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Women as War Criminals - Izabela Steflja - Bog - Stanford University Press - Plusbog.dk

Marked Women - Rebecca G. Martinez - Bog - Stanford University Press - Plusbog.dk

Marked Women - Rebecca G. Martinez - Bog - Stanford University Press - Plusbog.dk

Women in Global Science - Kathrin Zippel - Bog - Stanford University Press - Plusbog.dk

Women in Global Science - Kathrin Zippel - Bog - Stanford University Press - Plusbog.dk

Women and Writing in Modern China - Wendy Larson - Bog - Stanford University Press - Plusbog.dk

Women and Writing in Modern China - Wendy Larson - Bog - Stanford University Press - Plusbog.dk

Analyzing the protracted cultural debate in modern China over what and how women should write, this book focuses on two concepts of great importance in Chinese literary modernization—the new, liberated woman and the new, autonomous writing. Throughout the Ming and Qing dynasties, women''s moral virtue, or de , developed as a physical ordeal that meant sacrifices in the areas of freedom of movement (seclusion in either the father''s or husband''s house) and the body (chastity, fidelity, widow suicide). While physical concepts of virtue existed for men, they were not canonized nearly as extensively as they were for women and did not constitute a marker of masculinity. Posed against de was cai , or literary talent, a male-gendered practice that contained a variable content of profound lyricism, deep intellectuality, and analytical skill. The debate that began at the beginning of the twentieth century over the roles of women and literature was grounded in these traditional views. The author argues that in many modernizing countries traditional constrictions of women became a focus of struggle, and improvements in the treatment of women were considered a sign of national health. In China, however, the traditional emphasis on female virtue and male talent led to protests by women writers against the virtuous woman. Their writings emphasized not the modernizing virtues of equality in love and marriage, nor the mother as educator of a generation of nation-builders, but unconventional relationships and the refusal to marry. Moreover, although national strength demanded a strong female body to represent it, much fiction by women presented the female body as an obstacle to fulfillment or as a form weakened by sickness or death. Rather than emerging as a personal indicator of national health, as the modernizing discourse demanded, the female body in Chinese women''s fiction reflected the old, anti-modern meaning of moral virtue through physical ordeal, which must be effaced.

DKK 606.00
1

Women, the Family, and Freedom - - Bog - Stanford University Press - Plusbog.dk

Women, the Family, and Freedom - - Bog - Stanford University Press - Plusbog.dk

Desiring Women Writing - Jonathan Goldberg - Bog - Stanford University Press - Plusbog.dk

Desiring Women Writing - Jonathan Goldberg - Bog - Stanford University Press - Plusbog.dk

In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women''s writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyer''s Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for women''s writing, and offers accounts of Margaret Roper''s translation of Erasmus and Mary Sidney''s of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the women''s hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Cary''s Mariam . Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the "debasement" of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreation—desires that move across race in Oroonoko ; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Roper''s Devout Treatise .

DKK 884.00
1

Desiring Women Writing - Jonathan Goldberg - Bog - Stanford University Press - Plusbog.dk

Desiring Women Writing - Jonathan Goldberg - Bog - Stanford University Press - Plusbog.dk

In a set of readings ranging from early-sixteenth- through late-seventeenth-century texts, this book aims to resituate women''s writing in the English Renaissance by studying the possibilities available to these writers by virtue of their positions in their culture and by their articulation of a variety of desires (including the desire to write) not bound by the usual prescriptions that limited women. The book is in three parts. The first part begins by pursuing linkages between feminine virtue and the canonical status of texts written by women of the period. It then confronts some received opinions and opens up new possibilities of evaluation through readings of Aemelia Lanyer''s Salve Deus Rex Judaeorum and poems, plays, and fiction by Aphra Behn. The second part studies translation as an allowed (and therefore potentially devalued) sphere for women''s writing, and offers accounts of Margaret Roper''s translation of Erasmus and Mary Sidney''s of Petrarch to show ways in which such work makes a central claim in Renaissance culture. In the third part, the author explores the thematics and practices of writing as exemplified in the women''s hands in an early Tudor manuscript and through the character of Graphina in Elizabeth Cary''s Mariam . Throughout, possibilities for these writers are seen to arise from the conjunction of their gender with their status as aristocrats or from their proximity to centers of power, even if this involves the "debasement" of prostitution for Lanyer or the perils of the marketplace for Behn. The author argues that moves outside the restriction of domesticity opened up opportunities for affirming female sexuality and for a range of desires not confined to marriage and procreation—desires that move across race in Oroonoko ; that imagine female same-gender relations, often in proximity to male desires directed at other men; that implicate incestuous desires, even inflecting them anally, as in Roper''s Devout Treatise .

