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The Guitar Of Bukka White

The Guitar Of Bukka White

Bukka White's slashing slide figures and pounding chords are capable of generating a high level of excitement, capable of leaving dancers joyously exhausted. Yet there is also a sensitivity and a sense of dynamics to his music. Bukka's lyrics ran the gamut from the perceptive to the surreal. The combination of these two voices places Bukka squarely within the blues tradition and in his own unique niche.In this lesson Tom Feldmann takes you through 10 of Bukka White's tunes. Starting off in Vestapol tuning you'll get his right hand, train beat picking down pat with Special Streamline. Next you'll learn to master playing in Cross-Note tuning with Jitterbug Swing, Aberdeen Mississippi Blues, World Boogie and Sic Em Dogs On.Bukka's approach to Cross-Note tuning set him apart from his contemporaries and will add a new depth to your own playing. You'll learn Bukka's trick of dampening the 3rd string, behind the slide as well as his signature ?Spank the Baby? technique, a real crowd pleaser. Moving into Open G tuning you'll learn Poor Boy, Fixin' To Die Blues and Gibson Hill. The lesson finishes with When Can I Change My Clothes and Strange Place Blues in Standard Tuning.These carefully selected songs where chosen on the basis that Bukka used similar patterns for many of his songs and by learning these 10 you're really learning his entire recorded works. The original old recordings of all the tunes are included.Titles include: OPEN D TUNING: Special Streamline CROSS-NOTE TUNING: Jitterbug Swing, Aberdeen Mississippi Blues, World Boogie, Sic Em Dogs On OPEN G TUNING: Poor Boy, Fixin' To Die Blues, Gibson Hill STANDARD TUNING: When Can I Change My Clothes, Strange Place Blues112 minutes ? Level 2/3 ? Detailed tab/music PDF file on the DVD

DKK 242.00
1

The Guitar Artistry Of Chris Proctor - Morning Thunder

The Guitar Artistry Of Chris Proctor - Morning Thunder

In The Guitar Artistry Of Chris Proctor the National Fingerstyle Guitar Championship winner talks about his style and influences as well as giving dazzling performances on both 6- and 12- string guitars.Chris Proctor falls squarely into the ?New World? steel-string guitar style. Beginning with pop and rock music, Chris was soon drawn to the country blues. After exploring that tradition, he studied classical and jazz music, the traditional music of the British Isles, bluegrass and old-time Appalachian music, and, finally, began to investigate the world of the 12-string guitar.In 1982, Chris won the U.S. National Fingerstyle Guitar Championship and released his first recording, ?Runoff.? That recording, and the 8 that followed on the Flying Fish, Rounder, Windham Hill and Sugarhouse labels over the next 27 years, elevated Chris to the top rank in the steel-string world. Chris also wrote articles and books, filmed instructional videos of his transcriptions and techniques, created the guitar workshop program for Taylor Guitars, and designed the Taylor Chris Proctor Signature Model guitar.Beginning in the year 2000, Chris broadened his original focus on new music to include reinterpreting music of his diverse set of original influences. His performances today are a primer on the acoustic guitar music of the ?New World.? They feature original guitar techniques and devices invented and adapted by Chris, and they convey a striking array of tones, textures and moods.Titles include: Tap Room, Hot Spot, War Games, Ozymandias, Beppe, Ladybug Stomp, Nights in White Satin, Bach to Ireland, Late Again, Interstate, Morning Thunder, The Last Steam Engine Train, Revisiting the Sailor?s Grave, Gecko Drive and Medley:A Scarce O? Tatties/The Lyndhurst Jig    Review: Watching Taylor fingerstylist and original workshop clinician Chris Proctor in his new DVD Morning Thunder is an enlightening exercise. Proctor has always been an intrepid guitar explorer, and his expansive approach to guitar composition and playing is likely to leave your head percolating with fresh ideas to apply to your own fretboard excursions.    In the DVD, released through Stefan Grossman?s Vestapol Videos (www.guitarvideos.com) as part of Grossman?s ?Guitar Artistry? series, Proctor intersperses solo performances, played on his signature model rosewood Grand Concert and maple 12-string, with interview segments as he shares his influences and evolutionary steps as a player. He talks about the merits of composing with one?s head versus one?s hands, explains his approach to arranging and interpreting, and highlights the tools he uses to bring new textures to the acoustic guitar, like partial capos, the EBow, and alternate tunings.    Proctor?s rich aptitude for so many different styles of music, from blues and traditional Celtic to classical and jazz, inform his ?New World? approach, which synthesize different idioms in fresh ways, much like fingerstyle mavericks Leo Kottke and John Fahey, both of whom are significant influences. The DVD performances include a sweet version of Kottke?s ?Revisiting the Sailor?s Grace? and Fahey?s ?The Last Steam Engine Train,? along with Celtic medleys and Proctor?s original compositions, including the new tune ?Gecko Drive.?    Though the DVD doesn?t adhere to a traditional-style instr

