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Granados Mazurka (mazurka All Polacca) Op.2 Pf

Alberto Iglesias: Cautiva (Parts)

Composed for the dancer/choreographer Nacho Duato and his National Dance Company in Spain, Cautiva has been performed worldwide. Includes all necessary parts: Violin, Viola and Cello.

Heitor Villa-Lobos: Modinha (Secreta No.5) For Guitar

Heitor Villa-Lobos was born in Rio de Janeiro in 1887, and has, by virtue of both his immense output and colorful and accessible musical language, become the most celebrated Brazilian composer of all time. His work not only richly typifies the diverse and kaleidoscopic Brazilian scene butalso, in its abundance, originality, and vitality, provided the key which unlocked Brazilian art music once and for all from the shackles of European late-Romanticism.

Jose Maria Legaza: El Gran Maestro

A collection of works by the prolific Granada song composer Jose Maria Legaza, all presented for Voice and Piano.Includes a biography of the maestro in Spanish and English.

Rodrigo: Concierto Serenata Para Arpa Y Orquesta (Miniature Score)

Written in 1952 for the distinguished harpist Nicanor Zabaleta, this is the fifth of Rodrigo's eleven concertos. With its numerous melodies and delicate but brilliant writing for the soloist and orchestra, it is one of the most attractive of all Rodrigo's works.

Joaquin Turina: Trio En Fa (Score/Parts)

This work for Piano Trio was first performed in 1999 to coincide with the fiftieth anniversary of the composer's death. The work was composed in 1904, but like all of his works pre-1907, Turina treated it with disdain and never encouraged a performance.

E. Arrieta: Coleccion De Solfeo II

A Collection of all Arrieta's theory lessons. Arrieta was Director of the Conservatorio de Musica y Declamacion (Madrid) from 1868, and these lessons have been used to sight read in exams and contests of this music conservatory. These lessons are presented in five hand written notebooks this being the second one.

Federico Moreno Torroba: Musica Para Guitarra

This album presents some of the best examples of the Madrid born composers prolific output that spanned his long career. While his most celebrated work is 'Madronos', all pieces in this album are testimony to the fact that his inspiration is rooted in popular music, to which he adds a vocal style of melodic invention which reminds of his love of vocal music.

Federico Mompou: Musica Para Piano

Federico Mompou is considered by everyone to be one of the most important Catalan and Spanish composers of the 20th Century. His work for piano has crossed all borders and is placed next to that of Albeniz, Granados, Falla and Turina as an indispensable part of contemporary European music. This book offers a beautiful collection of piano solos for intermediate grades.

Graciano Tarrago: Canciones Populares Espanolas Volume 1 (Vce/Gtr)

The Unión Musical Española and Unión Musical Ediciones have continually fostered the development of Spanish music. They have published works by all the major 20th-century Spanish composers, Graciano Tarragó being a very notable among these. This is the first volume of popular songs from around Spain and contains 15 terrific pieces set for Guitar Voice and Guitar or Voice and Piano with both options included here.

Jesus Guridi: Diez Melodias Vascas

Though little known to outsiders, Basque composer Jesús Guridi (1886-1961) is as much beloved in Spain as in his homeland. He is a nationalist composer in the same deep sense as Vaughan Williams was in England, rooted in folk idioms, a generous melodist, approachable but never chauvinistic, above all imbued with a strong sense of the spiritual.This is one of his orchestral works written in 1941 for orchestra.

Eduardo Toldra: Vistas Al Mar (Score)

Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer, a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm, calm atmosphere, and must be one of the high points of this composer's output.This is the score for this work.

Eduardo Toldra: Vistas Al Mar (Parts)

Eduardo Toldra (1895-1962) was a forefront figure of Catalan music and an all-round complete artist - he was a composer, a violinist and a conductor. His emblematic work Vistas Al Mar is a masterpiece for strings. A noteworthy feature of the work is the transparent luminosity of the outer movements and the contemplative nocturne second movement which depicts a warm, calm atmosphere, and must be one of the high points of this composer's output.This is the set of parts for this work.