DKK 240.00
1

Writing Women in Late Imperial China - - Bog - Stanford University Press - Plusbog.dk

Writing Women in Late Imperial China - - Bog - Stanford University Press - Plusbog.dk

Until recently only a handful of women writers were thought to have existed in traditional China, but new scholarship has called attention to several hundred whose works have survived. Coming from the fields of literature, history, art history, and comparative literature, the fourteen contributors to this volume apply a range of methodologies to this new material and to other sources concerning women writers in China from 1600 to 1900. An opening section on courtesans details the lives of individual women and their male admirers—contemporary and subsequent—who imposed an array of meaning on the category of woman writer. The works treated in this section are mainly poetry, although drama also enters in. The second section focuses on the writings of gentrywomen who, confined to the inner quarters of their residences, turned out a body of poetry impressive both for its volume and for the number of authors involved. The third section takes up the issue of contextualization: how male writers situated women''s poetry in their essays, stories, and travelogues. The fourth section pursues the same issue, but with reference to China''s greatest work of fiction, Dream of the Red Chamber , first published in 1792, most of whose leading characters are talented gentrywomen. The volume concludes with a chapter by a specialist in comparative literature, who relates the concerns of the other chapters to literary and feminist studies outside the China field.

DKK 405.00
1

Women and the Family in Rural Taiwan - Margery Wolf - Bog - Stanford University Press - Plusbog.dk

Women in Africa - - Bog - Stanford University Press - Plusbog.dk

Women Traders in Cross-Cultural Perspective - Linda J. Seligmann - Bog - Stanford University Press - Plusbog.dk

Women Traders in Cross-Cultural Perspective - Linda J. Seligmann - Bog - Stanford University Press - Plusbog.dk

This innovative volume studies women as economic, political, and cultural mediators of space, gender, value, and language in informal markets. Drawing on diverse methodologies—multisited fieldwork, linguistic analysis, and archival research—the contributors demonstrate how women move between and knit together household and marketplace activities. This knitting together pivots on how household practices and economies are translated and transferred to the market, as well as how market practices and economic principles become integral to the nature and construction of the household. Exploring the cultural identities and economic practices of women traders in ten diverse locales—Bolivia, Ghana, Hungary, India, Indonesia, Mexico, Morocco, Nicaragua, Peru, and the Philippines—the authors pay special attention to the effects of global forces, national economic policies, and nongovernmental organizations on women’s participation in the market and the domestic sector. The authors also consider the impact that women’s economic and political activities—in social movements, public protests, and more hidden kinds of subversive behavior—have on state policy, on the attitudes of different sectors of society toward female traders, and on the dynamics of the market itself. A final theme focuses on the cultural dimension of mediation. Many women traders straddle cultural spheres and move back and forth between them. Does this affect their participation in the market and their identities? How do ties of ethnicity or acts of reciprocity affect the nature of commodity exchanges? Do they create exchanges that are neither purely commodified nor wholly without calculation? Or is it more often the case that ethnic commonalities and reciprocity merely mask the commodification of social and economic exchanges? Does this straddling lead to the emergence of new kinds of hybrid identities and practices? In considering these questions, the authors specify the ways in which consumers contribute to identity formation among market women.

DKK 271.00
1

Women, Privilege, and Power - - Bog - Stanford University Press - Plusbog.dk

Women, Privilege, and Power - - Bog - Stanford University Press - Plusbog.dk

This book examines the many different ways in which women achieved public standing and exercised political power in England from the middle of the eighteenth century to the present. It shows how rank, property, and inheritance could confer de facto power on privileged women, and how across the centuries the arrogance of birth and title empowered aristocratic women to overawe enfranchised men of lower social standing. The essays contribute to an ongoing “rethinking of the political,” a consequence in part of the rediscovery of the work of Jürgen Habermas by political and social historians. For Habermas, the public sphere included print media and voluntary associations, and the contributors stress the extent of female engagement in political culture broadly conceived. However, they extend this definition of the public sphere further still to include the “private” world of family connections and friendship networks, within which political ideas were debated and new social practices played out. Many of the essays are inspired by a related effort to reintegrate radical female activists within their political milieu. Although feminist hagiography has accustomed us to see female activists as heroic outsiders rising sui generis from a hostile environment, recent research restores them to their intellectual and familial contexts. Finally, the contributors explore the limits and possibilities of women’s citizenship both before and after winning the right to vote. Together, the essays tell a continuous and complex story, redefining political activity and reassessing the turning points of British political history.

DKK 747.00
1