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Trolleyology - Julia Peyton Jones - Bog - Trolley Books - Plusbog.dk

Trolleyology - Julia Peyton Jones - Bog - Trolley Books - Plusbog.dk

Since they were founded in 2001, Trolley Books has been highly regarded as a maverick independent publisher of photography, reportage, contemporary art and, recently, literature. Trolley’s founder Gigi Giannuzzi was a well-known figure in the publishing and photographic industries for his original and dynamic approach to photobook publishing as well as his unrelenting support of photographers and important but underexposed stories. However aged 49 he was diagnosed with pancreatic cancer and died on Christmas Eve, 2012. Shortly before his death, work began on a new book TROLLEYOLOGY, a look at the story behind Gigi and Trolley, which also marked our first decade in publishing. TROLLEYOLOGY presents previously unseen material from the making of the award-winning books, including personal images, contact sheets and photographers’ recollections, documenting the unique stories from each book and the importance of this small but potent publishing house. It also features interviews with our photographers, writers, artists and friends, from the worlds of photography, art and publishing. TROLLEYOLOGY brings together photographers including Nan Goldin, Alex Majoli, Stanley Greene, Paolo Pellegrin, Adam Broomberg and Oliver Chanarin, Tom Stoddart, Nina Berman, Thomas Dworzak, Alixandra Fazzina, Robin Maddock, and Jamie Morgan. It also includes contributions from other members of the Trolley family such as the artists Paul Fryer, Sarah Lucas, Polly Morgan, Mat Collishaw, Le Gun and writers Iphgenia Baal, Sean O Hagan, Julian Stallabrass and cultural historian Barry Miles. The book contains a foreword by Serpentine Gallery directors Julia Peyton-Jones and Hans Ulrich Obrist.

DKK 340.00
1

Adam Broomberg & Oliver Chanarin: Scarti - Adam Broomberg - Bog - Trolley Books - Plusbog.dk

Adam Broomberg & Oliver Chanarin: Scarti - Adam Broomberg - Bog - Trolley Books - Plusbog.dk

Beautiful and uncanny juxtapositions made during the book printing process, ten years later they become a book in their own right. Ghetto, Broomberg and Chanarin’s first collaboration with Trolley, was published ten years ago. It saw the then creative editors and principal photographers of Colors Magazine document 12 contemporary gated communities, from a maximum-security prison in South Africa to a psychiatric hospital in Cuba. Photographed entirely on large format colour negative, Ghetto took three years to produce and over time has became a popular classic within photo book history. It is now out of print. Scarti di avviamento is the technical term for the paper that is fed through the printing press to clean the drums of ink between print runs. This by-product is usually destroyed once the book is printed. But in this case the scarti – Italian for scraps - were saved and safely stored away by publisher Gigi Giannuzzi. Following his untimely death in December 2012 this box was discovered. In these scraps the layering of the original images from Ghetto appear almost purposeful. The twice-printed sheets reveal uncanny and often beautiful combinations, both compositionally and contextually. In one the arm of a South African prisoner drops casually into the scene of young Tanzanian refugees perched in a tree, whilst in another an American octogenarian from ‘Leisure World’ retirement home sits almost perfectly atop the knee of a Kurdish lorry driver. These scraps would normally have been swept up and discarded from the factory floor. But in this elegant little book they are elevated to original and fascinating works in their own right; a pure and beautiful accident in the world of bookmaking. Yet in truth they are nothing but a series of little accidents.

