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Huey P. Newton - Judson L. Jeffries - Bog - University Press of Mississippi - Plusbog.dk

Huey P. Newton - Judson L. Jeffries - Bog - University Press of Mississippi - Plusbog.dk

Huey P. Newton’s powerful legacy to the Black Panther Movement and the civil rights struggle has long been obscured. Conservatives harp at Newton’s drug use and at the circumstances of his death in a crack-related shooting. Liberals romanticize his black revolutionary rhetoric and idealize his message. In Huey P. Newton: The Radical Theorist , Judson L. Jeffries considers the entire arc of Newton’s political role and influence on civil rights history and African American thought. Jeffries argues that, contrary to popular belief, Newton was one of the most important political thinkers in the struggle for civil rights. Stripped of history and interpretation, the violence of Newton’s life brought emphatic indictments of him. Newton’s death attracted widespread media attention. However, pundits offered little on Newton as freedom fighter or as theoretician and activist. Huey P. Newton: The Radical Theorist dispels myths about Newton’s life, but the book is primarily a

DKK 312.00
1

The P-38 Lightning and the Men Who Flew It - Colonel Wolfgang W E Samuel - Bog - University Press of Mississippi - Plusbog.dk

The P-38 Lightning and the Men Who Flew It - Colonel Wolfgang W E Samuel - Bog - University Press of Mississippi - Plusbog.dk

The P-38 Lightning was one of the fastest operational fighters of World War II, famous for its successes in North Africa and the Pacific. In The P-38 Lightning and the Men Who Flew It, Wolfgang W. E. Samuel shares the stories of the young men who climbed into the cockpits of the P-38 to fight for freedom, and of those who created, tested, and deployed these fearsome machines. The P-38 was the product of the Lockheed Corporation, the first fighter they ever built, principally conceptualized by Kelly Johnson, whose design was to meet Air Corps specifications. To do that he came up with a twin-engine aircraft with a tricycle landing gear unlike any other military aircraft of the time. But it was no easy plane to fly. Many pilots died in training and routine flying before ever meeting an opponent in combat. P-38 units were formed quickly once the United States entered World War II in December 1941. Training was rushed to get pilots and planes to Europe as quickly as possible to serve as bomber escorts. Although the P-38 could fly at the high altitudes the bombers flew, it was not the right aircraft for the mission. At high altitudes without an engine in front of the cockpit to keep the pilot warm, the plane was frigid. Pilots suffered and were sometimes so weakened by the brutal cold that they had to be lifted out of the cockpit upon landing, and the bombers suffered severe losses. In North Africa’s warmer air, however, the P-38 came into its own. With four 50-caliber machine guns and a 20mm cannon in its nose, the P-38 was a formidable adversary. With proven success in the Mediterranean, P-38 squadrons were transferred to the Pacific Theater, where they flourished. This book focuses on the men who flew this challenging aircraft and the men who designed and decided how to deploy it. Samuel shares stories of bravery and ingenuity alongside an aviation history long neglected. The P-38’s Pacific deployment is covered in some detail, including the actions of Richard Bong, who became the US forces’ ace of aces while flying a P-38. In the Pacific skies, the P-38, its pilots, and designers made the heroic history captured here.

DKK 283.00
1

Harmony and Normalization - Timothy P. Storhoff - Bog - University Press of Mississippi - Plusbog.dk

Harmony and Normalization - Timothy P. Storhoff - Bog - University Press of Mississippi - Plusbog.dk

Harmony and Normalization: US-Cuban Musical Diplomacy explores the channels of musical exchange between Cuba and the United States during the eight-year presidency of Barack Obama, who eased the musical embargo of the island and restored relations with Cuba. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts in the wake of Raúl Castro assuming the Cuban presidency and the election of President Obama allowed performers to traverse the Florida Straits more easily than in the recent past and encouraged them to act as musical ambassadors. Their performances served as a testing ground for political change that anticipated normalized relations. While government actors debated these changes, music forged connections between individuals on both sides of the Florida Straits. In this first book on the subject since Obama''s presidency, musicologist Timothy P. Storhoff describes how, after specific policy changes, musicians were some of the first to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba''s first US tour, the Minnesota Orchestra''s trip to Havana, and the author''s own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and a common desire to restore the once-thriving US-Cuban musical relationship.

