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Pan-African Futurism - Reginold A. Royston - Bog - University of California Press - Plusbog.dk

Pan-African Futurism - Reginold A. Royston - Bog - University of California Press - Plusbog.dk

Pan-Africanism Reconsidered - - Bog - University of California Press - Plusbog.dk

Pan-Africanism Reconsidered - - Bog - University of California Press - Plusbog.dk

Radical Sovereignty - Tony Wood - Bog - University of California Press - Plusbog.dk

Radical Sovereignty - Tony Wood - Bog - University of California Press - Plusbog.dk

The Weight of the White Coat - Glenda M. Flores - Bog - University of California Press - Plusbog.dk

The Weight of the White Coat - Glenda M. Flores - Bog - University of California Press - Plusbog.dk

Parting Gifts of Empire - Esmat Elhalaby - Bog - University of California Press - Plusbog.dk

Parting Gifts of Empire - Esmat Elhalaby - Bog - University of California Press - Plusbog.dk

Outcasts of Empire - Paul D. Barclay - Bog - University of California Press - Plusbog.dk

Menace to Empire - Moon Ho Jung - Bog - University of California Press - Plusbog.dk

Menace to Empire - Moon Ho Jung - Bog - University of California Press - Plusbog.dk

Grounds for Play - Kathryn Hansen - Bog - University of California Press - Plusbog.dk

Folk Literature of the Sephardic Jews, Vol. III - Joseph H. Silverman - Bog - University of California Press - Plusbog.dk

Folk Literature of the Sephardic Jews, Vol. III - Joseph H. Silverman - Bog - University of California Press - Plusbog.dk

Folk Literature of the Sephardic Jews: Judeo-Spanish Ballads from Oral Tradition offers a comprehensive exploration of the rich oral traditions within the Sephardic Jewish community, focusing on ballads that trace their roots to medieval epic narratives. Drawing from a collection of ballads recorded between 1957 and 1980 across Eastern and North African Sephardic communities, the book examines five key narrative types, particularly those connected to the French medieval epic Chanson de Roland and the historical event of Roncesvalles. The volume provides a deep dive into the relationship between these modern Sephardic ballads and their epic antecedents, comparing them with sixteenth-century romancero versions, and placing them within the wider context of Pan-European balladry. Through synthetic texts and an analysis of variants, it uncovers the creative evolution of these ballads within the oral tradition, offering a fresh perspective on their narrative structures and thematic elements. The book addresses ongoing debates in scholarship, particularly the contested connection between epic poetry and ballads. While some critics have downplayed or denied this link, the study presents ample evidence to confirm the genetic and oral-traditional relationship between the romancero and its epic origins. It highlights the preservation of medieval poetic forms and narrative motifs across centuries, particularly the survival of specific poetic features in the Sephardic ballads. The volume also emphasizes the importance of these ballads in understanding the continuity of Hispanic epic poetry within the Sephardic diaspora. Through detailed analysis and scholarly commentary, the book sheds light on the dynamic, living tradition of balladry, demonstrating the creative and evolving nature of these oral narratives across generations. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

DKK 509.00
1

Folk Literature of the Sephardic Jews, Vol. III - Samuel G. Armistead - Bog - University of California Press - Plusbog.dk

Folk Literature of the Sephardic Jews, Vol. III - Samuel G. Armistead - Bog - University of California Press - Plusbog.dk

Folk Literature of the Sephardic Jews: Judeo-Spanish Ballads from Oral Tradition offers a comprehensive exploration of the rich oral traditions within the Sephardic Jewish community, focusing on ballads that trace their roots to medieval epic narratives. Drawing from a collection of ballads recorded between 1957 and 1980 across Eastern and North African Sephardic communities, the book examines five key narrative types, particularly those connected to the French medieval epic Chanson de Roland and the historical event of Roncesvalles. The volume provides a deep dive into the relationship between these modern Sephardic ballads and their epic antecedents, comparing them with sixteenth-century romancero versions, and placing them within the wider context of Pan-European balladry. Through synthetic texts and an analysis of variants, it uncovers the creative evolution of these ballads within the oral tradition, offering a fresh perspective on their narrative structures and thematic elements. The book addresses ongoing debates in scholarship, particularly the contested connection between epic poetry and ballads. While some critics have downplayed or denied this link, the study presents ample evidence to confirm the genetic and oral-traditional relationship between the romancero and its epic origins. It highlights the preservation of medieval poetic forms and narrative motifs across centuries, particularly the survival of specific poetic features in the Sephardic ballads. The volume also emphasizes the importance of these ballads in understanding the continuity of Hispanic epic poetry within the Sephardic diaspora. Through detailed analysis and scholarly commentary, the book sheds light on the dynamic, living tradition of balladry, demonstrating the creative and evolving nature of these oral narratives across generations. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

