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Combat Death in Contemporary American Culture - Agnieszka Soltysik Monnet - Bog - Lexington Books - Plusbog.dk

Dramatic Action in Greek Tragedy and Noh - Mae J. Smethurst - Bog - Lexington Books - Plusbog.dk

Dramatic Action in Greek Tragedy and Noh - Mae J. Smethurst - Bog - Lexington Books - Plusbog.dk

This book explores the ramifications of understanding the similarities and differences between the tragedies of Euripides and Sophocles and realistic Japanese noh. First, it looks at the relationship of Aristotle’s definition of tragedy to the tragedies he favored. Next, his definition is applied to realistic noh, in order to show how they do and do not conform to his definition. In the third and fourth chapters, the focus moves to those junctures in the dramas that Aristotle considered crucial to a complex plot - recognitions and sudden reversals -, and shows how they are presented in performance. Chapter 3 examines the climactic moments of realistic noh and demonstrates that it is at precisely these moments that a third actor becomes involved in the dialogue or that an actor in various ways steps out of character. Chapter 4 explores how plays by Euripides and Sophocles deal with critical turns in the plot, as Aristotle defined it. It is not by an actor stepping out of character, but by the playwright’s involvement of the third actor in the dialogue. The argument of this book reveals a similar symbiosis between plot and performance in both dramatic forms. By looking at noh through the lens of Aristotle and two Greek tragedies that he favored, the book uncovers first an Aristotelian plot structure in realistic noh and the relationship between the crucial points in the plot and its performance; and on the Greek side, looking at the tragedies through the lens of noh suggests a hitherto unnoticed relationship between the structure of the tragedies and their performance, that is, the involvement of the third actor at the climactic moments of the plot. This observation helps to account for Aristotle’s view that tragedy be limited to three actors.

DKK 663.00
1

Read My Plate - Deborah R. Geis - Bog - Lexington Books - Plusbog.dk

Patriarchy and the Politics of Beauty - Allan D. Cooper - Bog - Lexington Books - Plusbog.dk

Female Highlife Performers in Ghana - Nana Abena Amoah Ramey - Bog - Lexington Books - Plusbog.dk

Bosnian Refugees in Chicago - Ana Croegaert - Bog - Lexington Books - Plusbog.dk

Envisioning Black Feminist Voodoo Aesthetics - Kameelah L. Martin - Bog - Lexington Books - Plusbog.dk

Envisioning Black Feminist Voodoo Aesthetics - Kameelah L. Martin - Bog - Lexington Books - Plusbog.dk

In the twenty-first century, American popular culture increasingly makes visible the performance of African spirituality by black women. Disney’s Princess and the Frog and Pirates of the Caribbean franchise are two notable examples. The reliance on the black priestess of African-derived religion as an archetype, however, has a much longer history steeped in the colonial othering of Haitian Vodou and American imperialist fantasies about so-called ‘black magic’. Within this cinematic study, Martin unravels how religious autonomy impacts the identity, function, and perception of Africana women in the American popular imagination. Martin interrogates seventy-five years of American film representations of black women engaged in conjure, hoodoo, obeah, or Voodoo to discern what happens when race, gender, and African spirituality collide. She develops the framework of Voodoo aesthetics, or the inscription of African cosmologies on the black female body, as the theoretical lens through which to scrutinize black female religious performance in film. Martin places the genre of film in conversation with black feminist/womanist criticism, offering an interdisciplinary approach to film analysis. Positioning the black priestess as another iteration of Patricia Hill Collins’ notion of controlling images, Martin theorizes whether film functions as a safe space for a racial and gendered embodiment in the performance of African diasporic religion. Approaching the close reading of eight signature films from a black female spectatorship, Martin works chronologically to express the trajectory of the black priestess as cinematic motif over the last century of filmmaking. Conceptually, Martin recalibrates the scholarship on black women and representation by distinctly centering black women as ritual specialists and Black Atlantic spirituality on the silver screen.

DKK 1009.00
1

Supernatural Youth - - Bog - Lexington Books - Plusbog.dk

Jayne Cortez, Adrienne Rich, and the Feminist Superhero - - Bog - Lexington Books - Plusbog.dk

A History of Anthropology as a Holistic Science - Glynn Custred - Bog - Lexington Books - Plusbog.dk

Unsettling Sikh and Muslim Conflict - Katy P. Sian - Bog - Lexington Books - Plusbog.dk

Philosophical Feminism and Popular Culture - - Bog - Lexington Books - Plusbog.dk

The State Bearing Gifts - Brian J. Mcveigh - Bog - Lexington Books - Plusbog.dk

The Logics of Globalization - Anandam P. Kavoori - Bog - Lexington Books - Plusbog.dk

