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Selected Piano Pieces: Upper Intermediate : 14 Selections from Bagatelles, Sonatas, Variations and more

Selected Piano Pieces: Upper Intermediate : 14 Selections from Bagatelles, Sonatas, Variations and more

14 pieces at the upper intermediate level, including: Allegretto in C minor, WoO 53 • Bagatelle in C Major, Op. 33, No. 2 • Bagatelle in G Major, Op. 119, No. 6 • Bagatelle in G Major, Op. 126, No. 1 • Bagatelle in G minor, Op. 126, No. 2 • Bagatelle in E-flat Major, Op. 126, No. 3 • Bagatelle in C minor, WoO 52 • Bagatelle in A minor “Für Elise,” WoO 59 • Rondo in A Major, WoO 49 • Sonata No. 8 in C minor, Op. 13 “Pathétique” • Sonatina in E-flat Major, WoO 47, No. 1 • Sonatina in C Major, WoO 51 • 7 Variations on “God Save the King,” WoO 78 • 5 Variations on “Rule Britannia,” WoO 79.

DKK 126.00
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Sergei Rachmaninov: Vocalise (Op.34 No.14) - High Voice

Sergei Rachmaninov: Vocalise (Op.34 No.14) - High Voice

Rachmaninov's Vocalise is one of the few members of an elite repertory niche: popular, non- avant-garde vocal works without text. It was dedicated to Antonina Nezhdanova, who can be presumed to have possessed a singularly pleasing and flexible voice, given the sustained, almost violin-like character of the piece. The piece has also been arranged for orchestra, piano, various chamber ensembles, and solo string instruments, but this is the original song for High Voice and Piano.

DKK 78.00
1

Andre Previn: Violin Concerto 'Anne-Sophie' (Violin/Piano)

Andre Previn: Violin Concerto 'Anne-Sophie' (Violin/Piano)

The multi-talented Andre Previn composed this three-movement concerto on commission from the Boston Symphony Orchestra for violinist Anne-Sophie Mutter. The concerto was actually written during the months before the marriage of Mutter and Previn. It was premiered on March 14, 2002 at Symphony Hall, Boston. The composer's feelings and admiration for Mutter and the BSO come through in this expansively tuneful, warm music. The piece reflects Previn's early childhood memories of Germany, incorporating a German children's song in the third movement.

DKK 229.00
1

Selected Piano Pieces: Early Advanced : 10 Selections from Sonatas, Sonatinas, Variations and more

Selected Piano Pieces: Early Advanced : 10 Selections from Sonatas, Sonatinas, Variations and more

10 pieces at the early advanced level, including: Andante in F Major, “Andante Favori,” WoO 57 • Bagatelle in C Major, Op. 33, No. 5 • Bagatelle in B minor, Op. 126, No. 4 • Fantasie in G minor, Op. 77 • Polonaise in C Major, Op. 89 • Rondo a Capriccio in Hungarian Style, “Rage Over a Lost Penny,” Op. 129 • Sonata No. 14 in C-sharp minor, “Moonlight,” Op. 27, No. 2 • Sonatina in F minor, WoO 47, No. 2 • 6 Variations on an Original Theme, Op. 34 • 9 Variations on a March by Dressler, WoO 63.

DKK 126.00
1

David Archer: Who Has Seen The Wind?

David Archer: Who Has Seen The Wind?

The words of Christina Rossetti 's poem Who Has Seen The Wind? are simple, yet spiritually profound. They speak of placing trust in the unknowable, and of appreciating the miracle of our existence: ' Who has seen the wind? Neither I nor you: But when the leaves hang trembling, The wind is passing through. ' In this setting for SATB choir by David Archer the music is lyrical and contrapuntal with wide dynamic contrast. This beautifully poignant piece offers plenty of moments for your singers to express their individual musicianship. Listen to Who Has Seen The Wind? recorded at the premiere by Vancouver Chamber Choir on November 14, 2014.

DKK 52.00
1

J.S. Bach: Easiest Piano Pieces : Schirmer's Library of Musical Classics, Vol. 2141

J.S. Bach: Easiest Piano Pieces : Schirmer's Library of Musical Classics, Vol. 2141

38 pieces from the English Suites, French Suites, Inventions, Well-Tempered Clavier, and more. Contents: English Suite No. 2, Sarabande · English Suite No. 3, Gavotte I and II · English Suite No. 4, Menuet I and II · English Suite No. 5, Sarabande · English Suite No. 6, Saraband and Double and Gavotte II · French Suite No. 2, Sarabande and Menuet · French Suite No. 4, Sarabande and Menuet · French Suite No. 5, Gavotte and Bourree · French Suite No. 6, Gavotte and Menuet · Goldberg Variations, Aria · Lute Suite No. 1, Bouree · Overture in F Major, BWV 820, Menuet · Overture in G minor, BWV 822, Gavotte, Menuet I and II · Partita No. 1, BWV 825, Menuet I and II · Partita No. 2,BWV 826, Sarabande MISCELLANEOUS PRELUDES: Prelude in G Major, BWV 902a · Prelude in C Major, BWV 924 · TWO-PART INVENTIONS: Invention No. 1 in C Major, BWV 772 · Invention No. 2in C minor, BWV 773 · Invention No. 4 in D minor, BWV 775 · Invention No. 14 in B-flat Major, BWV 785 THE WELL-TEMPERED CLAVIER, BOOK I: Prelude No. 1 in C Major, BWV 846 · Prelude No. 9 in E Major, BWV 854 · Prelude No. 12 in F minor, BWV 857 · Prelude No. 16 in G minor, BWV 861 THE WELL-TEMPERED CLAVIER, BOOK II: Prelude No. 1 in C Major, BWV 870 · Prelude No. 7 in E-flat Major, BWV 876 · Fugue No. 7 in E-flat Major, BWV 876 · Fugue No. 9 in E Major, BWV 878 · Prelude No. 12 in F minor, BWV 881 · Prelude No. 16 in G minor, BWV 885

DKK 142.00
1

Joan Tower: Dumbarton Quintet

Joan Tower: Dumbarton Quintet

Joan Tower 's Dumbarton Quintet (2008) for Piano Quintet. This work was premiered on 12 April 2008 at Dumbarton Oaks, Washington, DC, by the Enso String Quartet with Joan Tower on the Piano. Following Stravinsky and Copland as the third commissioned composer by the Dumbarton Oaks Estate is of course quite daunting — particularly since these are two very strong composers that had an enormous influence on me. Their sense of musical continuity and profiling of ideas puts them in the category of musical geniuses. I have, in fact, dedicated two pieces to them: Petroushskates (to Stravinsky) and Fanfare for the Uncommon Woman (to Copland). My musical debt to these two great composers is profound. The Dumbarton Quintet is a Piano Quintet dedicated to Susan Feder, my longtime publisher at G. Schirmer and Associated Music Publishers. (She is now with the Mellon Foundation). It was commissioned by the Dumbarton Oaks Estate. It is a 14-minute work in one movement that travels through several themes with different emotional contents. The first is a flowing line that is cast in a narrow space of smaller intervals first soft, then loud but with a restrained kind of intensity that finally "bursts out" into a more "forward" and visceral type of intensity. This shifting between intensities, in fact, is part of the "dna" of the work and as the piece progresses; each side tends to take on more and more extremes of expression. At particular points, the "softer" material becomes almost romantic, consonant and singing in its expression whereas the "louder" passages become the opposite — manic and aggressively dissonant. - Joan Tower

DKK 627.00
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