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Jazz Rock Guitar Of Mickey Baker And The Alex Sanders Funk Time Band

Mickey Baker, best known for his Mickey & Slyvia hit Love is Strange, lived in France for the last thirty years of his life. During that time he played jazz as well as delving back into the roots of Black American music. As a result he began to experiment with various country blues techniques and styles. This exploration led to his album Blues and Jazz Guitar of Mickey Baker (SGGW107). At the same time he also began to perform as a solo jazz and blues artist which was quite different than his past where he usually fronted either a jazz or a rock band. His solo blues playing took him around Europe and during the last years of his touring throughout Africa on three occasions. On his last tour of Africa he was joined by the excellent bass player Alex Sanders and Mickey's show was able to expand to the full gambit of his musical experiences - from country blues to jazz. During this tour Alex and Mickey started to compose together and decided to try and record an album that would highlight their sounds and explorations. This is, in fact, the first jazz rock guitar album that Mickey Baker has ever done. It is full of surprises and intriguing sounds from a rendition of Rachmaninoff's Prelude In C# Minor to the disco sound of Alexander's Funk Time to the 7/4 of Ouagadougou. Plus for this album Mickey combined his skills of being one of the finest jazz guitarists with those of a teacher and prepared a tab/music booklet for students.

DKK 122.00

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Advanced Techniques Fingerpicking Guitar : Level 3

This lesson is intended for advanced players looking for ways to voice chords and arrange tunes in ways that sound rich and complex but feel nimble under the hands. We’ll look mostly at arrangements I’ve made of blues and fiddle melodies, and also look at the playing of the remarkable Johnny St. Cyr. We begin our lesson with Ma Rainey’s Yonder Comes The Blues. This is followed by Jelly Roll Morton’s Jelly Roll Blues. Composed in 1915 and was one of the first published jazz compositions. Johnny St. Cyr was a famous New Orleans musician who played both guitar and the sixstring banjo. He recorded with Louis Armstrong's Hot Five and Hot Seven bands. He also played with Jelly Roll Morton's Red Hot Peppers. His Guitar Blues is a tour-de-force and challenge for any fingerstyle guitarist. We finish our lesson with the Mineola Rag first recorded by the East Texas Serenaders.

DKK 234.00

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Novelty Instrumentals Of Rev. Gary Davis

In this lesson Ernie Hawkins teaches three Rev. Davis arrangements that will challenge your fingers. Rev. Gary Davis's tour de force in concert was his Soldiers March. This is a multipart instrumental played in the Key of F and C and is a showcase in demonstrating the genius of Rev. Davis's playing and arranging skills. Few country blues guitarists played in the Key of F but Rev. Davis explored this key with religious as well as old pop standards. Darktown Strutters Ball is a fascinating arrangement that captures the atmosphere of the 1920s. Rev. Davis use to tell his students that playing with a bottleneck was ?cheating?. Yet his Whistlin' Blues uses this technique combined with an Open D6 tuning to create an unusual boogie piano sound. Ernie Hawkins teaches each tune phrase by phrase and carefully shows you the right hand picking as well as the left hand fingerings that were unique to Rev. Davis's approach. You will be able to easily follow the instruction with the tab/music booklet. Also featured are split screen segments where each section is played slowly and you can study the movements of each hand. As a bonus we have included various audio performances of Rev. Davis playing each song. Titles include: Soldiers March (United States March), Darktown Strutters Ball and Whistlin' Blues.

DKK 242.00

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Bert Jansch Conundrum: Guitar Artistry (In Concert 1980)

After Pentangle split in 1973, Bert Jansch returned to his prolific solo career but missed playing in a group context. The Bert Jansch Conundrum came into existence as the 1970s waned. Jansch recorded a solo album called A Rare Conundrum in 1977, with mandolinist Rod Clements and fiddler Mike Piggott as supporting players. When Piggott was unable to go out on a Scandinavian tour, Martin Jerkins hired on to play violin on the dates. They hit it off and Nigel Portman-Smith came aboard to play bass. They toured Europe and America. Bert recalled: ?I got to know Martin in that period between the original Pentangle splitting up and the beginning of the eighties. I knew him pretty well and we did a lot of gigs together. At one point we were playing with Rod Clements, who used to be in Lindisfarne and Pick Withers on drums - I seem to remember Mike Piggott was involved as well; I?ve been in so many different line-ups I just can?t honestly remember!?The first part of this DVD collection presents Bert Jansch Conundrum in concert, recorded in Athens, Ohio. This is followed by three tunes by Bert and Martin recorded in 1978 in Stockholm, Sweden. The DVD concludes with a documentary that Bert recorded in 1985 that combines interviews, solo concert performances and rehearsals.

DKK 214.00

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Ton Van Bergeyk: Fingerstyle Jazz Guitar - Volume 2 (Book/3 CDs)

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk 's renditions of Duke Ellington's Jubilee Stomp and Take It Easy , Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm .

