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The Music of Failure - Bill Holm - Bog - University of Minnesota Press - Plusbog.dk

The Music of Failure - Bill Holm - Bog - University of Minnesota Press - Plusbog.dk

“The ground bass is failure; America is the key signature; Pauline Bardal is the lyrical tune that sings at the center; Minneota, Minnesota, is the staff on which the tunes are written.” So begins the masterful title piece from Bill Holm’s first book of essays, The Music of Failure. This collection introduced to many the singular vision and voice of literary giant Bill Holm, a writer who had traveled well and widely but came back to his hometown of Minneota-the town of his immigrant Icelandic ancestors-as, in his words, “for all practical purposes a failure.” What emerges from these pages, and from Holm’s cherished writings over the next two and a half decades, is anything but failure. From his ruminations on life in Minneota, family history, and the “horizontal grandeur” of the Midwestern prairie to a poetry-reading tour of Minnesota nursing homes and an account of a naked man eating lilacs out of his garden, The Music of Failure is a lyrical and surprising compilation that finds Holm mining the stories and places that captivated him and continue to enthrall his many readers. This 25th anniversary edition includes poignant portraits of Holm and the history of The Music of Failure by Jim Heynen and David Pichaske, along with an essay Holm requested be added to this new edition, “Is Minnesota in America Yet?” With beautiful black-and-white photographs by Tom Guttormsson, The Music of Failure is Bill Holm at both his early and quintessential best, an inimitable and much-missed writer who illuminates our private and common lives through both our quiet victories and our sublime failures.

DKK 165.00
1

Drawing the Sea Near - C. Anne Claus - Bog - University of Minnesota Press - Plusbog.dk

Drawing the Sea Near - C. Anne Claus - Bog - University of Minnesota Press - Plusbog.dk

How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a “conservation-near” approach—which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western “conservation-far” model premised on the separation of humans from the environment. Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa’s coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations—in this case a field office of the World Wide Fund for Nature in Okinawa—negotiate institutional expectations for conservation with localized approaches to caring for ocean life. In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?

DKK 800.00
1

The Quiet Hours - Mike Melman - Bog - University of Minnesota Press - Plusbog.dk

The Quiet Hours - Mike Melman - Bog - University of Minnesota Press - Plusbog.dk

A visual tribute to the industrial spaces and commercial interiors of Minnesota’s prewar eraA milling district along the Mississippi River. A railroad bridge on Washington Avenue. Jim’s Hamburgers in Duluth. A spiral staircase in the Schmidt Brewery. These are the spaces that capture the moods of Minnesota’s prewar era. These are the everyday places where ordinary people lived and worked. These are the images that show us the remnants of a city’s past. In The Quiet Hours, Mike Melman records a vanishing era of Minnesota’s towns and cities through a series of seventy black-and-white photographs taken from 1985 to 2002. Working in the half-light of predawn hours, Melman brings a new perspective to familiar places, one shaped by his training as an architect and his particular affinity for old buildings. Melman’s atmospheric photographs give us insight into the bygone life of a city where we had not thought to look for one before. In his essay, Bill Holm compares Melman’s work to that of Walt Whitman and Carl Sandburg, artists who embrace and celebrate the urban experience. Holm writes, “These photographs take us a long way toward an understanding of that mighty heart of a city. . . . These are very American pictures in their stubbornness, their integrity, and their dogged affection for the working-class life buried inside them.”Through his artistic and historic images, Melman exposes the speed at which American cities change and presents a gritty yet contemplative portrait of urban Minnesota.

DKK 287.00
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Our Neck of the Woods - - Bog - University of Minnesota Press - Plusbog.dk

