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Sergei Rachmaninoff: 24 Préludes

Sergei Rachmaninoff: 24 Préludes

Based on the Prélude in C sharp minor Op. 3 No. 2 written in 1892 that quickly became world-famous, Rachmaninoff composed a further two collections of Préludes in the years up to 1910. These were also published as a complete volume in 1911. Based on the corresponding models by Chopin, Scriabin and their great forerunner J.S. Bach they comprise a cycle of 24 Préludes in all major and minor keys, but unlike the other ones are not organised systematically according to keys. A final highlight of late Romantic Piano music, which no pianist can ignore.

DKK 315.00
1

Johannes Brahms: Händel-Variations Op. 24

Johannes Brahms: Händel-Variations Op. 24

We know that Brahms took an active interest in Baroque music throughout his life. It can thus hardly be by chance that he chose a theme from one of Handel’s harpsichord suites for his 25 variations. The variations allow for iridescent colours and moods in the style of Beethoven’s characteristic variations. In keeping with the source, however, the work also features allusions to Baroque models embellishments, pedal points and ends in a grandly laid-out fugue with a triumphant build-up. Opus 24 unquestionably deserves its reputation as the composer’s most important variation cycle.

DKK 162.00
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Edvard Grieg: Ballade op. 24

Edvard Grieg: Ballade op. 24

An ancient melody, probably from the 16th century, is the basis for Grieg’s op. 24. This “Ballade in Variation Form” was written in winter and spring 1875/76, in the months following his parents’ deaths. It is often interpreted as an attempt to surmount this difficult period, something most impressively audible in the chromatically-descending bass-line that permeates the piece. The Ballade is considered to be Grieg’s most important piece for piano and is most certainly his most personal composition, even though he himself never performed it in public. The fingering newly prepared for this Urtext edition helps to open up the dense piano writing with its pedal-points and polyphonicstructures.

DKK 175.00
1

Robert Schumann: Song Cycle op. 24

Robert Schumann: Song Cycle op. 24

Schumann was the first to set a complete cycle of Heinrich Heine’s poems to music. His literary “forks of lightning” had already fascinated Schumann when he was 17 years old. However, he only wrote Opus 24 in 1840, in his “year of song”, choosing to set a cycle of poems from the “Buch der Lieder”. He wrote the following to his fiancée: “Ah, Clara, what bliss it is to write for the Voice”. This enthusiasm is reflected in each of the nine songs. This is Kazuko Ozawa’s third edition of a Schumann cycle to be published in Henle Urtext.

DKK 196.00
1

Nicolò Paganini: 24 Capricci Op.1 (Urtext Study Score)

Nicolò Paganini: 24 Capricci Op.1 (Urtext Study Score)

Nicolò Paganini?s milestone in violin literature is now not only available in a practical Urtext edition (HN450) but also as a study score. Published in 1820 as his Opus 1, Paganini gave the violin world a timeless masterpiece, which no up-and-coming violin virtuoso can ignore. As well as the musical text, our edition also contains a must for all interested performers: a detailed commentary by the Paganini expert Renato de Barbieri. With numerous examples and illustrations for each of the 24 Capricci from the autograph, he knowledgeably explains the characteristics of Paganini?s notation and its significance for its interpretation today.

DKK 218.00
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Carl Maria Von Weber: Piano Sonata In C Op.24

Carl Maria Von Weber: Piano Sonata In C Op.24

Carl Maria von Weber’s four piano sonatas, all composed in the decade 1812-1822, are considered the pillars of his not very extensive piano oeuvre. In these sonatas, Weber, who was one of the most renowned pianists of his era and often also improvised in his concerts, fully satisfied the expectations of the audiences of his time. Brilliant playing technique combines here with catchy melodies. The technically very demanding Sonata op. 24 in C major from 1812 brings together four different moods in its four movements. A gem is the E major Trio of the Minuet, which seems to anticipate the poetry of Mendelssohn’s “Midsummer Night’s Dream”. Besides the first edition, Weber’sautograph has been consulted for this Urtext edition. In her preface to this Urtext, editor Wiltrud Haug-Freienstein discusses interesting details concerning the sources, individual readings of the musical text and Weber’s compositional style.

