ Urtext edition restores access to the unadulterated original with Dont’s authentic fingering and bowing suggestions, and in impressive graphic quality with practical fold-out pages. World-class violinist and prominent pedagogue Antje Weithaas acted as a consultant for this edition and carefully supplemented Dont’s original marking.

DKK 184.00
1

Sechs Partiten BWV 825-830 : Ausgabe ohne Fingersatz

Sechs Partiten BWV 825-830 : Ausgabe ohne Fingersatz

Bach’s Six Partitas form what is presumably the most famous and challenging collection of suites in music history. Bach was aware of the weightiness of his cycle as he initially had these multi-movement partitas, composed in Leipzig between 1726 and 1730, published in individual editions. This culminated in their publication in an anthology that proudly sports the opus number “1” in 1731. Their diversity of forms knows no bounds and the musical texture is infused with the most ingenious counterpoint, but at the same time performers will not miss out on the enjoyment of virtuosic playing in any way. G. Henle Publishers presents this magnum opus in a revised Urtext edition that consults the original editions as well as autograph sources while also extensively documenting the numerous entries in correction copies from Bach’s circle. In addition, the ornamented versions have been included in the appendix. For purists, Henle also offers this milestone work in an edition without fingerings.

DKK 247.00
1