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Performance Management Transformation - - Bog - Oxford University Press Inc - Plusbog.dk

Mastering the Art of Performance - Stewart Gordon - Bog - Oxford University Press Inc - Plusbog.dk

Mastering the Art of Performance - Stewart Gordon - Bog - Oxford University Press Inc - Plusbog.dk

In Mastering the Art of Performance: A Primer for Musicians, Stewart Gordon offers seasoned advice to musicians intent on meeting the challenges of performance. Through real-life examples and pre-performance exercises, this accessible manual gives musicians and other performers practical insights into every aspect of performance. While other books merely identify and describe the problems associated with performance, this book offers detailed suggestions for solving them. First, Gordon tackles the critical planning and preparatory stages, helping performers to evaluate their strengths and weaknesses. The book''s easy-to-follow exercises address the self-doubt and anxiety many musicians contend with, helping them to analyze why they perform, set goals and assess the level of energy needed to achieve them, and develop a performance philosophy. The book also offers techniques that will help musicians deal with some of the classic pitfalls of performance preparation, including repetition and drill, changing bad habits, and developing memory. For the performance itself, Gordon''s insights help musicians with pacing and managing stage fright. For the aftermath, Gordon arms performers with strategies for dealing with criticism and conducting a constructive self-evaluation, equipping them to face the challenges of a lifetime of performances, including career plateaus and burnout. Gordon draws from more than forty years of experience in front of audiences to offer readers invaluable tips and personal reflections. While aimed primarily at musicians, the book will be useful to anyone facing the pressures of performance, such as actors, dancers, and even public speakers.

DKK 280.00
1

Human Performance Optimization - - Bog - Oxford University Press Inc - Plusbog.dk

African American Performance and Theater History - - Bog - Oxford University Press Inc - Plusbog.dk

Experience and Meaning in Music Performance - - Bog - Oxford University Press Inc - Plusbog.dk

Experience and Meaning in Music Performance - - Bog - Oxford University Press Inc - Plusbog.dk

How does the immediate experience of musical sound relate to processes of meaning construction and discursive mediation? This question lies at the heart of the studies presented in Experience and Meaning in Music Performance, a unique multi-authored work that both draws on and contributes to current debates in a wide range of disciplines, including ethnomusicology, musicology, psychology, and cognitive science. Addressing a wide range of musical practices from Indian raga and Afro-Brazilian Congado rituals to jazz, rock, and Canadian aboriginal fiddling, the coherence of this study is underpinned by its three main themes: experience, meaning, and performance. Central to all of the studies are moments of performance: those junctures when sound and meaning are actually produced. Experience-what people do, and what they feel, while engaging in music-is equally important. And considered alongside these is meaning: what people put into a performance, what they (and others) get out of it, and, more broadly, how discourses shape performances and experiences of music. In tracing trajectories from moments of musical execution, this volume a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.A model of interdisciplinary study, and including access to an array of audio-visual materials available on an extensive companion website, Experience and Meaning in Music Performance is essential reading for scholars and students of ethnomusicology and music psychology.

DKK 410.00
1

The Performance of 16th-Century Music - Anne Smith - Bog - Oxford University Press Inc - Plusbog.dk

The Performance of 16th-Century Music - Anne Smith - Bog - Oxford University Press Inc - Plusbog.dk

Environmental Performance Measurement - World Economic Forum - Bog - Oxford University Press Inc - Plusbog.dk

Power Performance for Singers - Shirlee (visiting Professor Of Voice Emmons - Bog - Oxford University Press Inc - Plusbog.dk

The Art of Performance - Heinrich Schenker - Bog - Oxford University Press Inc - Plusbog.dk

The Art of Performance - Heinrich Schenker - Bog - Oxford University Press Inc - Plusbog.dk

