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Max Reger: Five Humoresques for Piano op. 20

Max Reger: Five Humoresques for Piano op. 20

Reger ’s “ Five Humoresques “ follow in the footsteps of the nineteenth-century genre inaugurated by Robert Schumann’s “Humoresque“, op. 20. Occasionally Reger gives vent to high-spirited good humour, as when he quotes a hit tune from his own day, “ Du bist verrückt mein Kind “ (“You’re crazy, my child”). The Piano writing is imaginative, brilliantly pianistic, and harmonically rich. Our volume forms yet another addition to our series of Reger ’s piano music.

DKK 167.00
1

Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version

Robert Schumann: Five Pieces In Folk Style Op.102 - Cello Version

Although Schumann had learnt the cello for a while in his youth, he only began to compose for this instrument in later life. Apart from the cello concerto, only his Five Pieces op. 102 have survived as original works for the cello. Clara was delighted with them: "These are pieces in folk style with such a freshness and originality that I was enchanted". The "Neue Zeitschrift für Musik" wrote: "These pieces are less apt for a virtuoso player than a well versed one who can speak on his instrument with tone and meaning." This edition, in the best Urtext quality, is particularly to be recommended for teaching purposes and for making music at home.

DKK 201.00
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Ludwig van Beethoven: String Quartets op. 59, 74, 95

Ludwig van Beethoven: String Quartets op. 59, 74, 95

The five string quartets in this volume are generally designated as Beethoven’s “middle quartets,” even though stylistically they do not all build a closed unit. More than three years lie between the inception of the three quartets op. 59 (1806) and the quartet op. 74 (1809/10). In the quartets op. 59, Beethoven sprinkled several Russian folksong themes an homage to Prince Razumovsky, who had commissioned the works.This is why the pieces are often called the “Russian Quartets.” The next quartet, op. 74 in E flat major, was also given a nickname: thanks to extended pizzicato passages in the first movement, it is frequently called the “Harp Quartet”. The f minor Quartet op.95, in turn, bears in the autograph title “Quartett serioso.” All five quartets are mature masterworks which demand high interpretative and technical mastery.

DKK 315.00
1

Ludwig van Beethoven: String Quartets op. 59, 74, 95

Ludwig van Beethoven: String Quartets op. 59, 74, 95

The five string quartets in this volume are generally designated as Beethoven’s “middle quartets,” even though stylistically they do not all build a closed unit. More than three years lie between the inception of the three quartets op. 59 (1806) and the quartet op. 74 (1809/10). In the quartets op. 59, Beethoven sprinkled several Russian folksong themes an homage to Prince Razumovsky, who had commissioned the works.This is why the pieces are often called the “Russian Quartets.” The next quartet, op. 74 in E flat major, was also given a nickname: thanks to extended pizzicato passages in the first movement, it is frequently called the “Harp Quartet”. The f minor Quartet op.95, in turn, bears in the autograph title “Quartett serioso.” All five quartets are mature masterworks which demand high interpretative and technical mastery.

DKK 592.00
1

Johannes Brahms: Fantasies op. 116

Johannes Brahms: Fantasies op. 116

This facsimile edition of the manuscript of Johannes Brahms’s Fantasies op. 116, nos. 1 7 for piano solo is bound in red linen. The five-colour print reproduces the autograph, which was acquired in 1926 by the present-day Staats- und Universitätsbibliothek Carl-von-Ossietzky in Hamburg, and is housed in the Brahms Archive. The facsimile is not only valuable owing to its high-quality workmanship, but also due to its detailed, scholarly afterword by the editor Bernhard Stockmann. In 1997, this facsimile print was honoured with the German Music Edition Prize. Specialist journals praised this edition as “a real treasure in typographically unsurpassable reproduction quality”.

DKK 813.00
1

Ludwig van Beethoven: Complete Songs for Voice and Piano, Volume III (Songs for several voices with Piano, partly for choir)

Ludwig van Beethoven: Complete Songs for Voice and Piano, Volume III (Songs for several voices with Piano, partly for choir)

It is hard to believe that all of the five works included in this edition were previously unknown to musicians. So there are in fact unknown works by Beethoven for singers to discover! The five short vocal works for several voices are ideally meant to be sung by soloists accompanied by piano obbligato. There are three Serenades (Nos. 1 3) and two original arrangements of extremely well-known choral compositions, namely the “Bundeslied” op. 122 and the “Opferlied” op. 121b.

