Vores kunder ligger øverst på Google

Google Ads Specialister fra Vestjylland

Vi er 100% dedikerede til Google Annoncering – Vi har mange års erfaring med Google Ads og den bruger vi på at opsætte, optimere & vedligeholde vores fantastiske kunders konti.

100% Specialiseret i Google Ads
Vi har mange års erfaring fra +300 konti
Ingen lange bindinger & evighedskontrakter
Jævnlig opfølgning med hver enkelt kunde
Vi tager din virksomhed seriøst
KONTAKT OS
LÆS UDTALELSER & SUCCESHISTORIER

12 resultater (0,28861 sekunder)

Vis alle filtre

Mærke

Butik

Pris (EUR)

Nulstil filter

Produkter
Fra
Butikker

Songs for the Twenty-First Century

Songs for the Twenty-First Century

The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deep reservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated, often featuring elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved but well-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing.There are several songs for voice and piano but some require other instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty, as our criteria were more broadly performative and musical rather than didactic. All selected composers have a particular sympathy for the singing voice, so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type, but this shouldn't be thought of as prescriptive; they are designed to be flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging, the intense and mysterious to the sad and the light-hearted. We hope that many performers will find their tastes represented here.Compiled by David Blake and John Potter.Edited by Michael Hooper.

DKK 229.00
1

Benjamin Gait: Three Inventions

Benjamin Gait: Three Inventions

Three Inventions for Flute, Clarinet and Vibraphone. Composed 2014, published 2016. Also included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. Three Inventions is a short collection of three melodies, one each for Flute, Clarinet and Vibraphone. Each of these has a different character, and is accompanied by the other two instruments. Performers are invited to make many decisions about the music, small and large, ranging from when to place certain chords, to what order to play the three movements in. Some of these decisions are individual, and many of them are collective, inviting the performers to engage with the material and create their own interpretation. The piece was written for Dark Inventions and premiered in February 2014 at the Rotunda Museum in Scarborough.

DKK 130.00
1

Benjamin Gait: Three Inventions (Three Performing Scores)

Benjamin Gait: Three Inventions (Three Performing Scores)

Three Inventions for Flute, Clarinet and Vibraphone. Composed 2014, published 2016. Also included in UYMP's Firewheel Anthology (ISMN M-57036-615-6), recorded by Dark Inventions. Duration: 6-7 minutes. Three Inventions is a short collection of three melodies, one each for Flute, Clarinet and Vibraphone. Each of these has a different character, and is accompanied by the other two instruments. Performers are invited to make many decisions about the music, small and large, ranging from when to place certain chords, to what order to play the three movements in. Some of these decisions are individual, and many of them are collective, inviting the performers to engage with the material and create their own interpretation. The piece was written for Dark Inventions and premiered in February 2014 at the Rotunda Museum in Scarborough.

DKK 251.00
1

Ed Hughes: Against That Time - Three Songs To Sonnets By Shakespeare

Ed Hughes: Against That Time - Three Songs To Sonnets By Shakespeare

Ed Hughes ' Against That Time - Three Songs To Sonnets By Shakespeare for Mezzo Soprano, Viola and Piano. ' Against That Time...Against My Love is a song cycle comprising of three related settings of Shakespeare sonnets(numbers 49,63 and 126). The sonnets are drawn from a collection of 154 of William Shakespeare's poems on love, beauty and mortality, first published together in 1609. The three sonnets chosen for this sequence meditate particularly on the effect of time upon the appearance of the beloved. In setting these extraordinary lines, I let their rhythms permeate the melodic writing for the singer. The viola and piano act as a kind of echo chamber for the poet's very direct and intimate thoughts. The poems seem both timeless and modern in attitude and perceptions; the music's harmonies, though often tonally clear, are occasionally fractured and in tension, like the many images in thesepoignant texts. ' - Ed Hughes

DKK 174.00
1

Sadie Harrison: Carillons after Couperin L. - Piano Triet Performance Score

Sadie Harrison: Carillons after Couperin L. - Piano Triet Performance Score

Composed in 2013, this 4 minute piece for Piano Triet (one piano six hands) is based on a keyboard work that may have been written by Louis Couperin in the mid 1600s. Baroque ?bell pieces? were generally uniform in style and structure, making composer designations problematic. The main theme is heard at the outset, followed by a short set of variations. Ghosts of other composers drift in and out - Lully, Paganini and Ravel adding a few notes here and there. The players are directed to perform with joyful Baroque energy, gravitas and increasing brilliance. Carillons was written especially for John Pitts and the extraordinary Triet ensemble, and is dedicated to Bill Maddocks. The source is Volume 1 of the Philidor Collection, written in Philidor?s hand (Réserve F 494, pp.71-73: Paris, Bibliotheque national). Carillons was premiered on 22 June 2014 in Colston Hall, Bristol as part of the Severnside Composers Alliance Music on the Edge 2013-14 Series Piano Triets - 3 is the Magic Number 2 .