DKK 439.00
1

Eddy Frankel: Blob - - Bog - Trolley Books - Plusbog.dk

Eddy Frankel: Blob - - Bog - Trolley Books - Plusbog.dk

A short story about a man who becomes a blob illustrated by nine British contemporary artists, and written by art critic Eddy Frankel. Blob is part fiction, part art catalogue, part curatorial project. It's about depression, ageing, anxiety, body dysmorphia and erections, but, you know, in a kinda funny way? It's a vile, miserable little short story about a man whose bones disintegrate, published alongside newly commissioned artwork by Rachel Howard, Olivia Sterling, Mary Ramsden, Shadi Al-Atallah, Glen Pudvine, France-Lise McGurn, Emma Cousin, Gareth Cadwallader and Luke Burton. Eddy Frankel, Time Out's art and culture editor, approached a bunch of artists he loves and asked them if they'd be up for making work in reaction to this story he'd written. Was he nervous about sending all these amazing painters what is essentially an incredibly depressing wank joke? Yes. But somehow, they all said yes, and produced stunning paintings and drawings to go along with the story. The works in the book track the physical transformation and emotional degradation of the blob. It starts with Rachel Howard’s vision of a man lost in the contemplation of his own bits, before Olivia Sterling goes deep on the blob’s relationship with himself and his partner, obsessing over his weight and drinking away the misery as his girlfriend cups his jiggly belly and the material of his bones starts coming out in his semen. Glen Pudvine shows the blob in his fully realised, boneless, horny state, Shadi Al-Atallah depicts him splayed across a hospital corridor with an erection and France Lise McGurn shows the blob losing himself in nothingness. Mary Ramsden abstracts the mundane, everyday misery of his emotions, Gareth Cadwallader shows him as a self-obsessed middle aged man staring at himself in the mirror, and Luke Burton depicts the blob’s ultimate nightmare: suburban mediocrity. It all ends with the blobby oblivion of Emma Cousin’s three near-formless masses of flesh and goo.

DKK 173.00
1

Schools Of Art - - Bog - Trolley Books - Plusbog.dk

Schools Of Art - - Bog - Trolley Books - Plusbog.dk

A photographic survey of UK schools of art by artist Matthew Cornford and writer John Beck. Contemporary colour photographs of these often architecturally significant buildings are accompanied by captions detailing each art school’s history. Cumulatively they reveal the changes undergone by many of these vital institutions and offer a reflection on the state of art education today. Artist Matthew Cornford and writer John Beck studied at art school in Great Yarmouth in the early 1980s. Three decades later they found the building boarded up and for sale. Was the closure of this art school of simply local significance, they wondered, or part of a broader story about the changing place of art and art education in the country? Combining fieldwork and archival digging, over the last ten years the pair have explored the towns and cities of the United Kingdom, building a photographic record of each art school building, or the site upon which it stood, and compiling a capsule history of each institution. Cumulatively, the images are a reminder of quite how many art schools there were in the UK, with over 150 still in operation as recently as the 1960s. As contemporary photographs, the images also speak to a complex and varied history of amalgamations, closures, renovations, demolitions and shifting priorities in art education and beyond. Schools Of Art is a selection of 75 photographs and captions from Beck and Cornford’s ongoing survey, covering the celebrated and the forgotten, the repurposed and the dismantled institutions that fuelled and shaped the creative life of the UK for over a hundred and fifty years. Among the questions raised by this work are fundamental ones regarding the value and significance of arts education and its contribution to the health and prosperity of our towns and cities.

DKK 488.00
1

Nick Waplington: Double Dactyl - - Bog - Trolley Books - Plusbog.dk

Nick Waplington: Double Dactyl - - Bog - Trolley Books - Plusbog.dk

British photographer Nick Waplington combines large format photographs of friends and family, scenes of British streets and seaside, with an added dimension of digital manipulation. Ranging from the almost undetectable, to the surreally fantastic. Double Dactyl accompanied Nick Waplington's solo show at The Whitechapel Gallery, London, December 2007-January 2008. One of Britain's leading contemporary photographers, Waplington first came to public notice with Living Room (1991), a photographic portrait based on the everyday lives of two close-knit families in Nottingham. Since then, often working in book form, he has become known for photographing British social scenery, and his life and close circle of friends and family in East London, where he lives and works. As an artist, Nick Waplington cannot be categorised. His work combines the enigmatic and the everyday, the complex and the straightforward, and the title of his Double Dactyl exhibition embodies these uncomfortable dualities. The word 'dactyl' comes from the Greek dactylos, a word with a mundane literal meaning: finger. In the technical language of poetic theory, however, a dactyl refers to a unit of rhythm that has three syllables, with the emphasis on the first (the long-short-short pattern resembling the joints of a finger). And yet this aesthetic terminology seems less pretentious when we realise that a double dactyl simply describes the rhythm of the artist's name: Nicholas Waplington. If the photographs in Double Dactyl are united by anything, they are united by Waplington's own multiplicity as an artist. His body of work could be described as a journey around the documentary, one that has prodded and played with notions of authenticity, authority and truth that conventionally define the genre. It could also be described as an experiment in doubleness.