DKK 235.00
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Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Gabriel Fauré: Élégie Op.24 For Violoncello And Piano

Following the enthusiastic reception of his first Violin Sonata (HN980), it was clear to Fauré that he would continue to write chamber music. In 1880 he wrote a little piece for cello and piano that was intended as the slow movement for a sonata. However, Fauré gave up the sonata project, instead publishing the piece under the title Élégie. It was so successful that Fauré was urged by the publisher to write further pieces. The conductor Édouard Colonne commissioned a version of the Élégie for orchestra in 1895, which was premièred two years later. As usual, our Urtext edition contains both a marked and an unmarked solo part.

DKK 120.00
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Niccolo Paganini: 24 Capricci op. 1 (notated and annotated version)

Niccolo Paganini: 24 Capricci op. 1 (notated and annotated version)

In the era before Paganini, a brilliant solo cadenza in a sonata or concerto movement for violin was called a “capriccio”. Practice pieces for string instruments were also given this generic name. The merging of the concertante cadenza form with that of the technical etude was one of Nicolò Paganini’s greatest creative achievements. With his op. 1 Capriccios Paganini opened up a new musical dimension in the genre. They seem improvised, overflow with melodic abundance and are of a clear, spirited design. This Urtext edition is based entirely on Paganini’s autograph, since the first edition contains numerous errors and was probably not proofread by the composer. Renato DeBarbieri’s performance instructions in our version evolved during many years of concert experience and an in-depth study of the autograph. With this and the informative preface, the violinist is offered an edition that the work has long deserved.

DKK 388.00
1

Domenico Scarlatti: Selected Piano Sonatas - Volume II

Domenico Scarlatti: Selected Piano Sonatas - Volume II

Domenico Scarlatti is today considered as one of music history’s great piano composers, and the first-ever piano virtuoso. The present collection contains 24 sonatas from various creative periods, offering a survey of the rich and varied output of this Italian who worked at the Spanish court. Scarlatti triumphed over the heavy Baroque style with his characterful themes, natural cantabile melodies, and dance-like movements. The performance-technical moment is a formally constitutive element within his one-movement sonatas. For the first time in the history of piano music, the interpreter must cross the hands and master wide leaps. Renowned pianist Bengt Johnsson provides informationon Scarlatti’s life and career, as well as on the various sources on which this edition is based, in his preface. A few sonatas appear in print here for the first time. An additional “bon-bon” is the reprint of a preface to the edition of 30 of Scarlatti’s piano sonatas published in 1738. Absorbing reading for all who wish to acquire a deeper understanding of Scarlatti’s piano music.

DKK 294.00
1

Domenico Scarlatti: Selected Piano Sonatas - Volume III

Domenico Scarlatti: Selected Piano Sonatas - Volume III

Domenico Scarlatti is today considered as one of music history’s great piano composers, and the first piano virtuoso ever. Just like the first two volumes (HN 395 and 451) of selected keyboard sonatas, this third one contains 24 sonatas from various periods of the master’s creative life, offering an overview of the rich variety to be found in the work of this Italian who worked at the Spanish court. Scarlatti triumphed over the heavy Baroque style with his characterful themes, natural cantabile melodies, and dance-like movements. The performance-technical moment is a formally constitutive element within his one-movement sonatas. For the first time in the history of piano music,the interpreter must cross the hands and master wide leaps. Renowned pianist Bengt Johnsson provides information on Scarlatti’s life and career, as well as on the various sources on which this edition is based, in his preface. An additional “bon-bon” is the reprint of a preface to the edition of 30 of Scarlatti’s piano sonatas published in 1738. Absorbing reading for all who wish to acquire a deeper understanding of Scarlatti’s piano music.

