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The Evolution of the Sensitive Soul - Eva (professor Jablonka - Bog - MIT Press Ltd - Plusbog.dk

A new theory about the origins of consciousness that finds learning to be the driving force in the evolutionary transition to basic consciousness. What marked the evolutionary transition from organisms that lacked consciousness to those with consciousness—to minimal subjective experiencing, or, as Aristotle described it, “the sensitive soul”? In this book, Simona Ginsburg and Eva Jablonka propose a new theory about the origin of consciousness that finds learning to be the driving force in the transition to basic consciousness. Using a methodology similar to that used by scientists when they identified the transition from non-life to life, Ginsburg and Jablonka suggest a set of criteria, identify a marker for the transition to minimal consciousness, and explore the far-reaching biological, psychological, and philosophical implications. After presenting the historical, neurobiological, and philosophical foundations of their analysis, Ginsburg and Jablonka propose that the evolutionary marker of basic or minimal consciousness is a complex form of associative learning, which they term unlimited associative learning (UAL). UAL enables an organism to ascribe motivational value to a novel, compound, non-reflex-inducing stimulus or action, and use it as the basis for future learning. Associative learning, Ginsburg and Jablonka argue, drove the Cambrian explosion and its massive diversification of organisms. Finally, Ginsburg and Jablonka propose symbolic language as a similar type of marker for the evolutionary transition to human rationality—to Aristotle''s “rational soul.”

DKK 509.00

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Evolution in Four Dimensions - Eva (professor Jablonka - Bog - MIT Press Ltd - Plusbog.dk

A pioneering proposal for a pluralistic extension of evolutionary theory, now updated to reflect the most recent research. This new edition of the widely read Evolution in Four Dimensions has been revised to reflect the spate of new discoveries in biology since the book was first published in 2005, offering corrections, an updated bibliography, and a substantial new chapter. Eva Jablonka and Marion Lamb''s pioneering argument proposes that there is more to heredity than genes. They describe four “dimensions” in heredity—four inheritance systems that play a role in evolution: genetic, epigenetic (or non-DNA cellular transmission of traits), behavioral, and symbolic (transmission through language and other forms of symbolic communication). These systems, they argue, can all provide variations on which natural selection can act. Jablonka and Lamb present a richer, more complex view of evolution than that offered by the gene-based Modern Synthesis, arguing that induced and acquired changes also play a role. Their lucid and accessible text is accompanied by artist-physician Anna Zeligowski''s lively drawings, which humorously and effectively illustrate the authors'' points. Each chapter ends with a dialogue in which the authors refine their arguments against the vigorous skepticism of the fictional “I.M.” (for Ipcha Mistabra—Aramaic for “the opposite conjecture”). The extensive new chapter, presented engagingly as a dialogue with I.M., updates the information on each of the four dimensions—with special attention to the epigenetic, where there has been an explosion of new research. Praise for the first edition “With courage and verve, and in a style accessible to general readers, Jablonka and Lamb lay out some of the exciting new pathways of Darwinian evolution that have been uncovered by contemporary research.”—Evelyn Fox Keller, MIT, author of Making Sense of Life: Explaining Biological Development with Models, Metaphors, and Machines “In their beautifully written and impressively argued new book, Jablonka and Lamb show that the evidence from more than fifty years of molecular, behavioral and linguistic studies forces us to reevaluate our inherited understanding of evolution.”—Oren Harman, The New Republic “It is not only an enjoyable read, replete with ideas and facts of interest but it does the most valuable thing a book can do—it makes you think and reexamine your premises and long-held conclusions.”—Adam Wilkins, BioEssays

DKK 387.00

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Picturing the Mind - Simona Ginsburg - Bog - MIT Press Ltd - Plusbog.dk

Consciousness in all its possible human and nonhuman varieties, explored through words and images. What is consciousness, and who (or what) is conscious—humans, nonhumans, nonliving beings? How did consciousness evolve? Picturing the Mind pursues these questions through a series of “vistas”—short, engaging texts by Simona Ginsburg and Eva Jablonka, accompanied by Anna Zeligowski’s lively illustrations. Taking an evolutionary perspective, Ginsburg and Jablonka suggest that consciousness can take many forms and is found not only in humans but even in such animals as octopuses (who seem to express emotions by changing color) and bees (who socialize with other bees). They identify the possible evolutionary marker of the transition from nonconscious to conscious animals, and they speculate intriguingly about aliens and artificial intelligence. Each picture and text serves as a starting point for discussion. The authors consider, among other things, what it’s like to be a bat (and then later, what it’s like to be a bat in virtual reality); ask if the self is like a hole in a doughnut; report that women, children, and nonwhite men were once thought by white men to be less richly conscious; and explore what sets humans apart—is it music, toolmaking, cooperative parenting, blushing, sentience, symbolic language? In Picturing the Mind , questions suggest answers.