Joaquin Turina: Musica Para Piano Book 2

A unique collection for piano solo by the celebrated Spanish composer. Turina was a prolific composer, with a catalogue of more than 100 works, covering all the main musical genres: Piano, vocal, ballet, chamber and symphonic... His Pianistic output is very large and this was greatly assisted by the important contract signed with UME in 1929. At the end of the 20th century he continues to be one of the favourite Spanish composers amongst the great performers and is featured in a large discography.

Eslava: Metodo De Solfeo I

Hilarion Eslava (1807-1878) was a Spanish priest, musician, and pedagogue. Although he was a prolific and well-known composer in his own time, today he is primarily remembered for his 1846 work, Metodo De Solfeo , a successful Solfège Method which has been in constant use all over the world for more than 150 years. Having been a choirboy at Pamplona, the method was published while Eslava was choirmaster at the Royal Chapel in Madrid, and he undoubtedly used it as he was training the choristers there.

Serrano: Cancion De Marinela No.2 De La Cancion Del Olvido

Spanish composer José Serrano was a native of Valencia and had a successful career through the early decades of the 20th century as a theatre composer, eventually becoming considered one of the greatest zarzuela composers of all time. His work is melodic, sensuous, and full of life, as in this song La Canción Del Olvidó for Voice and Piano, excerpted from one of his many theatre works, Canción de Marinela, written in 1916.In La Canción Del Olvidó, it is clear why Serrano was such a beloved and treasured composer.

Romero Metodo Completo Para Clarinete (menendez) Part 3

Spanish clarinettist, composer, and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14, and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name, as his compositional works, though high quality, were few in number. From 1849-1876, Romero was the Clarinet Professor at the Madrid Conservatory, where he wrote his Complete Clarinet Method . Over 150 years later, it is still in popular use by schools and conservatories all over the world.

Joaquin Turina: Homenaje A Lope De Vega

The Homenaje (Tribute) a Lope de Vega sets extracts from three of the sixteenth century writer’s many works, all on the theme of romantic desire. The Vocal work is demanding and the Piano part more than mere accompaniment, which keep these songs alive in the recital repertoire.Composer, pianist, writer and educator Joaquin Turina was born in Seville in 1882 and was active mainly in Spain until his death in 1949. His work is influenced by traditional Andalusian idioms and he was particularly generous in his attention to songs, dwarfed only by his output of solo Piano music.

Romero Metodo Completo Para Clarinete (menendez) Part 2

Spanish clarinettist, composer, and teacher Antonio Romero y Andia was born in 1815 in Madrid. He made his debut at 14, and later became solo clarinettist and music director of the Royal Court Orchestra. He is now remembered primarily for the Clarinet key system that bears his name, as his compositional works, though high quality, were few in number. From 1849-1876, Romero was the Clarinet Professor at the Madrid Conservatory, where he wrote several his Complete Clarinet Method . Over 150 years later, it is still in popular use by schools and conservatories all over the world.

Sanz: Danzas Cervantinas (R Sainz De La Maza) for Guitar

The Spanish composer, guitarist, teacher and priest Gaspar Sanz (1640-1710) was one of the leading proponents of the Baroque Guitar. He is best known for his three pedagogical works for the instrument that are still used today by scholars and academics. The collection of four  Danzas Cervantinas was written in 1674 in homage to the Spanish writer Miguel de Cervantes (1547-1616), who is famed across the world as the writer of Don Quixote . They have been edited and arranged for the modern instrument by Regino Sainz de la Maza (1896-1981), a virtuosic guitarist and composer, who toured all across the world.