DKK 312.00
1

Harmony and Normalization - Timothy P. Storhoff - Bog - University Press of Mississippi - Plusbog.dk

Harmony and Normalization - Timothy P. Storhoff - Bog - University Press of Mississippi - Plusbog.dk

Harmony and Normalization: US-Cuban Musical Diplomacy explores the channels of musical exchange between Cuba and the United States during the eight-year presidency of Barack Obama, who eased the musical embargo of the island and restored relations with Cuba. Musical exchanges during this period act as a lens through which to view not only US-Cuban musical relations but also the larger political, economic, and cultural implications of musical dialogue between these two nations. Policy shifts in the wake of Raúl Castro assuming the Cuban presidency and the election of President Obama allowed performers to traverse the Florida Straits more easily than in the recent past and encouraged them to act as musical ambassadors. Their performances served as a testing ground for political change that anticipated normalized relations. While government actors debated these changes, music forged connections between individuals on both sides of the Florida Straits. In this first book on the subject since Obama''s presidency, musicologist Timothy P. Storhoff describes how, after specific policy changes, musicians were some of the first to take advantage of new opportunities for travel, push the boundaries of new regulations, and expose both the possibilities and limitations of licensing musical exchange. Through the analysis of both official and unofficial musical diplomacy efforts, including the Havana Jazz Festival, the National Symphony Orchestra of Cuba''s first US tour, the Minnesota Orchestra''s trip to Havana, and the author''s own experiences in Cuba, this ethnography demonstrates how performances reflect aspirations for stronger transnational ties and a common desire to restore the once-thriving US-Cuban musical relationship.

DKK 1029.00
1

The Gaithers and Southern Gospel - Ryan P. Harper - Bog - University Press of Mississippi - Plusbog.dk

The Gaithers and Southern Gospel - Ryan P. Harper - Bog - University Press of Mississippi - Plusbog.dk

In The Gaithers and Southern Gospel, Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.

DKK 276.00
1

The Gaithers and Southern Gospel - Ryan P. Harper - Bog - University Press of Mississippi - Plusbog.dk

The Gaithers and Southern Gospel - Ryan P. Harper - Bog - University Press of Mississippi - Plusbog.dk

In The Gaithers and Southern Gospel , Ryan P. Harper examines songwriters Bill and Gloria Gaither's Homecoming video and concert series--a gospel music franchise that, since its beginning in 1991, has outperformed all Christian and much secular popular music on the American music market. The Homecomings represent "southern gospel." Typically that means a musical style popular among white evangelical Christians in the American South and Midwest, and it sometimes overlaps in style, theme, and audience with country music. The Homecomings' nostalgic orientation--their celebration of "traditional" kinds of American Christian life--harmonize well with southern gospel music, past and present. But amidst the backward gazes, the Homecomings also portend and manifest change. The Gaithers' deliberate racial integration of their stages, their careful articulation of a relatively inclusive evangelical theology, and their experiments with an array of musical forms demonstrate that the Homecoming is neither simplistically nostalgic, nor solely "southern." Harper reveals how the Gaithers negotiate a tension between traditional and changing community norms as they seek simultaneously to maintain and expand their audience as well as to initiate and respond to shifts within their fan base. Pulling from his field work at Homecoming concerts, behind the scenes with the Gaithers, and with numerous Homecoming fans, Harper reveals the Homecoming world to be a dynamic, complicated constellation in the formation of American religious identity.

DKK 858.00
1

George P. Knauff's Virginia Reels and the History of American Fiddling - Chris Goertzen - Bog - University Press of Mississippi - Plusbog.dk

George P. Knauff's Virginia Reels and the History of American Fiddling - Chris Goertzen - Bog - University Press of Mississippi - Plusbog.dk

