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Sticky Rice: a Politics of Intraracial Desire - Cynthia Wu - Bog - Temple University Press,U.S. - Plusbog.dk

Sticky Rice: a Politics of Intraracial Desire - Cynthia Wu - Bog - Temple University Press,U.S. - Plusbog.dk

Cynthia Wu’s provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. The “sticky rice” of Wu’s title is a term used in gay Asian American culture to describe Asian American men who desire other Asian American men. The bonds between men addressed in Sticky Rice show how the thoughts and actions founded by real-life intraracially desiring Asian-raced men can inform how we read the refusal of multiple normativities in Asian Americanist discourse. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

DKK 821.00
1

Sticky Rice: a Politics of Intraracial Desire - Cynthia Wu - Bog - Temple University Press,U.S. - Plusbog.dk

Sticky Rice: a Politics of Intraracial Desire - Cynthia Wu - Bog - Temple University Press,U.S. - Plusbog.dk

Cynthia Wu’s provocative Sticky Rice examines representations of same-sex desires and intraracial intimacies in some of the most widely read pieces of Asian American literature. Analyzing canonical works such as John Okada’s No-No Boy, Monique Truong’s The Book of Salt, H. T. Tsiang’s And China Has Hands, and Lois-Ann Yamanaka’s Blu’s Hanging, as well as Philip Kan Gotanda’s play, Yankee Dawg You Die, Wu considers how male relationships in these texts blur the boundaries among the homosocial, the homoerotic, and the homosexual in ways that lie beyond our concepts of modern gay identity. The “sticky rice” of Wu’s title is a term used in gay Asian American culture to describe Asian American men who desire other Asian American men. The bonds between men addressed in Sticky Rice show how the thoughts and actions founded by real-life intraracially desiring Asian-raced men can inform how we read the refusal of multiple normativities in Asian Americanist discourse. Wu lays bare the trope of male same-sex desires that grapple with how Asian America’s internal divides can be resolved in order to resist assimilation.

DKK 246.00
1

Theatres of the Body - Lynn Matluck Brooks - Bog - Temple University Press,U.S. - Plusbog.dk

Theatres of the Body - Lynn Matluck Brooks - Bog - Temple University Press,U.S. - Plusbog.dk

Theatres of the Body is Lynn Matluck Brooks’ critical examination of danced stage productions in antebellum Philadelphia. Starting in the 1820s, Brooks explores visual art and social and theatrical dancing across different classes, focusing on the work of E. W. Clay. Continuing through the 1830s, she looks at pantomime ballets and blackface minstrelsy through a political lens, asking questions regarding citizenship, slavery, and freedom. At the time, the city boasted the largest number of native-born ballet dancers in the young nation. Philadelphia also became a creative home to blackface star T. D. Rice, who helped popularize that performance genre. Reviewing print culture in the 1840s, Brooks shows how newspapers, magazines, and popular fiction provided documentation of dancing in Philadelphia as well as the responses of dance commentators, practitioners, and moralists. Theatres of the Body also considers the interplay of science with dance in the 1850s, which impacted both dance practices and reception. Providing an expansive historiography of these significant contributions to dance in the United States, Brooks deepens our understanding of antebellum culture and history.

DKK 1122.00
1

Theatres of the Body - Lynn Matluck Brooks - Bog - Temple University Press,U.S. - Plusbog.dk

Theatres of the Body - Lynn Matluck Brooks - Bog - Temple University Press,U.S. - Plusbog.dk

Theatres of the Body is Lynn Matluck Brooks’ critical examination of danced stage productions in antebellum Philadelphia. Starting in the 1820s, Brooks explores visual art and social and theatrical dancing across different classes, focusing on the work of E. W. Clay. Continuing through the 1830s, she looks at pantomime ballets and blackface minstrelsy through a political lens, asking questions regarding citizenship, slavery, and freedom. At the time, the city boasted the largest number of native-born ballet dancers in the young nation. Philadelphia also became a creative home to blackface star T. D. Rice, who helped popularize that performance genre. Reviewing print culture in the 1840s, Brooks shows how newspapers, magazines, and popular fiction provided documentation of dancing in Philadelphia as well as the responses of dance commentators, practitioners, and moralists. Theatres of the Body also considers the interplay of science with dance in the 1850s, which impacted both dance practices and reception. Providing an expansive historiography of these significant contributions to dance in the United States, Brooks deepens our understanding of antebellum culture and history.

