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Buster B. Jones: Back Porch Picking

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 2

Buster B. Jones: Fingerstyle Guitar From The Ground Up Volume 1

From The Woodshed To The Stage - Volume One

From The Woodshed To The Stage - Volume Two

Guitar Styles And Techniques Of Jerry Reed

Hot Licks, Rhythms And Grooves (DVD)

Fred Sokolow: The Music Of Bessie Smith

Fred Sokolow: Better Lead Guitar Through Chords (DVD)

Beginner's Fingerpicking Guitar

Fiddle Tunes For Fingerstyle Guitar

Stefan Grossman: Fingerpicking Delights

Fred Sokolow: Beginners Fingerpicking Blues Classics

John James: In Concert

John James: In Concert

The British folk club scene is a fairly huge and unique underground institution. At anytime since the early 1960's you would have been able to find a thousand or so weekly or monthly clubs gathering in all sizes of pub rooms around the land and in the Universities and colleges. In the great majority of these the guitar has been the commonest instrument; picked, strummed, thrashed and caressed in a multitude of styles and levels of competence. Fashions and fads come and go, but certain players have such a widespread influence that their own styles become part of the mainstream. When I heard the tapes of this album it impressed me as the essential John James. Probably because he was a working musician, "live" that is, I never felt that his earlier studio albums (except for "Sky In My Pie" with Peter Berryman) did him full justice. His recent Kicking Mule debut "Descriptive Guitar Instrumentals" was probably the first to really showcase what a lively, fluent, creative and dynamic player he really is. This one not only does all that but really catches the essence of a John James performance. I'm a great believer in albums which truly represent the artist and if you've never seen John "live" you can take my word for it that this one does. What's more, it has a real cross section of the favourite tunes and songs from his stage repertoire over the past decade, plus a selection of newer goodies to join that company. ? Ian Anderson/FolkRootsTrack Listing: Picture Rags, Opus 18, Silver Swan, Suitcase Shaped Like That, Black And White Rag Rosebud March, How Can I Tell You, Pickles And Peppers, Ragtime Millionaire, Head In The Clouds, Coconut Dance, Victory Rag, You And I Across The Water, B Minor Run, Tears and You Got Something There

DKK 126.00
1

John Miller: Atlanta Blues Guitar

John Miller: Atlanta Blues Guitar

Atlanta, in the period 1920-1940, rivaled Memphis, St. Louis, Jackson and Chicago in the strength and vitality of its blues scene. It was home to a unique school of 12-string guitarists that included Blind Willie McTell, Barbecue Bob, Charlie Lincoln, Willie Baker and George Carter.Also on hand were the slick slide guitarist Fred McMullen, the accompaniment king, Curley Weaver and the spectacular up-and-comer, Buddy Moss. The scene was rounded out by an earlier generation of players, Peg Leg Howell foremost among them, who kept alive musical traditions that were in the eclipse.Included on this DVD are transcriptions and teaching of recorded performances from the youthful Buddy Moss, a player who influenced generations of East Coast players that followed him, George Carter, a mysterious 12-string guitarist who recorded only four titles, Curley Weaver, a player's player, widely acknowledged to be among the finest accompanists in the blues, Julius Daniels, who came down from North Carolina to Atlanta to record early on and Peg Leg Howell, a bootlegger-turned musician who busked in the streets of Atlanta both as a soloist and in a trio with the fiddler Eddie Anthony and guitarist Henry Williams.The songs presented in the lesson will expand both your right hand techniques and your knowledge of the neck, with one song employing the almost never encountered Open B flat tuning.A detailed tab/music booklet is included as a PDF file on the DVD, and contains all of the songs' lyrics as well as transcriptions of the Guitar parts. Also included are the original source recordings from which the transcriptions taught in the lesson were taken.Titles include Curley Weaver: Ticket Agent | George Carter: Rising River Blues | Buddy Moss: New Lovin? Blues and Oh Lordy Mama | Julius Daniels: 99 Year Blues | Peg Leg Howell: Turtle Dove Blues and Low-Down Rounder Blues

DKK 242.00
1

Country Blues Guitar in Spanish & Vestapol Tunings

Country Blues Guitar in Spanish & Vestapol Tunings

The use of open tunings on the guitar to accompany singing is one of the hallmark sounds of the Country Blues. Unquestionably, the two open tunings that have been used most commonly in the Country Blues have been Spanish tuning, often called Open G tuning and Vestapol tuning, quite often called Open D tuning. For this 2-DVD lesson, we've chosen the names Spanish and Vestapol to designate these tunings, because in practice, Spanish tuning was not always tuned exactly to an open G chord and Vestapol tuning was not always tuned to an open D chord.Each one of these tunings represents its own sort of sound universe, but what is really interesting to hear is the different approaches that different players took to the same tunings, and the different sounds that resulted. In each of these tunings, you'll encounter players whose approach was so melody-driven that it ends up sounding almost like slide guitar played without a slide, and at the opposite end of the spectrum, high concept, chordally sophisticated arrangements. We've purposely chosen the songs that are taught on the lesson to encompass as much of that sound spectrum as possible.On Disc 1, the Spanish tuning lesson, we start by presenting an overview to the tuning, how it is set up, and where the foundational chord positions needed to play Country Blues in that tuning are located. Then we launch into the repertoire: Elizabeth Cotten's serene rendition of the hymn When I Get Home, Mississippi John Hurt's danceable Boys, You're Welcome, Teddy Darby's hypnotic Built Right On The Ground, Clifford Gibson's uptown Bad Luck Dice, Mance Lipscomb's ancient-sounding Willie Poor Boy and Kenny Baker's haunting Legend of the Whistling Brakeman.On Disc 2, the Vestapol tuning lesson, we begin with the an overview that provides the sound of the tuning, the approach that is best suited to it, and the chordal positions needed to play Country Blues in it. Then we go to the songs: Tarheel Slim's instrumental No Time At All, Jimmy Lee Williams' churning locomotive Have You Ever Seen Peaches?, John Byrd's Old Timbrook Blues, Memphis Willie B.'s eerie Brownsville Blues, Blind Boy Fuller's driving Little Woman You're So Sweet, and Jesse Thomas' mind-bender Another Friend Like Me.Instruction is offered with the kind of patient attention to detail for which John Miller's lessons have been acclaimed, and all of the original performances of the songs are included on the discs, as well as tab and standard notation and the lyrics to the songs. Learn the songs on these lessons and you'll be equipped not only to continue learning more songs in these tunings on your own, but perhaps even to create your own arrangements and songs in the tunings.

DKK 306.00
1