Heinrich Schenker''s The Art of Performance shows this great music theorist in a new light. While his theoretical writings helped transform music theory in the twentieth century, this book draws on his experience as a musician and teacher to propose a sharp reevaluation of how musical compositions are realized in performance. Filled with concrete examples and numerous suggestions, the book will interest both music theorists and practicing performers. Schenker''s approach is based on his argument that much of contemporary performance practice is rooted in the nineteenth-century cult of the virtuoso, which has resulted in an overemphasis on technical display. To counter this, he proposes specific ways to reconnect the composer''s intentions and the musician''s performance. Schenker begins by showing how performers can benefit from understanding the laws of composition. He demonstrates how a literal interpretation of the composer''s indications can be self-defeating, and he provides a lively discussion of piano technique, including suggestions for pedal, sound color, orchestral effects, and balance. He devotes separate chapters to non-legato, legato, fingering, dynamics, tempo, and rests. In addition to the examples for pianists, Schenker covers a number of topics, such as bowing technique, that will prove invaluable for other instrumentalists and for conductors. The book concludes with an aphoristic and sometimes lyrical chapter on practicing. After Schenker''s death, his student Oswald Jonas prepared the text for publication from Schenker''s notes, eventually leaving the manuscript to his stepdaughter, Irene Schreier Scott, who entrusted the work of organizing and editing the disparate material to Jonas''s friend and student Heribert Esser. She later translated it into English. This edition is the first publication in any language of this remarkable work.

DKK 617.00
1

The Mindful Musician - Vanessa Cornett - Bog - Oxford University Press Inc - Plusbog.dk

The Mindful Musician - Vanessa (director Of Keyboard Studies And Associate Professor Of Piano And Piano Pedagogy Cornett - Bog - Oxford University

The Performance of Politics - Jeffrey C. Alexander - Bog - Oxford University Press Inc - Plusbog.dk

The Performance of Politics - Jeffrey C. Alexander - Bog - Oxford University Press Inc - Plusbog.dk

Contemporary observers of politics in America often reduce democracy to demography, and presidential elections are no exception. But do differences in class, gender, race, and religion really determine the vote? The Performance of Politics develops a new way of looking at democratic struggles for big-time power and it explains what happened, and why, during the 2008 Presidential campaign in the United States. Through a series of simple but telling concepts about meaning and performance in public life, illustrated with vivid examples drawn from a range of media coverage, participant observation at a Camp Obama, and interviews with leading political journalists, Jeffrey Alexander argues that images, emotion, and performance are the central features of the battle for power. While these features have been largely overlooked by pundits, they are, in fact, the primary foci of political actors. Winning depends on creating images so that candidates can become heroes. Obama and McCain carefully constructed heroic self-images for their campaigns and the successful performance of those representations characterized not only each candidate''s actual rallies, and not only their media messages but also the ground game. Money and organization facilitate the ground game, but they do not determine it. Emotion, images, and performance do. In other words, demography isn''t destiny and political parties can''t always delivery the vote. Though an untested Senator and the underdog in his own party, Obama, through his moving performances, succeeded in casting himself as the hero and McCain the anti-hero, as the only candidate fit to lead in challenging times. Drawing on these themes, Alexander then reveals several periods of shifting public opinion and isolates the drama of Obama''s celebrity, the effect of Sarah Palin on the race, and the emerging financial crisis through an engaging narrative that conveys the immediacy and excitement of the final months of the historic 2008 presidential campaign."Jeffrey C. Alexander''s intriguing argument in The Performance of Politics, a meticulous review of the 2008 campaign, is that his fellow sociologists have overemphasized impersonal social forces at the expense of the theater of public life - the way politicians perform ''symbolically.'' It''s a prosaic call for a more poetic (or at least aesthetic) understanding of politics. Ideology must connect viscerally, or it doesn''t connect at all." -The New York Times Book Review"The Performance of Politics is replete with sociological insights. ... Alexander presents original theoretical arguments on the democratic struggle for power in America, and in the process provides a new explanation for Obama''s historic victory. ... Alexander''s argument that the democratic struggle for power is about becoming a collective representation is persuasive, so too is the way he uses this argument to examine the successful and failed performances of candidates on both the primary and general elections. ... The most compelling part of this engaging book is Alexander''s brilliant chapter on the ''Celebrity Metaphor.'' Rarely have I read an analysis of a social event by a sociologist that had me so enthralled. ... This is a brilliant book.''" -William Julius Wilson, Contemporary Sociology''That politics is about drama and unpredictable, surprising moments is one of the central arguments in Jeffrey Alexander''s remarkable analysis of Barack Obama''s presidential campaign ... By employing the tools of cultural sociology, Alexander writes about the most recent US presidential campaign as if it were a modern form of the Iliad.... Sometimes the best sociology is that which reveals itself through brilliant analysis and storytelling.''--Times Higher Education Supplement''In an extraordinary analysis of real breadth and depth, Jeffrey Alexander challenges us to re-think Barack Obama''s election as president. Reflect on the performance that takes place on a grand stage, Alexander advises, and we''ll see the big picture.''-Larry J. Sabato, author of The Year of Obama ''This is a work of dazzling brilliance and imagination. It sparkles with new insights that go well beyond standard interpretations of electoral politics. Especially to be treasured is its keen understanding of civil society and the importance of moral meaning and symbolism in public life.''-Robert Wuthnow, Princeton University''Revealing himself to be de Tocqueville''s true heir, Jeffrey Alexander draws a sweeping and daring portrait of the heroes, villains, fools, and mavericks who peopled the 2008 American presidential campaign. The Performance of Politics is riveting. ''-Robin Wagner-Pacifici, Swarthmore College