DKK 311.00

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Vegetal Entwinements in Philosophy and Art - - Bog - MIT Press Ltd - Plusbog.dk

The first reader in critical plant studies, exploring a rapidly growing multidisciplinary field—the intersection of philosophy with plant science and the visual arts. In recent years, philosophy and art have testified to how anthropocentrism has culturally impoverished our world, leading to the wide destruction of habitats and ecosystems. In this book, Giovanni Aloi and Michael Marder show that the field of critical plant studies can make an important contribution, offering a slew of possibilities for scientific research, local traditions, Indigenous knowledge, history, geography, anthropology, philosophy, and aesthetics to intersect, inform one another, and lead interdisciplinary and transcultural dialogues. Vegetal Entwinements in Philosophy and Art considers such topics as the presence of plants in the history of philosophy, the shifting status of plants in various traditions, what it means to make art with growing life-forms, and whether or not plants have moral standing. In an experimental vegetal arrangement, the reader presents some of the most influential writing on plants, philosophy, and the arts, together with provocative new contributions, as well as interviews with groundbreaking contemporary artists whose work has greatly enhanced our appreciation of vegetal being. Contributors: Catriona A.H. Sandilands, Giovanni Aloi, Marlene Atleo, Monica Bakke, Emily Blackmer, Jodi Brandt, Teresa Castro, Dan Choffness, D. Denenge Duyst-Akpem, Mark Dion, Elisabeth E. Schussler, Braden Elliott, Monica Gagliano, Elaine Gan, Prudence Gibson, James H. Wandersee, Manuela Infante, Luce Irigaray, Nicholas J. Reo, Jonathon Keats, Zayaan Khan, Robin Wall Kimmerer, Eduardo Kohn, Stefano Mancuso, Michael Marder, Anguezomo Mba Bikoro, Elaine Miller, Samaneh Moafi, Uriel Orlow, Mark Payne, Allegra Pesenti, Špela Petrič, Michael Pollan, Darren Ranco, Angela Roothaan, Marcela Salinas, Diana Scherer, Vandana Shiva, Linda Tegg, Maria Theresa Alves, Krista Tippet, Anthony Trewavas, Alessandra Viola, Eduardo Viveiros de Castro, B+W, Mathai Wangari, Lois Weinberger, Kyle Whyte, David Wood, Anicka Yi

DKK 635.00

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Trap Door - Eric A. Stanley - Bog - MIT Press Ltd - Plusbog.dk

Essays, conversations, and archival investigations explore the paradoxes, limitations, and social ramifications of trans representation within contemporary culture. The increasing representation of trans identity throughout art and popular culture in recent years has been nothing if not paradoxical. Trans visibility is touted as a sign of a liberal society, but it has coincided with a political moment marked both by heightened violence against trans people (especially trans women of color) and by the suppression of trans rights under civil law. Trap Door grapples with these contradictions.The essays, conversations, and dossiers gathered here delve into themes as wide-ranging yet interconnected as beauty, performativity, activism, and police brutality. Collectively, they attest to how trans people are frequently offered “doors”—entrances to visibility and recognition—that are actually “traps,” accommodating trans bodies and communities only insofar as they cooperate with dominant norms. The volume speculates about a third term, perhaps uniquely suited for our time: the trapdoor, neither entrance nor exit, but a secret passageway leading elsewhere . Trap Door begins a conversation that extends through and beyond trans culture, showing how these issues have relevance for anyone invested in the ethics of visual culture. Contributors Lexi Adsit, Sara Ahmed, Nicole Archer, Kai Lumumba Barrow, Johanna Burton, micha cárdenas, Mel Y. Chen, Grace Dunham, Treva Ellison, Sydney Freeland, Che Gossett, Reina Gossett, Stamatina Gregory, Miss Major Griffin-Gracy, Robert Hamblin, Eva Hayward, Juliana Huxtable, Yve Laris Cohen, Abram J. Lewis, Heather Love, Park McArthur, CeCe McDonald, Toshio Meronek, Fred Moten, Tavia Nyong''o, Morgan M. Page, Roy Pérez, Dean Spade, Eric A. Stanley, Jeannine Tang, Wu Tsang, Jeanne Vaccaro, Chris E. Vargas, Geo Wyeth, Kalaniopua Young, Constantina Zavitsanos

