Vores kunder ligger øverst på Google

Adam Carse: John Ball Shot Them All Satb/Piano

Philip G. Wilkinson: Joshua Fight De Battle Ob Jericho

Joshua Fight De Battle Ob Jericho is a moving and energetic negro spiritual song and is one of many traditional part-songs that was a pre-cursor to Gospel music. This version has been arranged for SSA choir with Piano accompaniment by Philip Wilkinson.

The Novello Youth Chorals: Choral Anthology (SATB)

For SATB choir with piano accompaniments. Also available for SSA: NOV078815.The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene. They have been chosen for their experience in choral conducting, concert work and music education. This album includes arrangements of such hits as California Dreamin', Mamma Mia and O Happy Day.

The Novello Youth Chorals: Choral Anthology (SSA)

For SSA choir with piano accompaniments. The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene. They have been chosen for their experience in choral conducting, concert work and music education. This album includes arrangements of such hits as Bridge Over Troubled Water, Knowing Me, Knowing You, and Son of a Preacher Man.Also available for SATB: NOV078804

Billy Bennett: First Budget Of Burlesque Monologues

Billy Bennett (1887-1942) was a British comedian who specialised in comic monologues. He was born into the music hall industry and, after a decorated spell in the Army during the First World War, he began his own successful stage career in 1919. Often billed as Almost a Gentleman , he shot to fame at the 1926 Royal Command Performance (now the Royal Variety Shows), and remained a popular public figure for over a decade. The First Budget Of Burlesque Monologues is the first volume of the collected monologues that were written, performed, and broadcast by Billy Bennett during the 1920s and 1930s.

Handel/Arne: Comus

The latest addition to the Novello Handel Edition. A stage work of 1745 based on John Milton 's classical masque Comus created from a compilation of songs by Handel and Thomas Arne , both pre-existing and original, with the text adapted by John Dalton . This is the first ever complete publication of the work and is edited by Handel scholar Colin Timms . This work is for three or four Sopranos, Mezzo-Soprano, Tenor, one or two Bass Soli and Orchestra.  

Robert Pearsall: Partsongs - Book 1

This definitive collection showcases twelve of the finest and most loved partsongs by Robert Lucas Pearsall (1795-1856); published in two volumes, compiled and introduced by Ralph Allwood, one of the UK?s pre-eminent choral directors.These works, including the well known Lay a Garland, In Dulci Jubilo, Great God of Love, and No! No! Nigella! are collected and published together for the first time. Suitable for choirs of all abilities, the partsongs within this two volume collection are scored for four to eight parts and appropriate for sacred or secular usage. Beautifully engraved, the original notation has been updated for contemporary use and clear rehearsal accompaniments are provided.Both volumes will be an essential addition to any choir?s music library to be used over and over again.The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene: Ralph Allwood, Susan Digby, David Hill, Brian Kay and Barry Rose, each with extensive experience in choral conducting, concert work and music education. The aim is to publish essential editions from the best of the wealth of existing choral music, ancient and modern, while widening the repertoire with exciting new composers and new trends in music making.Ralph Allwood is one of the UK's most distinguished choral directors. He is Precentor and Director of Music at Eton College and a Choral Advisor to Novello.

Robert Pearsall: Partsongs - Book 2

This definitive collection showcases twelve of the finest and most loved partsongs by Robert Lucas Pearsall (1795-1856); published in two volumes, compiled and introduced by Ralph Allwood, one of the UK?s pre-eminent choral directors.These works, including the well known Lay a Garland, In Dulci Jubilo, Great God of Love, and No! No! Nigella! are collected and published together for the first time. Suitable for choirs of all abilities, the partsongs within this two volume collection are scored for four to eight parts and appropriate for sacred or secular usage. Beautifully engraved, the original notation has been updated for contemporary use and clear rehearsal accompaniments are provided.Both volumes will be an essential addition to any choir's music library to be used over and over again.The Novello Choral Programme is the creation of a panel of advisors pre-eminent in the British music scene: Ralph Allwood, Susan Digby, David Hill, Brian Kay and Barry Rose, each with extensive experience in choral conducting, concert work and music education. The aim is to publish essential editions from the best of the wealth of existing choral music, ancient and modern, while widening the repertoire with exciting new composers and new trends in music making.Ralph Allwood is one of the UK's most distinguished choral directors. He is Precentor and Director of Music at Eton College and a Choral Advisor to Novello.

Edward Elgar: An Elgar Song Album - Medium Voice And Piano

Elgar was pre-eminently the composer of large forms. Complex, lengthy development of musical ideas was for him a measure of genius. His songs, with the exception of the orchestral cycle Sea Pictures, were not often the vehicles for his most striking ideas. Paradoxically, he was also bedevilled by a fine literally taste. He once told a friend that he felt it better to set the best second-rate poetry to music, for the most immortal verse is music already. Some of his songs are therefore settings of poets now all but forgotten, such as Arthur Salmon and Gilbert Parker: to their verse his music might make a vital addition. Elgar's songs offer authentic Edwardian reflections which we can value now in their own terms. These songs are full of echoes of a master's thoughts - and especially in the songs written for the stage - flashes of his genius.