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Miles Davis: Miles Davis

Christian Minh Doky: Appreciation

Anders Mogensen: Taking Off

Anders Mogensen: Taking Off Again

Papa Bue's Viking Jazz Band: Live In Dresden 1971

Louis Armstrong In Scandinavia

Cathrine Legardh: Nordisk

The Danish Radio Jazz Orchestra: Ways Of Seeing

Big Voice Odom: Going To California

Horace Parlan: In Copenhagen

Frank Rosolino: In Copenhagen

The Danish Radio Big Band: A Good Time Was Had By All (6 CD-Box Set)

Teddy Wilson: Solo Teddy Wilson Big Band - Box Set

NHØP/Mulgrew Miller: The Duo - Live!

NHØP/Mulgrew Miller: The Duo - Live!

Exclusive to Storyville Records, a previously unreleased live concert with jazz stars Niels-Henning Ørsted Pedersen (Bass) and Mulgrew Miller (Piano) is now finally available for everyone to enjoy. For a short but magnificent time, the two played together, and Storyville's revival of their visit to the North Sea Jazz Festival in Holland in 2000 testifies to their musical brightness and beauty. In 1999-2000, Niels-Henning Ørsted Pedersen was given the chance to make a studio recording on the occasion of Duke Ellington’s 100th birthday. For this duo session, NHØP chose Mulgrew Miller , whom he had heard, but never played with. Both were at the height of their careers, giants in their own right, and with totally different backgrounds. NHØP was born into the Danish folk high-school milieu that promoted freedom of thought and had a prolific song tradition. Growing up as the child of plantation workers in Greenwood, Mississippi, Mulgrew had his roots in gospel music and the racially divided USA of the 1960s. A Duke Ellington connoisseur, he had played with the Ellington Orchestra under direction of Mercer Ellington. Still, from the moment NHØP and Miller met and played together, the two had an affinity as human beings and musicians. They chose a repertoire based on the historic 1941 Duke Ellington—Jimmy Blanton duets. Mik Neumann, NHØP ’s long-time producer, says about their collaboration: “What was special was how their music assimilated the divergent influences of their younger days. Remarkable, too, was the degree of profundity in their interplay – a talent that demands years of experience for a musician to deliver, and possibly also for an audience to understand. At the same time, thanks to their ability to swing, and their inbred musicality, the music was also immediately accessible.” In many ways, Piano-and-Bass was the ultimate constellation for  NHØP and Miller . Here, NHØP had the necessary room to display the same creative brilliance that revolutionized modern contrabass playing. In 2000, NHØP and Mulgrew Miller embarked on a world tour celebrating Duke Elington’s 100th birthday. Mik Neumann recalls the special connection between the two musicians: “Not once during the tour did they sit down and discuss what they were going to play – it materialized on stage, in the moment.” Recorded live, all the tracks on this never before released concert remain in the same order as the two masters chose that evening at the North Sea Jazz Festival. They are at the peak of their abilities, combining new version of the Ellington songs they had previously recorded together with jazz standards. NHØP and Miller  have sadly passed away, but are remembered as intelligent and insightful musicians on and off stage, but also as unconditionally generous mentors and influences for generations of musicians after themselves.

DKK 237.00
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Morten Haxholm Quartet: Equilibrium

DKK 151.00
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Clark Terry/Ernie Wilkins: Live At Montmartre

Clark Terry/Ernie Wilkins: Live At Montmartre

This previously unreleased music was recorded live by the Danish Radio at the famous jazz club Montmartre, in Copenhagen, in June, 1975. The CD consists of 7 tracks (69 min.), and the repertoire is a round blending of blues, standards and modern jazz, including tunes like Garner?s ?Misty?, ?Bye Bye Blackbird?, Ellington?s ?Satin Doll?, and ?The Theme?. Since Clark Terry and Ernie Wilkins had been close friends ? privately and musically ? since their childhood in St. Louis, there is a special communication and relaxed cohesiveness in their playing, not least of all because of their years together in the Count Basie Orch. Ernie Wilkins is best known for his great talents as composer and arranger for big bands - especially Count Basie and countless jazz singers - while Clark Terry is a premier trumpeter and flugelhorn player, famous as a soloist and as side-man in Count Basie?s Orch. The band on this CD was on a European tour at the time of this Montmartre gig, and were a tight, relaxed unit, featuring a fabulous rhythm section (Horace Parlan, Mads Vinding and Bjarne Rostvold), plus two star guests ? Richard Boone and Dexter Gordon.Two of the highlights on the CD are a 15-min. version of ?Bye-Bye Blackbird? and a swinging and very funny blues, where, believe it or not, Richard Boone, Dexter Gordon and Clark Terry do some singing. High professionalism and a relaxed, good feeling make this first-time release a perfect tribute to two old friends from St. Louis, who are two of the top names in modern jazz today.

DKK 151.00
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Signe Juhl & Nikolaj Bentzon Trio: A Midsummer Night's Jazz