Taking It to the Streets - - Bog - Lexington Books - Plusbog.dk

Taking It to the Streets - - Bog - Lexington Books - Plusbog.dk

Taking It to the Streets: Public Theologies of Activism and Resistance is an edited volume that explores the critical intersection of public theology, political theology, and communal practices of activism and political resistance. This volume functions as a sister/companion to the text Religion and Science as Political Theology: Navigating Post-Truth and Alternative Facts and focuses on public, civic, performative action as a response to experiences of injustice and diminishments of humanity. There are periods in a nation’s civil history when the tides of social unrest rise into waves upon waves of public activism and resistance of the dominant uses of power. In American history, activism and public action including and extending beyond the Women’s Suffrage, the Million Man March, protests against the Vietnam War, the Civil Rights Movement, Boston Tea Party, Black Lives Matter, the Stonewall Rebellion are hallmarks of transitional or liminal moments in our development as a society. Critical periods marked by increases in public activism and political resistance are opportunities for a society to once again decide who we will be as a people. Will we move towards a more perfect union in which all persons gain freedom in fulfilling their potential or will we choose the perceived safety of the status quo and established norms of power? Whose voices will be heard? Whose will be silenced through intimidation or harm? Ultimately, these are theological questions. Like other forms of non-textual research subjects (movement, dance, performance art), public activism requires a set of research lenses that are often neglected in theological and religious studies. Attention to bodies, as a category, performance, or epistemological vehicle, is sorely lacking so it is no wonder that attention to the mass of moving bodies in activism is largely absent. Activism and public political resistance are a hallmark of our current social webbing and deserve scholarly attention.

DKK 965.00
1

The Stridentist Movement in Mexico - Elissa J. Rashkin - Bog - Lexington Books - Plusbog.dk

The Stridentist Movement in Mexico - Elissa J. Rashkin - Bog - Lexington Books - Plusbog.dk

In the aftermath of the Mexican Revolution, Stridentism (estridentismo) burst on the scene in the 1920s as an avant-garde challenge to political and intellectual complacency. Led by poets Manuel Maples Arce, Germán List Arzubide, and Salvador Gallardo, prose writer Arqueles Vela, painters Fermín Revueltas, Ramón Alva de la Canal, Leopoldo Méndez, and Jean Charlot, and sculptor Germán Cueto, the Stridentists rejected academic conservatism, celebrated modernity and technological novelties such as the radio, cinema and the airplane, and sought to transform not only written and visual language but also everyday life through the creation of new aesthetic spaces and new approaches to the urban environment. From 1921 to 1927, they issued manifestos, published magazines and books, organized performances, and served as a critical force in Mexican art and literature that was known and admired in intellectual circles throughout the Americas. Initially active in Mexico City and Puebla, Stridentism reached its peak in Xalapa, Veracruz, where its members collaborated with the state government to the extent that critics accused them of "stridentizing" the state. By 1928 the movement had dispersed, but its iconoclastic spirit lived on in other forms, merging into and influencing other movements of the 1930s and beyond. This book is a history of Stridentism as a multifaceted cultural movement deeply imbued with the spirit of 1920s Mexico. Bringing together original interdisciplinary research and critical analysis, it explores the ways in which the Stridentists pushed the limits of the collective imagination in an era of conflict and change.

DKK 1151.00
1

Race and Vision in the Nineteenth-Century United States - - Bog - Lexington Books - Plusbog.dk

American Public Memory and the Holocaust - Lisa A. Costello - Bog - Lexington Books - Plusbog.dk

Part Blood, Part Ketchup - Karen R. Tolchin - Bog - Lexington Books - Plusbog.dk

Dramas of Culture - - Bog - Lexington Books - Plusbog.dk

Between Image and Identity - Karina A. Eileraas - Bog - Lexington Books - Plusbog.dk

Transversal Ecocritical Praxis - Patrick D. Murphy - Bog - Lexington Books - Plusbog.dk

Transversal Ecocritical Praxis - Patrick D. Murphy - Bog - Lexington Books - Plusbog.dk

In Transversal Ecocritical Praxis: Theoretical Arguments, Literary Analysis, and Cultural Critique, Patrick D. Murphy, Ph.D, utilizes ecocriticism and ecofeminism to develop his concept of transversal practice: an interdisciplinary combination of theory and applied criticism. He begins by explaining the necessity for cutting across disciplinary boundaries of all kinds in order to address the ecological dimensions of culture and literature. The dialogical foundation of this orientation is elaborated through a consideration of the theories of Mikhail Bkahtin, particularly in terms of the ethical responsibilities of the reader and critic. Murphy then takes up issues of identity and subject formation in relation to genetics, embodiment, and selfhood. These same issues play out in the history of the aesthetic category of the sublime, which the author critiques from an ecofeminist perspective. Following that, he turns attention to cultural issues of consumption, both at home and internationally, looking particularly at postcolonial literature and forms of resistance to globalizations and agricultural land grabs. Resistance and postcolonial literature is further analyzed through consideration of two book-length Latin American poetic sequences, one by Pablo Neruda and the other by Ernesto Cardenal. Switching from works focused on the present, Murphy turns his attention then to how these themes play out in the future oriented worlds of science fiction. He concludes with two chapters that combine ecocriticial cultural critique and economic analysis in studies of the destructive role of megadams, particularly in Asia, and the impact of the combined threats of peak oil and climate change on one island''s tourist economy. The conclusion contains a discussion of further drivers of future ecocritical analysis. Traversing a wide range of examples, literary, cultural and economic, this work fleshes out the benefits of an ethically grounded interdisciplinary ecocriticism.

DKK 879.00
1

Media Depictions of Brides, Wives, and Mothers - - Bog - Lexington Books - Plusbog.dk

Sacramental Presence - Ruthanna B. Hooke - Bog - Lexington Books - Plusbog.dk

Leading with Aesthetics - Mahesh Daas - Bog - Lexington Books - Plusbog.dk