George P. Knauff�s Virginia Reels (1839) was the first collection of southern fiddle tunes and the only substantial one published in the nineteenth century. Knauff�s activity could not anticipate our modern contest-driven fiddle subcultures. But the fate of the Virginia Reels pointed in that direction, suggesting that southern fiddling, after his time, would happen outside of commercial popular culture even though it would sporadically engage that culture. Chris Goertzen uses this seminal collection as the springboard for a fresh exploration of fiddling in America, past and present. He first discusses the life of the arranger. Then he explains how this collection was meant to fit into the broad stream of early nineteenth-century music publishing. Goertzen describes the character of these fiddle tunes� names (and such titles in general), what we can learn about antebellum oral tradition from this collection, and how fiddling relates to blackface minstrelsy. Throughout the book, the author connects the evidence concerning both repertoire and practice found in the Virginia Reels with current southern fiddling, encompassing styles ranging from straightforward to fancy�old-time styles of the Upper South, exuberant West Virginia styles, and the melodic improvisations of modern contest fiddling. Twenty-six song sheets assist in this discovery. Goertzen incorporates performance descriptions and music terminology into his accessible, engaging prose. Unlike the vast majority of books on American fiddling�regional tune collections or histories�this book presents an extended look at the history of southern fiddling and a close examination of current practices.

DKK 858.00
1

George P. Knauff's Virginia Reels and the History of American Fiddling - Chris Goertzen - Bog - University Press of Mississippi - Plusbog.dk

George P. Knauff's Virginia Reels and the History of American Fiddling - Chris Goertzen - Bog - University Press of Mississippi - Plusbog.dk

George P. Knauff's Virginia Reels (1839) was the first collection of southern fiddle tunes and the only substantial one published in the nineteenth century. Knauff's activity could not anticipate our modern contest-driven fiddle subcultures. But the fate of the Virginia Reels pointed in that direction, suggesting that southern fiddling, after his time, would happen outside of commercial popular culture even though it would sporadically engage that culture. Chris Goertzen uses this seminal collection as the springboard for a fresh exploration of fiddling in America, past and present. He first discusses the life of the arranger. Then he explains how this collection was meant to fit into the broad stream of early nineteenth-century music publishing. Goertzen describes the character of these fiddle tunes' names (and such titles in general), what we can learn about antebellum oral tradition from this collection, and how fiddling relates to blackface minstrelsy. Throughout the book, the author connects the evidence concerning both repertoire and practice found in the Virginia Reels with current southern fiddling, encompassing styles ranging from straightforward to fancy--old-time styles of the Upper South, exuberant West Virginia styles, and the melodic improvisations of modern contest fiddling. Twenty-six song sheets assist in this discovery. Goertzen incorporates performance descriptions and music terminology into his accessible, engaging prose. Unlike the vast majority of books on American fiddling--regional tune collections or histories--this book presents an extended look at the history of southern fiddling and a close examination of current practices.

DKK 312.00
1

Neoliberalism and Young Adult Fiction - Sean P. Connors - Bog - University Press of Mississippi - Plusbog.dk

Neoliberalism and Young Adult Fiction - Sean P. Connors - Bog - University Press of Mississippi - Plusbog.dk

In the twenty-first century, the influence of neoliberalism, the belief that society benefits when both individuals and corporations are free to maximize their talents in the service of responding to social needs and problems, resonates through all domains of human life. And yet, little critical study has been given to the reproduction of a neoliberal social order in YA literature. Neoliberalism and Young Adult Fiction: Exceptionalism, Exploitation, and Erasure examines how some YA literature naturalizes neoliberalism in positioning teenagers as self-enclosed, competitive individuals. At the same time, however, the authors also examine other YA novels as potential sites of resistance that acknowledge teenagers’ agency to reject neoliberalism’s destructive impulses and to work for social justice and equality through collective action. With that in mind, the authors of Neoliberalism and Young Adult Fiction analyze such concepts as how the exceptionality of specific characters who embody neoliberal ideals leads to self-enclosed individualism and how environmental exploitation and consumerism lead to destructive effects. The book progresses to an in-depth examination of how racism undergirds US neoliberalism and environmental exploitation. From scrutinizing racism—and the rejection of neoliberalism inherent in the antiracism movement—the study turns to an examination of gender, specifically focusing on the relationship between sexism, exploitation, and embodied rejections of patriarchal thinking. Indeed, erasure is implicated in racism, sexism, and all forms of discrimination that are borne of exploitation. Finally, youth activism—with its rejection of neoliberal ideologies—leads to a culminating chapter about how global youth link YA literature to their protest movements.