Beethoven: Adagio De La Sonata Patetica

Ludwig van Beethoven (1770 – 1827) was a German composer and pianist, and arguably the most famous composer of all time. He was the last great figure of the Classical era, and helped pave the way for the Romantic style that followed. His compositions include 9 Symphonies, 5 Piano Concertos, 1 Violin Concerto, 32 Piano Sonatas, and 16 String Quartets. Beethoven’s Adagio from his Piano Sonata No. 8 in C minor, “Pathetique” (Op. 13) is one of his most celebrated compositions. It has been arranged for the Guitar by the Spanish guitarist, pianist and composer Francisco Tárrega (1852-1909). Tárrega is known for revolutionising classical Guitar technique, and also for transcribing many keyboard works for Guitar from the great classical composers, including Beethoven, Mendelssohn, and Chopin.

Seven Haikus

The Seven Haikus, lasting some 8 minutes, were written for the Composers Portrait that closed the author's two-season residency at L’Auditori de Barcelona (2015). The work is inspired by the conciseness and essentiality of theJapanese poetic form, which aspires to capture the epiphanic moment with the immediacy of a calligraphic stroke. The Haikus are compact statements, with an expressive range that belies their miniature timespan. The author conjuresin them a wealth of atmospheres, textures and colors from the ensemble of only six players. For all their reduced scale each piece presents a fully-composed argument. Some are calm, lyrical, others more playful, brilliant andwitty, without excluding the most dramatic or elegiac moods, as in the sixth of the collection, written “In memoriam Maria del Carme Casablancas”.

Segui: Teoria Musical Vol 2

Salvador Segui Perez (1939-2004) was a Spanish musician, academic and composer, who studied in Spain, Italy and France. For many years he was the professor of music theory, and later director, at the Valencia conservatory. Teoria Musical - Volume 2 is suitable for any musician of grade 4 or 5 standard, and covers all aspects of musical theory, including the following: musical syntax, acoustic theory, sound production, instrumental families and ensembles, keys and scales (including tetrachords and modulations), intervals, enharmonics, and more! There are also sections on various eras of musical history, from ancient Greece and the Gregorian chants of the Middle Ages, to modern atonal music and electronic music. A comprehensive volume, this book is ideal for any inquisitive music student.

Turina: Danzas Fantasticas

The Danzas Fantasticas – Fantastical Dances – of Joaquin Turina are the composer’s best known work, originally scored for Piano but Orchestrated by the composer and performed first in 1920 in their Orchestrated version. The work is full of exalted, romantic melodies, Iberian flourishes and exciting instrumental writing. The work quotes passages from the novel La Orgía (The Orgy) by José Más at the beginning of each of the three movements. The movements are Exaltación, a jota dance in 3/8, Ensueño (Dream) a zortziko in 5/8 and Orgía, a farruca, all regional dances of Spain.Joaquin Turina is often contrasted with Albéniz and Granados, those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms and it is possible to hear the influence of Turina’s years studying in Paris, as well as his native Spain combined with the composer’s own unique Voice.

A. Andres: Metodo De Mandolina

The book, Método de Mandolina, begins at the very beginning of learning to play the mandolin, starting with the basic tuning of the instrument, how to sit, position one’s head, and hold one’s hands. There are many pages of exercises that lead to easy pieces and more difficult short works, all in Spanish style.In this age of the Guitar, it is remarkable to know that the mandolin was the most popular instrument throughout the Western world at the turn of the last century, at the time of the publication of this book. For the most part, at that time the virtuosi were considered to be Italian and the best instruments from Italian makers, though many other companies were involved in the production of many forms of the mandolin. This is ironic, however, as it is frequently asserted that the earliest form of lute or mandolin entered Europe with the Moors onto the Iberian peninsula in the shape of the oud. In the late 19th and early 20th centuries, serious composers included lute parts in their major works and wrote pieces expressly for mandolinists and for the thousands of mandolin Orchestras that sprang up throughout Europe and in the New World. That Método de Mandolina remains available is a testament to its usefulness and the expertise of its author in giving teachers and students a volume from which to teach and learn.