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Kubrick's Hope - Julian Rice - Bog - Scarecrow Press - Plusbog.dk

There have been two common assumptions about Stanley Kubrick: that his films portray human beings who are driven exclusively by aggression and greed, and that he pessimistically rejected meaning in a contingent, postmodern world. However, as Kubrick himself remarked, "A work of art should be always exhilarating and never depressing, whatever its subject matter may be." In this new interpretation of Kubrick''s films, Julian Rice suggests that the director''s work had a more positive outlook than most people credit him. And while other studies have recounted Kubrick''s life and production histories, few have offered lucid explanations of specific sources and their influence on his films. In Kubrick''s Hope, Rice explains how the theories of Freud and Jung took cinematic form, and also considers the significant impression left on the director''s last six films by Robert Ardrey, Bruno Bettelheim, and Joseph Campbell. In addition to providing useful contexts, Rice offers close readings of the films, inviting readers to note details they may have missed and to interpret them in their own way. By refreshing their experience of the films and discarding postmodern clichés, viewers may discover more optimistic themes in the director''s works. Beginning with 2001: A Space Odyssey and continuing through A Clockwork Orange, Barry Lyndon, The Shining, Full Metal Jacket, and Eyes Wide Shut, Rice illuminates Kubrick''s thinking at the time he made each film. Throughout, Rice examines the compelling political, psychological, and spiritual issues the director raises. As this book contends, if these works are considered together and repeatedly re-viewed, Kubrick''s films may help viewers to personally grow and collectively endure.

DKK 583.00

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The Jarmusch Way - Julian Rice - Bog - Scarecrow Press - Plusbog.dk

Since the early 1980s, Jim Jarmusch has produced a handful of idiosyncratic films that have established him as one of the most imaginatively allusive directors in the history of American cinema. Three of his films—Dead Man (1995), Ghost Dog (1999), and The Limits of Control (2009)—demonstrate the director’s unique take on Eastern and Aboriginal spirituality. In particular, they reflect Jarmusch’s rejection of Western monotheism’s fear-driven separation of life and death. While these films address historical issues of imperialism, colonialism, and genocide, they also demonstrate a uniquely spiritual form of resistance to conditions that political solutions have not resolved. The impact of Dead Man, Ghost Dog, and The Limits of Control cannot be fully felt without considering the multicultural sources from which the writer/director drew. In The Jarmusch Way, Julian Rice looks closely at these three films and explores their relation to Eastern philosophy and particular works of Western literature, painting, and cinema. This book also delves deeply into the films’ association with Native American culture, a subject upon which Rice has written extensively. Though he has garnered a passionate following in some circles, Jarmusch remains critically underappreciated. Making a case that this director deserves far more serious attention than he has received thus far, The Jarmusch Way thoroughly discusses three of his most intriguing films.

DKK 901.00

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The A to Z of American Theater - Felicia Hardison Londre - Bog - Scarecrow Press - Plusbog.dk

The 50-year period from 1880 to 1929 is the richest era for theater in American history, certainly in the great number of plays produced and artists who contributed significantly, but also in the centrality of theater in the lives of Americans. As the impact of European modernism began to gradually seep into American theater during the 1880s and quite importantly in the 1890s, more traditional forms of theater gave way to futurism, symbolism, surrealism, and expressionism. American playwrights like Eugene O''Neill, George Kelly, Elmer Rice, Philip Barry, and George S. Kaufman ushered in the Golden Age of American drama. The A to Z of American Theater: Modernism focuses on legitimate drama, both as influenced by European modernism and as impacted by the popular entertainment that also enlivened the era. This is accomplished through a chronology, an introductory essay, a bibliography, and hundreds of cross-referenced entries on plays; music; playwrights; great performers like Maude Adams, Otis Skinner, Julia Marlowe, and E.H. Sothern; producers like David Belasco, Daniel Frohman, and Florenz Ziegfeld; critics; architects; designers; and costumes.

DKK 450.00

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The 50 Most Dynamic Duos in Sports History - Robert W. Cohen - Bog - Scarecrow Press - Plusbog.dk

Who comprised the most productive pairs in the history of professional team sports? Joe Montana and Jerry Rice of the San Francisco 49ers? Michael Jordan and Scottie Pippen of the Chicago Bulls? What about the prolific hockey tandem of Wayne Gretzky and Mark Messier? And that all-time great New York Yankees twosome of Babe Ruth and Lou Gehrig certainly can't be excluded. Using various selection criteria—including longevity, level of statistical compilation, impact on one’s team, and overall place in history—The 50 Most Dynamic Duos in Sports History attempts to ascertain which twosome truly established itself as the most dominant tandem in the history of the four major professional team sports: baseball, basketball, football, and hockey. Arranged and ranked by sport, this work takes an in-depth look at the careers of these men, including statistics, quotes from opposing players and former teammates, and career highlights. Finally, all 50 duos are placed in an overall ranking. Covering every decade since the 1890s, this book will find widespread appeal among sports fans of all generations. And with photographs of many of the tandems, The 50 Most Dynamic Duos in Sports History is a wonderful addition to any sports historian’s collection.