DKK 970.00
1

Neoliberalism and Young Adult Fiction - Sean P. Connors - Bog - University Press of Mississippi - Plusbog.dk

Neoliberalism and Young Adult Fiction - Sean P. Connors - Bog - University Press of Mississippi - Plusbog.dk

In the twenty-first century, the influence of neoliberalism, the belief that society benefits when both individuals and corporations are free to maximize their talents in the service of responding to social needs and problems, resonates through all domains of human life. And yet, little critical study has been given to the reproduction of a neoliberal social order in YA literature. Neoliberalism and Young Adult Fiction: Exceptionalism, Exploitation, and Erasure examines how some YA literature naturalizes neoliberalism in positioning teenagers as self-enclosed, competitive individuals. At the same time, however, the authors also examine other YA novels as potential sites of resistance that acknowledge teenagers’ agency to reject neoliberalism’s destructive impulses and to work for social justice and equality through collective action. With that in mind, the authors of Neoliberalism and Young Adult Fiction analyze such concepts as how the exceptionality of specific characters who embody neoliberal ideals leads to self-enclosed individualism and how environmental exploitation and consumerism lead to destructive effects. The book progresses to an in-depth examination of how racism undergirds US neoliberalism and environmental exploitation. From scrutinizing racism—and the rejection of neoliberalism inherent in the antiracism movement—the study turns to an examination of gender, specifically focusing on the relationship between sexism, exploitation, and embodied rejections of patriarchal thinking. Indeed, erasure is implicated in racism, sexism, and all forms of discrimination that are borne of exploitation. Finally, youth activism—with its rejection of neoliberal ideologies—leads to a culminating chapter about how global youth link YA literature to their protest movements.

DKK 311.00
1

Sombreros and Motorcycles in a Newer South - P. Nicole King - Bog - University Press of Mississippi - Plusbog.dk

Sombreros and Motorcycles in a Newer South - P. Nicole King - Bog - University Press of Mississippi - Plusbog.dk

In 1949, Alan Schafer opened South of the Border, a beer stand located on bucolic farmland in Dillon County, South Carolina, near the border separating North and South Carolina. Even at its beginning, the stand catered to those interested in Mexican-themed kitsch--sombreros, toy pi-atas, vividly colored panchos, salsas. Within five years, the beer stand had grown into a restaurant, then a series of restaurants, and then a theme park, complete with gas stations, motels, a miniature golf course, and an adult-video shop. Flashy billboards--featuring South of the Border's stereotypical bandit Pedro--advertised the locale from 175 miles away. An hour south of Schafer's site lies the Grand Strand region--sixty miles of South Carolina beaches and various forms of recreation. Within this region, Atlantic Beach exists. From the 1940s onward, Atlantic Beach has been a primary tourist destination for middle-class African Americans, as it was one of the few recreational beaches open to them in the region. Since the 1990s, the beach has been home to the Atlantic Beach Bikefest, a motorcycle festival event that draws upward of 10,000 African Americans and other tourists annually. Sombreros and Motorcycles in a Newer South studies both locales, separately and together, to illustrate how they serve as lens for viewing the historical, social, and aesthetic aspects embedded in a place's culture over time. In doing so, author Nicole King engages with concepts of the ""Newer South,"" the contemporary era of southern culture which integrates Old South and New South history and ideas about issues such as race, taste, and regional authenticity. Tracing South Carolina's tourism industry through these locales, King analyzes the collision of southern identity and place with national, corporatized culture from the 1940s onward. Sombreros and Motorcycles in a Newer South locates campy but historic tourist sites that serve as important texts for better understanding how culture moves and more inclusive notions of what it means to be southern today.

