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Music Abbreviations - Donald L. Hixon - Bog - Scarecrow Press - Plusbog.dk

This resource identifies the meanings of abbreviations, acronyms, and initialisms for: -musical terms -monograph and serial titles -academic degrees in music -record labels -music software and computer programs -international, national, and regional organizations -performing groups -music facsimiles and manuscripts -notation conventions -chant designations While it focuses on "classical" music, this volume also includes numerous entries representing jazz and folk music. The first half of the volume is arranged alphabetically by the abbreviation, while the second part is arranged alphabetically by the full form of the entry, followed by the abbreviation. This dictionary is ideal for music lovers and students who want to avoid consulting dozens of music and general dictionaries and encyclopedias to cull the music-specific terms they seek.

DKK 450.00

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More Than Words Can Say - Marv Goldberg - Bog - Scarecrow Press - Plusbog.dk

The story of the Ink Spots is a rags-to-riches story beloved in American mythology. The success of the Ink Spots inspired many others to attempt (some merely mimicking) their popular and musical success. They were, without question, the most influential black vocal group of the 1940s, and one of the earliest to sing "sweet ballads," which they elevated to an art form (although an increasingly formulaic one). Goldberg gets behind the streamers and glitter of the Ink Spots and the publicity machines of record labels, and provides the story of the group''s creation, its music, and its monumental impact on the course of American music. More Than Words Can Say uncovers the mythos and origins of the Ink Spots, from the dramatic stories of finding the band name, to the dozens of individuals who still claim to be original members of the group. Goldberg interviews some of the singers, musicians, and arrangers associated with the original Ink Spots who provide invaluable first-hand accounts of the group. The book discusses the musical environment of the Ink Spots, including the ASCAP/BMI War, gas rationing, War of the Record Speeds, vinyl shortages, and all the lawsuits. Additionally, Goldberg has searched tirelessly through Billboard magazine and theater reviews to get a sense of the Ink Spots'' contemporary reception. Also included is a bibliography of sources and a complete alphabetical listing of Ink Spots recordings released on Decca or Victor labels. A fascinating story filled with excellently researched information and exciting anecdotes, Goldberg''s text brings out the "authentic" story of the Ink Spots, from their origins in the early 1930s through the tumultuous recording world of 1940s and 1950s America.

DKK 689.00

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The Unbroken Circle - Fred Metting - Bog - Scarecrow Press - Plusbog.dk

American folk musicians Ry Cooder and Taj Mahal, once musical partners, have had careers which are at once conservative and innovative, imbuing the best of folk traditions with their own powerful style. In The Unbroken Circle, Fred Metting challenges the musical labels that often bind artists as he explores the inspirational sources behind these two men. Cooder was influenced by ragtime-blues, bottleneck gospel blues, Norteño music, as well as epic folk ballads. Mahal surrounded himself with Afro-Caribbean music, Chicago blues and Hawaiian music. Both of these artists created a collage from these sources, resisting categories and always driving for the emotional center of the musical experience. Metting traces the parallels between the two, in their careers and their musical backgrounds. He demonstrates how American music transcends classification, finding definition in its very fluidity. The result of a study such as this is not only a respect for the earlier musical sources, but also a desire to continue the tradition of adaptation and change. The Unbroken Circle is a book well-suited for music students, American folklorists, and fans of the musicians profiled.

DKK 927.00

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Benny Goodman - David Jessup - Bog - Scarecrow Press - Plusbog.dk

Over the 100 years since Benny Goodman''s birth, interest in his life and music remains as intense as ever—yet there has been no new discographical information since 1996. Benny Goodman: A Supplemental Discography fills that gap, gathering materials uncovered since the last bio-discography of Goodman in 1996. The annotated discography, presented chronologically, updates some previously known information and adds nearly 100 new discoveries, including over 65 previously unknown radio broadcasts, airchecks, and films.Jessup presents new details about live appearances ranging from the mid-1980s back to the 1938 Carnegie Hall Concert, including an analysis of the controversial 1999 Sony reissue of that concert. Jessup also offers an essay detailing some of the difficulties of finding recordings in a digitally progressive age, as "new technology" can assist with—or hinder—collecting and evaluating this vintage music. An additional exploratory discography of smaller, collector-oriented labels describes nearly 400 reissues and collectible LPs, tapes, and CDs personally audited by Jessup and his associates. All 182 shows of the famous "Camel Caravan" radio series (1936-1939) are offered in print for the first time in an authoritative list. The volume concludes with a necrology of those associated personally or professionally with Benny Goodman who have passed away since 1996, and indexes by song title and musician make the material more accessible.