Our Neck of the Woods - - Bog - University of Minnesota Press - Plusbog.dk

What are the odds of finding Minnesota's tiniest orchid? Why take a Breathalyzer test to study frogs? How does ice fishing warm the heart? Who would live in such a cold, lean region? Our Neck of the Woods takes on these and other urgent (and sometimes quirky) questions, showcasing writers' own experiences in the best-loved places in Minnesota, including the North Shore, Lake Bemidji, the western prairies and grasslands, the Boundary Waters, and the Mesabi Iron Range. The outdoor experiences described here range from sweeping natural history observations to adventurous tales of coming-of-age camping and hunting trips. We follow notable writers and conservationists Sigurd F. Olson, Paul Gruchow, Bill Holm, Jan Zita Grover, Greg Breining, Laurie Allmann, and many others as they descend a frozen river toward Lake Superior, explore a crystalline palace at minus 20 degrees, and trace a family's history along the Mississippi River. Writing on such themes as embracing winter, making camp, and finding wildness even amid development, these authors tell of hunting, fishing, birding, canoeing, and other great outdoor activities that help define what it means to be Minnesotan. Drawn from the pages of Minnesota Conservation Volunteer magazine-published by the Department of Natural Resources since 1940-these writings evoke a strong sense of place and suggest that the outdoor experiences we share with others come to mean the most to us. With rich observations and spirited tales, Our Neck of the Woods beckons Minnesotans to work, play, and explore in the natural places close to their homes and hearts.

DKK 186.00
1

Digital Futures of Graduate Study in the Humanities - - Bog - University of Minnesota Press - Plusbog.dk

Digital Futures of Graduate Study in the Humanities - - Bog - University of Minnesota Press - Plusbog.dk

A resource for planning, reimagining, and participating in the digital transformation of graduate study in the humanities How are the humanities adapting to the rise of digital technologies, and what are some of the tried and tested ways that postsecondary institutions are proving the importance of humanities training at the graduate level? Bringing together a diverse group of scholars and students, Digital Futures of Graduate Study in the Humanities invites a reimagining of current models of graduate education to address ongoing challenges to the humanities and to create sustainable and humane pedagogies, classes, and institutions. The essays cover a wide range of topics, including the skills required to learn and practice digital methods, the resources needed to support students and faculty in this enterprise, the lack of meaningful credit for undertaking this time-intensive work, and the diminished employment possibilities within academia for graduate students who emerge with these skills. Mapping the broad terrain through which to address and intervene in these particular issues and beyond, this book offers deep insights into the digital futures of graduate studies in the humanities. Contributors: Maria José Afanador-Llach, U de los Andes, Bogotá; Maria K. Alberto, U of Utah; Agnieszka Backman; Travis M. Bartley, CUNY Graduate Center; Peggy Bockwinkel, U Stuttgart; Alison Booth, U of Virginia; Donna Alfano Bussell, U of Illinois Springfield; Joshua Casmir Catalano, Clemson U; Laura Crossley, George Mason U; Quinn Dombrowski, Stanford U; Stuart Dunn, King’s College London; Jennifer Edmond, Trinity College Dublin; Natalia Ermolaev, Princeton U; Laura Estill, St. Francis Xavier U; Malte Gäckle-Heckelen; Vicky Garnett, Trinity College Dublin; Daniel Gorman Jr., U of Rochester; Sabrina T. Grimberg, Stanford U; Tena L. Helton, U of Illinois Springfield; Jeanelle Horcasitas; Melissa A. Hosek, Stanford U; Hoyeol Kim; Brady Krien, U of Iowa; Benjamin Charles Germain Lee, U of Washington; Pamela E. Mack, Clemson U; Meredith Martin, Princeton U; Germán Camilo Martínez Peñaloza, U de los Andes, Bogotá; E. L. Meszaros, Brown U; Sara Mohr, Hamilton College; Sethunya Mokoko, U of Virginia; Rebecca Munson; Erin Francisco Opalich; Olivia Quintanilla, MiraCosta College; Cecily Raynor, McGill U; Amanda E. Regan, Clemson U; Heather Richards-Rissetto, U of Nebraska–Lincoln; Jacob D. Richter, George Washington U; Stephen Robertson, George Mason U; Katina L. Rogers; Claus-Michael Schlesinger, Humboldt U Berlin; Douglas Seefeldt, Clemson U; Kayla Shipp, Yale Digital Humanities Lab; Serenity Sutherland, SUNY Oswego; Toma Tasovac, Belgrade Center for Digital Humanities; Hannah Taylor, Duke U; Manfred Thaller, U of Cologne; Madeline Ullrich, U of Rochester; Ted Underwood, U of Illinois Urbana-Champaign; Gabriel Viehhauser, U Stuttgart; Brandon Walsh, U of Virginia Library; Sean Weidman, Lycoming College; Alex Wermer-Colan, Temple U; Adrian S. Wisnicki, U of Nebraska–Lincoln; Alexander J. Zawacki, U Göttingen. Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

DKK 300.00
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