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New York State Folklife Reader - - Bog - University Press of Mississippi - Plusbog.dk

The New Deal and the South - - Bog - University Press of Mississippi - Plusbog.dk

The New Deal and the South - - Bog - University Press of Mississippi - Plusbog.dk

The New Deal and the Southedited by James C. Cobb and Michael V. Namoratoessays by Alan Brinkley, Harvard Sitkoff, Frank Freidel, Pete Daniel, J. Wayne Flynt, and Numan V. BartleyThe New Deal and the South represents the first comprehensive treatment of the impact of the Roosevelt recovery program on the South. In essays dealing with the New Deal''s overall effect on the South, its influence on southern agriculture, labor, blacks, and politics, and its significance as a turning point in the region''s history, the contributors provide readers with an opportunity to develop a more complete understanding of an era which a number of historians now mark as the period in which the New South actually began to become new. Each of the essays in this collection was presented at the Ninth Annual Chancellor''s Symposium on Southern History, held in October 1983, at the University of Mississippi. In the introductory essay Frank Freidel identifies the New Deal period as one of the most important phases in the modernization of the South, one which linked the wishful thinking of the New South era to the much-publicized contemporary Sunbelt South. Pete Daniel describes the New Deal''s role in the mechanization, consolidation, and corporatization of southern agriculture, a phenomenon that swept thousands of southerners from the land and paved the way for an all-out crusade to industrialize the region. In his analysis of the New Deal''s impact on southern labor, Wayne Flynt assesses what the New Deal did and did not mean for southern industrial workers. Alan Brinkley stresses the tensions induced in southern politics during the New Deal era, particularly those caused by the Democratic Party''s increased responsiveness to blacks and organized labor. Harvard Sitkoff, in surveying the New Deal''s impact on black southerners, cites the limited nature of that impact but points to the seeds of future progress sown by the Roosevelt Administration and its policies. In the concluding essay Numan V. Bartley emphasizes the collapse of a paternalistic labor system and the shift of power from small town to urban elites and suggests that the years 1935-1945 may soon be seen as the "crucial decade" in southern history. The New Deal and the South provides both the serious student and the general reader with an up-to-date assessment of one of the most critical transitional periods in southern history. James C. Cobb is a professor of history at the University of Georgia.Michael V. Namorato is a professor of history at the University of Mississippi.

DKK 312.00
1

Redressing the Balance - - Bog - University Press of Mississippi - Plusbog.dk

Redressing the Balance - - Bog - University Press of Mississippi - Plusbog.dk

Redressing the Balance: American Women''s Literary Humor from Colonial Times to the 1980sedited by Nancy Walker and Zita DresnerThis book giving new focus to the wide field of humor is the first comprehensive anthology of American women''s humorous writing. The editors have included works by such well-known writers as Dorothy Parker, Phyllis McGinley, and Gertrude Stein as well as by once-popular but forgotten authors such as Frances Whitcher, Carolyn Wells, Alice Duer Miller, and Florence Guy Seabury. Indeed, one of the purposes of the anthology is to reclaim the tradition of women''s humor in America, from the witty observations of Sarah Kemble Knight in the early eighteenth century to humorous essays on contemporary American society by Victoria Geng and Gail Sausser. Included are feminist political satires, literary parody, light verse, and domestic humor by more than fifty American women during a period of more than three hundred years. The collection provides ample evidence that women-white and black, urban and rural, newspaper columnists and fiction writers-have taken note of the absurdities and incongruities of American life, particularly as these have affected their lives because they are women. A strong current of feminist protest runs throughout the anthology, not only in the work of avowed feminists such as Marietta Holley and Charlotte Perkins Gilman, but also in portraits of strong, assertive women such as Mary Roberts Rinehart''s "Tish" and distraught housewives such as the narrator in Betty MacDonald''s The Egg and I. The issues these writers explore are those familiar to the women''s movement: women''s economic and political subordination, the sexual double standard, lack of self-definition and autonomy, and the frustrations of homemaking and earning a living.The editors find that this collection forces a reevaluation of the tradition of American humor and American literature by demonstrating that the subjects of American humor have derived not merely from the public, male arena, but also from the private, domestic world that women have typically inhabited, from the frontier to the kitchens of suburbia. The editors have provided an introductory chapter that identifies the major themes and concerns of American women''s humor, and each selection is preceded by a biographical/bibliographical introduction that places the author in historical context.Nancy Walker (deceased) was a professor of English at Vanderbilt University.Zita Dresner is a professor of English at the University of the District of Columbia.

