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Slow Print - Elizabeth Carolyn Miller - Bog - Stanford University Press - Plusbog.dk

Networking Print in Shakespeare's England - Blaine Greteman - Bog - Stanford University Press - Plusbog.dk

Reading Typographically - Geoffrey Turnovsky - Bog - Stanford University Press - Plusbog.dk

An American Bible - Paul Gutjahr - Bog - Stanford University Press - Plusbog.dk

An American Bible - Paul Gutjahr - Bog - Stanford University Press - Plusbog.dk

" An American Bible is an extremely compelling piece of cultural history that succeeds in making rich rather than schematic sense of the major dramas that lay behind the production of over 1,700 different American editions of the Bible in the century after the American Revolution. Gutjahr''s book is especially powerful in demonstrating how nineteenth-century efforts to purge the Bible of textual and translational impurities in search of an ''authentic'' text led ironically to the emergence of entirely new gospels like the Book of Mormon and the massive fictionalized literature dealing with the life of Christ." —Jay Fliegelman, Stanford University During the first three-quarters of the nineteenth century, American publishing experienced unprecedented, exponential growth. An emerging market economy, widespread religious revival, educational reforms, and innovations in print technology worked together to create a culture increasingly formed and framed by the power of print. At the center of this new culture was the Bible, the book that has been called " the best seller" in American publishing history. Yet it is important to realize that the Bible in America was not a simple, uniform entity. First printed in the United States during the American Revolution, the Bible underwent many revisions, translations, and changes in format as different editors and publishers appropriated it to meet a wide range of changing ideological and economic demands. This book examines how many different constituencies (both secular and religious) fought to keep the Bible the preeminent text in the United States as the country''s print marketplace experienced explosive growth. The author shows how these heated battles had profound consequences for many American cultural practices and forms of printed material. By exploring how publishers, clergymen, politicians, educators, and lay persons met the threat that new printed material posed to the dominance of the Bible by changing both its form and its contents, the author reveals the causes and consequences of mutating God''s supposedly immutable Word.

DKK 271.00
1

The Sensational Proletarian - Kimberly Chung - Bog - Stanford University Press - Plusbog.dk

The Sensational Proletarian - Kimberly Chung - Bog - Stanford University Press - Plusbog.dk

Starving ghosts, anguished farmers, and grieving mothers. Floating heads, gaunt bodies, and masses of bodily fluids. Such are the visceral sensations, exaggerated affects, and suffering subjects that characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by figures like migrant workers, tenant farmers, and everyday families proliferated. Yet at the time such representations were criticized as excessively grotesque and insufficiently political by leftist intellectuals, and they have subsequently been overlooked by scholars in favor of socialist realism and its dynamic proletarian heroes. The Sensational Proletarian, by contrast, focuses on these textual and visual representations to tell the story of how new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the lower-class body. Kimberly Chung traces the emergence of "the sensational proletarian" as a central figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean efforts not only to grapple with modernity, imperialism, and capitalism, but to do so using the new political ideology and imaginary of Marxism. This book brings to light the centrality of sensational cultures in the development of class politics in Korea, an integral relationship that continues throughout modern and contemporary Korean cultural history.

DKK 609.00
1

Men and the Making of Modern British Feminism - Arianne Chernock - Bog - Stanford University Press - Plusbog.dk

Paper Machine - Jacques Derrida - Bog - Stanford University Press - Plusbog.dk

Paper Machine - Jacques Derrida - Bog - Stanford University Press - Plusbog.dk

Ordinary Egyptians - Ziad Fahmy - Bog - Stanford University Press - Plusbog.dk

Epistolary Bodies - Elizabeth Heckendorn Cook - Bog - Stanford University Press - Plusbog.dk

Palestinian Village Histories - Rochelle Davis - Bog - Stanford University Press - Plusbog.dk

Palestinian Village Histories - Rochelle Davis - Bog - Stanford University Press - Plusbog.dk

Enlightenment Links - Collin Jennings - Bog - Stanford University Press - Plusbog.dk

Stalin's Usable Past - David Brandenberger - Bog - Stanford University Press - Plusbog.dk

Social Systems - Niklas Luhmann - Bog - Stanford University Press - Plusbog.dk

Binding Media - Elika Ortega - Bog - Stanford University Press - Plusbog.dk

Binding Media - Elika Ortega - Bog - Stanford University Press - Plusbog.dk

Far from causing the "death of the book," the publishing industry's adoption of digital technologies has generated a multitude of new works that push the boundaries of literature and its presentation. In this fascinating new work, Élika Ortega proposes the notion of "binding media" — a practice where authors and publishers "fasten together" a codex and electronic or digital media to create literary works in the form of hybrid print-digital objects. Examining more than a hundred literary works from across the Americas, Ortega argues that binding media are not simply experimentations but a unique contemporary form of the book that effectively challenges conventional regional and linguistic boundaries. Furthermore, the book demonstrates that binding media have remained marginal in the publishing industry due to technological imperatives like planned obsolescence and commercial ones like replicability and standardization that run counter to these bespoke literary projects. Although many binding media and other hybrid publishing initiatives have perished, they've left behind a wealth of material; collecting and tracing the residues of these foreshortened projects, Ortega builds a fascinating history of hybrid publishing. Ultimately, this essential account of contemporary book history highlights the way binding media help illuminate processes of cultural hybridization that have been instigated by the expediency of globalized digital technologies and transnational dynamics.

