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Incidental Racialization - Yung Yi Diana Pan - Bog - Temple University Press,U.S. - Plusbog.dk

Incidental Racialization - Yung Yi Diana Pan - Bog - Temple University Press,U.S. - Plusbog.dk

Despite the growing number ofAsian American and Latino/a law students, many panethnic students still feel as if they do not belong in this elite microcosm, which reflects the racial inequalities in mainstream American society. While in law school, these students—often from immigrant families, and often the first to go to college—have to fight against racialized and gendered stereotypes. In Incidental Racialization, Diana Pan rigorously explores how systemic inequalities are produced and sustained in law schools. Through interviews with more than 100 law students and participant observations at two law schools, Pan examines how racialization happens alongside professional socialization. She investigates how panethnic students negotiate their identities, race, and gender in an institutional context. She also considers how their lived experiences factor into their student organization association choices and career paths. Incidental Racialization sheds light on how race operates in a law school setting for both students of color and in the minds of white students. It also provides broader insights regarding racial inequalities in society in general.

DKK 240.00
1

Incidental Racialization - Yung Yi Diana Pan - Bog - Temple University Press,U.S. - Plusbog.dk

Incidental Racialization - Yung Yi Diana Pan - Bog - Temple University Press,U.S. - Plusbog.dk

Despite the growing number ofAsian American and Latino/a law students, many panethnic students still feel as if they do not belong in this elite microcosm, which reflects the racial inequalities in mainstream American society. While in law school, these students—often from immigrant families, and often the first to go to college—have to fight against racialized and gendered stereotypes. In Incidental Racialization, Diana Pan rigorously explores how systemic inequalities are produced and sustained in law schools. Through interviews with more than 100 law students and participant observations at two law schools, Pan examines how racialization happens alongside professional socialization. She investigates how panethnic students negotiate their identities, race, and gender in an institutional context. She also considers how their lived experiences factor into their student organization association choices and career paths. Incidental Racialization sheds light on how race operates in a law school setting for both students of color and in the minds of white students. It also provides broader insights regarding racial inequalities in society in general.

DKK 690.00
1

Anna May Wong - Shirley Jennifer Lim - Bog - Temple University Press,U.S. - Plusbog.dk

Anna May Wong - Shirley Jennifer Lim - Bog - Temple University Press,U.S. - Plusbog.dk

Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. By considering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

DKK 250.00
1

Anna May Wong - Shirley Jennifer Lim - Bog - Temple University Press,U.S. - Plusbog.dk

Anna May Wong - Shirley Jennifer Lim - Bog - Temple University Press,U.S. - Plusbog.dk

Finalist for the 2020 Organization of American Historians Mary Nickliss Prize Pioneering Chinese American actress Anna May Wong made more than sixty films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity as she embodied the dominant image of Chinese and, more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist by mining an historical archive of her efforts outside of Hollywood cinema. From her pan-European films and her self-made My China Film to her encounters with artists such as Josephine Baker, Carl Van Vechten, and Walter Benjamin, Lim scrutinizes Wong’s cultural production and self-fashioning. Byconsidering the salient moments of Wong’s career and cultural output, Lim’s analysis explores the deeper meanings, and positions the actress as an historical and cultural entrepreneur who rewrote categories of representation. Anna May Wong provides a new understanding of the actress’s career as an ingenious creative artist.

DKK 876.00
1

Passing for Perfect - Erin Khue Ninh - Bog - Temple University Press,U.S. - Plusbog.dk

Passing for Perfect - Erin Khue Ninh - Bog - Temple University Press,U.S. - Plusbog.dk

In her engaging study, Passing for Perfect,erin KhuÊ Ninh considers the factors that drove college imposters such as Azia Kim-who pretended to be a Stanford freshman-and Jennifer Pan-who hired a hitman to kill her parents before they found out she had never received her high school diploma-to extreme lengths to appear successful. Why would someone make such an illogical choice? And how do they stage these lies so convincingly, and for so long? These outlier examples prompt Ninh to address the larger issue of the pressures and difficulties of striving to be model minority, where failure is too ruinous to admit. Passing for Perfect insists that being a “model minority” is not a “myth,” but coded into one’s programming as an identity-a set of convictions and aspirations, regardless of present socioeconomic status or future attainability-and that the true cost of turning children into high-achieving professionals may be higher than anyone can bear. Ninh’s book codifies for readers the difference between imposters who are con artists or shysters and those who don’t know how to stop passing for perfect.

DKK 915.00
1

Passing for Perfect - Erin Khue Ninh - Bog - Temple University Press,U.S. - Plusbog.dk

Passing for Perfect - Erin Khue Ninh - Bog - Temple University Press,U.S. - Plusbog.dk

In her engaging study, Passing for Perfect,erin KhuÊ Ninh considers the factors that drove college imposters such as Azia Kim-who pretended to be a Stanford freshman-and Jennifer Pan-who hired a hitman to kill her parents before they found out she had never received her high school diploma-to extreme lengths to appear successful. Why would someone make such an illogical choice? And how do they stage these lies so convincingly, and for so long? These outlier examples prompt Ninh to address the larger issue of the pressures and difficulties of striving to be model minority, where failure is too ruinous to admit. Passing for Perfect insists that being a “model minority” is not a “myth,” but coded into one’s programming as an identity-a set of convictions and aspirations, regardless of present socioeconomic status or future attainability-and that the true cost of turning children into high-achieving professionals may be higher than anyone can bear. Ninh’s book codifies for readers the difference between imposters who are con artists or shysters and those who don’t know how to stop passing for perfect.