DKK 312.00
1

The Story of French New Orleans - Dianne Guenin Lelle - Bog - University Press of Mississippi - Plusbog.dk

The Story of French New Orleans - Dianne Guenin Lelle - Bog - University Press of Mississippi - Plusbog.dk

What is it about the city of New Orleans? History, location, and culture continue to link it to France while distancing it culturally and symbolically from the United States. This book explores the traces of French language, history, and artistic expression that have been present there over the last three hundred years. This volume focuses on the French, Spanish, and American colonial periods to understand the imprint that French sociocultural dynamic left on the Crescent City. The migration of Acadians to New Orleans at the time the city became a Spanish dominion and the arrival of Haitian refugees when the city became an American territory oddly reinforced its Francophone identity. However, in the process of establishing itself as an urban space in the antebellum South, the culture of New Orleans became a liability for New Orleans elite after the Louisiana Purchase. New Orleans and the Caribbean share numerous historical, cultural, and linguistic connections. The book analyzes these connections and the shared process of creolization occurring in New Orleans and throughout the Caribbean Basin. It suggests "French" New Orleans might be understood as a trope for unscripted "original" Creole social and cultural elements. Since being Creole came to connote African descent, the study suggests that an association with France in the minds of whites allowed for a less racially bound and contested social order within the United States.

DKK 240.00
1

New York City Blues - Larry Simon - Bog - University Press of Mississippi - Plusbog.dk

New York City Blues - Larry Simon - Bog - University Press of Mississippi - Plusbog.dk

A first-ever book on the subject, New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the reader behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices -- many sadly deceased -- and reveal the changes in styles, the connections between performers, and the evolution of New York blues. New York City Blues is an oral history conveyed through the words of the performers themselves and through the photographs of Robert Schaffer, supplemented by the input of Val Wilmer, Paul Harris, and Richard Tapp. The book also features the work of award-winning author and blues scholar John Broven. Along with writing a history of New York blues for the introduction, Broven contributes interviews with Rose Marie McCoy, "Doc" Pomus, Billy Butler, and Billy Bland. Some of the artists interviewed by Larry Simon include Paul Oscher, John Hammond Jr., Rosco Gordon, Larry Dale, Bob Gaddy, "Wild" Jimmy Spruill, and Bobby Robinson. Also featured are over 160 photographs, including those by respected photographers Anton Mikofsky, Wilmer, and Harris, that provide a vivid visual history of the music and the times from Harlem to Greenwich Village and neighboring areas. New York City Blues delivers a strong sense of the major personalities and places such as Harlem''s Apollo Theatre, the history, and an in-depth introduction to the rich variety, sounds, and styles that made up the often-overlooked New York City blues scene.

DKK 267.00
1

Cooperatives in New Orleans - Anne Gessler - Bog - University Press of Mississippi - Plusbog.dk

Cooperatives in New Orleans - Anne Gessler - Bog - University Press of Mississippi - Plusbog.dk

Cooperatives have been central to the development of New Orleans. Anne Gessler asserts that local cooperatives have reshaped its built environment by changing where people interact and with whom, helping them collapse social hierarchies and envision new political systems. Gessler tracks many neighborhood cooperatives, spanning from the 1890s to the present, whose alliances with union, consumer, and social justice activists animated successive generations of regional networks and stimulated urban growth in New Orleans. Studying alternative forms of social organization within the city's multiple integrated spaces, women, people of color, and laborers blended neighborhood-based African, Caribbean, and European communal activism with international cooperative principles to democratize exploitative systems of consumption, production, and exchange. From utopian socialist workers' unions and Rochdale grocery stores to black liberationist theater collectives and community gardens, these cooperative entities integrated marginalized residents into democratic governance while equally distributing profits among members. Besides economic development, neighborhood cooperatives participated in heady debates over urban land use, applying egalitarian cooperative principles to modernize New Orleans's crumbling infrastructure, monopolistic food distribution systems, and spotty welfare programs. As Gessler indicates, cooperative activists deployed street-level subsistence tactics to mobilize continual waves of ordinary people seizing control over mainstream economic and political institutions.