DKK 129.00
1

Pianthology

Pianthology

Pianthology is a new collection of seven contemporary Piano works by living composers which includes a recording of each of the works performed by Nicky Losseff, the volume's editor. Nicky Losseff, who combines a Senior Lectureship at the University of York with an active career as a concert pianist, has written extensive performance and analysis notes on all of the works, giving helpful suggestions about the study and performance os each piece in turn. The anthology is aimed at university and conservatiore level Piano students, but will serve as an excellent introduction to new music for the Piano for any dedicated player looking to broaden their range.The works included in Pianthology are:Anthony Gilbert - Three Papillon PostcardsSadie Harrison - Impresa AmorosaEd Hughes - Third OrchidJo Kondo - A Dance For Piano, 'Europeans'David Lumsdaine - Six Postcard PiecesHilda Paredes - CaligramaThomas Simaku - Des Pas ChromatiquesPianthology was launched at the York University Spring New Music Festival on May 8th 2008, when all seven works were performed, some by Nicky Losseff and some by her students from the University of York.Includes Nicky Losseff's recordings of all works.Three Papillon Postcards Impresa Amorosa 1

DKK 196.00
1

Signals

Signals

This collection of oboe music, written by living composers, is an invaluable resource for any oboist of Grade 8 and conservatoire standard who is curious about widening their repertoire, and exploring the various languages of modern music. The term "modern music" can alienate many minds who may think it will be too difficult technically; aurally unknown and therefore unsatisfying; harmful or damaging to their musical sensibility. To all these points this volume has the answers. Every one of these pieces requires challenging technical skills demanded of any of the more traditional oboe repertoire, and additionally they will improve technique. Each piece portrays a character and language that is approachable and compelling. Far from damaging musical sensibility these musical types will open the ear and enrich the spirit. Some are physically demanding and require very good breath control, others need patience in learning new fingerings and timbres, and some travel to extreme registers. But, in all cases, the effort will be rewarding, and not only that, the knowledge gained about the oboe and how it works will be equally entertaining and stimulating.

DKK 174.00
1

Songspin Songbook

Songspin Songbook

A genre-defying collection of songs for female vocal trio, Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP, funded by an Arts Council England grant. Described as “the 21st century’s answer to the Swingles or King’s Singers” (The Times), Juice have emerged as the face of a revitalised experimental scene for vocal music. Songspin Songbook publishes songs from their debut album, Songspin. The album was released on Nonclassical in 2011 to critical acclaim, winning an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likes of Camille producer MaJiker and Björk collaborator Mikhail Karikis, the album was reviewed by The Observer as “eighteen immaculately achieved tracks, spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde, enchant and enthrall”. Songspin also featured the premiere recording of Elisabeth Lutyens' Of The Snow, which The Telegraph described of a performance by Juice as "an amazing sustained piece of virtuosity".  Songspin Songbook was edited by James Whittle and Paul Sild.  Artwork designed by Christopher Leedham and Martin Scheuregger.

DKK 362.00
1

On Track - 13 Ensemble Works For Key Stage 4

On Track - 13 Ensemble Works For Key Stage 4

13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus, Ensemble Performance.On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. The CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music; there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles.The editor of the compilation, Sadie Harrison, comments:"Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer, and it is crucial to nurture this element of GCSE courses to reflect this. On Track is a fantastic collection of many different styles, approaches and sounds. There is something in here for everybody, at whatever level, and on whatever instrument. This is what GCSE Music teachers are crying out for, and finally here is something that really hits the mark."Harrison's comments are echoed by recent examiners' reports from EdExcel, one of the largest examiners of GCSE music. They describe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' report in 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues, saying that "it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT comply."On Track comes complete with a CD-Rom containing all the parts for all the pieces and transpositions for any instrument, and these parts come with a licence for printing as many copies as needed, directly from the CD-Rom. The CD also contains recordings of every piece. The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music; there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles.Fixed EnsemblesSadie Harrison ? On the run!for clarinet in Bb, violin, 'cello, pianoEd Hughes ? Matthew's Mazurkafor piano duetJeremy Dale Roberts ? 'Takes three...' for trumpet, 'cello, pianoMatthew Roddie ? Gone Clubbin' for violin, 'celloThomas Simaku ? From Across the Sea for 2 flutes, clarinet in BbFlexible EnsemblesDavid Blake ? Piece for Luis and Justin for four instrumentsAnthony Gilbert ? U-GO for Arirang for four instrumentsJo Kondo ? A Birthday Toast for any number of instrumentsDavid Lumsdaine ? A tree dances for Orpheus for three instrumentsPaul Mealor ? Swing Slow for two instrumentsRobert Saxton ? There and Back for three instrumentsJohn Stringer ? Duo for two instrumentsLuís Tinoco ? Diversion for four instruments

DKK 251.00
1