DKK 315.00
1

Franz Schubert: Songs with Lyrics by Goethe, Schiller and other Poets

Franz Schubert: Songs with Lyrics by Goethe, Schiller and other Poets

Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel.Contents:An Emma op. 58 D 113Auf dem See op. 92 D 543Der Alpenjäger op. 37D 588Der Jüngling am Bache op. 87 D 638Der Musensohn op. 92 D 764Der Pilgrim op. 37 D 794Der Unglückliche op. 87 D 713Des Mädchens Klage op. 58 D 191Geistes-Gruß op. 92 D 142Gesänge aus "Wilhelm Meister" op. 62 D877Gruppe aus dem Tartarus op. 24 D 583Hektors Abschied op. 58 D 312Hoffnung op. 87 D 637Lied der Mignon [Heiß mich nicht reden] op. 62 D 877Lied der Mignon [Nur wer die Sehnsucht kennt] op. 62 D 877Lied der Mignon [Solaßtmich scheinen] op. 62 D 877Mignon und der Harfner [Nur wer die Sehnsucht kennt] op. 62 D 877Schlaflied op. 24 D 527Sehnsucht op. 39 D 636Suleika II op. 31 D 717

DKK 162.00
1

Edvard Grieg: Lyric Pieces - Volume 1 Op.12

Edvard Grieg: Lyric Pieces - Volume 1 Op.12

The “Little Lyrical Pieces” which is how the title still reads in the earliest editions rank among Grieg’s most popular works. He had just turned 24 when these delightful and easily playable miniatures appeared, since when they have accompanied many piano students on the path towards classical music. Grieg himself would never have dreamed in 1867 that a further nine books of Lyric Pieces were to follow, the series ended in 1901 with Book Ten.

DKK 133.00
1

Anton Reicha: Selected Piano Works

Anton Reicha: Selected Piano Works

Anton Reicha (1770–1836) is doubtlessly known to many music lovers as a friend of Haydn’s and Beethoven’s. Wind players know him as the outstanding composer of 24 published Wind quintets. Curiously enough, the fact that Reicha also wrote inspiring works for the Piano is not very well known, even today. Hopefully our edition of selected works will help to change this. It provides a cross-section of the different genres that Reicha cultivated: a sonata (op. 43), a set of variations (op. 57) as well as a fantasy (op. 61).

DKK 311.00
1

Franz Schubert: Piano Pieces - Piano Variations (Henle Urtext Edition)

Franz Schubert: Piano Pieces - Piano Variations (Henle Urtext Edition)

This volume gathers together, in chronological order, a selection of solo piano pieces that Schubert, to be sure, created as “shorter” occasional works but which form an important part of his complete oeuvre and often dazzle with their bold harmonies. Our Urtext volume includes compositions from his youth up to shortly before his death. The selected pieces are of a wide spectrum of difficulty (from level 3 to level 7). They offer the more advanced pupil many options by which to approach Schubert’s piano works, and the less advanced pupil a good introduction and some worthwhile challenges.

DKK 294.00
1

Frederic Chopin: Berceuse D Flat Major Op. 57

Frederic Chopin: Berceuse D Flat Major Op. 57

Berceuse in D Flat Major was written in the summer of 1843, and is one of Chopin’s most mature and delicate works. It consists of a series of variations on a tender lullaby theme from the composer’s childhood. Somewhat unusually, the variations are uninterrupted; they flow seamlessly from one into the next, sustained by an unchanging Bass ostinato. Frédéric Chopin (1710-1849) was a Polish composer and virtuoso pianist, whose compositional career was spent mostly in Paris. He only wrote music for the Piano, and is best known today for his 12 Etudes and 24 Preludes , a key part of any pianist’s repertoire.

DKK 103.00
1

Claude Debussy: Préludes, Deuxième livre

Claude Debussy: Préludes, Deuxième livre

In 1913, three years after publication of the Préludes I, another collection of twelve Préludes appeared. The pieces are longer and make use of a very wide register, which is why Debussy mainly notated them on three staves. As with the first volume of Préludes the programmatic additions only appeared at the end of each piece. The cycle closes with the virtuosic and brilliant Feux d’artifice , fireworks of pianistic bravura in the true sense of the word. The Piano writing and title of no. 11, Les tièrces alternées , already hints at the twelve Études of 1915 (HN 390) with which Debussy was to end his Piano oeuvre.