DKK 417.00

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Salt Wars - Tom Frieden - Bog - MIT Press Ltd - Plusbog.dk

How food industry lobbyists and a small group of scientists have successfully fought government efforts to reduce dangerous levels of sodium in our food. A high-sodium diet is deadly; studies have linked it to high blood pressure, strokes, and heart attacks. It''s been estimated that excess sodium in the American diet causes as many as 100,000 deaths and many billions of dollars in avoidable health-care costs each year. And yet salt is everywhere in our diets--in packaged foods, fast foods, and especially meals at table-service restaurants. Why hasn''t salt received the sort of public attention and regulatory action that sugar and fat have? In Salt Wars , Michael Jacobson explains how the American food industry and a small group of scientists have successfully fought government efforts to reduce dangerous levels of sodium in our food.

DKK 161.00

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Working Conditions - Hans Haacke - Bog - MIT Press Ltd - Plusbog.dk

Texts by Hans Haacke that range from straightforward descriptions of his artworks to wide-ranging reflections on the relationship between art and politics. Hans Haacke''s art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context—the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration''s Indochina policy; Gallery-Goers'' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum, which was meant to display, among other things, works on two New York real estate empires. This volume collects writings by Haacke that explain and document his practice. The texts, some of which have never before been published, run from straightforward descriptions to wide-ranging reflections and full-throated polemics. They include correspondence with MoMA and the Guggenheim and a letter refusing to represent the United States at the 1969 São Paulo Biennial; the title piece, “Working Conditions,” which discusses corporate influence on the art world; Haacke''s thinking about “real-time social systems”; and texts written for museum catalogs on various artworks, including GERMANIA , in the German Pavilion of the 1993 Venice Biennial; DER BEVÖLKERUNG (To the Population) of 2000 at the Berlin Reichstag; Mixed Messages , an exhibition of objects from the Victoria and Albert Museum (2001); and Gift Horse , unveiled on the fourth plinth in Trafalgar Square in 2015.

DKK 277.00

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Matthew Angelo Harrison - Natalie Bell - Bog - MIT Press Ltd - Plusbog.dk

The first monograph on an important young American artist, generously illustrated with color images of his work. In his sculptures and installations, Matthew Angelo Harrison (b. 1989) engages with the legacies of racism and colonialism, parsing their contemporary connections to labor in the United States through an evolving visual language. With works that merge manufacturing technologies with the formal concerns of modernism and minimalism, the artist questions ideas of authorship and reproduction. Harrison''s sculptures often include found objects--including traditional African figurines and auto industry ephemera--encased in resin blocks. Frozen and entombed, these sculptures appear as strangely haunted minimalist objects, both ancient and futuristic. This generously illustrated volume, published in conjunction with two major solo exhibitions, is the first monograph on an important young American artist. Another specter haunting Harrison''s work is that of Detroit''s defunct auto industry. A native of Detroit who once worked making prototypes in an auto manufacturing plant, Harrison sometimes employs precision machine-tooling techniques that are derived from those used by auto makers. In other works, Harrison replicates rare African masks and sculptures using hand-built, low-resolution 3D printing machines, rendering large-scale forms in wet clay--fragile, imperfect, and subject to glitches. In addition to color photos of Harrison’s work and images that illustrate the artist’s relationship to Detroit, the book features essays by curators and art historians Jessica Bell Brown and Elena Filipovic, as well as a conversation between Harrison and musician and theorist DeForrest Brown, Jr., led by curator Taylor Renee Aldridge. Contributors Natalie Bell, Elena Filipovic, Jessica Bell Brown, Taylor Renee Aldridge, DeForrest Brown Jr., Matthew Angelo Harrison

DKK 356.00

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Dressing Up - Elizabeth L. Block - Bog - MIT Press Ltd - Plusbog.dk

