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Print the Legend - - Bog - Lexington Books - Plusbog.dk

Print the Legend - - Bog - Lexington Books - Plusbog.dk

The Sirens of Wartime Radio and How the American Print Media Presented Them - Scott A. Morton - Bog - Lexington Books - Plusbog.dk

The Sirens of Wartime Radio and How the American Print Media Presented Them - Scott A. Morton - Bog - Lexington Books - Plusbog.dk

The Sirens of Wartime Radio and How the American Print Media Presented Them: The Stories, the Intrigue, and the Evolving Coverage of Their Legacies analyzes press coverage from the American print media that helped construct popular images of Tokyo Rose, Axis Sally, Seoul City Sue, and Hanoi Hannah. Coverage of these “radio sirens” essentially constructed and defined these women’s legacies for an American audience. Scott A. Morton examines newspaper and magazine coverage from the periods of each broadcaster, and in doing so, analyzes four primary research inquires. Morton discusses how American newspapers and magazines portrayed each woman to American readers, how the American mass media’s portrayal of them evolved overtime from the mid-1940s through the present, the ways in which the American mass media responded to these five female propagandists—either directly or indirectly—through print, radio, and visual media, and how the legacy of each woman has been kept alive in popular culture in the decades since their last broadcasts. Morton argues that for the most part, coverage of the sirens was borne out of fascination and aversion, fascination stemming from the novelty of women acting as high-profile agents of enemy propaganda organizations and aversion stemming from the potential power they had over U.S. servicemen and the fact that they were viewed as traitors to the U.S. Scholars of media studies, history, and international relations will find this book particularly useful.

DKK 804.00
1

The Times-Picayune in a Changing Media World - Alfred Lawrence Lorenz - Bog - Lexington Books - Plusbog.dk

Literary License and the West’s Romance with Afghanistan - Zubeda Jalalzai - Bog - Lexington Books - Plusbog.dk

News and Novela in Brazilian Media - Tania Cantrell Rosas Moreno - Bog - Lexington Books - Plusbog.dk

Sudan Media Makers - Mohamed A. Satti - Bog - Lexington Books - Plusbog.dk

Balance - David Wall Rice - Bog - Lexington Books - Plusbog.dk

Objectively Speaking - - Bog - Lexington Books - Plusbog.dk

Objectively Speaking - - Bog - Lexington Books - Plusbog.dk

The History of Modern Korean Fiction (1890-1945) - Young Min Kim - Bog - Lexington Books - Plusbog.dk

The History of Modern Korean Fiction (1890-1945) - Young Min Kim - Bog - Lexington Books - Plusbog.dk

Portrayals of Children in Popular Culture - - Bog - Lexington Books - Plusbog.dk

Portrayals of Children in Popular Culture - - Bog - Lexington Books - Plusbog.dk

Portrayals of Children in Popular Culture: Fleeting Images, edited by Vibiana Bowman Cvetkovic and Debbie Olson, is a collection which examines images of “children” and “childhood” in popular culture, including print, online, television shows, and films. The contributors to this volume explore the constructions of “children” and “childhood” rather than actual children or actual childhoods. In the chapters that are concerned with depictions of actual, individual children, the authors investigate how the images of those children conform or “trouble” current notions of what it means to be a child engaged in a contemporary “childhood.” This is a unique volume, because of the academic discourse which is employed—that of “Childhood Studies.” The Childhood Studies scholars represented in this collection utilize an interdisciplinary approach which draws upon various academic fields—their methodologies, theoretical approaches, and scholarly conventions—for the scholarly research in this collection.Together, the contributions to this collection interrogate classic notions of childhood innocence, knowledge, agency, and the fluid position of the signifier “child” within contemporary media forms. These interdisciplinary works function as a testament to the infectiousness of the child image in print, television, and cinematic contexts, and represent a new avenue of discursive scholarship; the questions raised and connections made provide fresh insights and unique perspectives to topics regarding children and childhood and their representation within multiple media platforms. The growing field of Childhood Studies is enriched by the intellectual originality represented by this volume’s authors who ask new questions about the enduring and captivating image of the child.

