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Arlo Guthrie - Hank Reineke - Bog - Scarecrow Press - Plusbog.dk

Arlo Guthrie - Hank Reineke - Bog - Scarecrow Press - Plusbog.dk

Arlo Guthrie, the son of America’s legendary dust bowl troubadour Woody Guthrie and Martha Graham dancer Marjorie Mazia Guthrie, was reared in the rarefied atmosphere of New York City’s remnant Old Left culture, a period that brought together art, political action, and folk music. Music was part of Guthrie’s life from the very beginning and his self-confessed earliest childhood memory was standing knee-high next to Lead Belly, the blues legend and “King of the twelve-string Guitar.” Arlo''s earliest mentors were his father’s friends, and the youngster would learn his craft from the giants of American folk music: Pete Seeger, the Weavers, Cisco Houston, Josh White, Oscar Brand, Ramblin’ Jack Elliott, Brownie McGhee, and Sonny Terry.Arlo Guthrie: The Warner/Reprise Years revisits Guthrie’s fifteen-year ride as a recording artist for the prestigious record label. Hank Reineke guides readers through the colorful history of Guthrie’s most creative period, when the droll, shaggy-haired troubadour promised in song that a “new world" was surely coming. In his thoughtful consideration of Guthrie''s career as a popular, if idiosyncratic, recording artist for the Reprise/Warner Bros. label, Reineke regales readers with stories behind the remarkable success of Guthrie’s talking blues-turned-movie Alice’s Restaurant and his celebrated appearance at the 1969 Woodstock festival. Guthrie’s time at Reprise/Warner Bros. from 1967 to 1982 saw twelve critically acclaimed solo albums, two staple singles of FM radio (“Coming Into Los Angeles” and “City of New Orleans”), and a pair of treasured folk-music recording collaborations with Pete Seeger.With a look at Guthrie’s life and times before and after this prolific period of his career, Arlo Guthrie: The Warner/Reprise Years is the first biography dedicated solely to this gifted artist. A goldmine of information on the Guthrie family''s legacy to American music, the counterculture of the 1960s, and the record industry of the 1970s, this work also features a detailed bibliography as well as the first comprehensive discography of Guthrie’s recordings through the present day. Arlo Guthrie: The Warner/Reprise Years will appeal to popular music historians, folk-rock fans, and readers interested in the American counterculture of the 1960s and 1970s.

DKK 680.00
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The Baroque Cello Revival - Paul R. Laird - Bog - Scarecrow Press - Plusbog.dk

The A to Z of Medieval Philosophy and Theology - Juan Carlos Flores - Bog - Scarecrow Press - Plusbog.dk

From Crusade to Hazard - Bianka J. Adams - Bog - Scarecrow Press - Plusbog.dk

From Crusade to Hazard - Bianka J. Adams - Bog - Scarecrow Press - Plusbog.dk

From Crusade to Hazard: The Denazification of Bremen Germany relates how the American and British combat forces and military government officers occupied, administered, and denazified Bremen and its environs from 1945 to 1947. The three distinct phases in administering Bremen had a profound impact on the denazification of the city. Denazification legislation was first determined by the Americans, then by the British, and then again by the Americans. Throughout, denazification teams tried to find a middle way between the American dictum of a radical purge of the whole population and the less ambitious British goal of only cleansing the administration. This delicate balancing act led to an implementation of a purge that was unique to the Bremen enclave. While it succeeded in discovering and punishing many of the main functionaries of the Nazi regime, it also fell victim to its own ambition and collapsed underneath the weight of its administrative processes. As deadlines and waning governmental support forced a quick end to the program, the bloated denazification bureaucracy resorted to classifying most of the remaining cases as benign ''followers,'' even when they hardly deserved that label. At a time when interest in de-politicizing old classes of administrators affiliated with dictatorial regimes is being increasingly fueled by contemporary world events, this book is a particularly valuable contribution.