DKK 214.00
1

Duck Baker: The Music of Thelonious Monk

Pat Kirtley: Introduction To Alternate Tunings

Eric Bibb: Guitar Artistry

Eric Bibb: Guitar Artistry

Eric Bibb was raised in the folk tradition, the son of the folk singer Leon Bibb. Bibb?s uncle was the world-famous jazz pianist and composer, John Lewis, part of the Modern Jazz Quartet. Bibb was raised in a music-filled household, as family friends in the 1950s and 1960s included Pete Seeger, Odetta, Bob Dylan, and the late Paul Robeson, who was named Eric?s godfather. Bibb got his first steel guitar at age seven, and he got some advice from Dylan that he never forgot, to ?keep it simple, forget all that fancy stuff.? When he was 16, his father asked him to play guitar in the house band for his TV talent show, Someone New.In 1970, Eric left New York City for Paris, where he met with guitarist Mickey Baker. There he began to focus on blues guitar and after moving to Stockholm, he became enamored with prewar blues. A breakout performance at the 1996 London Blues Festival catapulted Eric to a higher level of visibility. Since then he has toured the world, performing at concert halls and major festivals. He has toured with Robert Cray, Keb Mo, Corey Harris and even opened shows for Ray Charles.Eric earned a Grammy nomination for his collaboration (with Taj Mahal and others) on the children?s record, SHAKIN? A TAILFEATHER. His album PAINTING SIGNS was recognized by New Age Voice as a Finalist for Best Folk Album of 2001. He joined Maria Muldaur and Rory Block to record the gospelflavored SISTERS & BROTHERS, and then released FRIENDS, a collection of duets with Taj Mahal, Odetta, and others. He has been nominated for many W.C. Handy Awards in a variety of categories. Eric?s rich and sensitive vocals and lyrics provide a perfect balance to his fine fingerpicking technique. Purveying a beautifully realized and deftly accomplished soulful folk-blues, Eric has no problem blending various genres effortlessly, melding a traditional rootsy American style with a subtle, contemporary sensibility.

DKK 214.00
1

Woody Mann: Fingerstyle Blues Guitar

John Miller: Hillbilly Blues Guitar

John Miller: Hillbilly Blues Guitar

As the Country Blues began to be recorded, in the mid-1920s, it soon became apparent that the music was being played and appreciated not only by African-American musicians and audiences, but by white musicians and audiences as well. Many of these white musicians played with and learned from black musicians, for even in the Jim Crow Era there was always a good deal of musical interaction and exchange. So it is that the term "Hillbilly Blues" can be used to describe the music made by white musicians of that era in the Country Blues style. Included on this DVD are songs from Clarence Greene, known mostly as a fiddler, but an ace guitarist, Dick Justice, who in his one day in the recording studio waxed ten masterful performances, Frank Hutchison who excelled at lap slide, harmonica on a rack and conventional blues picking, Sam McGee, a banjo and guitar master who went on to star on the Grand Ole Opry, Hobart Smith, a musical powerhouse, Maybelle Carter, a rocksteady and beautifully lyrical player who may have been the most influential of the bunch and Emry Arthur, a soulful singer and player who recorded one of the earliest versions of Man Of Constant Sorrow.The songs selected for inclusion on the DVD have been chosen to introduce you to a variety of different keys and playing positions, as well as a host of different right hand techniques.A PDF included on the DVD offers not only detailed transcriptions of the songs, but the songs' lyrics, too. All of the original performances by the musicians are included on the DVD as bonus tracks, both as references and for your listening enjoyment.