How wealthy American women--as consumers and as influencers--helped shape French couture of the late nineteenth century; lavishly illustrated. French fashion of the late nineteenth century is known for its allure, its ineffable chic--think of John Singer Sargent''s Madame X and her scandalously slipping strap. For Parisian couturiers and their American customers, it was also serious business. In Dressing Up , Elizabeth Block examines the couturiers'' influential clientele--wealthy American women who bolstered the French fashion industry with a steady stream of orders from the United States. Countering the usual narrative of the designer as solo creative genius, Block shows that these women--as high-volume customers and as pre-Internet influencers--were active participants in the era''s transnational fashion system.Block describes the arrival of nouveau riche Americans on the French fashion scene, joining European royalty, French socialites, and famous actresses on the client rosters of the best fashion houses--Charles Frederick Worth, Doucet, and Félix, among others. She considers the mutual dependence of couture and coiffure; the participation of couturiers in international expositions (with mixed financial results); the distinctive shopping practices of American women, which ranged from extensive transatlantic travel to quick trips downtown to the department store; the performance of conspicuous consumption at balls and soirées; the impact of American tariffs on the French fashion industry; and the emergence of smuggling, theft, and illicit copying of French fashions in the American market as the middle class emulated the preferences of the rich. Lavishly illustrated, with vibrant images of dresses, portraits, and fashion plates, Dressing Up reveals the power of American women in French couture.Winner of the Aileen Ribeiro Grant of the Association of Dress Historians; an Association for Art History grant; and a Pasold Research Fund grant.

DKK 310.00

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How Games Move Us - Katherine (professor Isbister - Bog - MIT Press Ltd - Plusbog.dk

An engaging examination of how video game design can create strong, positive emotional experiences for players—with examples from popular, indie, and art games. This is a renaissance moment for video games—in the variety of genres they represent, and the range of emotional territory they cover. But how do games create emotion? In How Games Move Us , Katherine Isbister takes the reader on a timely and novel exploration of the design techniques that evoke strong emotions for players. She counters arguments that games are creating a generation of isolated, emotionally numb, antisocial loners. Games, Isbister shows us, can actually play a powerful role in creating empathy and other strong, positive emotional experiences; they reveal these qualities over time, through the act of playing. She offers a nuanced, systematic examination of exactly how games can influence emotion and social connection, with examples—drawn from popular, indie, and art games—that unpack the gamer’s experience.Isbister describes choice and flow, two qualities that distinguish games from other media, and explains how game developers build upon these qualities using avatars, non-player characters, and character customization, in both solo and social play. She shows how designers use physical movement to enhance players’ emotional experience, and examines long-distance networked play. She illustrates the use of these design methods with examples that range from Sony’s Little Big Planet to the much-praised indie game Journey to art games like Brenda Romero’s Train .Isbister’s analysis shows us a new way to think about games, helping us appreciate them as an innovative and powerful medium for doing what film, literature, and other creative media do: helping us to understand ourselves and what it means to be human.

DKK 186.00

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Sonic Warfare - Steve Goodman - Bog - MIT Press Ltd - Plusbog.dk

An exploration of the production, transmission, and mutation of affective tonality—when sound helps produce a bad vibe. Sound can be deployed to produce discomfort, express a threat, or create an ambience of fear or dread—to produce a bad vibe. Sonic weapons of this sort include the “psychoacoustic correction” aimed at Panama strongman Manuel Noriega by the U.S. Army and at the Branch Davidians in Waco by the FBI, sonic booms (or “sound bombs”) over the Gaza Strip, and high-frequency rat repellants used against teenagers in malls. At the same time, artists and musicians generate intense frequencies in the search for new aesthetic experiences and new ways of mobilizing bodies in rhythm. In Sonic Warfare , Steve Goodman explores these uses of acoustic force and how they affect populations. Traversing philosophy, science, fiction, aesthetics, and popular culture, he maps a (dis)continuum of vibrational force, encompassing police and military research into acoustic means of crowd control, the corporate deployment of sonic branding, and the intense sonic encounters of sound art and music culture. Goodman concludes with speculations on the not yet heard—the concept of unsound, which relates to both the peripheries of auditory perception and the unactualized nexus of rhythms and frequencies within audible bandwidths.

