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Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger: Drei Suiten Viola Solo Op. 131d

Max Reger’s reception of Bach was not limited to the organ and orchestra. Like Bach, Reger wanted to compose sonatas and suites for a solo string instrument that were not merely études, but rather presented a compositional compendium. Among them are his three Suites for viola solo op. 131d. Reger published these in the last year of his life, 1914/15, together with Six Preludes and Fugues for violin solo, Three Duos in Ancient Style for two violins and Three Suites for violoncello solo, grouping all these works under the opus number 131. The present Urtext edition of the Suites for viola solo op. 131d is based on the first edition of 1916, which was prepared using the nowlost manuscript. The editor discusses all the divergences between this edition and the first edition in his preface and Critical Report.

DKK 162.00
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Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

Georg Friedrich Händel: Nine German Arias For Soprano, Solo Instrument And Basso Continuo

We do not know very much about Handel ’s compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724–1727. The autograph does not shed any light on the titles nor the sequence of the works. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part – although Violin, Flute or Oboe are the most likely. Henle's practical edition not only contains additional parts for the solo instrument and the Bass but also a realization of the figured Bass in the score by the editor Ullrich Scheideler .

DKK 218.00
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Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume II K.10-15 - Piano Solo

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume II K.10-15 - Piano Solo

In 1764 the eight-year-old Mozart wrote the Sonatas K. 10?15 in London. Leopold Mozart was only able to understand his son?s musical genius in terms of it being a God-given wonder: ?That my boy [?] knows all of this with his 8 years that could be expected of a man of forty years. In short: whoever has not seen or heard it, cannot believe it?. According to the title page the six sonatas can either be played as piano trios, violin sonatas or simply piano solo. As Henle have already published them in the form of Piano trios and Violin sonatas (HN 1078), they are now presenting them in an Urtext Edition for Piano solo.

DKK 218.00
1

J.S. Bach: Partita A-Moll Flote Solo BWV 1013

J.S. Bach: Partita A-Moll Flote Solo BWV 1013

Bach had a predilection for creating solo works for instruments that were more usually supplied with a keyboard accompaniment. It is thus only logical that, as well as the violin and cello, he also thought of making use of the typical melodic character of the flute in this way. Through the skillful use of broken chords he even succeeds in creating the illusion of polyphony. It soon becomes clear that Bach’s lyrical cantilenas are convincing even without the support of accompanying chords on a keyboard instrument. A high point in flute literature!

DKK 103.00
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Eugene Ysaye: Sonata For Cello Solo Op.28

Eugene Ysaye: Sonata For Cello Solo Op.28

Ysaÿe ’s Cello Sonata , unlike its companion piece for Violin solo, has remained relatively unknown. All the same, it merits special attention as it was written at the same time as the Violin Sonatas and has the same superior qualities of musicianship. Our edition draws on a previously disregarded autograph manuscript from a private collection that provides interesting insights not found in the original print. To accompany the publication of Ysaÿe ’s violin sonatas, which Henle has also issued in 2004, we are now offering the Cello Sonata in an urtext edition prepared by Christian Bellisario with detailed editorial comments. A brilliant addition to the repertoire for unaccompanied String instruments.

DKK 167.00
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J.S. Bach: Sechs Sonaten Und Partiten - Violine Solo

J.S. Bach: Sechs Sonaten Und Partiten - Violine Solo

J. S. Bach (1685-1750) was a German Baroque composer who is revered for the originality and skill of his contrapuntal and harmonic techniques. His Sechs Sonaten Und Partiten (BWV 1001-1006) were written before 1720, but not published until 1802, and only gained popularity towards the end of the 19th century. They are now regarded as the seminal work in the solo Violin repertoire, and were among the first works to showcase the technical abilities of the Violin. The Suite consists of 3 Sonatas , each with four movements in the traditional slow-fast-slow-fast pattern, and 3 Partias , which vary with four to seven dance-like movements. Contains two volumes, with and without fingering.

DKK 281.00
1

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume III K.26-31 - Piano Solo

Wolfgang Amadeus Mozart: "Wunderkind" Sonatas Volume III K.26-31 - Piano Solo

The Six Sonatas for Piano K. 26?31 that can also have a violin accompaniment were composed in The Hague. They were published in 1766 and were dedicated to Princess Caroline von Nassau-Weilburg. These jewels by the ?Wunderkind? Mozart have only been known in the form of Violin sonatas up to now (also see Henle Urtext edition HN 1079). Henle's edition for solo Piano, the first time it has ever been printed in this form, is now available for Piano teachers to make use of in their lessons, as well as for all lovers of Mozart.

DKK 218.00
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Debussy: La Plus Que Lente Piano Solo

Debussy: La Plus Que Lente Piano Solo

Slow waltzes enjoyed a special vogue in Parisian salons of the early twentieth century, leading Debussy – with a twinkle in his eye – to produce his piano waltz “La plus que lente” (“The Slower-than-Slow”). Parisian publisher Durand brought Debussy’s piano waltz, issued in July 1910, to a wider public by publishing it that same year as a supplement to Le Figaro, as well as in arrangements (by others) for violin and piano and for piano, 4-hands. Debussy himself produced a version for orchestra, and in 1913 he even – at a rather faster tempo – recorded it on a piano roll for the Welte-Mignon company. This work, headed “molto rubato con morbidezza” (with much rubato, morbidly), is now available as a separate Henle Urtext. A preface, extended from those in the anthology volumes HN 1194 and HN 404, will stimulate curiosity about this charming miniature waltz.

DKK 94.00
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Wagner/Liszt: Overture To Tannhauser Piano Solo

Wagner/Liszt: Overture To Tannhauser Piano Solo

Looking back in 1876, Liszt admitted candidly to the publisher Breitkopf & Härtel that his “Wagner transcriptions” had “only served as modest propaganda for Wagner’s noble genius, using the meagre possibilities of the piano”. In fact, in around 1850, Wagner’s operas Der fliegende Holländer, Tannhäuser and Lohengrin – which would later be so successful – were only being performed at the Weimar Court Theatre under Liszt’s baton. Liszt was inspired to compose his Tannhäuser Paraphrase by performances in Weimar of the overture in 1848 and of the whole opera in February 1849. Liszt’s piano arrangement of the overture is a technically brilliant piece of the highest order. It is a further milestone in Henle Publishers’ series of Liszt’s Wagner arrangements.

DKK 175.00
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Eugene Ysaye: Six Sonatas For Violin Solo Op.27

Eugene Ysaye: Six Sonatas For Violin Solo Op.27

First came Johann Sebastian Bach’s sonatas and partitas, then Nicolò Paganini’s caprices. Now, with the Op. 27 Sonatas of Eugène Ysaÿe , the key works in the repertoire for unaccompanied Violin are available in urtext editions from Henle. Ysaÿe peppered these challenging works with extraordinary difficulties, dedicating each of them to a virtuoso violinist of his day and tailoring it to suit his special capabilities. Thanks to newly discovered source material, we are able to present a “definitive text” that in many respects supersedes the previously available text from the first edition.

DKK 328.00
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