DKK 321.00
1

Improvisation and Inventio in the Performance of Medieval Music - Angela (associate Professor Of Musicology Mariani - Bog - Oxford University Press

Improvisation and Inventio in the Performance of Medieval Music - Angela (associate Professor Of Musicology Mariani - Bog - Oxford University Press

Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani''s impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.

DKK 321.00
1

Organizational Learning and Performance - Ryan (assistant Professor Smerek - Bog - Oxford University Press Inc - Plusbog.dk

Organizational Learning and Performance - Ryan (assistant Professor Smerek - Bog - Oxford University Press Inc - Plusbog.dk

In Organizational Learning and Performance: The Science and Practice of Building a Learning Culture, Ryan E. Smerek offers practitioners and organizational scholars a solid foundation to understand individual and organizational learning. Drawing from research in the social sciences as well as from compelling examples of organizations, he demonstrates what it means to build a learning culture -- and how it can improve one''s performance.The first section of the book provides an overview of what it means to learn as an individual and how individuals vary in their openness to learn. Drawing from cognitive and personality psychology, thinking dispositions such as a growth mindset, curiosity, and intellectual humility are explored and how they help foster learning in organizations.In the second section, Smerek describes the principles of a learning culture, providing a look into the world''s largest hedge fund, a renowned food company, a highly-regarded children''s hospital, and a preeminent innovation and design firm. Through these examples, readers will come to understand the social norms that increase learning. These include a commitment to transparency of thinking and the pursuit of truth, "big picture thinking," a willingness to learn from failure, and the social norms needed to foster innovation and creativity.Organizational Learning and Performance is designed for practitioners and scholars of organizations who want to better understand the psychology of individual and organizational learning. By combining organizational examples with insights from research, this book provides readers with a unique and distinctive lens to improve both personal and organizational performance.

DKK 514.00
1

Close Listening - - Bog - Oxford University Press Inc - Plusbog.dk

The Science and Psychology of Music Performance - - Bog - Oxford University Press Inc - Plusbog.dk

Yoga in the Music Studio - Lesley S. Mcallister - Bog - Oxford University Press Inc - Plusbog.dk

Improving Public Services - - Bog - Oxford University Press Inc - Plusbog.dk

Improving Public Services - - Bog - Oxford University Press Inc - Plusbog.dk

The government performance movement has been in full swing for decades around the world. So, why do so many public programs and organizations continue to underperform? A major reason is that measuring the types of performance that people value most -- real outcomes for citizens -- continues to be an elusive goal. And why is performance measurement so difficult? Because performance managers have not taken full advantage of the tools and knowledge available in the field of program evaluation; the worlds of performance measurement and program evaluation have much to learn from each other, but they remain largely separate for reasons of history, politics, and inertia.Improving Public Services spotlights recent advances in the theory and practice of performance measurement with potential to bridge the divide. As the text''s essays, case studies, and comparative analyses demonstrate, many of the challenges to outcome-based performance measurement are similar across national and cultural boundaries. And many of these challenges are amenable to solutions drawn from program evaluation, especially program theory as captured in logic models. Key issues addressed include designing and implementing high-performance contracts, using administrative data to measure performance and evaluate program effectiveness, minimizing the unintended consequences of performance-based incentive schemes, measuring qualities of governance as well as service delivery, and fitting performance systems to different institutional settings. The authors offer insights relevant to charitable organizations, private service providers, international bodies, municipalities, states, and national governments in developed, developing, and transitional countries. As the global debate over performance management rages on, this volume points to promising directions for future research and practice at the intersection of program evaluation and outcome-based public management.