DKK 309.00

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David Bromberg And His Big Band In Concert

For a man who quit an established recording career in order to study the fine art of making violins, David Bromberg sure knows how to work a room. A veteran sideman to Dylan, Ringo Starr and Jerry Jeff Walker, as well as a solo performer and bandleader of more than 40 years standing, the bearded and bespectacled Bromberg may have kept a low profile through the so-called MTV era. But he didn't sleep through the more recent recording industry implosion and its attendant rise of the Pod People. Rather, he took his boundary busting energy back to the live stage, with the Count Basie Theatre in Red Bank, New Jersey playing a big role in this master entertainer's game plan.The multi-instrumentalist and musicologist has made the Count Basie Theatre a crucial pit stop in his annual tour schedule for each of the last four years ... While Bromberg may take the spotlight for an unaccompanied number or two, it's his role as bandleader and raconteur that prompted the New York Times to brand him "electrifying." A performance by the 12-piece David Bromberg Big Band fireballs forward like a bull in a used record shop, tracing its own musical logic - Bob Wills to Bob Dylan to Bo Diddley to Dave Dudley - with station stops anywhere from Sam Cooke to "a bluegrass tribute to Ethel Merman." Not to mention some fondly remembered originals from his vintage albums and a lot of things that you thought had been written by the Grateful Dead, Patsy Cline, Cab Calloway or even the Clash.Titles include: Sloppy Drunk, I'll Take You Back, Dark Hollow, Make Me A Pallet On Your Floor, Who's Lovin' You Tonight, This Love Affair, Tongue, It Takes A Lot To Laugh It Takes A Train To Cry, If You Don't Want Me, Nobody's, Sharon and Driving Wheel

DKK 214.00

1

Ton Van Bergeyk: Fingerstyle Jazz Guitar - Volume 1 (Book/3 CDs)

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This volume presents his renditions of Jelly Roll Morton's Kansas City Stomp and King Porter Stomp , the classic American Songbook tunes If I Had You, Moonlight Serenade and Somewhere Over The Rainbow and the Beatles' Lady Madonna .

DKK 309.00

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Rick Udler: The Brazilian Sound for Fingerstyle Guitar

Brazil has produced some of the most vibrant and exciting guitar music in the instrument's history. In this lesson, Rick Udler discusses and demonstrates styles, techniques, and rhythms of Brazil's great players. This is a unique opportunity for guitarists to delve into the beautiful sounds of this musical land. Rick begins by going over chords that are commonly used by Brazilian guitarists. He then teaches the accompaniment to singer/songwriter Gilberto Gil's beautiful composition, "A Paz", to illustrate the use of chords with open strings. A step-by-step analysis of Bossa Nova accompaniment in the João Gilberto style follows along with suggestions on how to develop a better feel for this sophisticated, syncopated groove. The solo guitar rendition of the Antonio Carlos Jobim/Newton Mendonça classic "One Note Samba" will be a welcome addition to many players repertoires with it's rhythmic drive and rich harmony. Samba rhythms are then explored with examples that are sure to enhance one's groove and arsenal of techniques. Rick also gives examples of inner string movement which will prove invaluable to those looking for ways to generate more excitement and authenticity in their comping. A sambified version of "Happy Birthday" demonstrates how to apply these techniques to a familiar tune and make it sound fresh.And, to provide an even greater challenge for all players, Rick gives a detailed analysis of his tour de force solo guitar piece "Amigo Paulo", composed as an homage to his friend, guitar legend Paulinho Nogueira (1927-2003). This tune with it's choro influences incorporates many of the techniques Rick learned directly from the master and is sure to provide much musical food for thought for players who are looking for innovative new colours and textures to add to their playing.

DKK 242.00

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Masters Of The Ragtime Guitar

Ragtime guitar is one of the most exciting and complex styles for a guitarist to master. The techniques involved can become very complicated and for a novice these can sometimes interfere with the spirit of the music. But in the hands of a talented and experienced guitarist this music can capture a unique texture as well as being one of the most rhythmic and attractive musical forms known. This album presents four of the leading exponents of ragtime guitar. Their approach to ragtime differs, yet each one manages to capture that all important element called "feel."Duck Baker's playing on his nylon strung flamenco guitar has excited audiences throughout Europe, Japan and America. He brings an energetic spirit to each tune that he plays. His right hand technique coupled with the use of a flamenco guitar creates a strong and rhythmic sound.Tim Nicolai also uses a nylon strung guitar though his technique is more classical oriented. His rendition of Solace - A Mexican Serenade demonstrates clearly how well classic rags can be adapted to a classical guitar approach. The shades and tones of Tim's arrangements show a gentleness and true understanding for the music.Likewise the Dutch Wizard, Ton Van Bergeyk brings his own touch and humor to two original ragtime oriented instrumentals. Ton's command of the steel string guitar is very impressive. His arrangements combine many elements and clearly show his love for the music of Scott Joplin to Glenn Miller! Ton has recorded several solo albums on as well as being heavily featured on the album I Got Rhythm (SGGW133).Lasse Johansson adds another approach to ragtime guitar with his four solos. His version of Creole Belles is very interesting and demonstrates how successfully a brass band arrangement can be adapted to the guitar. It is also interesting to hear this composition as one of the sections has become very popular through the playing and recordings of Mississippi John Hurt.Lasse's duets with Claes Palmqvist are fine examples of the art of duet guitar arrangements.Together they have created delicate and yet spirited version of two well known rags. Both arrangements are highly successful and each adds a different dimension to their collaborations.This collection is an exciting tour de force in ragtime guitar. Duck, Ton, Tim, Claes and Lasse are truly masters of this style. And as usual the guitar players who are eager to try to pick up these tunes will have a happy time with the PDF tab/music booklet that has been prepared to go along with this project and can be found on the CD. This booklet presents many of the tunes played.

DKK 122.00

1

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