DKK 264.00
1

Frederic Chopin: Waltzer

Frederic Chopin: Waltzer

Chopin revolutionized the etude – but he ennobled the waltz. He spent much time on this genre throughout his life and created a wide spectrum of forms, from virtuosic showpieces – the Grandes Valses Brillantes – to deeply melancholic atmospheric pictures. All these works have one thing in common: one cannot and should not dance to them! Our volume contains all of the waltzes that were published during Chopin ’s lifetime, or posthumously, including popular masterpieces such as the so-called “ Minute Waltz ” (op. 64 no. 1). In cases where two authentic versions of the same waltz have been transmitted, we naturally give the Urtext of both versions.

DKK 150.00
1

Anton Reicha: Quintet For Wind Instruments In E flat Op.88 No.2 (Parts)

Anton Reicha: Quintet For Wind Instruments In E flat Op.88 No.2 (Parts)

Reicha published a total of 24 wind quintets for the ?classical? scoring of flute, oboe, clarinet, horn and bassoon; op. 88 no. 2 is one of the best-loved and most played. ?If it were possible to surpass Haydn in the composition of quartets and quintets, Reicha would have succeeded with these quintets?, thus raved the ?Allgemeine Musikalische Zeitung? on a performance of Reicha?s quintets, ?it seems to me that it is impossible to unite more correctness and clarity with more inventiveness and originality.? This work exudes inspiration and spirit from every note. In addition to the parts, we have also produced a handy study edition of the score.

DKK 366.00
1

Sergei Rachmaninoff: Prélude In D Op.23 No.4

Sergei Rachmaninoff: Prélude In D Op.23 No.4

This wonderfully dreamy nocturne is taken from Sergei Rachmaninoff 's Op.23 collection. Written in the style of Chopin, the engaging immediacy of this work's poetic magic and the fact that it is only moderately difficult make it an ideal introduction to the late-Romantic, colourful sound world of Rachmaninoff 's 24 Préludes. The Henle Urtext edition of Rachmaninoff 's Prélude in D major is based on the autograph sources in the Glinka Archive in Moscow. The fingerings are by Marc-André Hamelin, who is both one of the exceptional pianists of our day and also an expert in Russian late-Romantic Piano music.

DKK 86.00
1

Anton Reicha: Quintet For Wind Instruments In E flat Op.88 No.2 (Study Score)

Anton Reicha: Quintet For Wind Instruments In E flat Op.88 No.2 (Study Score)

Reicha published a total of 24 wind quintets for the ?classical? scoring of flute, oboe, clarinet, horn and bassoon; op. 88 no. 2 is one of the best-loved and most played. ?If it were possible to surpass Haydn in the composition of quartets and quintets, Reicha would have succeeded with these quintets?, thus raved the ?Allgemeine Musikalische Zeitung? on a performance of Reicha?s quintets, ?it seems to me that it is impossible to unite more correctness and clarity with more inventiveness and originality.? This work exudes inspiration and spirit from every note. In addition to the parts, we have also produced a handy study edition of the score.

DKK 188.00
1

Frederic Chopin: Etuden (Urtext)

Frederic Chopin: Etuden (Urtext)

Chopin succeeded in doing something truly remarkable with his two cycles of Etudes op. 10 and op. 25, published in 1833 and 1837 respectively. Probably no one before him had composed technical practice pieces that at the same time reached such musical heights. Chopin ’s Etudes are character pieces that are full of tension, written for the concert hall. The virtuosic works, including long-running hits such as the “ Revolutionary Etude ” Op. 10 no. 12 belong to the pianist’s core repertoire. In addition to the two cycles Op. 10 and Op. 25, our Urtext edition also contains three etudes without opus number, which Chopin composed for a Parisian Piano method in 1840: wonderfully lyrical miniatures, which can hold their own with the 24 grand studies.

DKK 134.00
1