DKK 889.00
1

Portrayals of Children in Popular Culture - - Bog - Lexington Books - Plusbog.dk

Portrayals of Children in Popular Culture - - Bog - Lexington Books - Plusbog.dk

Portrayals of Children in Popular Culture: Fleeting Images, edited by Vibiana Bowman Cvetkovic and Debbie Olson, is a collection which examines images of “children” and “childhood” in popular culture, including print, online, television shows, and films. The contributors to this volume explore the constructions of “children” and “childhood” rather than actual children or actual childhoods. In the chapters that are concerned with depictions of actual, individual children, the authors investigate how the images of those children conform or “trouble” current notions of what it means to be a child engaged in a contemporary “childhood.” This is a unique volume, because of the academic discourse which is employed—that of “Childhood Studies.” The Childhood Studies scholars represented in this collection utilize an interdisciplinary approach which draws upon various academic fields—their methodologies, theoretical approaches, and scholarly conventions—for the scholarly research in this collection.Together, the contributions to this collection interrogate classic notions of childhood innocence, knowledge, agency, and the fluid position of the signifier “child” within contemporary media forms. These interdisciplinary works function as a testament to the infectiousness of the child image in print, television, and cinematic contexts, and represent a new avenue of discursive scholarship; the questions raised and connections made provide fresh insights and unique perspectives to topics regarding children and childhood and their representation within multiple media platforms. The growing field of Childhood Studies is enriched by the intellectual originality represented by this volume’s authors who ask new questions about the enduring and captivating image of the child.

DKK 463.00
1

Geopolitics and Culture - - Bog - Lexington Books - Plusbog.dk

Philosophical Feminism and Popular Culture - - Bog - Lexington Books - Plusbog.dk

Philosophical Feminism and Popular Culture - - Bog - Lexington Books - Plusbog.dk

Multimodal and Digital Creative Writing Pedagogies - - Bog - Lexington Books - Plusbog.dk

Dark Nature - - Bog - Lexington Books - Plusbog.dk

Arabic Literature and Social Media - Eman Younis - Bog - Lexington Books - Plusbog.dk

Black Women and Popular Culture - - Bog - Lexington Books - Plusbog.dk

Comparative Political Philosophy - - Bog - Lexington Books - Plusbog.dk

Comparative Literature in Canada - - Bog - Lexington Books - Plusbog.dk

Folk Art and Modern Culture in Republican China - Felicity Lufkin - Bog - Lexington Books - Plusbog.dk

Folk Art and Modern Culture in Republican China - Felicity Lufkin - Bog - Lexington Books - Plusbog.dk

Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation.In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.

DKK 470.00
1

Folk Art and Modern Culture in Republican China - Felicity Lufkin - Bog - Lexington Books - Plusbog.dk

Folk Art and Modern Culture in Republican China - Felicity Lufkin - Bog - Lexington Books - Plusbog.dk

Folk art is now widely recognized as an integral part of the modern Chinese cultural heritage, but in the early twentieth century, awareness of folk art as a distinct category in the visual arts was new. Internationally, intellectuals in different countries used folk arts to affirm national identity and cultural continuity in the midst of the changes of the modern era. In China, artists, critics and educators likewise saw folk art as a potentially valuable resource: perhaps it could be a fresh source of cultural inspiration and energy, representing the authentic voice of the people in contrast to what could be seen as the limited and elitist classical tradition. At the same time, many Chinese intellectuals also saw folk art as a problem: they believed that folk art, as it was, promoted superstitious and backward ideas that were incompatible with modernization and progress. In either case, folk art was too important to be left in the hands of the folk: educated artists and researchers felt a responsibility intervene, to reform folk art and create new popular art forms that would better serve the needs of the modern nation.In the early 1930s, folk art began to figure in the debates on social role of art and artists that were waged in the pages of the Chinese press, the first major exhibition of folk art was held in Hangzhou, and the new print movement claimed the print as a popular artistic medium while, for the most part, declaring its distance from contemporary folk printmaking practices. During the war against Japan, from 1937 to 1945, educated artists deployed imagery and styles drawn from folk art in morale-boosting propaganda images, but worried that this work fell short of true artistic accomplishment and pandering to outmoded tastes. The questions raised in interaction with folk art during this pivotal period, questions about heritage, about the social position of art, and the exercise of cultural authority continue to resonate into the present day.

DKK 892.00
1