DKK 288.00
1

Scott Caruth: Molatham - Scott Caruth - Bog - Trolley Books - Plusbog.dk

Scott Caruth: Molatham - Scott Caruth - Bog - Trolley Books - Plusbog.dk

‘Molatham’ is an Arabic verb which translates literally as ‘to cover ones face’, but is used vernacularly in Palestine to describe anybody resisting the Israeli occupation. In this context, the verb locates the pivotal role played by the medium of photography in the Israeli occupation of the West Bank, whereby in order to resist it, Palestinians must remain anonymous. Taking this as his starting point, Scott Caruth’s Molatham is the culmination of a six year endeavour to archive the social practice of studio portraiture photography in the West Bank. As instances where Palestinians have chosen to represent them selves through the medium of photography, the collaborative process of studio portraiture reinstates that political agency which is denied through the occupiers use of surveillance or the photojournalists ‘fetishised frame of destruction, violence or loss’. Instigated in 2013, Molatham explores the archives of two prominent photography studios in the West Bank - Studio Havana and Studio Chaplin in Ramallah. Developments within the photographic medium itself, from black and white hand tinted photographs to those utilising Photoshop in the present day can be traced chronologically. The book explores how the physical structures of the studios themselves have been subject to both restricted access and destruction. The book then moves on to explore the ways in which these personal, relatively private photographic objects go on to become the centre pieces of public gaze, widely disseminated images that form a central nexus of Palestinian resistance; within political iconography and propaganda, before tracing their display and subsequent disintegration throughout the urban landscape of the West Bank.

DKK 244.00
1

Zoltar The Magnificent - Kieron Livingstone - Bog - Trolley Books - Plusbog.dk

Zoltar The Magnificent - Kieron Livingstone - Bog - Trolley Books - Plusbog.dk

Zoltar The Magnificent was formed in 2002 in London’s Soho. A clothing store and book shop, an installation and an art gallery, since then it has existed as both a widely acclaimed international fashion label, as well as an underground artistic collaborator. Fusing both fashion and art, they continue to infiltrate creative institutions, rupturing expectations of visual culture. To celebrate ten years of guerrilla activity Zoltar have created their first comprehensive collection of complete works to date; a cardinal silkbound, gold-embossed book, echoing the craft and design of ancient religious texts, documenting the continued machinations of this art, fashion and design house. Zoltar has produced many notable collaborations, including a major film commission by Nike in 2010 for their World Cup teams, another with actor Rhys Ifans, and lending their trademark style to the windows in Selfridges to curating Frank 151 magazine, and working with artists from famed photographer Mick Rock to New York surrealist painter Robert Hawkins. The Zoltar clothing range, designed by Macmillan and Livingstone, has also been fuelled by collaborations with notable designers Bella Freud and Anita Pallenberg. Never conforming and consistently innovating Zoltar’s attempts at cultural terrorism continue to dominate. Confrontational, combative and cutting-edge; Zoltar is in many ways really quite magnificent. “Zoltar was born bastard child of acid house and punk rock. A molotov cocktail of art, film and clothing. One Part social comment and One part sartorial excellence…..Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.” - Dan Macmillan, Project Zoltar.

DKK 672.00
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Luca Pancrazzi: Stilllife - Luca Pancrazzi - Bog - Trolley Books - Plusbog.dk

Luca Pancrazzi: Stilllife - Luca Pancrazzi - Bog - Trolley Books - Plusbog.dk

Stilllife presents a series of monochromatic paintings by Italian artist Luca Pancrazzi, largely of props and corners in the artist's studio and working environment, painted using a detailed semi-pointillism technique that from afar reveals the subtle recreations of brushes, skulls, jars and work surfaces. Luca Pancrazzi's point of view turns upside down normal visions, he stimulates our fantasy along routes and thoughts about the present. "Nothing in this world is completely identical for the reason that two bodies cannot take up one and the same place. Each body is identical to itself only." These words of the Florentine mathematician Corrado Brodgi can be taken as an epigraph to the artist's creation. "What is important is not what and how I see, but rather the relationship between the thing that I see and me personally. We receive visual images from a single element or groups of elements; whether they are manifestations of nature or of human beings. Can we decode it? And with what degree of distortment?" Luca Pancrazzi offers us the chance to reflect on this subject of perception.

DKK 288.00
1