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The Oxford American Large Print Thesaurus - - Bog - Oxford University Press Inc - Plusbog.dk

Black Print Unbound - Eric Gardner - Bog - Oxford University Press Inc - Plusbog.dk

Black Print Unbound - Eric Gardner - Bog - Oxford University Press Inc - Plusbog.dk

Black Print Unbound explores the development of the Christian Recorder during and just after the American Civil War. As a study of the official African Methodist Episcopal Church newspaper (a periodical of national reach and scope among free African Americans), Black Print Unbound is thus at once a massive recovery effort of a publication by African Americans for African Americans, a consideration of the nexus of African Americanist inquiry and print culture studies, and an intervention in the study of literatures of the Civil War, faith communities, and periodicals. The book pairs a longitudinal sense of the Recorder''s ideological, political, and aesthetic development with the fullest account available of how the physical paper moved from composition to real, traceable subscribers. It builds from this cultural and material history to recover and analyze diverse and often unknown texts published in the Recorder including letters, poems, and a serialized novel-texts that were crucial to the development of African American literature and culture and that challenge our senses of genre, authorship, and community. In this, Black Print Unbound offers a case study for understanding how African Americans inserted themselves in an often-hostile American print culture in the midst of the most complex conflict the young nation had yet seen, and it thus calls for a significant rewriting of our senses of African American-and so American-literary history.

DKK 435.00
1

Jonathan Edwards and Transatlantic Print Culture - Jonathan M. Yeager - Bog - Oxford University Press Inc - Plusbog.dk

Jonathan Edwards and Transatlantic Print Culture - Jonathan M. Yeager - Bog - Oxford University Press Inc - Plusbog.dk

On March 20, 1760, a fire broke out in the Cornhill district of Boston, destroying nearly 350 buildings in its wake. One of the ruined shops belonged to the eminent Boston bookseller Daniel Henchman, who had published some of Jonathan Edwards''s most important works, including The Life of Brainerd in 1749. Less than one year after the Great Fire of 1760, Henchman died. Edwards''s chief printer Samuel Kneeland and literary agent and editor, Thomas Foxcroft, had also passed away by the end of the decade, marking the end of an era. Throughout Edwards''s lifetime, and in the years after his death in 1758, most of the first editions of his books had been published in Boston. But with the deaths of Henchman, Kneeland, and Foxcroft, the publications of Edwards''s writings shifted to Britain, where a new crop of booksellers, printers, and editors took on the task of issuing posthumous editions and reprints of his books. In Jonathan Edwards and Transatlantic Print Culture, religious historian Jonathan Yeager tells the story of how Edwards''s works were published, including the people who were involved in their publication and their motivations. This book explores what the printing, publishing, and editing of Jonathan Edwards''s publications can tell us about religious print culture in the eighteenth century, how the way that his books were put together shaped society''s understanding of him as an author, and how details such as the formats, costs, quality of paper, length, bindings, and the number of reprints and abridgements of his works affected their reception.

DKK 979.00
1

Print and the Urdu Public - Megan Eaton (assistant Professor Of South Asian Religions Robb - Bog - Oxford University Press Inc - Plusbog.dk

Print and the Urdu Public - Megan Eaton (assistant Professor Of South Asian Religions Robb - Bog - Oxford University Press Inc - Plusbog.dk

In early twentieth century British India, prior to the arrival of digital medias and after the rise of nationalist political movements, a small-town paper from the margins of society became a key player in Urdu journalism. Published in the isolated market town of Bijnor, Madinah grew to hold influence across North India and the Punjab while navigating complex issues of religious and political identity. In Print and the Urdu Public, Megan Robb uses the previously unexamined perspective of the Madinah to consider Urdu print publics and urban life in South Asia. Through a discursive and material analysis of Madinah, the book explores how Muslims who had settled in ancestral qasbahs, or small towns, used newspapers to facilitate a new public consciousness. The book demonstrates how Madinah connected the Urdu newspaper conversation both explicitly and implicitly with Muslim identity and delineated the boundaries of a Muslim public conversation in a way that emphasized rootedness to local politics and small urban spaces. The case study of this influential but understudied newspaper reveals how a network of journalists with substantial ties to qasbahs produced a discourse self-consciously alternative to the Western-influenced, secularized cities. Megan Robb augments the analysis with evidence from contemporary Urdu, English, and Hindi papers, government records, private diaries, private library holdings, ethnographic interviews, and training materials for newspaper printers. This thoroughly researched volume recovers the erasure of qasbah voices and proclaims the importance of space and time in definitions of the public sphere in South Asia.Print and the Urdu Public demonstrates how an Urdu newspaper published from the margins became central to the Muslim public constituted in the first half of the twentieth century.