DKK 267.00

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The Art of Abduction - Igor Douven - Bog - MIT Press Ltd - Plusbog.dk

A novel defense of abduction, one of the main forms of nondeductive reasoning. With this book, Igor Douven offers the first comprehensive defense of abduction, a form of nondeductive reasoning. Abductive reasoning, which is guided by explanatory considerations, has been under normative pressure since the advent of Bayesian approaches to rationality. Douven argues that, although it deviates from Bayesian tenets, abduction is nonetheless rational. Drawing on scientific results, in particular those from reasoning research, and using computer simulations, Douven addresses the main critiques of abduction. He shows that versions of abduction can perform better than the currently popular Bayesian approaches—and can even do the sort of heavy lifting that philosophers have hoped it would do. Douven examines abduction in detail, comparing it to other modes of inference, explaining its historical roots, discussing various definitions of abduction given in the philosophical literature, and addressing the problem of underdetermination. He looks at reasoning research that investigates how judgments of explanation quality affect people’s beliefs and especially their changes of belief. He considers the two main objections to abduction, the dynamic Dutch book argument, and the inaccuracy-minimization argument, and then gives abduction a positive grounding, using agent-based models to show the superiority of abduction in some contexts. Finally, he puts abduction to work in a well-known underdetermination argument, the argument for skepticism regarding the external world.

DKK 475.00

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Phenomenology - Chad Engelland - Bog - MIT Press Ltd - Plusbog.dk

A concise and accessible introduction to phenomenology, which investigates the experience of experience. This volume in the MIT Press Essential Knowledge series offers a concise and accessible introduction to phenomenology, a philosophical movement that investigates the experience of experience. Founded by Edmund Husserl (1859–1938) and expounded by Max Scheler, Martin Heidegger, Maurice Merleau-Ponty, and others, phenomenology ventures forth into the field of experience so that truth might be met in the flesh. It investigates everything as experienced . It does not study mere appearance but the true appearances of things, holding that the unfolding of experience allows us to sort true appearances from mere appearance. The book unpacks a series of terms—world, flesh, speech, life, truth, love, and wonder—all of which are bound up with each other in experience. For example, world is where experience takes place; flesh names the way our experiential exploration is inscribed into the bearings of our bodily being; speech is instituted in bodily presence; truth concerns the way our claims about things are confirmed by our experience. A chapter on the phenomenological method describes it as a means of clarifying the modality of experience that is written into its very fabric; and a chapter on the phenomenological movement bridges its divisions while responding to criticisms from analytic philosophy and postmodernism.

DKK 161.00

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Person, Thing, Robot - David J. Gunkel - Bog - MIT Press Ltd - Plusbog.dk

Why robots defy our existing moral and legal categories and how to revolutionize the way we think about them. Robots are a curious sort of thing. On the one hand, they are technological artifacts—and thus, things . On the other hand, they seem to have social presence, because they talk and interact with us, and simulate the capabilities commonly associated with personhood. In Person, Thing, Robot , David J. Gunkel sets out to answer the vexing question: What exactly is a robot? Rather than try to fit robots into the existing categories by way of arguing for either their reification or personification, however, Gunkel argues for a revolutionary reformulation of the entire system, developing a new moral and legal ontology for the twenty-first century and beyond.In this book, Gunkel investigates how and why efforts to use existing categories to classify robots fail, argues that “robot” designates an irreducible anomaly in the existing ontology, and formulates an alternative that restructures the ontological order in both moral philosophy and law. Person, Thing, Robot not only addresses the issues that are relevant to students, teachers, and researchers working in the fields of moral philosophy, philosophy of technology, science and technology studies (STS), and AI/robot law and policy but it also speaks to controversies that are important to AI researchers, robotics engineers, and computer scientists concerned with the social consequences of their work.

DKK 425.00

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Buy Now - Emily West - Bog - MIT Press Ltd - Plusbog.dk

How Amazon combined branding and relationship marketing with massive distribution infrastructure to become the ultimate service brand in the digital economy. Amazon is ubiquitous in our daily lives—we stream movies and television on Amazon Prime Video, converse with Alexa, receive messages on our smartphone about the progress of our latest orders. In Buy Now , Emily West examines Amazon’s consumer-facing services to investigate how Amazon as a brand grew so quickly and inserted itself into so many aspects of our lives even as it faded into the background, becoming a sort of infrastructure that can be taken for granted. Amazon promotes the comfort and care of its customers (but not its workers) to become the ultimate service brand in the digital economy. West shows how Amazon has cultivated personalized, intimate relationships with consumers that normalize its outsized influence on our selves and our communities. She describes the brand’s focus on speedy and seamless ecommerce delivery, represented in the materiality of the branded brown box; the positioning of its book retailing, media streaming, and smart speakers as services rather than sales; and the brand’s image control strategies. West considers why pushback against Amazon’s ubiquity and market power has come mainly from among Amazon’s workers rather than its customers or competitors, arguing that Amazon’s brand logic fragments consumers as a political bloc. West’s innovative account, the first to examine Amazon from a critical media studies perspective, offers a cautionary cultural study of bigness in today’s economy.