DKK 874.00

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Library Acquisition of Music - Michael R. Fling - Bog - Scarecrow Press - Plusbog.dk

Because music publishing and distribution are largely outside the network of publishers and vendors that libraries use to acquire most of their monographs, there are many inherent difficulties faced by librarians and library staff whose jobs include the acquisition of printed or recorded music. Because of the international nature of the music publishing industry, libraries must often acquire their music stock from many countries and in multiple languages. Fling offers a how-to guide that addresses these issues and provides answers on where and how to acquire these materials. Key features include: Publication and distribution avenues for both printed and recorded music, Directories of vendors that specialize in particular types of music, Techniques for ordering music and dealing with music approval plans, Sources and techniques for finding secondhand and out-of-print music, How to acquire dissertations and microfilm and photographic reproductions of early-music resource, an extended glossary of specialized English and foreign-language terms that appear on published music, publishers' catalogs, and music bibliographies A comprehensive bibliography lists print and Web music resources, including manuals and journals of music librarianship; music editing, publishing, and library acquisitions; directories of music libraries and information centers, record labels, and vendors; music-in-print sources; and national bibliographies of music. The bibliography also contains information on general library acquisitions.

DKK 537.00

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Inside the Recording Studio - Robin Stringer - Bog - Scarecrow Press - Plusbog.dk

As a record producer and administrator, Peter Andry has worked with many of the 20th century''s greatest classical music artists and performers. Through his work with Decca, his years as president of EMI Classics, and his creation and direction of Warner Classics, he has collaborated with high-caliber artists such as Maria Callas, Yehudi Menuhin, and Herbert von Karajan. He associated with them in close quarters through times of work, play, stress, and relaxation. He has admired their talent, dedication, and charisma, as well as coped with their foibles, idiosyncrasies, and egos. In Inside the Recording Studio: Working with Callas, Rostropovich, Domingo, and the Classical Elite, Andry recounts his experiences with these exceptional talents, with whom he worked as a musician, a record producer, and a company executive. Andry presents intimate portraits of brilliant artists—such as Luciano Pavarotti, Joan Sutherland, Sir Thomas Beecham, Otto Klemperer, Sir Simon Rattle, Mstislav Rostropovich, Jacqueline du Pré, and Maxim Vengerov—juxtaposed with the dramatic changes occurring in the recording business during this time, a period that began with 78s and saw successively the advent of LPs, stereo sound, quadraphonic sound, audio cassettes, video, CDs, DVDs, and the growing importance of the internet. A foreword by Plácido Domingo and more than 30 photos of the artists are included along with a discography of Andry''s recordings with the three labels. These memoirs will be fascinating and exciting to anyone interested in the classical music and recording industries.

DKK 644.00

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Revolutionizing Children's Records - David Bonner - Bog - Scarecrow Press - Plusbog.dk

Young People''s Records and Children''s Record Guild were the first commercially significant record clubs in the world. By applying proven book club methods to the field of phonograph records, these two related companies attracted some hundred thousand subscribers at their peak and serviced perhaps a million members in their existence. Revolutionizing Children''s Records: The Young People''s Records and Children''s Record Guild Series, 1946-1977 tells the history of YPR/CRG, explaining how these two labels intersected important developments in the histories of mass marketing, recording technology, educational philosophy, folk music, contemporary composition, and Cold War politics. David Bonner covers in detail the history of YPR/CRG, tracing its influences back to the beginnings of music education in the 19th Century and incorporating the impact of the American folk music revival on music educators. The narrative follows the career paths of the company principals, such as its progressive founder Horace Grenell; the musicians who recorded for him, like American folk music revival pioneer Tom Glazer; and the record industry offshoots they created in the process. Bonner considers advances the club made in recording technology as the first record label devoted exclusively to "unbreakable" vinyl discs and provides a comprehensive summary of record club marketing, including the application of "music appreciation" to phonograph records. He also charts the commercial, critical, and political response to these endeavors, including an historical footnote to the "Red Scare" unavailable in existing Cold War literature. A complete and detailed discography listing every YPR and CRG recording, including all known writers and performers, concludes this excellent reference for scholars, nostalgists, and phonographic fanatics.