DKK 648.00
1

Digital Codicology - Bridget Whearty - Bog - Stanford University Press - Plusbog.dk

Digital Codicology - Bridget Whearty - Bog - Stanford University Press - Plusbog.dk

Medieval manuscripts are our shared inheritance, and today they are more accessible than ever—thanks to digital copies online. Yet for all that widespread digitization has fundamentally transformed how we connect with the medieval past, we understand very little about what these digital objects really are. We rarely consider how they are made or who makes them. This case study-rich book demystifies digitization, revealing what it's like to remake medieval books online and connecting modern digital manuscripts to their much longer media history, from print, to photography, to the rise of the internet. Examining classic late-1990s projects like Digital Scriptorium 1.0 alongside late-2010s initiatives like Bibliotheca Philadelphiensis, and world-famous projects created by the British Library, Corpus Christi College Cambridge, Stanford University, and the Walters Art Museum against in-house digitizations performed in lesser-studied libraries, Whearty tells never-before-published narratives about globally important digital manuscript archives. Drawing together medieval literature, manuscript studies, digital humanities, and imaging sciences, Whearty shines a spotlight on the hidden expert labor responsible for today's revolutionary digital access to medieval culture. Ultimately, this book argues that centering the modern labor and laborers at the heart of digital cultural heritage fosters a more just and more rigorous future for medieval, manuscript, and media studies.

DKK 692.00
1

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.

DKK 884.00
1

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Digital Victorians - Paul Fyfe - Bog - Stanford University Press - Plusbog.dk

Perhaps no period better clarifies our current crisis of digital information than the nineteenth century. Self-aware about its own epochal telecommunications changes and awash in a flood of print, the nineteenth century confronted the consequences of its media shifts in ways that still define contemporary responses. In this authoritative new work, Paul Fyfe argues that writing about Victorian new media continues to shape reactions to digital change. Among its unexpected legacies are what we call digital humanities, characterized by the self-reflexiveness, disciplinary reconfigurations, and debates that have made us digital Victorians, so to speak, struggling again to resituate humanities practices amid another technological revolution. Engaging with writers such as Thomas De Quincey, George Eliot, George du Maurier, Henry James, and Robert Louis Stevenson who confronted the new media of their day, Fyfe shows how we have inherited Victorian anxieties about quantitative and machine-driven reading, professional obsolescence in the face of new technology, and more—telling a longer history of how writers, readers, and scholars adapt to dramatically changing media ecologies, then and now. The result is a predigital history for the digital humanities through nineteenth-century encounters with telecommunication networks, privacy intrusions, quantitative reading methods, remediation, and their effects on literary professionals. As Fyfe demonstrates, well before computers, the Victorians were already digital.

DKK 246.00
1

City of Sediments - Se Mi Oh - Bog - Stanford University Press - Plusbog.dk

City of Sediments - Se Mi Oh - Bog - Stanford University Press - Plusbog.dk

Once the capital of the five-hundred-year Choson dynasty (1392–1897) and the Taehan Empire (1897–1910), the city of Seoul posed unique challenges to urban reform and modernization under Japanese colonial rule in the early twentieth century, constrained by the labyrinthian built environment of the old Korean capital. Colonial authorities attempted to employ a strategy of "erasure"—monumental Japanese architecture was, for instance, superimposed upon existing palace structures—to articulate to colonized Korean subjects the transition from the pre-modern to the modern, and the naturalization of colonial rule as inevitable historical change. Drawing from and analyzing a wide range of materials, from architecture and photography to print media and sound recordings, City of Sediments shows how Seoul became a site to articulate a new mode of time—modernity—that defined the place of the colonized in accordance with the progression of history, and how the underbelly of the city, latent places of darkness filled with chatters of the alleyway, challenged this visual language of power. To do so, Se-Mi Oh builds an inventive new model of history where discrete events do not unfold one after the other, but rather one in which histories layer atop each other like sediment, allowing a new map of colonial Seoul to emerge, a map where the material traces of the city are overlapping, with vibrant residues of earlier times defiantly visible among the superimposed signs of modernity and colonial domination.

DKK 732.00
1