DKK 287.00

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Memo for Nemo - William Firebrace - Bog - MIT Press Ltd - Plusbog.dk

A cultural history of living in the undersea, both fictional and real, from Jules Verne’s Captain Nemo to NASA’s ECC02 project. In Memo for Nemo , William Firebrace investigates human inhabitation of the undersea, both fictional and real. Beginning with Jules Verne’s Captain Nemo—an undersea Renaissance man with a library of 12,000 volumes on his submarine—and proceeding through aquariums, undersea photography, artificial seas on land, nuclear-powered submarines, undersea film epics, giant squid, and NASA satellites, Firebrace examines the undersea as a zone created by exploration and invention. Throughout, the history of undersea life is accompanied by an imagined undersea, envisioned by cultural figures ranging from Verne and Herman Melville to Orson Welles and Jimi Hendrix. Firebrace takes readers though the enormous sequence of rooms (impossible in real life) in Nemo’s submarine, recounts the competition among nineteenth-century cities to build the most spectacular aquatic world, and explains the workings of the bathysphere—an early underwater vessel modeled on a hot-air balloon. He considers the aquarium’s function in films as a sort of viewing lens, describes the chlorine-proof artificial sea life seen by passengers on the submarine ride at Disneyland, and reports that Jacques Cousteau’s famous underwater documentaries were in fact highly staged. The oceans of today are not those imagined by Verne; they are changing from both natural processes and human influence. Memo for Nemo documents the power of the undersea in both art and life.

DKK 271.00

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Publishing Manifestos - Michalis Pichler - Bog - MIT Press Ltd - Plusbog.dk

Manifestos by artists, authors, editors, publishers, designers, zinesters explore publishing as artistic practice. Contributors AND Publishing, Oswald de Andrade, Archive Books, Art-Rite, Rasheed Araeen, Tauba Auerbach, Michael Baers, Bibi Bakare-Yusuf, Ricardo Basbaum, Derek Beaulieu, Bernadette Corporation, Riccardo Boglione, Bombay Underground, Jorge Luis Borges, bpNichol, Kate Briggs, Broken Dimanche Press, Eleanor Vonne Brown, Urvashi Butalia, Ulises Carrión, Mariana Castillo Deball, Paul Chan, Chimurenga, Arpita Das, Anita Di Bianco, Guy Debord, Constant Dullaart, Craig Dworkin, Ntone Edjabe, Zenon Fajfer, Marina Fokidis, General Idea, Annette Gilbert, Girls Like Us, Gloria Glitzer, Marianne Groulez, Alex Hamburger, Karl Holmqvist, Lisa Holzer, Mahmood Jamal, Tom Jennings, Ray Johnson, David Jourdan, Sharon Kivland, Kione Kochi, Kwani?, Bruce LaBruce, Tan Lin, El Lissitzky, Alessandro Ludovico, Sara MacKillop, Steve McCaffery, Jonathan Monk, Simon Morris, Mosireen, León Munoz Santini, Takashi Murakami, Deke Nihilson, Aurélie Noury, Johnny Noxzema, Clive Phillpot, Michalis Pichler, Seth Price, Riot Grrrl, Carlos Soto Román, Allen Ruppersberg, Joachim Schmid, Oliver Sieber, Paul Soulellis, Matthew Stadler, Gertrude Stein, Paul Stephens, Hito Steyerl, Mladen Stilinović, Katja Stuke, Temporary Services, Nick Thurston, TIQQUN, Elisabeth Tonnard, V. Vale, Eric Watier, Erik van der Weijde, Lawrence Weiner, Eva Weinmayr, Jan Wenzel, Stephen Willats, Gil J Wolman, zubaanIndependent publishing, art publishing, publishing as artistic practice, publishing counterculture, and the zine, DIY, and POD scenes have proliferated over the last two decades. So too have art book fairs, an increasingly important venue—or even medium—for art. Art publishing experienced a similar boom in the 1960s and 1970s, in response to the culture''s "linguistic turn." Today, art publishing confronts the internet and the avalanche of language and images that it enables. The printed book offers artists both visibility and tangibility. Publishing Manifestos gathers texts by artists, authors, editors, publishers, designers, zinesters, and activists to explore this rapidly expanding terrain for art practice.The book begins in the last century, with texts by Gertrude Stein, El Lissitsky, Oswald de Andrade, and Jorge-Luis Borges. But the bulk of the contributions are from the twenty-first century, with an emphasis on diversity, including contributions from Tauba Auerbach, Mariana Castillo Deball, Ntone Edjabe, Girls Like Us, Karl Holmqvist, Temporary Services, and zubaan. Some contributors take on new forms of production and distribution; others examine the political potential of publishing and the power of collectivity inherent in bookmaking. They explore among other topics, artists'' books, appropriation, conceptual writing, non-Western communities, queer identities, and post-digital publishing. Many texts are reproduced in facsimile—including a handwritten "speculative, future-forward newspaper" from South Africa. Some are proclamatory mission statements, others are polemical self-positioning; some are playful, others explicitly push the boundaries. All help lay the conceptual foundations of a growing field of practice and theory.Copublished with Miss Read: The Berlin Art Book Fair