DKK 175.00
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Robert Schumann: Five Pieces In Folk Style Op.102 - Violin Version

Robert Schumann: Five Pieces In Folk Style Op.102 - Violin Version

As with most of Schumann's duos for solo instrument and piano, the "Pieces in Folk Style", originally for violoncello and piano, were also published for an alternative instrument. The publisher expected greater circulation and a higher turnover with an additional edition for violin. Apart from a few changes necessitated by the instrument, there was a series of substantial ones in nos. 1 and 5, which partly also concern the piano part. Thus we can be confident that the version for violin was undertaken by Schumann. Now it is available in an Urtext edition for the very first time! Ernst Schliephake has provided practice-orientated fingerings and it is thus excellently suited for the teaching of pupils of medium ability upwards.

DKK 201.00
1

Robert Schumann: Faschingsschwank Aus Wien Op.26 (Urtext)

Robert Schumann: Faschingsschwank Aus Wien Op.26 (Urtext)

Faschingsschwank Aus Wien (Carnival Of Venice) Op.26 is an exciting yet rather unusual Piano work in five movements, composed by Robert Schumann in 1839. Although the structure of this piece is more integrated than a Suite, it is not quite a Sonata for Piano. These are five beautifully complimenting movements, which will provide an enjoyable challenge for the advancing pianist.This Urtext edition of Robert Schumann's Faschingsschwank Aus Wien Op.26 provides you with an accurate realisation of the composer's original intentions, with thorough and detailed editorial markings and suggestions.

DKK 154.00
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Ludwig van Beethoven: String Trios op. 3, 8 and 9 and String Duo WoO 32

Ludwig van Beethoven: String Trios op. 3, 8 and 9 and String Duo WoO 32

As the opus numbers suggest, the five string trios are relatively early works. Beethoven had sent opus 3 to print in early 1796, and in the same year, he began his compositional work on the Serenade op. 8, which was then followed by the three Trios op. 9. This marked the definitive close of Beethoven’s work on this genre. Nevertheless, the five pieces are thoroughbred Beethoven and often played to this day. Also included in the volume is the piece designated in the autograph as “Duet for two obbligato eye-glasses” that Beethoven had apparently written for two myopic friends.

DKK 558.00
1

Ludwig Van Beethoven: Streichtrios Und Streichduo

Ludwig Van Beethoven: Streichtrios Und Streichduo

As the opus numbers suggest, the five string trios are relatively early works. Beethoven had sent opus 3 to print in early 1796, and in the same year, he began his compositional work on the Serenade op. 8, which was then followed by the three Trios op. 9. This marked the definitive close of Beethoven’s work on this genre. Nevertheless, the five pieces are thoroughbred Beethoven and often played to this day. Also included in the volume is the piece designated in the autograph as “Duet for two obbligato eye-glasses” that Beethoven had apparently written for two myopic friends.

DKK 294.00
1

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 3 Op. 37

Ludwig Van Beethoven: Concerto For Piano And Orchestra No. 3 Op. 37

Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface by Beethoven scholar Hans-Werner Küthen concludes withvaluable information about the edition.

DKK 141.00
1

Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 c minor op. 37

Ludwig van Beethoven: Concerto for Piano and Orchestra No. 3 c minor op. 37

Ludwig van Beethoven composed his five large piano concertos over a period of twenty-five years. When the composer sold his first two piano concertos in late 1800, he mentioned that he had even “better” ones which for the time being he was keeping for himself until he went on tour. He probably meant a concert tour with the just finished Third Piano Concerto in c minor, which is presented here in a piano reduction. The edition, of our customary Urtext quality, is arranged for practical use and based on the Beethoven Complete Edition, for which Beethoven’s autograph served as the source. The detailed editor’s preface by Beethoven scholar Hans-Werner Küthen concludes withvaluable information about the edition.

DKK 294.00
1

Ludwig Van Beethoven: Klavierkonzert No. 4 Op. 58

Ludwig Van Beethoven: Klavierkonzert No. 4 Op. 58

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fourth Concerto in G major op. 58, largely written in 1805/06, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. Indications of the instrumentation have been added to the second piano part for purposes of musical orientation. In his extensive preface, Beethoven researcher Hans-Werner Küthen discusses the special source situation of the Fourth Piano Concerto. This is the only one of Beethoven’s five concertos for which the autograph scorehas not survived. For this Urtext edition, this offered an incentive for a most exacting examination of all other extant sources.

DKK 167.00
1

Ludwig Van Beethoven: Piano Concerto No. 4 In G Major Op. 58 (Piano Reduction)

Ludwig Van Beethoven: Piano Concerto No. 4 In G Major Op. 58 (Piano Reduction)

Ludwig van Beethoven composed his five large piano concertos over a period of twenty years. His Fourth Concerto in G major op. 58, largely written in 1805/06, is here presented in a piano reduction for two pianos. This edition, in the quality one has come to expect from an Urtext, is based on the Beethoven Complete Edition and is designed for practical use. Indications of the instrumentation have been added to the second piano part for purposes of musical orientation. In his extensive preface, Beethoven researcher Hans-Werner Küthen discusses the special source situation of the Fourth Piano Concerto. This is the only one of Beethoven’s five concertos for which the autograph scorehas not survived. For this Urtext edition, this offered an incentive for a most exacting examination of all other extant sources.