DKK 971.00
1

Black Orpheus, Transition, and Modern Cultural Awakening in Africa - Peter Benson - Bog - University of California Press - Plusbog.dk

Black Orpheus, Transition, and Modern Cultural Awakening in Africa - Peter Benson - Bog - University of California Press - Plusbog.dk

Black Orpheus and Transition stand as towering landmarks in Africa’s cultural and intellectual history between 1957 and 1978, serving as incubators for the continent's postcolonial literary and artistic awakening. Founded in 1957 by Ulli Beier in Nigeria, Black Orpheus was a platform for artistic experimentation and dialogue, initially inspired by the Paris-based Présence Africaine but quickly evolving into its own distinctive voice. Beier’s initiatives, such as the Mbari Clubs in Ibadan and Oshogbo, complemented the magazine’s mission, offering creative spaces that nurtured some of Africa’s most notable artists and writers. By 1961, Transition, founded in Uganda by Rajat Neogy, emerged as a dynamic forum for cultural redefinition and incisive political commentary. Both publications became indispensable for grappling with the intellectual and cultural challenges of decolonization, exploring themes ranging from African aesthetics to the politics of independence. Despite their profound influence, neither magazine enjoyed smooth trajectories. Black Orpheus weathered internal upheavals, with a second editorial generation—led by Abiola Irele and J.P. Clark—taking the reins and redefining its vision. Meanwhile, Transition faced outright suppression when Neogy was imprisoned for sedition in Uganda. Relocating to Ghana under the stewardship of Wole Soyinka, the magazine continued to thrive, but both journals struggled to adapt to Africa’s rapidly evolving post-independence realities. Their pages reflected a rich tapestry of debates: pan-Africanism versus tribalism, artistic primitivism versus modernism, and indigenous languages versus Western literary conventions. Ultimately, these magazines were more than periodicals—they were crucibles of creativity and intellectual exchange that catalyzed a generation of thinkers and writers. While their eventual closures were due to economic and logistical challenges, their legacy as formative platforms for Africa’s modern cultural identity remains unparalleled. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

DKK 509.00
1

Black Orpheus, Transition, and Modern Cultural Awakening in Africa - Peter Benson - Bog - University of California Press - Plusbog.dk

Black Orpheus, Transition, and Modern Cultural Awakening in Africa - Peter Benson - Bog - University of California Press - Plusbog.dk

Black Orpheus and Transition stand as towering landmarks in Africa’s cultural and intellectual history between 1957 and 1978, serving as incubators for the continent's postcolonial literary and artistic awakening. Founded in 1957 by Ulli Beier in Nigeria, Black Orpheus was a platform for artistic experimentation and dialogue, initially inspired by the Paris-based Présence Africaine but quickly evolving into its own distinctive voice. Beier’s initiatives, such as the Mbari Clubs in Ibadan and Oshogbo, complemented the magazine’s mission, offering creative spaces that nurtured some of Africa’s most notable artists and writers. By 1961, Transition, founded in Uganda by Rajat Neogy, emerged as a dynamic forum for cultural redefinition and incisive political commentary. Both publications became indispensable for grappling with the intellectual and cultural challenges of decolonization, exploring themes ranging from African aesthetics to the politics of independence. Despite their profound influence, neither magazine enjoyed smooth trajectories. Black Orpheus weathered internal upheavals, with a second editorial generation—led by Abiola Irele and J.P. Clark—taking the reins and redefining its vision. Meanwhile, Transition faced outright suppression when Neogy was imprisoned for sedition in Uganda. Relocating to Ghana under the stewardship of Wole Soyinka, the magazine continued to thrive, but both journals struggled to adapt to Africa’s rapidly evolving post-independence realities. Their pages reflected a rich tapestry of debates: pan-Africanism versus tribalism, artistic primitivism versus modernism, and indigenous languages versus Western literary conventions. Ultimately, these magazines were more than periodicals—they were crucibles of creativity and intellectual exchange that catalyzed a generation of thinkers and writers. While their eventual closures were due to economic and logistical challenges, their legacy as formative platforms for Africa’s modern cultural identity remains unparalleled. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1986.