DKK 302.00
1

Taking Stock of Homicide - - Bog - Temple University Press,U.S. - Plusbog.dk

Taking Stock of Homicide - - Bog - Temple University Press,U.S. - Plusbog.dk

Taking Stock of Homicide provides a critical look at homicide, offering a comprehensive review of the major areas of homicide research, including topics largely unexplored in the literature, such as qualitative and historical accounts. Featuring leading scholars, this volume is organized around key themes and areas that reflect major contemporary trends and patterns in criminological literature. Chapters consider fundamentals such as data collection, sources, and histories; structural dynamics, including methodologies and fieldwork plus factors involving race and public health; the circumstances, types, and variations in homicide, from intimate partner violence to gangs, drugs, and firearms; as well as the prevention of and responses to homicide. An essential state-of-the-discipline examination, Taking Stock of Homicide expands our knowledge while offering a toolkit for how to conduct future research on this serious, violent crime. Contributors: Mark Berg, Laura Boisten, Anthony Braga, Fiona Brookman, Shytierra Gaston, Veronica Valencia Gonzalez, Elizabeth Griffiths, Chris Guerra, John Hipp, John Jarvis, Helen Jones, Sharon Jones-Eversley, Jungmyung Kim, Kenneth Land, Marieke Liem, Michael Light, Xiaoshuang Iris Luo, Amy Magnus, Patricia McCall, Erin Orrick, Alex Piquero, William Pridemore, David Pyrooz, Arnaldo Rabolini, Kasey Ragan, Wendy Regoeczi, Johnny Rice II, Jacqueline Rhoden-Trader, Ethan Rogers, Meghan Rodgers, Randolph Roth, Jose Antonio Sanchez, Daniel Semenza, James Tuttle, Jolien van Breen, Kirk Williams, and the editors

DKK 326.00
1

Philadelphia Mural Arts @ 30 - David Updike - Bog - Temple University Press,U.S. - Plusbog.dk

Philadelphia Mural Arts @ 30 - David Updike - Bog - Temple University Press,U.S. - Plusbog.dk

The Mural Arts Program of Philadelphia began in 1984 as a summer youth program with modest support from city government. Under the guidance of Jane Golden, however, it gradually grew into one of the largest and most successful public art organizations in the country, garnering support from local corporations, foundations, and individuals to extend the reach and effectiveness of its innovative programs. Now three decades later, the Mural Arts Program has created more than 3,800 murals and public art projects that have made lasting imprints in every Philadelphia neighborhood. In the process, Mural Arts has engaged thousands of people of all ages from across the city, helped hundreds of ex-offenders train for new jobs, transformed the face of struggling commercial corridors, and developed funding partners in both public and private sectors. While the Mural Arts Program has significantly changed the appearance of the city, it has also demonstrated how participatory public art can empower individuals and promote communal healing around difficult issues. Philadelphia Mural Arts @ 30 is a celebration of and guide to the program''s success. Unlike Philadelphia Murals and the Stories They Tell and its sequel, More Philadelphia Murals and the Stories They Tell , Philadelphia Murals @ 30 showcases the results of 21 projects completed since 2009 and features essays by policy makers, curators, scholars, and educators that offer valuable lessons for artists, activists, and communities to emulate. Philadelphia Mural Arts @ 30 traces the program''s history and evolution, acknowledging the challenges and rewards of growth and change while maintaining a core commitment to social, personal, and community transformation. Contributors include: Dr. Arthur C. Evans, Jr., Arlene Goldbard, Thora Jacobson, Rick Lowe, Dr. Samantha L. Matlin, Paulette Moore, Jeremy Nowak, Maureen H. O''Connell, Elisabeth Perez Luna, Robin Rice, Dr. Jacob Kraemer Tebes, Elizabeth Thomas, Cynthia Weiss, Howard Zehr, and the editors.

DKK 283.00
1