DKK 905.00
1

Making Noise, Making News - Mary Chapman - Bog - Oxford University Press Inc - Plusbog.dk

Making Noise, Making News - Mary Chapman - Bog - Oxford University Press Inc - Plusbog.dk

Making Noise, Making News - Mary Chapman - Bog - Oxford University Press Inc - Plusbog.dk

For most people, the US suffrage campaign is encapsulated in images of orators such as the tightly coifed Susan B. Anthony, the wimpled Elizabeth Cady Stanton, and others who hectored for women''s rights throughout the nineteenth century. The campaign to secure the vote for US women, however, was also a modern and print-cultural phenomenon, waged with humor, style, and creativity.In this fascinating cultural history, Mary Chapman demonstrates the importance of the aesthetically innovative print culture produced by US suffragists in the two decades leading up to the passage of the 19th Amendment, seven decades after women''s rights activists first met at Seneca Falls. A century before the advent of "social media", suffragists mobilized the masses [fashioned a "suffragist spring" through creative forms of propaganda including advocacy journals, guest-edited mainstream magazines, banners, voiceless speech placards, publicity stunts, poetry, and fiction. These propaganda forms made the public sphere much more inclusive even as they also perpetuated an image of the suffragist New Woman as native-born, white, and middle-class.Making Noise, Making News also understands modern suffragist print culture as a demonstrable link between the Progressive Era''s political campaign for a voice in the public sphere and Modernism''s aesthetic efforts to re-imagine literary voice. Chapman charts a relationship between modern suffragist print cultural "noise" and what literary modernists understood by "making it new!", asserting that the experimental tactics of US suffrage print culture contributed to, and even anticipated, the formal innovations of US literary modernism. Drawing on little-known archives and featuring over twenty visually stunning illustrations, Making Noise, Making News provides startling documentation of Marianne Moore''s closeted career as a suffrage propagandist, the persuasive effects of Algonquin Table''s Alice Duer Miller''s popular poetry column, Asian-American author Sui Sin Far''s challenge to the racism and classism of modern suffragism, and Gertrude Stein''s midcentury recognition of intersections between suffrage discourse and literary modernism.

DKK 929.00
1

The World Blind Union Guide to the Marrakesh Treaty - Jerome H. Reichman - Bog - Oxford University Press Inc - Plusbog.dk

The World Blind Union Guide to the Marrakesh Treaty - Laurence R. Helfer - Bog - Oxford University Press Inc - Plusbog.dk

People of the Screen - John (vp For Enrollment And Educational Technology Dyer - Bog - Oxford University Press Inc - Plusbog.dk

People of the Screen - John (vp For Enrollment And Educational Technology Dyer - Bog - Oxford University Press Inc - Plusbog.dk

People of the Screen traces the history of Bible software app development, showing the unique and powerful role evangelical entrepreneurs and coders have played in shaping its functionality and how their choices in turn shape the reading habits of millions of people around the world. Examining advancements in Bible software from the first desktop applications to pioneering Bible websites, to mobile apps and virtual experiences, this book argues that evangelical creators have a distinct orientation toward societal change and technology called "Hopeful Entrepreneurial Pragmatism" (HEP). This uniquely positions them to lead the digital Bible market, imbuing their creations with evangelical ways of understanding the nature and purpose of Scripture.This book offers a blend of historical research, interviews with developers, and field work with digital and print Bible readers, offering a nuanced look at the interconnected ecosystem of publishers, developers, pastors, institutions, and software companies. But instead of painting a picture of digital Bibles replacing print Bibles, author John Dyer shows that the future of Bible engagement involves readers using a mix of print, audio, and screens to suit their needs and community. He shows that sometimes the God of the page seems to say different things than the God of the screen, suggesting that we are still in the early stages of a multimedia approach to scripture.

DKK 283.00
1

Writing Clearly for Clients and Colleagues - Katy Fitzgerald - Bog - Oxford University Press Inc - Plusbog.dk

Amyotrophic Lateral Sclerosis - Hiroshi Mitsumoto - Bog - Oxford University Press Inc - Plusbog.dk

Cavalier and Yankee - William R. Taylor - Bog - Oxford University Press Inc - Plusbog.dk

Laurence Sterne's Tristram Shandy - - Bog - Oxford University Press Inc - Plusbog.dk

Laurence Sterne's Tristram Shandy - - Bog - Oxford University Press Inc - Plusbog.dk