DKK 294.00
1

Ludwig van Beethoven: The Piano Concertos in a Slipcase

Ludwig van Beethoven: The Piano Concertos in a Slipcase

Among Hans-Werner Küthen’s most important editions are the five piano concertos in the Complete Edition of Beethoven’s works. G. Henle Publishers now offer this tour de force in the form of study scores for students and all friends of Beethoven’s music. This edition corrects numerous errors and irregularities that were found in earlier editions. The specialist press wrote about this Urtext edition with accompanying texts: “Hans-Werner Küthen gives these masterpieces the editions that they deserve”.

DKK 600.00
1

J.S. Bach: Franzosische Suiten

J.S. Bach: Franzosische Suiten

Every music dealer is familiar with Henle’s “Number 71” (HN 71) because it has been one of the bestselling titles in our catalogue for decades. This is admittedly not only due to the reliable Urtext, the beautiful engraving and the high quality production; the popularity of this title in particular is, of course, also due to Bach ’s colourful, stylized dance music. The “ French Suites ” simply form part of the core repertoire of every pianist and Piano student. The Henle edition, first published in 1956, can be seen as an important Urtext milestone. So why not ask your music dealer for “HN 71” (or the high quality clothbound edition HN 72, or the edition without fingerings HN 1071)?

DKK 311.00
1

Franz Joseph Haydn: String Quartets Volume II Op.9 (Parts)

Franz Joseph Haydn: String Quartets Volume II Op.9 (Parts)

Six works belong to opus 9 – the first group of Haydn ’s String quartets of which we know. The composer also went new ways as far as form was concerned: whereas he had still adhered to the five movement divertimento in the previous quartets opus 1 and 2, in this case he favoured four movements, something he continued in the future. Apart from this, he also expanded the register and experimented with metric surprises (for instance in the trio of the minuet from the G major quartet).

DKK 456.00
1

Franz Liszt: Second Petrarch Sonnet No.104

Franz Liszt: Second Petrarch Sonnet No.104

Petrarch, co-founder of humanism and one of the greatest Italian poets, left behind hundreds of sonnets in his collection "Canzoniere". In these sonnets he expressed his adoration of Laura, a mysterious female figure, although it is not even known if she really existed. Well over five hundred years later, Liszt set sonnet nos. 47, 104 and 123 to music, creating lyrical and poetic songs for piano. He included the versions for piano solo in the second volume ("Italy") of his "Années de Pèlerinage" (HN174). The second Petrach sonnet no. 104 is particularly popular.

DKK 82.00
1

W.A. Mozart: Violin Sonatas - Volume 3 (Urtext Edition)

W.A. Mozart: Violin Sonatas - Volume 3 (Urtext Edition)

This is the third volume of Mozart?s Complete Sonatas for Piano and Violin and contains fully revised versions of his five sonatas for Piano and Violin K.454, K.481, K.526 and K.547, also known as Die spateren Wiener Sonatas, and also includes the Violin Sonata In B Flat K.570.This authoritative Henle Urtext edition has been carefully edited by Wolf-Dieter Seiffert, with fingerings by Walther Lampe and Karl Rohrig, and provides you with the most accurate realisation of the composer?s original intentions, with thoroughly comprehensive and detailed editorial markings and suggestions.

DKK 281.00
1

Robert Schumann: Four Marches Op.76 - Urtext

Robert Schumann: Four Marches Op.76 - Urtext

As he was interested in politics, Schumann took an active interest in the democratically motivated unrest in spring 1848. The following year he directly witnessed the May uprising in Dresden, after which he had to flee the country with his family. These circumstances influenced his music.As early as June, Schumann sent four out of originally five marches for Piano to his publisher, requesting him to publish them immediately. "I did not know of a better way in which to give vent to my feelings ? I wrote them in a true fervour." The Four Marches op. 76 are new to the Henle catalogue.

DKK 167.00
1

Ludwig Van Beethoven: Sonatas For Piano And Violoncello

Ludwig Van Beethoven: Sonatas For Piano And Violoncello

Alongside Bach?s Solo Suites, a further highlight for cellists are Beethoven?s five Cello Sonatas. They were published between 1797 and 1817 and thus cover a large part of Beethoven?s compositional lifetime, mirroring important stages of his musical development. This revised edition incorporates the findings contained in the critical report of the Beethoven Complete Edition which was compiled at the same time. The Urtext edition has been re-engraved, but the proven page layout of the previous edition has been preserved. The renowned cellist David Geringas provided completely new fingerings and bowings for the cello part, which also has excellent page turns. An unmarked Urtext part is also included.

DKK 366.00
1