DKK 518.00
1

Sweet Spots - - Bog - University Press of Mississippi - Plusbog.dk

Sweet Spots - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Carrie Bernhard, Scott Bernhard, Marilyn R. Brown, Richard Campanella, John P. Clark, Joel Dinerstein, Pableaux Johnson, John P. Klingman, Angel Adams Parham, Bruce Boyd Raeburn, Ruth Salvaggio, Christopher Schaberg, Teresa A. Toulouse, and Beth WillingerMuch has been written about New Orleans's distinctive architecture and urban fabric, as well as the city's art, literature, and music. There is, however, little discussion connecting these features. Sweet Spots --a title drawn from jazz musicians' name for the space "in-between" performers and dancers where music best resonates--provides multiple connections between the city's spaces, its complex culture, and its future.Drawing on the late Tulane architect Malcolm Heard's ideas about "interstitial" spaces, this collection examines how a variety of literal and represented "in-between" spaces in New Orleans have addressed race, class, gender, community, and environment. As scholars of architecture, art, African American studies, English, history, jazz, philosophy, and sociology, the authors incorporate materials from architectural history and practice, literary texts, paintings, drawings, music, dance, and even statistical analyses. Interstitial space refers not only to functional elements inside and outside of many New Orleans houses--high ceilings, hidden staircases, galleries, and courtyards--but also to compelling spatial relations between the city's houses, streets, and neighborhoods.Rich with visual materials, Sweet Spots reveals the ways that diverse New Orleans spaces take on meanings and accrete stories that promote certain consequences both for those who live in them and for those who read such stories. The volume evokes, preserves, criticizes, and amends understanding of a powerful and often-missed feature of New Orleans's elusive reality.

DKK 357.00
1

Britain and the American South - - Bog - University Press of Mississippi - Plusbog.dk

Britain and the American South - - Bog - University Press of Mississippi - Plusbog.dk

Britain and the American South: From Colonialism to Rock and Rolledited by Joseph P. Ward, with essays by R. J. M. Blackett, Kathryn E. Holland Braund, Holly Brewer, S. Max Edelson, Franklin T. Lambert, Michael O''Brien, Brian Ward, Hugh Wilford, and Marcus Wood.In this volume of collected essays, historians analyze central aspects of the cultural exchanges between Britain and the American South.Along with the Spanish and the French, the British were among the first Europeans to have contact with the native peoples in what would come to be known as the American South. During the seventeenth and eighteenth centuries, the British were intensively engaged in colonizing much of the region and developing its economy. The American Revolution severed the governmental links between Britain and its Southern colonies, but economic, social, religious, and cultural ties persevered during the nineteenth and twentieth centuries.The volume illuminates Britain''s evolving relationship with the South over a period of four centuries, an era that witnessed Britain''s rise to imperial dominance and then the gradual erosion of its influence on the wider world. It considers the British influence upon, and often critical responses to, Southern institutions and cultural formations such as religion, gentility, slavery, and music.Two essays focus on Britain''s response to the Confederacy, while others look even further into the past, concentrating on the English legacy in colonial times, its influence on Southern religion, and Britain''s relationship with the Creek Indians. Moving into the twentieth century, the book features analysis of the South''s relationship to the British Left from 1930 to 1960, and an investigation of the South''s role in 1950s British popular music.With an engaging afterword that explores the difficulties in comprehending both Britain and the American South in the present day as well as in the past, this book shows that the relationship between the two has always been and continues to be complex, subtle, and meaningful.Joseph P. Ward is chair of the history department at the University of Mississippi.

DKK 312.00
1

Maroons and the Marooned - - Bog - University Press of Mississippi - Plusbog.dk

Maroons and the Marooned - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Richard Bodek, Claire P. Curtis, Joseph Kelly, Simon Lewis, Steve Mentz, J. Brent Morris, Peter Sands, Edward Shore, and James O'Neil Spady Commonly, the word maroon refers to someone cast away on an island. One becomes marooned, usually, through a storm at sea or by a captain as a method of punishment. But the term originally denoted escaped slaves. Though being marooned came to be associated mostly with white European castaways, the etymology invites comparison between true maroons (escaped slaves establishing new lives in the wilderness) and people who were marooned (through maritime disaster). This volume brings together literary scholars with historians, encompassing both literal maroons such as in Brazil and South Carolina as well as metaphoric scenarios in time-travel novels and postapocalyptic narratives. Included are examples from The Tempest; Margaret Atwood's MaddAddam trilogy; A Connecticut Yankee in King Arthur's Court; and Octavia Butler's Kindred. Both runaways and castaways formed new societies in the wilderness. But true maroons, escaped slaves, were not cast away; they chose to fly towards the uncertainties of the wild in pursuit of freedom. In effect, this volume gives these maroons proper credit, at the very heart of American history.

