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Xavier Montsalvatge: Soneto A Manuel De Falla

Xavier Montsalvatge's Soneto A Manuel De Falla is a setting of a poem by Federico Garcia Lorca for Voice and Piano, in the style of great Spanish composer, Manuel de Falla.

Manuel De Falla: Tus Ojillos Negros

Tus Ojillos Negros, Cancion Andaluza. Poesia de Cristobal de Castro, Musica de Manuel De Falla. Transcripcion para canto y guitarra Jose de Azpiazu.

Manuel Fernandez Caballero: El Duo de la Africana (Libretto)

Complete Spanish language Libretto for Manuel Fernandez Caballero's El Duo de la Africana .

Manuel De Falla: Los Amores De La Ines

This is the vocal score for Los Amores De La Ines , with music by Manuel De Falla and text by D. Emilio Dugi, arranged for SATB and Piano Accompaniment.

De Falla: Piezas Espanolas Piano

Four piano compositions by Manuel de Falla

Basque Music Of The 18th Century

Collection of 18th century Spanish-Basque keyboard music by the composers Joaquin Oxinaga, P. Jose Larranaga, Manuel de Gamarra, Fr. Ignacio de Echeverria, Juan Andres Lonbide; Fr. Manuel de Sostoa and Fr. Fernando Eguiguren.

Manuel Caballero: Chateau Margaux

Written for voice and piano.

Manuel Valls: Canciones Sefarditas

Traditional Spanish songs (Sephardic Songs), composed by this Catalan composer and theorist (1665 - 1747).

Manuel Diaz Cano: Music For Guitar

A unique collection for Guitar solo by the celebrated Spanish composer and guitarist.

Manuel Castillo: Dos Canciones Para La Navidad

El Puente Y El Arroyo

Azpiazu: Homenaje A Manuel De Falla for

Manuel Font Y De Anta: Andalucia I Cuaderno

Suite en tres cuadernos

Manuel Font Y De Anta: Andalucia Iii Cuaderno

Suite en tres cuadernos.

Isaac Manuel Francisco Albeniz: Puerta De Tierra-Bolero (Viola/Piano)

Arranged for viola and piano.

Joaquin Turina: El Poema De Una Sanluquena For Violin And Piano

A native of Seville, Joaquin Turina won local success before travelling to Madrid, where he met Manuel de Falla and was further influenced by the prevailing currents of musical nationalism. Study in Paris at the Schola Cantorum was followed, in 1914, by a return to Madrid, where he made his subsequent career in spite of the difficulties he and many others of his background encountered during the days of the republic. This piece is a fantasy for violin and piano.