The responsiveness of Sterne''s writing to a wide range of approaches and topics of recent and ongoing interest--among them narrative, interpretation, intertextuality, gender, the body, sentimentalism, and print culture--has ensured a wealth of recent activity in the journals. Two specialist periodicals, the Shandean and Eighteenth-Century Fiction, have become major repositories for innovative work on Sterne since their foundation in the late 1980s, and important new readings continue to appear in the established journals. The proliferation of periodical articles means, in turn, access to the full range of this material is now a problem in all but the largest institutions. This situation creates a major opportunity for a volume designed to reprint the best essays of the last fifteen years. The book is divided into five sections. Section one looks at one of the most contentious recent debates about Tristram Shandy, on the issue of generic definition, and is designed to help students orient themselves in their encounters with this convention-breaking text in terms of prior traditions and intertexts. Section two''s essays on print culture represent a major new area of interest in literary study as a whole. In this context "print culture" denotes not only Sterne''s experimental deformation of typographical resources in Tristram Shandy (the black, marbled, and blank pages being the famous instances) but also his engagement with a literary marketplace in which reviewers and other readers could influence the text as it serially emerged. Section three focuses on topics about the body in Sterne. These essays, related closely to the essays in section four, go beyond run of the mill "body in literature" criticism by linking the topic to other issues of current interest: narrative, language, and scientific discourse and/or medical practices in the period. Political readings, another growth area in recent years, is the subject of the final, fifth section.

DKK 774.00
1

Laurence Sterne's Tristram Shandy - - Bog - Oxford University Press Inc - Plusbog.dk

Laurence Sterne's Tristram Shandy - - Bog - Oxford University Press Inc - Plusbog.dk

The responsiveness of Sterne''s writing to a wide range of approaches and topics of recent and ongoing interest--among them narrative, interpretation, intertextuality, gender, the body, sentimentalism, and print culture--has ensured a wealth of recent activity in the journals. Two specialist periodicals, the Shandean and Eighteenth-Century Fiction, have become major repositories for innovative work on Sterne since their foundation in the late 1980s, and important new readings continue to appear in the established journals. The proliferation of periodical articles means, in turn, access to the full range of this material is now a problem in all but the largest institutions. This situation creates a major opportunity for a volume designed to reprint the best essays of the last fifteen years. The book is divided into five sections. Section one looks at one of the most contentious recent debates about Tristram Shandy, on the issue of generic definition, and is designed to help students orient themselves in their encounters with this convention-breaking text in terms of prior traditions and intertexts. Section two''s essays on print culture represent a major new area of interest in literary study as a whole. In this context "print culture" denotes not only Sterne''s experimental deformation of typographical resources in Tristram Shandy (the black, marbled, and blank pages being the famous instances) but also his engagement with a literary marketplace in which reviewers and other readers could influence the text as it serially emerged. Section three focuses on topics about the body in Sterne. These essays, related closely to the essays in section four, go beyond run of the mill "body in literature" criticism by linking the topic to other issues of current interest: narrative, language, and scientific discourse and/or medical practices in the period. Political readings, another growth area in recent years, is the subject of the final, fifth section.

DKK 476.00
1

Textual Transmission in Contemporary Jewish Cultures - - Bog - Oxford University Press Inc - Plusbog.dk

Revised Standard Version Catholic Bible - - Bog - Oxford University Press Inc - Plusbog.dk

CITA Consolidated Treaties and International Agreements 2007 Volume 1 Issued March 2008 - Oceana Editorial Board - Bog - Oxford University Press Inc -

The Beatles As Musicians - Walter Everett - Bog - Oxford University Press Inc - Plusbog.dk

Ralph Ellison's Invisible Man - - Bog - Oxford University Press Inc - Plusbog.dk

Marcel Proust - Leo Bersani - Bog - Oxford University Press Inc - Plusbog.dk

Charles Wesley: A Reader - Charles Wesley - Bog - Oxford University Press Inc - Plusbog.dk

Schoenberg's Program Notes and Musical Analyses - - Bog - Oxford University Press Inc - Plusbog.dk

Schoenberg's Program Notes and Musical Analyses - - Bog - Oxford University Press Inc - Plusbog.dk

In 1950, as Arnold Schoenberg anticipated the publication of a collection of 15 of his most important writings, Style and Idea, he was already at work on a second volume to be called Program Notes. Inspired by this idea, Schoenberg''s Program Notes and Musical Analyses can boast the most comprehensive study of the composer''s writings about his own music yet published. Schoenberg''s insights emerge not only in traditional program notes, but also in letters, sketch materials, pre-concert talks, public lectures, contributions to scholarly journals, newspaper articles, interviews, pedagogical materials, and publicity fliers. The editions of the texts in this collection, based almost exclusively on Schoenberg''s original manuscript sources, include many items appearing in print in English for the first time, as well as more familiar texts that preserve musical and textual information eliminated from previous editions. The book also reveals how Schoenberg, desirous to communicate with and educate an audience, took every advantage of changes in technology during his lifetime, utilizing print media, radio broadcasts, record jackets--and had he lived, television--for this purpose. In addition to four chapters in which Schoenberg illuminates 42 of his own compositions, the book begins with chapters on his development and influences, his thoughts about trends in modern music, and, in a nod to the importance of the radio in providing a venue for music analysis, a chapter about Schoenberg''s radio broadcasts.

DKK 471.00
1

Vorticism - - Bog - Oxford University Press Inc - Plusbog.dk

Rhyme's Challenge - David Caplan - Bog - Oxford University Press Inc - Plusbog.dk