DKK 680.00

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Historical Dictionary of Shinto - Stuart D.b. Picken - Bog - Scarecrow Press - Plusbog.dk

One of Japan''s major religions, Shinto has no doctrines and there are no sacred texts from which religious authority can be derived. It does not have an identifiable historical founder, and it has survived the vicissitudes of history through rituals and symbols rather than through continuity of doctrine. Shinto is primarily a religion of nature, centered on the cultivation of rice, the basis of a culture with which the western world is not familiar in terms of either its annual cycle or the kind of lifestyle it generates. The roots of the Shinto tradition probably precede this and reflect an awareness of the natural order. The oldest shrines came to be located in places that inspired awe and wonder in their observers, such as the great Fall of Nachi in Kumano, or in mountains that conveyed a sense of power. The expanded second edition of the Historical Dictionary of Shinto relates the history of Shinto through a chronology, an introductory essay, an extensive bibliography, and over 800 cross-referenced dictionary entries on Shinto concepts, significant figures, places, activities, and periods. Scholars and students will find the overviews and sources for further research provided by this book to be enormously helpful.

DKK 1016.00

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Not Your Mother's Vampire - Deborah Wilson Overstreet - Bog - Scarecrow Press - Plusbog.dk

Examining young adult vampire fiction and how it fits in both the contemporary and classic vampire canon, the book''s analysis begins with a primer on vampire scholarship, including a brief deconstruction of ten seminal vampire representations-five literary, five cinematic-and their impact on young adult vampire novels; the evolution of vampires from scary Gothic enemies into postmodern sexualized heroes is traced throughout the book; and the influence of Anne Rice''s Vampire Chronicles. Subsequent chapters examine current young adult vampires novels from such popular horror authors as Amelia Atwater-Rhodes, Christopher Pike, R. L. Stine, Darren Shan, and L. J. Smith, and are divided into three categories based on narrative structure: the process of turning into a vampire, humans and vampires trying to find their way in life, and romantic relationships with a vampire partner. Analysis also addresses vampire conventions (the traditions that exist in each vampire universe), vampires and sexuality, and good and reluctant vampires. The human characters who coexist with vampires in these novels receive the same treatment. Additionally, issues of gender, age, and affectional orientation of human and vampire characters are discussed, as are postmodern constructions of good and evil. Not Your Mother''s Vampire contains an exploration of Buffy the Vampire Slayer, a television phenomenon, which has sparked an entirely new academic field: Buffy Studies. The vampire characters on Buffy and parallel series, Angel, are explored as are a few main humans (slayers and witches alike). The final chapter of the book is an annotated bibliography of seminal vampire scholarship. As the only in-depth examination of young adult vampire novels in existence, this book is essential for students and scholars of the literature.

DKK 521.00

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Dracula's Daughters - - Bog - Scarecrow Press - Plusbog.dk

Almost as long as cinema has existed, vampires have appeared on screen. Symbolizing an unholy union between sex and death, the vampire—male or female—has represented the libido, a “repressed force” that consumed its victims. Early iconic representations of male vampires were seen in Nosferatu (1922) and Dracula (1931), but not until Dracula’s Daughter in 1936 did a female “sex vampire” assume the lead. Other female vampires followed, perhaps most provocatively in the Hammer films of the 1950s, ’60s, and ’70s. Later incarnations, in such films as Near Dark (1987) and From Dusk till Dawn (1996), offered modern takes on this now iconic figure. In Dracula’s Daughters: The Female Vampire on Film, Douglas Brode and Leah Deyneka have assembled a varied collection of essays that explore this cinematic type that simultaneously frightens and seduces viewers. These essays address a number of issues raised by the female vampire film, such as violence perpetrated on and by women; reactions to the genre from feminists, antifeminists, and postfeminists; the implications of female vampire films for audiences both gay and straight; and how films reflected the period during which they were created. Other topics include female vampire films in relationship to vampire fiction, particularly by women such as Anne Rice; the relationship of the vampire myth to sexually transmitted diseases like AIDS; issues of race and misogyny; and the unique phenomenon of teen vampires in young adult books and films such as Twilight. Featuring more than thirty photos spanning several decades, this collection offers a compelling assessment of an archetypal figure—an enduring representation of dark desires—that continues to captivate audiences. This book will appeal not only to scholars and students but also to any lover of transgressive cinema.

DKK 702.00

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