DKK 971.00
1

Afghanistan 1900 - 1923 - Ludwig W. Adamec - Bog - University of California Press - Plusbog.dk

Afghanistan 1900 - 1923 - Ludwig W. Adamec - Bog - University of California Press - Plusbog.dk

This study explores the diplomatic history of Afghanistan between 1900 and 1923, a period marked by the nation’s strategic struggle to maintain sovereignty amidst the geopolitical pressures of British and Russian imperial ambitions. Afghanistan’s position as a buffer state, separating the British Empire in India and the expanding Russian Empire, placed it at the heart of “The Great Game”—the 19th and early 20th-century rivalry between these powers. This historical account details the efforts of Afghan rulers, particularly Abdur Rahman, Habibullah, and Amanullah, to navigate this precarious position, employing a foreign policy that balanced isolationism with strategic alliances to preserve Afghan autonomy. The study traces Afghanistan’s transition from isolation to more active engagement, especially during Amanullah’s rule, when Afghanistan ultimately gained independence from British influence after the Third Anglo-Afghan War in 1919. Key moments in this narrative include Abdur Rahman's calculated diplomacy to counter British and Russian demands, the influence of pan-Islamic sentiments, and the rise of nationalist movements within Afghanistan. It also examines the Afghan response to World War I pressures, including attempts by Germany to leverage Afghanistan against Britain through the Niedermayer expedition. This expedition, along with domestic pressures from pro-war factions within Afghanistan, reflects the complexities Afghan rulers faced in balancing internal unity with external diplomacy. By drawing extensively on primary sources from British, Indian, German, and Russian archives, this work provides an in-depth analysis of Afghan diplomacy during a crucial period. It highlights how Afghanistan’s rugged terrain, economic self-sufficiency, and strategic alliances helped it resist imperial encroachment and shaped its foreign policy. Ultimately, this diplomatic history illustrates the resilience of Afghan rulers in defending their nation’s independence amidst overwhelming odds, setting a precedent for Afghanistan’s modern foreign policy of non-alignment and cautious engagement with global powers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

DKK 346.00
1

Afghanistan 1900 - 1923 - Ludwig W. Adamec - Bog - University of California Press - Plusbog.dk

Afghanistan 1900 - 1923 - Ludwig W. Adamec - Bog - University of California Press - Plusbog.dk

This study explores the diplomatic history of Afghanistan between 1900 and 1923, a period marked by the nation’s strategic struggle to maintain sovereignty amidst the geopolitical pressures of British and Russian imperial ambitions. Afghanistan’s position as a buffer state, separating the British Empire in India and the expanding Russian Empire, placed it at the heart of “The Great Game”—the 19th and early 20th-century rivalry between these powers. This historical account details the efforts of Afghan rulers, particularly Abdur Rahman, Habibullah, and Amanullah, to navigate this precarious position, employing a foreign policy that balanced isolationism with strategic alliances to preserve Afghan autonomy. The study traces Afghanistan’s transition from isolation to more active engagement, especially during Amanullah’s rule, when Afghanistan ultimately gained independence from British influence after the Third Anglo-Afghan War in 1919. Key moments in this narrative include Abdur Rahman's calculated diplomacy to counter British and Russian demands, the influence of pan-Islamic sentiments, and the rise of nationalist movements within Afghanistan. It also examines the Afghan response to World War I pressures, including attempts by Germany to leverage Afghanistan against Britain through the Niedermayer expedition. This expedition, along with domestic pressures from pro-war factions within Afghanistan, reflects the complexities Afghan rulers faced in balancing internal unity with external diplomacy. By drawing extensively on primary sources from British, Indian, German, and Russian archives, this work provides an in-depth analysis of Afghan diplomacy during a crucial period. It highlights how Afghanistan’s rugged terrain, economic self-sufficiency, and strategic alliances helped it resist imperial encroachment and shaped its foreign policy. Ultimately, this diplomatic history illustrates the resilience of Afghan rulers in defending their nation’s independence amidst overwhelming odds, setting a precedent for Afghanistan’s modern foreign policy of non-alignment and cautious engagement with global powers. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1967.

DKK 820.00
1