DKK 209.00

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Speculative Everything - Anthony Dunne - Bog - MIT Press Ltd - Plusbog.dk

How to use design as a tool to create not only things but ideas, to speculate about possible futures. Today designers often focus on making technology easy to use, sexy, and consumable. In Speculative Everything, Anthony Dunne and Fiona Raby propose a kind of design that is used as a tool to create not only things but ideas. For them, design is a means of speculating about how things could be—to imagine possible futures. This is not the usual sort of predicting or forecasting, spotting trends and extrapolating; these kinds of predictions have been proven wrong, again and again. Instead, Dunne and Raby pose “what if” questions that are intended to open debate and discussion about the kind of future people want (and do not want). Speculative Everything offers a tour through an emerging cultural landscape of design ideas, ideals, and approaches. Dunne and Raby cite examples from their own design and teaching and from other projects from fine art, design, architecture, cinema, and photography. They also draw on futurology, political theory, the philosophy of technology, and literary fiction. They show us, for example, ideas for a solar kitchen restaurant; a flypaper robotic clock; a menstruation machine; a cloud-seeding truck; a phantom-limb sensation recorder; and devices for food foraging that use the tools of synthetic biology. Dunne and Raby contend that if we speculate more—about everything—reality will become more malleable. The ideas freed by speculative design increase the odds of achieving desirable futures.

DKK 277.00

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Artificial Communication - Elena Esposito - Bog - MIT Press Ltd - Plusbog.dk

A proposal that we think about digital technologies such as machine learning not in terms of artificial intelligenc e but as artificial communication . Algorithms that work with deep learning and big data are getting so much better at doing so many things that it makes us uncomfortable. How can a device know what our favorite songs are, or what we should write in an email? Have machines become too smart? In Artificial Communication , Elena Esposito argues that drawing this sort of analogy between algorithms and human intelligence is misleading. If machines contribute to social intelligence, it will not be because they have learned how to think like us but because we have learned how to communicate with them. Esposito proposes that we think of “smart” machines not in terms of artificial intelligence but in terms of artificial communication . To do this, we need a concept of communication that can take into account the possibility that a communication partner may be not a human being but an algorithm—which is not random and is completely controlled, although not by the processes of the human mind. Esposito investigates this by examining the use of algorithms in different areas of social life. She explores the proliferation of lists (and lists of lists) online, explaining that the web works on the basis of lists to produce further lists; the use of visualization; digital profiling and algorithmic individualization, which personalize a mass medium with playlists and recommendations; and the implications of the “right to be forgotten.” Finally, she considers how photographs today seem to be used to escape the present rather than to preserve a memory.

DKK 251.00

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Salt Wars - Michael Jacobson - Bog - MIT Press Ltd - Plusbog.dk