DKK 858.00
1

European Empires in the American South - - Bog - University Press of Mississippi - Plusbog.dk

European Empires in the American South - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Allison Margaret Bigelow, Denise I. Bossy, Alejandra Dubcovsky, Alexandre Dubé, Kathleen DuVal, Jonathan Eacott, Travis Glasson, Christopher Morris, Robert Olwell, Joshua Piker, and Joseph P. Ward European Empires in the American South examines the process of European expansion into a region that has come to be known as the American South. After Europeans began to cross the Atlantic with confidence, they interacted for three hundred years with one another, with the native people of the region, and with enslaved Africans in ways that made the South a significant arena of imperial ambition. As such, it was one of several similarly contested regions around the Atlantic basin. Without claiming that the South was unique during the colonial era, these essays make clear the region's integral importance for anyone seeking to shed new light on the long-term process of global social, cultural, and economic integration. This volume includes essays on all three imperial powers, Spain, Britain, and France, and their imperial projects in the American South. While the consequences of Indian encounters with European invaders have long remained a principal feature of historical research, this volume advances and expands knowledge of Native Americans in the South amid the Atlantic World.

DKK 312.00
1

On the Ground - - Bog - University Press of Mississippi - Plusbog.dk

On the Ground - - Bog - University Press of Mississippi - Plusbog.dk

Essays by Reynaldo Anderson, Orissa Arend, Omari Dyson, Bruce Fehn, Robert Jefferson, Judson L. Jeffries, Charles E. Jones, Ryan Nissim-Sabat, Joel P. Rhodes, and Jeffrey ZaneThe Black Panther Party suffers from a distorted image largely framed by television and print media, including the Panthers'' own newspaper. These sources frequently reduced the entire organization to the Bay Area where the Panthers were founded, emphasizing the Panthers'' militant rhetoric and actions rather than their community survival programs. This image, however, does not mesh with reality.The Panthers worked tirelessly at improving the life chances of the downtrodden regardless of race, gender, creed, or sexual orientation. In order to chronicle the rich history of the Black Panther Party, this anthology examines local Panther activities throughout the United States--in Seattle, Washington; Kansas City, Missouri; New Orleans, Louisiana; Houston, Texas; Des Moines, Iowa; and Detroit, Michigan.This approach features the voices of people who served on the ground--those who kept the offices in order, prepared breakfasts for school children, administered sickle cell anemia tests, set up health clinics, and launched free clothing drives. The essays shed new light on the Black Panther Party, re-evaluating its legacy in American cultural and political history. Just as important, this volume gives voice to those unsung Panthers whose valiant efforts have heretofore gone unnoticed, unheard, or ignored.

DKK 312.00
1

Reconstructing Southern Rhetoric - - Bog - University Press of Mississippi - Plusbog.dk

Reconstructing Southern Rhetoric - - Bog - University Press of Mississippi - Plusbog.dk

Contributions by Whitney Jordan Adams, Wendy Atkins-Sayre, Jason Edward Black, Patricia G. Davis, Cassidy D. Ellis, Megan Fitzmaurice, Michael L. Forst, Jeremy R. Grossman, Cynthia P. King, Julia M. Medhurst, Ryan Neville-Shepard, Jonathan M. Smith, Ashli Quesinberry Stokes, Dave Tell, and Carolyn Walcott Southern rhetoric is communication''s oldest regional study. During its initial invention, the discipline was founded to justify the study of rhetoric in a field of white male scholars analyzing significant speeches by other white men, yielding research that added to myths of Lost Cause ideology and a uniquely oratorical culture. Reconstructing Southern Rhetoric takes on the much-overdue task of reconstructing the way southern rhetoric has been viewed and critiqued within the communication discipline. The collection reveals that southern rhetoric is fluid and migrates beyond geography, is constructed in weak counterpublic formation against legitimated power, creates a region that is not monolithic, and warrants activism and healing. Contributors to the volume examine such topics as political campaign strategies, memorial and museum experiences, television and music influences, commemoration protests, and ethnographic experiences in the South. The essays cohesively illustrate southern identity as manifested in various contexts and ways, considering what it means to be a part of a region riddled with slavery, Jim Crow laws, and other expressions of racial and cultural hierarchy. Ultimately, the volume initiates a new conversation, asking what would southern rhetorical critique be like if it included the richness of the southern culture from which it came?

DKK 312.00
1