DKK 927.00

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An Introduction to Intelligence Research and Analysis - Jerome Clauser - Bog - Scarecrow Press - Plusbog.dk

Since the September 11, 2001 terrorist attacks on United States soil, the intelligence community has been scrutinized on how it performs its functions. Consequently, the 9/11 Commission made several recommendations on how to improve the quality of intelligence analysis. Those charges and the United States'' involvement in a war in Iraq have spawned additional charges of the politicization of intelligence. All this is being played out as the Intelligence Community has reformed and reconfigured itself with newly created departments supported by an expanded and inexperienced workforce that was never envisioned when the intelligence community was formally established in 1947. First published in the 1970s, the classic book An Introduction to Intelligence Research and Analysis was used by intelligence analysts to track and monitor the Communist threat. Although today''s environment has changed considerably since the Cold War, intelligence analysts still need to understand the basics of intelligence analysis. The book focuses on how to do research, what qualities are needed to be an intelligence analyst, and what methods can be employed to help in producing products. To avoid politicization, intelligence analysts should strive to become more transparent in their methodology of how they arrived at their conclusions. Intelligence Research and Analysis provides several methods to assist in that end.

DKK 530.00

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The Classical Revolution - John Borstlap - Bog - Scarecrow Press - Plusbog.dk

The Classical Revolution studies the recent emergence of a new brand of classical music, one rooted in “pre-modern” tonal traditions. Through polemical essays on the conflict between re-emergent tradition and the usual, bland “modern music” in which academic atonalism, process music and attempts to borrow some life from pop and world music form a rather isolated territory, Borstlap examines both the philosophical and aesthetic positions of these new classical composers, positions too often misunderstood because they create a new and unexpected category, not in the margins of music life but directly related to the central performance culture. As Borstlap points out, part of the ongoing problem of contemporary music, a problem first created by modernism, is a profound misunderstanding of musical modernism itself. At the heart of his argument is the distinction between music and “sonic art” a distinction that renders superfluous the loaded labels of “progressive” and “conservative” in disputes over music. Addressing questions of cultural identity, musical meaning, and the aesthetics of beauty, The Classical Revolution closely examines the institutional biases of the modern-music establishment and its all-too-solid grip on the production and reception of new music. By drawing attention to new classical composers in a traditionalist mold, Borstlap illustrates how their increasing success in the realm of performance—as opposed to academic study—bespeaks a broader set of trends in serious contemporary composition. The Classical Revolution is an accessible and informative polemic for music lovers with an interest in the meaning of classical music in general, and the classical tradition in particular which seems to be re-emerging in the 21st century. It should equally interest academics, music directors, promoters, programmers, musicians, and music students alike since here, a wide field of new musical experience opens itself up, with a hopeful perspective on the future of music.

DKK 702.00

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Teaching Information Literacy - Christy Gavin - Bog - Scarecrow Press - Plusbog.dk

A great challenge most instructors face, experienced as well as those new to the field, is to create and deliver diverse, dynamic instruction that will provide students with the tools and knowledge they need to conduct research for their courses and to carry those skills to the workplace. Teaching Information Literacy meets that challenge by providing teaching librarians and others who deliver instruction in information literacy fresh approaches to teaching specific concepts, such as developing a topic and thesis, constructing Boolean search strategies, and evaluating the credibility of a source. The primary pedagogical framework for this book is a concept-based approach that teaches students the information seeking strategies and critical thinking abilities needed to do effective research. Crucial to this approach is the emphasis on thinking skills, which include the basic skills (observing, comparing, contrasting, and classifying) and the more complex skills (analysis, logical reasoning, problem solving, and evaluating). Chapters are arranged sequentially to simulate a typical research process and discuss preparing a research topic and thesis; focus on the search strategies and content evaluation for online book catalogs, periodical databases, and Internet search engines; and give examples of Boolean search methodology that can be applied to each of these research tools. Within each chapter, a set of learning objectives is discussed, followed by class activities, instructor guides, and assessment tools developed by the author and other instructors. This useful book will assist instructors in developing custom assessment instruments and will help them to adapt pertinent content to deepen and enliven lectures.

DKK 680.00

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