DKK 254.00
1

Salsa World - - Bog - Temple University Press,U.S. - Plusbog.dk

Salsa World - - Bog - Temple University Press,U.S. - Plusbog.dk

Since its emergence in the 1960s, salsa has transformed from a symbol of Nuyorican pride into an emblem of pan-Latinism and finally a form of global popular culture. While Latinos all over the world have developed and even exported their own “dance accents,” local dance scenes have arisen in increasingly far-flung locations, each with their own flavor and unique features. Salsa World examines the ways in which bodies relate to culture in specific places. The contributors, a notable group of scholars and practitioners, analyze dance practices in the U.S., Japan, Spain, France, Colombia, Cuba, Puerto Rico, and the Dominican Republic. Writing from the disciplines of ethnomusicology, anthropology, sociology, and performance studies, the contributors explore salsa’s kinetopias - places defined by movement, or vice versa- as they have arisen through the dance’s interaction with local histories, identities, and musical forms. Taken together, the essays in this book examine contemporary salsa dancing in all its complexity, taking special note of how it is localized and how issues of geography, race and ethnicity, and identity interact with the global salsa industry. Contributors include Bárbara Balbuena Gutiérrez, Katherine Borland, Joanna Bosse, Rossy Díaz, Saúl Escalona, Kengo Iwanaga, Isabel Llano, Jonathan S. Marion, Priscilla Renta, Alejandro Ulloa Sanmiguel, and the editor. In the series Studies in Latin American and Caribbean Music, edited by Peter Manuel

DKK 690.00
1

Salsa World - - Bog - Temple University Press,U.S. - Plusbog.dk

Salsa World - - Bog - Temple University Press,U.S. - Plusbog.dk

Since its emergence in the 1960s, salsa has transformed from a symbol of Nuyorican pride into an emblem of pan-Latinism and finally a form of global popular culture. While Latinos all over the world have developed and even exported their own “dance accents,” local dance scenes have arisen in increasingly far-flung locations, each with their own flavor and unique features. Salsa World examines the ways in which bodies relate to culture in specific places. The contributors, a notable group of scholars and practitioners, analyze dance practices in the U.S., Japan, Spain, France, Colombia, Cuba, Puerto Rico, and the Dominican Republic. Writing from the disciplines of ethnomusicology, anthropology, sociology, and performance studies, the contributors explore salsa’s kinetopias - places defined by movement, or vice versa- as they have arisen through the dance’s interaction with local histories, identities, and musical forms. Taken together, the essays in this book examine contemporary salsa dancing in all its complexity, taking special note of how it is localized and how issues of geography, race and ethnicity, and identity interact with the global salsa industry. Contributors include Bárbara Balbuena Gutiérrez, Katherine Borland, Joanna Bosse, Rossy Díaz, Saúl Escalona, Kengo Iwanaga, Isabel Llano, Jonathan S. Marion, Priscilla Renta, Alejandro Ulloa Sanmiguel, and the editor. In the series Studies in Latin American and Caribbean Music, edited by Peter Manuel

DKK 242.00
1

Bacchanal - Peter Mason - Bog - Temple University Press,U.S. - Plusbog.dk

Bacchanal - Peter Mason - Bog - Temple University Press,U.S. - Plusbog.dk

On the days preceding Ash Wednesday, Trinidad erupts in an orgy of excitement, noise, color, and energy known as carnival. Other countries celebrate carnival, but none quite like Trinidad, where carnival is not just a two-day event; it is an all-year-round statement of identity. Up to 100,000 Trinidadians, or almost 10 percent of the population, actively take part in carnival. Everyone talks and argues about it, some boycott it, but no one ignores it. Calypsonian SuperBlue has called it \u0022one of the most awesome moods in the world.\u0022 Trinidadians have a word to describe it: \u0022Bacchanal!\u0022 In this vivid and exuberant book, journalist Peter Mason looks at the past, present, and future of carnival, using not just personal observations an d printed sources but also interviews with a wide variety of participants, including performers, pan tuners, designers, and stick fighters. Mason examines the three essential elements of Trinidadian carnival - steelband, calypso, and masquerade. He also discusses recent developments like the growing influence of women and the effects of commercialism. As Mason demonstrates, carnival brings together nearly all aspects of Trinidad's cultural identity -- religion, music, language, humor, folk traditions, politics, gender roles, ethnic traditions, even food and sport. It also has an influence, outside the country, on how people view the island as an export in itself. Mason weaves all these facets of carnival together to create a vibrant sense of the phenomenon itself -- its wit and its vulgarity, its sumptuous colors and heart-pounding noise, its competitiveness and spontaneity, the months of hard work to produce two days of exuberant self-abandonment -- all the complex energies that lead to \u0022Bacchanal!\u0022

DKK 232.00
1