Signe Juhl & Nikolaj Bentzon Trio: A Midsummer Night's Jazz

In the warm midsummer of 2015, a tour around Denmark brought Signe Juhl and the Nikolaj Bentzon Trio to Jazzhus Montmartre in the heart of Copenhagen. The music and the atmosphere from the two nights they played has now been made to last forever with the record, A Midsummer Night’s Jazz , which is released in April 2016 on Denmark’s great jazz label, Storyville Records. There’s something unique about listening to live music: And jazz – that living, playful and impulsive music – should be experienced at close range. A Midsummer Night’s Jazz captures this special and intense live feel. With the Nikolaj Bentzon Trio the energy is guaranteed to reach new heights. Espen Laub von Lillienskjold (Drums) delivers both nerve and elegance to the quick swing classics and soulful ballads. Nikolaj Bentzon (Piano) has a unique ability to bring new life to well-known standards with groovy and swinging riffs among other creative impulses. The interplay between him and his musical partner Signe Juhl (Vocals) is unrivalled. In the last few years, their close companionship has resulted in several releases – for example Juhl ’s debut Silver Tongued and the large-scale symphony Bluray-release Luxury Jazz. 31-year old Signe Juhl is an extraordinarily noteworthy contributor to the Danish musical stage. She is a full-grown vocalist with an extraordinary depth and vocal span for our Northern latitudes. Her excess in melodic skill often brings her to new and interesting places in songs, you used to think you already knew. She possesses, in other words, a true jazz instinct. It’s swinging! Personnel: Signe Juhl (Vocals) Nikolaj Bentzon (Piano) Reuben Rogers (Acoustic Bass) Espen Laub von Lillienskjold (Drums)

DKK 160.00
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Duke Ellington: The Duke Box 2

Duke Ellington: The Duke Box 2

The Duke Box 2 picks up the story of the great Duke Ellington band in the early 1950s and spans the next twenty years or so of a remarkable output. This collection is to some extent shaped by the advent of the LP and the longer tracks it enabled and encouraged. That technological shift came in a period when Ellington would lose the three of his stellar sidemen: Johnny Hodges, Lawrence Brown and Sonny Greer. As it turned out, their replacements (Willie Smith, Britt Woodman and Louie Bellson) and other new blood only served to re-energise the band as it approached the 25th anniversary of its initial engagement at The Cotton Club. The box set includes a high-quality 27-page booklet including a large selection of never before seen photos of The Duke and his band members in their prime time. Spanning the years in which Ellington regularly toured Europe and Scandinavia, The Duke Box 2 offers a rich selection of performances illustrating a tirelessly inventive musical spirit on tour with changing personnel and occasional guest artists. CD3 features never before released live recordings from a 1963 concert in Gröna Lund, Stockholm—a veritable treasure for the committed Ellington fan. The box also includes the well-renowned Jaywalker (CD5) and Piano Player (CD4) albums whose music always deserves a re-visiting. Among other gems are late 1970s recordings from New York, some of the last music Ellington ever put out. The bonus DVD combines a series of short films of the Ellington band in action and despite the sound being recorded first and the performances showing the band miming, this curiosum offers a fascinating glimpse of The Duke in action, and the audio is of course technically excellent. The achievement of Duke Ellington exists on a variety of levels. The closer you examine it, the more complex and multi-faceted it appears to be. The first great composer of jazz, the most popular African-American bandleader, the influential pianist, who made light of his piano contribution, the magician who assisted the musical formation of several key individual contributors but who nevertheless retained the identity of his band over a 50-year period. As a portrait of a sublime and inexhaustible musician thriving in the second half of a long and distinguished career, The Duke Box 2 is surely a must-have collection for all true admirers of the inimitable Duke Ellington !

DKK 461.00
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Thomas Fonnesbæk Trio: Sharing

Thomas Fonnesbæk Trio: Sharing

Release November 09, 2018.   Thomas Fonnesbæk and Justin Kauflin are ready to follow up on the critically acclaimed album Synethesia from 2017. This time they are joined by Billy Williams on drums, making this a trio record.   The album, entitled Sharing, was recorded during November 2017 in Gothenburg, Sweden. It consists of 10 tracks, with the main part composed by Fonnesbæk, alongside one improvisation and a rendition of the classic track Inception, written by McCoy Tyner. On Sharing the trio exemplifies the fact that jazz has never been a more international art form than it is today, and that new generations continue to set their own fascinating imprint on the music.   Opening track Point Of No Return starts with a ride-cymbal that sets a kind of upbeat but still very spacious sound, and within the first minute the piano and bass kicks in giving the intro a form that slowly transcends into the theme of the song. First Dance is as the title suggest, a percussion-heavy song that invites the listener to dance to the rhythms. Title-track Sharing is a beautiful ballad that really displays the immense talents of the trio, with the piano in a leading role and almost playful in the way it explores the melody and chords within the song. Tokyo Tower is one of the more upbeat songs, shapeshifting between a kind of metric funk and more traditional jazz within the blink of an eye. The album closes on a high beat, with the trio’s rendition of Inception. Presented here in a very high tempo, the trio once again displays what they are capable of, this time playing fast and precise, without ever sounding forced.   Danish bassist Thomas Fonnesbæk is a fascinating musician who exudes technical brilliance and a superior sense of rhythm, as well as a melodic and harmonic sensitivity reminiscent of Niels-Henning Ørsted Pedersen that never overshadows his own unique style.   Justin Kauflin is one of the great piano talents of recent times. Renowned trumpetist Clark Terry and Quincy Jones has both taken the young prodigy under their wings, playing a crucial part in his success. The maturity he displays and focus with which he plays is exceptional.   Billy Williams is the childhood friend of Kauflin and has worked professionally with a long list of great jazz musicians such as Christian McBride, Larry Willis, Steve Wilson, Benny Golson and Ellis Marsalis Kauflin and Fonnesbæk met for the first time when they were put together for a show at Montmartre in Copenhagen.   Kauflin was so impressed with Fonnesbæk, that he invited him to go on tour with him in Europe and Asia. Both Justin Kauflin and Thomas Fonnesbæk perceive music as colour, a form of synesthesia where one sense stimulates another. It is an aptitude that permeates this record and boosts the level of interplay to new heights. As a result, almost everything is possible and the music becomes boundless when Kauflin, Fonnesbæk and Billy Williams let themselves go. In all of this, Williams plays a major role. His style, at once powerful and sensitive, binds the music together while giving it the groove to constantly propel the group forward.   Great art gets us to forget daily life for a moment. It makes us aware of our fe

DKK 151.00
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