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Royal March (from Sarajevo Suite)

Full Score.

DKK 70.00

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for Solo Violin. For solo violin. Commissioned by the Royal Philharmonic Society and the BBC3 as part of New Generation Artist Works. Premiered by Ilya Gringolts on March 17, 2003 in London's Wigmore Hall.

DKK 78.00

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Edvard Grieg: In The Hall Of The Mountain King Op.46, No.4 (Piano Solo)

One of the most popular Romantic orchestral works and an instantly recognisable melody. Edvard Grieg later used 8 of the pieces he wrote for Peer Gynt to make two concert suites. In the Hall of the Mountain King is the last movement of the first suite. In the play, it is played in Act II, when Peer is escaping from the royal hall of the trolls. This edition is a reduction for Piano solo, edited and fingered by Louis Oesterle.

DKK 78.00

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D. Hilarion Eslava: Metodo De Solfeo (Complete)

Hilarion Eslava (1807-1878) was a Spanish priest, musician, and pedagogue. Although he was a prolific and well-known composer in his own time, today he is primarily remembered for his 1846 work, Metodo De Solfeo , a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona, the method was published while Eslava was choirmaster at the Royal Chapel in Madrid, and he undoubtedly used it as he was training the choristers there.

DKK 181.00

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D. Hilarion Eslava: Metodo De Solfeo - Book 1

Hilarion Eslava (1807-1878) was a Spanish priest, musician, and pedagogue. Although he was a prolific and well-known composer in his own time, today he is primarily remembered for his 1846 work, Metodo De Solfeo , a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona, the method was published while Eslava was choirmaster at the Royal Chapel in Madrid, and he undoubtedly used it as he was training the choristers there.

DKK 110.00

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Giuseppe Concone: Twenty-Five Melodic Studies For Piano Op.24

Twenty-Five Melodic Studies For Piano is a collection of easy and progressive pieces for the developing pianist, constructed by the great Italian pianist, composer, and pedagogue Giuseppe Concone . Today he is probably best known for his five volumes of vocal studies and solfege, which have been reprinted many times, and are still popular with singing teachers all over the world. However, his educational works on other instruments are just as valuable. As organist at the Chapel Royal in Turin, he certainly knew his way around a keyboard instrument – these studies form a noteworthy volume.

DKK 118.00

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Richard Wagner: Tannhauser (Vocal Score)

Wagner completed the first version of the opera in 1845 during his tenure as Kapellmeister at the royal court of Dresden, but he continued to redraft and revise it for the rest of his life. The setting is medieval Germany: the minstrel Tannhauser has fallen into sin with the goddess Venus but after a year, in a moment of realisation he demands to leave. He finds himself near his home and is reunited with Elisabeth, a girl he once loved. Elisabeth's uncle, the landgrave, organises a singing competition between Tannhauser and Wolfram, who also loves her. Wolfram's song is simple and moving, while Tannhauser, confused by Venus, outrages the audience by singing of profane love. He is banished to Rome on a pilgrimage to seek redemption, and Elisabeth follows him with Wolfram. After much searching, she gives up and dies, just missing Tannhauser, who Wolfram discovers creeping back to Venus, the Pope having said that it was as impossible for him to be forgiven as for his staff to sprout flowers. Tannhauser sees Elisabeth and casts himself to die by her coffin, and the Pope's staff bursts into bloom. This is the Schirmer edition of the Vocal Score, edited and translated into English by Natalia MacFarren.

DKK 468.00

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Music For Upright Piano Composer's Autograph Series

Einojuhani Rautavaara 's Music For Upright Piano . Commissioned by Radio Helsinki and dedicated to Ralf Gothoni. In 1965, when Einojuhani Rautavaara was thirty-seven years old, he was awarded the prestigious Sibelius Prize, previously given to Stravinsky, Hindeman, Messaien, Britten, Shostakovitch and Lutoslawski. A member of one of Finland's most important musical families (comparable to the Casadesus family) Rautavaara first attracted public acclaim in 1954 with 'Requiem In Our Time'. Following his studies at Helsinki university and the Sibelius Academy, Rautavaara held scholarships at Juilliard, Tanglewood and Cologne. In 1971 he was appointed State Professor of Fine Arts and in 1976 joined the faculty of the Sibelius Academy as Professor of Composition. He was elected to the Swedish Royal Academy and is a member of the Board of the Society of Finnish Composers. Rautavaara 's earliest compositions were influenced by folk music, Bartok, Stravinsky and Prokofiev; later he embraced serialism. The 'Second String Quartet', an Opera, 'The Mine' and 'Symphony No. 3', which pays homage to Bruckner and Berg, belong to this period. Around 1967 Rautavaara entered a third period rejecting atonality and reintroducing folk elements. His later works include 'True And False Unicorn' and 'The Water Circle' for Chorus and Ensemble; concertos for Cello, Violin, Piano and Soprano; a work for four Celli and Piano, 'Regular Sets Of Elements In Semi-Regular Situation'; a 'Concerto For Birds And Orchestra' (tape and Orchestra); a dramatic work, 'Apollon Contra Marsyas'; 'The Temptations' for Orchestra; and 'Dancing Helsinki', for four Saxophones and Orchestra.

DKK 158.00

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