DKK 1029.00
1

Cooperatives in New Orleans - Anne Gessler - Bog - University Press of Mississippi - Plusbog.dk

Cooperatives in New Orleans - Anne Gessler - Bog - University Press of Mississippi - Plusbog.dk

Cooperatives have been central to the development of New Orleans. Anne Gessler asserts that local cooperatives have reshaped its built environment by changing where people interact and with whom, helping them collapse social hierarchies and envision new political systems. Gessler tracks many neighborhood cooperatives, spanning from the 1890s to the present, whose alliances with union, consumer, and social justice activists animated successive generations of regional networks and stimulated urban growth in New Orleans. Studying alternative forms of social organization within the city's multiple integrated spaces, women, people of color, and laborers blended neighborhood-based African, Caribbean, and European communal activism with international cooperative principles to democratize exploitative systems of consumption, production, and exchange. From utopian socialist workers' unions and Rochdale grocery stores to black liberationist theater collectives and community gardens, these cooperative entities integrated marginalized residents into democratic governance while equally distributing profits among members. Besides economic development, neighborhood cooperatives participated in heady debates over urban land use, applying egalitarian cooperative principles to modernize New Orleans's crumbling infrastructure, monopolistic food distribution systems, and spotty welfare programs. As Gessler indicates, cooperative activists deployed street-level subsistence tactics to mobilize continual waves of ordinary people seizing control over mainstream economic and political institutions.

DKK 312.00
1

Spiritualism in Nineteenth-Century New Orleans - Melissa Daggett - Bog - University Press of Mississippi - Plusbog.dk

Spiritualism in Nineteenth-Century New Orleans - Melissa Daggett - Bog - University Press of Mississippi - Plusbog.dk

Modern American Spiritualism blossomed in the 1850s and continued as a viable faith into the 1870s. Because of its diversity and openness to new cultures and religions, New Orleans provided fertile ground to nurture Spiritualism, and many séance circles flourished in the Creole Faubourgs of Tremé and Marigny as well as the American sector of the city. Melissa Daggett focuses on Le Cercle Harmonique, the francophone séance circle of Henry Louis Rey (1831-1894), a Creole of color who was a key civil rights activist, author, and Civil War and Reconstruction leader. His life has so far remained largely in the shadows of New Orleans history, partly due to a language barrier. Spiritualism in Nineteenth-Century New Orleans focuses on the turbulent years between the late antebellum period and the end of Reconstruction. Translating and interpreting numerous primary sources and one of the only surviving registers of séance proceedings, Daggett has opened a window into a fascinating life as well as a period of tumult and change. She provides unparalleled insights into the history of the Creoles of color and renders a better understanding of New Orleans's complex history. The author weaves an intriguing tale of the supernatural, of chaotic post-bellum politics, of transatlantic linkages, and of the personal triumphs and tragedies of Rey as a notable citizen and medium. Wonderful illustrations, reproductions of the original spiritual communications, and photographs, many of which have never before appeared in published form, accompany this study of Rey and his world.

DKK 249.00
1

The Story of French New Orleans - Dianne Guenin Lelle - Bog - University Press of Mississippi - Plusbog.dk

The Story of French New Orleans - Dianne Guenin Lelle - Bog - University Press of Mississippi - Plusbog.dk