DKK 999.00
1

Music in Profile - John Rink - Bog - Oxford University Press Inc - Plusbog.dk

Music in Profile - John Rink - Bog - Oxford University Press Inc - Plusbog.dk

Underpinned by author John Rink''s internationally acclaimed scholarship and experience as a musician, this book addresses fascinating topics in the field of musical performance studies concerning the history, analysis and psychology of music, as well as artistic research. It offers manifold practical insights into musical performance, ranging from detailed technical features to overall shape. The volume has four main parts, focusing on performance and performance studies, historical performance, analysis and performance, and artistic research. Case studies of romantic piano pieces appear throughout, including Liszt''s ''Vallée d''Obermann'', Brahms''s Fantasien Op. 116, and select preludes and concertos by Rachmaninoff and Chopin. The book also includes discussions of recordings by such artists as Alfred Brendel, Artur Rubinstein and Nikita Magaloff along with some outstanding performances in the International Fryderyk Chopin Piano Competition in 2015.Rink explores issues surrounding the identity and artistic voice of the performer by elucidating the sense-making and decision-making process underlying musical performance of all kinds. He also offers broad insights into musical ontology, epistemology and semantics, in addition to demonstrating some of the methodologies now used to study performance. As a whole, the book highlights the powerful effects that experiencing music in performance can have on those who take part in it, in any capacity.

DKK 282.00
1

Music in Profile - John Rink - Bog - Oxford University Press Inc - Plusbog.dk

Music in Profile - John Rink - Bog - Oxford University Press Inc - Plusbog.dk

Underpinned by author John Rink''s internationally acclaimed scholarship and experience as a musician, this book addresses fascinating topics in the field of musical performance studies concerning the history, analysis and psychology of music, as well as artistic research. It offers manifold practical insights into musical performance, ranging from detailed technical features to overall shape. The volume has four main parts, focusing on performance and performance studies, historical performance, analysis and performance, and artistic research. Case studies of romantic piano pieces appear throughout, including Liszt''s ''Vallée d''Obermann'', Brahms''s Fantasien Op. 116, and select preludes and concertos by Rachmaninoff and Chopin. The book also includes discussions of recordings by such artists as Alfred Brendel, Artur Rubinstein and Nikita Magaloff along with some outstanding performances in the International Fryderyk Chopin Piano Competition in 2015.Rink explores issues surrounding the identity and artistic voice of the performer by elucidating the sense-making and decision-making process underlying musical performance of all kinds. He also offers broad insights into musical ontology, epistemology and semantics, in addition to demonstrating some of the methodologies now used to study performance. As a whole, the book highlights the powerful effects that experiencing music in performance can have on those who take part in it, in any capacity.

DKK 912.00
1

The Performance of Politics - Jeffrey C. Alexander - Bog - Oxford University Press Inc - Plusbog.dk

Dave Brubeck and the Performance of Whiteness - Kelsey (lecturer Klotz - Bog - Oxford University Press Inc - Plusbog.dk

Dave Brubeck and the Performance of Whiteness - Kelsey (lecturer Klotz - Bog - Oxford University Press Inc - Plusbog.dk

How can we--jazz fans, musicians, writers, and historians--understand the legacy and impact of a musician like Dave Brubeck? It is undeniable that Brubeck leveraged his fame as a jazz musician and status as a composer for social justice causes, and in doing so, held to a belief system that, during the civil rights movement, modeled a progressive approach to race and race relations. It is also true that it took Brubeck, like others, some time to understand the full spectrum of racial power dynamics at play in post-WWII, early Cold War, and civil rights-era America.Dave Brubeck and the Performance of Whiteness uses Brubeck''s performances of whiteness across his professional, private, and political lives as a starting point to understand the ways in which whiteness, privilege, and white supremacy more fully manifested in mid-century America. How is whiteness performed and re-performed? How do particular traits become inscribed with whiteness, and further, how do those traits, now racialized in a listener''s mind, filter the sounds a listener hears? To what extent was Brubeck''s whiteness made by others? How did audiences and critics use Brubeck to craft their own identities centered in whiteness? Drawing on archival records, recordings, and previously conducted interviews, Dave Brubeck and the Performance of Whiteness listens closely for the complex and shifting frames of mid-century whiteness, and how they shaped the experiences of Brubeck''s critics, audiences, and Brubeck himself. Throughout, author Kelsey Klotz asks what happens when a musician tries to intervene, using his privilege as a tool with which to disrupt structures of white supremacy, even as whiteness continues to retain its hold on its beneficiaries.

DKK 250.00
1