How food industry lobbyists and a small group of scientists have successfully fought government efforts to reduce dangerous levels of sodium in our food. A high-sodium diet is deadly; studies have linked it to high blood pressure, strokes, and heart attacks. It''s been estimated that excess sodium in the American diet causes as many as 100,000 deaths deaths and many billions of dollars in avoidable health-care costs each year. And yet salt is everywhere in our diets—in packaged foods, fast foods, and especially meals at table-service restaurants. Why hasn''t salt received the sort of public attention and regulatory action that sugar and fat have? In Salt Wars , Michael Jacobson explains how the American food industry and a small group of scientists have successfully fought government efforts to reduce dangerous levels of sodium in our food. Despite an abundance of research going back more than half a century showing that high-sodium diets lead to hypertension and other ills, a few scientists argue the opposite—that American consume a healthy amount of salt and that eating less would increase the risk of cardiovascular disease. This “man bites dog” take on sodium confused consumers and was enthusiastically taken up by food industry lobbyists. Jacobson, a salt wars combatant for more than forty years, explains what science actually says about salt intake and rebuts “sodium skeptics.” He discusses what other countries are doing to cut dietary salt, and describes some recent victories in the United States. He advises readers how to reduce salt—warning them against “salt bombs” (Campbell''s Chicken Noodle Soup, for example, packs an entire day''s worth of sodium in one can)—and calls on them to suit up for the next battle in the salt wars.

DKK 206.00

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Obelisk - Benjamin Weiss - Bog - MIT Press Ltd - Plusbog.dk

The many meanings of obelisks across nearly forty centuries, from Ancient Egypt (which invented them) to twentieth-century America (which put them in Hollywood epics). Nearly every empire worthy of the name—from ancient Rome to the United States—has sought an Egyptian obelisk to place in the center of a ceremonial space. Obelisks—giant standing stones, invented in Ancient Egypt as sacred objects—serve no practical purpose. For much of their history their inscriptions, in Egyptian hieroglyphics, were completely inscrutable. Yet over the centuries dozens of obelisks have made the voyage from Egypt to Rome, Constantinople, and Florence; to Paris, London, and New York. New obelisks and even obelisk-shaped buildings rose as well—the Washington Monument being a noted example. Obelisks, everyone seems to sense, connote some very special sort of power. This beautifully illustrated book traces the fate and many meanings of obelisks across nearly forty centuries—what they meant to the Egyptians, and how other cultures have borrowed, interpreted, understood, and misunderstood them through the years. In each culture obelisks have taken on new meanings and associations. To the Egyptians, the obelisk was the symbol of a pharaoh''s right to rule and connection to the divine. In ancient Rome, obelisks were the embodiment of Rome''s coming of age as an empire. To nineteenth-century New Yorkers, the obelisk in Central Park stood for their country''s rejection of the trappings of empire just as it was itself beginning to acquire imperial power. And to a twentieth-century reader of Freud, the obelisk had anatomical and psychological connotations. The history of obelisks is a story of technical achievement, imperial conquest, Christian piety and triumphalism, egotism, scholarly brilliance, political hubris, bigoted nationalism, democratic self-assurance, Modernist austerity, and Hollywood kitsch—in short, the story of Western civilization.

DKK 281.00

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Perspecta 48 - - Bog - MIT Press Ltd - Plusbog.dk

Ruminations on the paradoxical nature of amnesia: can the gaps it creates provide spaces for invention? Architecture, the most durable of the arts, is inextricably linked to issues of memory, nostalgia, and history. Yet, in this impatient century, the discipline''s relationship to the past has become increasingly fraught. The stream of readily accessible information has trapped us in a perpetual present, and our attention spans have been reduced to 140-character bursts. As archives overflow and data multiplies, these accumulating facts lack any theory of significance. Is history still relevant in a media landscape where time passes at an accelerated pace? This issue of Perspecta —the oldest and most distinguished student-edited architectural journal in America—proposes that amnesia, often seen as a destructive force, might also be understood as a productive one, that the gaps it creates might also provide spaces for invention. Contributions from a diverse group of scholars, artists, and practitioners explore the paradoxical nature of amnesia: How can forgetfulness be both harmful and generative? What will we borrow or abandon from yesterday to confront tomorrow? What sort of critical genealogies can be repurposed, suppressed, or manufactured to reenergize current practice? How might we construct counter-narratives, rebel histories, and alternative canons that are relevant to our present moment? Perspecta 48 considers the uses and abuses of history and ignites a debate about the role of memory in architecture. Contributors Esra Akcan, Amale Andraos, Iwan Baan, Mario Carpo, David Chipperfield, T.J Demos, Kyle Dugdale, Ed Eigen, Marco Frascari, Maria Giudici, Karsten Harries, Sam Jacob, Andrew Kovacs, Sylvia Lavin, Gary Leggett, Richard Mosse, Hans Ulrich Obrist, Stephan Petermann and OMA/AMO, Matt Roman, Saskia Sassen, Russell Thomsen, Anthony Vidler, Stanislaus von Moos

DKK 258.00

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