What is it about the city of New Orleans History, location, and culture, continue to link it to France while distancing it culturally and symbolically from the United States. This book explores the traces of French language, history, and artistic expression that have been present there over the last three hundred years. This volume focuses on the French, Spanish, and American colonial periods to understand the imprint that French socio-cultural dynamic left on the Crescent City.The migration of Acadians to New Orleans at the time the city became a Spanish dominion and the arrival of Haitian refugees when the city became an American territory oddly reinforced its Francophone identity. However, in the process of establishing itself as an urban space in the antebellum south, the culture of New Orleans became a liability for New Orleans elite after the Louisiana Purchase.New Orleans and the Caribbean share numerous historical, cultural, and linguistic connections. The book analyzes these connections and the shared process of creolization occurring in New Orleans and throughout the Caribbean Basin. It suggests "French" New Orleans might be understood as a trope for unscripted "original" Creole social and cultural elements. Since being Creole came to connote African descent, the study suggests that an association with France in the minds of whites allowed for a less racially-bound and contested social order within the United States.Dianne Guenin-Lelle, Albion, Michigan, received her PhD in French literature from Louisiana State University and is a professor of French at Albion College. She is the coauthor, with Ronney Mourad, of Prison Narratives of Jeanne Guyon and Jeanne Guyon: Selected Writings. Her work has appeared in such journals as Louisiana History and the French Review.

DKK 858.00
1

Talking New Orleans Music - Burt Feintuch - Bog - University Press of Mississippi - Plusbog.dk

Talking New Orleans Music - Burt Feintuch - Bog - University Press of Mississippi - Plusbog.dk

In New Orleans, music screams. It honks. It blats. It wails. It purrs. It messes with time. It messes with pitch. It messes with your feet. It messes with your head. One musician leads to another; traditions overlap, intertwine, nourish each other; and everyone seems to know everyone else. From traditional jazz through rhythm and blues and rock 'n' roll to sissy bounce, in second-line parades, from the streets to clubs and festivals, the music seems unending. In Talking New Orleans Music, author Burt Feintuch has pursued a decades-long fascination with the music of this singular city. Thinking about the devastation--not only material but also cultural--caused by the levees breaking in 2005, he began a series of conversations with master New Orleans musicians, talking about their lives, the cultural contexts of their music, their experiences during and after Katrina, and their city. Photographer Gary Samson joined him, adding a compelling visual dimension to the book. Here you will find intimate and revealing interviews with eleven of the city's most celebrated musicians and culture-bearers--Soul Queen Irma Thomas, Walter ""Wolfman"" Washington, Charmaine Neville, John Boutte, Dr. Michael White, Deacon John Moore, Cajun bandleader Bruce Daigrepont, Zion Harmonizer Brazella Briscoe, producer Scott Billington, as well as Christie Jourdain and Janine Waters of the Original Pinettes, New Orleans's only all-woman brass band. Feintuch's interviews and Samson's sixty-five color photographs create a powerful portrait of an American place like no other and its worlds of music.

DKK 446.00
1

New York and the International Sound of Latin Music, 1940-1990 - Benjamin Lapidus - Bog - University Press of Mississippi - Plusbog.dk

New York and the International Sound of Latin Music, 1940-1990 - Benjamin Lapidus - Bog - University Press of Mississippi - Plusbog.dk

New York City has long been a generative nexus for the transnational Latin music scene. Currently, there is no other place in the Americas where such large numbers of people from throughout the Caribbean come together to make music. In this book, Benjamin Lapidus seeks to recognize all of those musicians under one mighty musical sound, especially those who have historically gone unnoticed. Based on archival research, oral histories, interviews, and musicological analysis, Lapidus examines how interethnic collaboration among musicians, composers, dancers, instrument builders, and music teachers in New York City set a standard for the study, creation, performance, and innovation of Latin music. Musicians specializing in Spanish Caribbean music in New York cultivated a sound that was grounded in tradition, including classical, jazz, and Spanish Caribbean folkloric music. For the first time, Lapidus studies this sound in detail and in its context. He offers a fresh understanding of how musicians made and formally transmitted Spanish Caribbean popular music in New York City from 1940 to 1990. Without diminishing the historical facts of segregation and racism the musicians experienced, Lapidus treats music as a unifying force. By giving recognition to those musicians who helped bridge the gap between cultural and musical backgrounds, he recognizes the impact of entire ethnic groups who helped change music in New York. The study of these individual musicians through interviews and musical transcriptions helps to characterize the specific and identifiable New York City Latin music aesthetic that has come to be emulated internationally.

DKK 1049.00
1

Intimate Partner Violence in New Orleans - Ashley Baggett - Bog - University Press of Mississippi - Plusbog.dk