DKK 242.00
1

Spiced Up Fingerstyle Arrangements : Taught by Cory Seznec

Spiced Up Fingerstyle Arrangements : Taught by Cory Seznec

This lesson features a mixed bag of six songs arranged in a variety of ways with the idea of adding some spicy seasoning to the fingerpicker’s cookbook. The lesson employs tricks and licks that Cory has picked up over the years in his quest to find his own “style”. In this almost four hour lesson each song has it’s own built-in exercises for fingerpicker’s looking to head in new directions. The old standard A Sin To Tell A Lie becomes a highly arpeggiated waltz with some fun licks up the neck. Somebody Stole My Gal incorporates counterpoint, chord inversions, and nice bass movement. The old jug band tune Sadie Green (The Vamp of New Orleans) gets revamped with a feel that bounces from down low New Orleans rumba to punchy ragtime picking and back again. A highly unorthodox treatment of Blind Willie McTell’s East St Louis Blues gets deep into Cooder-esque syncopation, and a chorus was added to make it a little less repetitive. The instrumental “showpiece” No Hiding Place was influenced by Cool John Ferguson’s virtuosic zinger off of a Music Maker Relief Foundation music compilation (likely Ferguson’s take on the old gospel number No Hiding Place Down Here), and then taken on a bunch of detours. Those looking to “Africanize” their playing will enjoy Cory’s take on The Parting Glass which takes this old Celtic drinking ballad on a trip to east Africa, featuring funky polyrhythms and muted strings in 12/8. Titles include: Somebody Stole My Gal, A Sin To Tell A Lie, East St Louis Blues, Sadie Green (The Vamp of New Orleans), No Hiding Place, The Parting Glass

DKK 302.00
1

John Miller: Expanding Chordal Horizons

John Miller: Expanding Chordal Horizons

In Expanding Chordal Horizons, master guitarist/instructor John Miller returns to the topic of chord theory. Building on the foundation established in his previous set, Intro to Chord Theory and Chord Voicing, John starts from the assumption that the student has a working familiarity with voicing 7th and 6th chords up and down the neck in a variety of shapes. From there, it is a short step to hybrid 7th chords, 9th and 6 9 chords, 13th chords and chordal inversions, all of which are dealt with in disc one of the lesson. In the course of learning how to voice these different chord types, you?ll also learn their sounds, and how to use them in the context of a song. Along the way, John introduces a Bossa Nova picking pattern to expand your ability to provide rhythmic accompaniment.In the PDF study guide that accompanies the lesson, you will be provided with templates to create your own chordal diagrams for the new voicings you have been learning, and by diagramming the chords yourself, you?ll engage with the material and absorb and understand it in a way that never happens when simply taking chords from a chord dictionary or finding them on the Internet. Disc two builds on the lessons taught in disc one and further solidifies your command of the material. The songs that John has chosen as teaching vehicles have been selected for their qualities as teaching pieces, as well as their musical appeal.If you are interested in understanding how to get around on the guitar and voice chords up and down the neck, Expanding Chordal Horizons will get you well on your way. And the understanding that you build will equip you to problem solve and create your own voicings in the future as you encounter new songs or to utilize your new knowledge in your own songs and compositions. It?s exciting to venture into these new areas!

DKK 306.00
1

John Renbourn And Stefan Grossman In Concert

Fred Sokolow: Better Lead Guitar Through Chords (DVD)

Tom Feldmann: Bottleneck Gospel Guitar

Bob Brozman And Woody Mann: Country Blues Guitar Duets (DVD)

Duck Baker: Classic American Folk Blues

The Guitar Of Blind Blake Taught By Woody Mann

Fred Sokolow: Understanding Chord Progressions

Fred Solokow: Rockabilly Guitar

Guitar Artistry Of Ernie Hawkins - Blues And Ragtime Guitar

Beginner's Blues Guitar

Guitar Styles And Techniques Of Jerry Reed

Hot Licks, Rhythms And Grooves (DVD)

Guitar Artistry Of David Laibman

Christmas Carols And Songs For Fingerstyle Guitar DVD