DKK 547.00
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The A to Z of Existentialism - Stephen Michelman - Bog - Scarecrow Press - Plusbog.dk

The A to Z of Existentialism - Stephen Michelman - Bog - Scarecrow Press - Plusbog.dk

Existentialism is the philosophy of human existence, which flourished first in Germany in the 1920s and 1930s and then in France in the decade following the end of World War II. The operative meaning of existentialism here is thus broader than it was circa 1945 when the term first gained currency in France as a label for the philosophy of Jean-Paul Sartre. However, it is considerably less broad than the view proposed by commentators in the 1950s and 1960s who, in an attempt to overcome Sartre''s hegemony, discovered the seeds of existentialism far and wide: in Shakespeare, Saint Augustine, and the Old Testament prophets. In this dictionary, existentialism is understood as a decidedly 20th-century phenomenon, though with roots in the 19th century. Effort has been made to understand the philosophy of existentialism, as all philosophies should be understood, as part of an ongoing intellectual tradition: an evolving history of problems, concepts, and arguments. The A to Z of Existentialism explains the central claims of existentialist philosophy and the contexts in which it developed into one of the most influential intellectual trends of the 20th century. This is done through a chronology, an introductory essay, a bibliography, and more than 300 cross-referenced dictionary entries offering clear, accessible accounts of the life and thought of major existentialists like Jean-Paul Sartre, Martin Heidegger, Martin Buber, Karl Jaspers, Gabriel Marcel, Simone de Beauvoir, Albert Camus, and Maurice Merleau-Ponty, as well as thinkers influential to its development such as Wilhelm Dilthey, Henri Bergson, Edmund Husserl, and Max Scheler. This book affords readers an integrated, critical, and historically-sensitive understanding of this important philosophical movement.

DKK 450.00
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Who Did It First? - Bob Leszczak - Bog - Scarecrow Press - Plusbog.dk

Who Did It First? - Bob Leszczak - Bog - Scarecrow Press - Plusbog.dk

“Everybody has to start somewhere. Businessmen start on the ground floor and try to work their way up the corporate ladder. Baseball players bide their time in the minor leagues wishing for an opportunity to move up and play in the majors. Musical compositions aren’t very different—some songs just don’t climb the charts the first time they’re recorded. However, with perseverance, the ideal singer, the right chemistry, impeccable timing, vigorous promotion, and a little luck, these songs can become very famous.” So writes Bob Leszczak in the opening pages of Who Did It First? Great Rhythm and Blues Cover Songs and Their Original ArtistsHere readers will discover the little-known history behind legendary rhythm and blues numbers on their way to the majors. As Leszczak points out, the version you purchased, danced to, romanced to, and grew up with is often not the first version recorded. Like wine and cheese, some tunes just get better with age, and behind each there is a story. Who Did It First? contains interesting facts and amusing anecdotes, often gathered through Leszczak’s vast archive of personal interviews with the singers, songwriters, record producers, and label owners who wrote, sang, recorded, and distributed either the original cut or one of its classic covers. The first in a series devoted to the story of great songs and their revivals, Who Did It First? is the perfect playlist builder. Whether quizzing friends at a party, answering a radio station contest, or simply satisfying an insatiable curiosity to know who really did do it first, this book is a must-have.

DKK 480.00
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Revolutionizing Children's Records - David Bonner - Bog - Scarecrow Press - Plusbog.dk

Revolutionizing Children's Records - David Bonner - Bog - Scarecrow Press - Plusbog.dk

Young People''s Records and Children''s Record Guild were the first commercially significant record clubs in the world. By applying proven book club methods to the field of phonograph records, these two related companies attracted some hundred thousand subscribers at their peak and serviced perhaps a million members in their existence. Revolutionizing Children''s Records: The Young People''s Records and Children''s Record Guild Series, 1946-1977 tells the history of YPR/CRG, explaining how these two labels intersected important developments in the histories of mass marketing, recording technology, educational philosophy, folk music, contemporary composition, and Cold War politics. David Bonner covers in detail the history of YPR/CRG, tracing its influences back to the beginnings of music education in the 19th Century and incorporating the impact of the American folk music revival on music educators. The narrative follows the career paths of the company principals, such as its progressive founder Horace Grenell; the musicians who recorded for him, like American folk music revival pioneer Tom Glazer; and the record industry offshoots they created in the process. Bonner considers advances the club made in recording technology as the first record label devoted exclusively to "unbreakable" vinyl discs and provides a comprehensive summary of record club marketing, including the application of "music appreciation" to phonograph records. He also charts the commercial, critical, and political response to these endeavors, including an historical footnote to the "Red Scare" unavailable in existing Cold War literature. A complete and detailed discography listing every YPR and CRG recording, including all known writers and performers, concludes this excellent reference for scholars, nostalgists, and phonographic fanatics.

DKK 927.00
1